Into The Wind, Again

In places like southern Italy and Greece, spring began a couple of weeks ago.  At least, it usually begins about the middle of February or thereabouts.


Here in New York, winter began yesterday.  At least, that's how it seemed.  We've had only a couple of cold (by the standards of NY winters, anyway) days, and practically no snowfall since, ironically, the end of October.


However, today the temperature dropped from its early-morning high of 45F (8C) to a couple of degrees below freezing.  As the temperature dropped, the wind picked up speed so that it was blowing steadily at about 20MPH and gusting to 50.


I did a couple of errands on Vera today.  Of course, that meant parts of the ride were absurdly easy, while other parts felt like a series of still photographs

From:  http://brucefong.wordpress.com/2012/02/20/9272/

.  
It got me to thinking of a couple of times when I spent entire days riding into the wind.  One in particular was particularly grueling.


Provence is noted for its mistrals, which come literally out of the clear blue sky.  One day I learned that the mistral, as we say in the old country, actually lives up to the hype.


I had been pedaling out of Arles after, of course, visiting everything that had to do with Van Gogh.  Perhaps it was endorphins--I'm pretty sure that the effects of the wine had worn off--that caused me to see something I hadn't seen, or at least noticed, before in my life:  The air was so clear that everyting seemed almost surreal.  The lavender fields were no longer simply plants growing from the earth, and the windows and grain fields didn't merely reflect the bright sunshine:  They all became forms of light and wind that filled me so that I felt, for a moment, that I was not inhabiting a body, much less riding a pannier-laden bicycle; rather, I was a wave of that light and wind.


And then, in a seeming instant, I was pedaling into a wind that whirled like the mirror image of a cyclone.  There were moments when I literally could not pedal at all; for much of the rest of the time, I moved slower than the snails in the ground.  I stopped in a solitary boulangerie in the countryside, in part for a respite from the wind and in another part to feed myself so that I could continue to pedal into it.


As tasty as the bread was, I couldn't digest it; my entire body, it seemed, had formed a knot.  Over the next two hours, I think I pedaled about five kilometers.  Even though I was young and in really good shape, it seemed like an accomplishment, given the relentless wind and that I seemed to be making one climb, however short, after another.  


Finally, I ended up in a town called Brignoles.  I had never even heard of the place; I don't think it was even mentioned in the guides.  What it had, in addition to a castle and narrow cobblestoned streets, were a some shops and a cheap, clean place to lay my head.  


When I set out the following day, the once-again-clear skies were preternaturally still, as if the winds of the previous day had never blown.  

Into The Wind; Into Life

Today I managed to get out only briefly.  I got up late and had a few errands and other things to take care of.  I wish I'd ridden more (Don't I always!) because it was a nice day, the cold and wind notwithstanding.


Actually, I wanted to ride more in part because of the wind.  Of course, there are two sides of it:  riding facefirst into it and having it blow at your back.  The former is the stuff that builds character and such, the latter is a reward for, I suppose, having your character built up.


Pedaling into the wind is, even among non-cyclists, a poignant metaphor for facing challenges. Not being pushed back is a kind of progress; moving forward is a victory in the same way as surviving another day of a struggle.  With these victories, with survival, comes the hope that accompanies the anticipation of a reward:  the wind blowing at your back.  


I did my first rides of more than an hour along the ocean in New Jersey. I would ride from Middletown, where I spent my high-school years, to Sandy Hook, which is exactly what the name says it is:  a spit of sand that somehow manages not to be submerged by the bay or the ocean that are on each side of it.  From there, I'd ride along Route 36 through Sea Bright and Monmouth Beach--both of which straddle strips of land even narrower than Sandy Hook--to Long Branch. (Later, as I gained more experience, I'd ride down to Asbury Park or beyond.)  

On the peninsula that forms the West End of Long Branch, the wind shifted direction about two o'clock every afternoon. On most days, I would be riding into the wind down to Long Branch.  That, of course, meant that the wind would blow me back home.  


Learning about that wind shift, and how to use it, taught me much more than almost anything else I learned in high school--or any school, for that matter. It took me a long time to learn how to use those lessons, but they are the sorts of lessons one doesn't forget.


Those lessons were even applicable to those times when I had to continue pedaling into the same wind from which I had no respite on the previous day.  There are times like that on most multi-day rides:  I recall now the second tour I took in Europe, from Italy into France.  Late one Saturday I checked into a small hotel in Brignoles, a place that was actually quite lovely and interesting (It is in Provence, after all.) but where I also hadn't any plans to stay.  I stopped there because, by the end of that afternoon, I simply couldn't pedal any more.  The next day was more of the same--wind and climbing punctuated by climbing and wind--but at least every pore, orifice and cell had been awakened by that previous day's ride.  


And, oddly enough, while I was pedaling through those lavender-tinged hills, I began to chant part of a Navajo creation song to myself:


It was the wind that gave them life.  It is the wind that comes out of our mouths now that gives us life.  When this ceases to blow, we die.  In the skin at the tips of our fingers, we can see the train of wind. It shows us where the wind blew where our ancestors were created.


Actually, now that I think of it, those words weren't so incongruous.  In the villages and countryside in which I had been riding, I'd had the sense that everything there was happening in some sort of circle that seemed to begin in the wind.  Everyone knew where their ancestors were created, if you will.  A few days earlier, I talked to an olive grower.  I told him that his trees were among the most beautiful things I had ever seen. While not prideful, he didn't seem surprised. "C'est aussi une cathedrale," he said.  "Il est leve pour longtemps" :  It has stood for a long time, like a cathedral.  Later, he told me, "Quand cet arbre est plante, n'est pas pour son moi; n'est pas pour son enfants ou petit-enfants; il est pour leurs petit-enfants":  You do not plant such a tree for yourself, for your children or grand-children; you plant it for their grandchildren.


At the tips of its leaves, one can also see a train of wind.  It shows where the others have grown and where their fruits have been picked, by the ancestors of those who planted it: The grower told me that an olive tree has to grow a hundred years before it bears fruit.  But, if cared for, it will continue to provide olives for a thousand years.


And it was given life by that same wind into which I would pedal a few days later.