11 June 2012

The Only Attitude Is In The Name Of The Bike

I hadn't ridden along that stretch of Metropolitan Avenue, or in that neighborhood, in at least five years.  That, in spite of the fact that it's only about twenty minutes' worth of pedaling, if that, from where I live.   


The area has the feel of an old-style New York blue-collar neighborhood.  That in itself is not a reason for me not to ride there; in fact, my old Brooklyn neighborhood was very similar, so I feel somewhat comfortable in it.  Plus, that stretch has one of the better pizzerias and a couple of really good Italian bakeries, as well as a few pleasant family-owned stores of one kind and another.


One of those stores is Twin Bicycles. Eric, who is now one of the part-owners, looks like one of the kids who'd come into the shop to buy BMX bikes or accessories, or simply to hang out.  He's actually very friendly and articulate, and wanted to know as much as he could about Arielle, the bike I rode today.  Back in the day, the shop sold bicycles like the ones I saw in the window:



They are Klein mountain bikes, made in the USA before Trek took over the company.  The one in neon sunset colors is the "Attitude" model.  It, and the other bike belong to a longtime customer of the shop.  In fact, that customer bought the bikes new from the shop.  Although the Attitude's paint job could have come from the period, it was re-painted when the bike was re-fitted with the Rock Shox front fork.  


Here is another shot of them:




With those paint jobs, I felt as if something like Depeche Mode's "Enjoy The Silence" should have been playing in the background.  I have always liked that song, but thought it was a little odd because the lyrics include these lines: "Words are very unnecessary/They can only do harm."  That may be true, at least in some instances.  But how would the song have been written without words?


But I digress.   Those of you who have '80's and '90's mountain or BMX bikes might want to get in touch with Eric, for he has some new-old-stock parts from that era.  Among them are a dozen sets of SunTour XC roller-cam brakes that are still in their original boxes!  


Anyway, our conversation reminded me of how long it had been since I'd visited the shop, or ridden that stretch of Metropolitan Avenue.  I asked about his father, who owned the store.  "Oh, he died five years ago."  That surprised me, for I thought he couldn't have been more than about five years older than I am.   Complications from diabetes claimed him only two years after his father (Eric's grandfather) died the same way.


Right now, all of the bikes in the shop (the ones I saw, anyway) were repairs.  "Lots of people want to fix up their old bikes," he said, confirming what I've seen and other shop owners and employees have told me.  Still, he plans to sell new bikes again:  He said he's just made arrangements with Trek.  Given the neighborhood and Twin's history as a family-oriented shop, it makes sense.  


I might take another ride over there soon, as I saw at least one item I might use.  Plus, Eric is a pleasant fellow.

10 June 2012

Two Guys And Two Bikes By The River At The Gate Of Hell

Today's ride took me through, among other places, Randall's Island.

There I saw two guys and two bikes by the East River:








Behind them was the Gate of Hell--or, more precisely, the Hell Gate Bridge:







Underneath Hell Gate was a "Native Plant Garden."  Somehow it seemed a bit of an oxymoron.  Still, it was lovely.






I especially liked this particular flower:




After the reverie of seeing it, I pedaled across the newly-reopened 106th Street Bridge onto a newly-reopened (but not entirely repaired) path/greenway along the river in Manhattan--East Harlem, to be exact.  After climbing the shallow but steady climb through Harlem, Hamilton Heights and Washington Heights, I crossed the George Washington Bridge to the New Jersey Palisades.  


After more riding through New Jersey and Staten Island, I thought I'd gotten away from the Gate of Hell.  Well, maybe I got away from the fire of it--but I couldn't escape the mist.






And then, finally, I got some advice upon re-entering Manhattan.






Back to the guys and their bike--and Tosca, the bike that took me through these adventures:





08 June 2012

Milestones





From  Markerica






This is, for me, an interesting time--at least in terms of this blog.

Within the past two weeks, Midlife Cycling has reached three milestones:  500 posts, 70,000 views and two years--in that order.

There may be changes coming soon.  But don't worry:  This blog is even more of a pleasure for me than it was the day I started it. I hope you feel the same way.  In any event, I anticipate writing and riding through some more milestones.


Thank you for reading, and please share this blog with your friends.

07 June 2012

Getting Caught Without My Raingear

Last week, I wrote a post in which I asked you, dear readers, how you decide whether or not to ride in the rain--or when the weather looks chancy.  I also asked whether you bring rain gear if there's a chance of rain.


Well, on my way home last night I felt like an utter fool.  You see, I had to Kingsborough Community College for a workshop and because I agreed to proctor an exam.


Both appointments were in the morning.  So, I anticipated leaving some time in the afternoon.  The day started off bright, sunny and a little bit cool.  The air warmed up, but the skies didn't become any less clear, during the ride--parts of which are quite pleasant.  My destination is in a part of Brooklyn called Manhattan Beach, which looks more like a town on coastal Long Island or Connecticut.  


Well, for various reasons, I ended up staying later than I'd planned.  And, by the time I was ready to leave--around 7:30--rain had begun to fall.  No, forget that.  It was as if the sea, which abuts the campus, was pouring itself over the buildings, paths and gardens.


Of course, I didn't have any rain gear with me.


I thought I could wait it out. After about half an hour, the rain let up.  Not even two minutes after I pedaled off the campus, I rode by the eponymous beach.  You can guess what happened next:  Another deluge, even harder than the one I waited out, came raining down.  The only problem was that there was no shelter.  There were no houses on that stretch, no lean-tos or even trees.  Worse, lightning started to flash all around me.


Within seconds, it seemed, my skirt, blouse and sweater were soaked.  My sandals were like completely full sponges under my feet.


I rode another couple of minutes, to a mini-plaza with a pizzeria, a coffee house and a couple of small stores.  I was about to stop there--the thought of a slice of hot pizza (at a place where I'd had good pizza on other rides)appealed to me.  But the idea of sitting someplace, soaked to my skin, did not.  Then I thought about taking the train, about half a mile away. When I got to the station, though, I realized that the train's air-conditioning might be running.  Sitting in it, in my besoaked condition, definitely would not have been a good idea.


From The Guardian (UK) Bike Blog




So, even though I knew it would take me about an hour and fifteen minutes to get home, I continued to ride.  Somewhere around Brooklyn College, in the middle of Brooklyn, the rain started to let up.  It had all but stopped by the time I crossed the Pulaski Bridge from Greenpoint into Queens.  From there, it's only a few minutes to my apartment.  I stopped at a greengrocer:  the boxes of strawberries and the piles of cherries (both red Bings and yellowish Queen Annes, which taste like a cross between a sweet cherry and a nectarine) in their bins were even more appealing than the pizza had been an hour earlier.  So, after filling my Carradice Nelson Longflap with the luscious fruits, I pedaled home.


The most interesting thing--to me, anyway--was that, except for my sandals, I was dry.  And so was everything in that bag.


That fruit sure was good.  So was the concoction I threw together:  chicken, corn kernels, scallions, chili peppers, Italian green peppers, red bell peppers and mushrooms, all stir fried with a little bit of curry powder and soy sauce, and tossed over some Japanese buckwheat noodles.  Max and Marley were all over me:  They liked the chicken, too. (All right, I cooked some without the vegetables and sauce and noodles for them.)

06 June 2012

A Derailleur I Don't Miss

As I've mentioned in earlier posts, I don't do "retro" for the sake of being retro.  I like the ride of high-quality steel frames, and like the look of lugs.  I also like leather saddles and canvas bags, for looks as well as comfort (in the case of saddles) and durability (the bags).  Also, I appreciate the craft that goes into many of those items.

There are some "old-school" parts I really like, too.  As an example, I probably will ride cranks with square-taper bottom bracket axles for as long as they're available. (I went through eight ISIS bottom brackets in the three years I rode a crankset made for them!)   And, I like Lyotard-style platform pedals with toe clips and straps because they don't require the use of special shoes or cleats--and, frankly, they're better-made than most clipless pedals.  (For a time, I was replacing my clipless pedals every year, even if I didn't crash them.)  And, although I've ridden some of the exotic pre-made wheelsets, and owned a couple of pairs, I prefer handbuilt wheels with traditional (not straight-pull) spokes.

On the other hand, I don't understand the fascination with some "old-school" stuff, save for collectors and people who want to do "period" restorations.  


Here is an example of what I mean.  The other day, this derailleur ensemble sold for 170 dollars on eBay.  Granted, it is in New Old Stock (NOS) condition, meaning it had been sitting in some box or drawer for the past forty years.  

While these parts aren't as common as they once were, they haven't exactly disappeared from the planet, either.  The pieces of the ensemble were made by Huret. The shifters and front derailleurs were decent: not as good as Campagnolo's best or almost anything SunTour ever made, but competent enough, especially in their time.  However, there was no excuse for the rear derailleur, even when it came out.

The Huret Luxe Super Touring rear derailleur was scary.  When you rode it, I mean.  It shifted with all of the predictability of Lady Gaga's sartorial choices.  To be fair, the same could be said for most wide-range touring derailleurs of that time (circa 1972) that weren't made by SunTour.  The Campagnolo Gran Turismo didn't shift much better than the Huret.  But at least the Campy GT shared a trait of other Campagnolo derailleurs at that time.  Frank Berto best described that characteristic when he said, of the Nuovo Record, that it would shift poorly forever.  


From VeloBase 


The Luxe's body consisted of spindly stamped steel pieces riveted together.  Even on the "racing" version of the Luxe, which had a shorter pulley cage, the pieces would work themselves apart, destroying even the pretense of shifting ease or precision.  The long-caged version would deteriorate even more quickly because the extra length of cage and chain created even more stress on the fragile body.

For a couple of years, some European bikes (such as the Raleigh Super Course and  Motobecane Mirage) were equipped with this derailleur.  Such bikes were usually "sport" models with a wider range of gears than were typically found on such model.  The Luxe Super Touring may have been the first European derailleur made to shift onto a 32 tooth rear cog.  (The largest most other derailleurs could handle was a 28; racers in those days typically had largest gears of 21 to 24.)  It came out just as SunTour derailleurs were first becoming available outside of Japan; within a couple of years, SunTours would adorn the Super Course, Mirage and many other mid-level European and American bikes.

When it was new, the Luxe ST sold for around twenty dollars; the ensemble in the photo went for about forty.  Within a couple of years of its introduction, SunTour and Shimano derailleurs that shifted much better, and lasted longer, could be had for half as much, at least in the US. (Japanese components were significantly more expensive in Europe.)  Still, it appears that Huret made the Luxe derailleurs until the early 1980's, when Sachs bought Huret and a few other French component makers.

As I said, I can understand someone buying a Luxe or Gran Turismo for a collection or a "period" restoration.  But I would not install them on any bike I intended to ride anywhere besides an "oldies" show.

05 June 2012

A Childhood Dream In Hipster Hook

Once again, my travels took me through Hipster Hook.  And, as in previous trips through the area, I saw some interesting bikes.

A few days ago, I saw a vintage Bob Jackson and Masi parked next to each other near Manhattan Avenue in Greenpoint.  Today, just a couple of blocks away, I saw another bike that made me emotional for a different reason.

While I was happy to see the Bob Jackson and Masi just because they're such nice bikes, the one I saw today stirred up a memory.  Actually, a whole bunch of memories.



Mind you, it's not a bike I ever had.  I didn't even have one that was remotely like it--not any that I remember, anyway. Rather, it's a bike I might have had if my childhood had been different.

When I say "different," I'm not talking about having been richer (or poorer) or grown up in some other neighborhood, city, state or country.  I'm talking, of course, about the bike I might have had if I'd grown up as a girl named Justine rather than a boy named Nick.


As best as I can tell, this Schwinn Hollywood is from 1967.  At least, that is when Schwinn offered this model (and a few others) in this color.



Of course I love the curves on the bike.  But, as you can probably tell, I love the color even more.  Yes, even as a 12-year-old boy I loved that color--and the shape of the bike.  Of course, in the time and place where I grew up, I wasn't going to admit that.  

I was tempted to wait for its owner and offer to buy it.  Somehow I think she (or he?) wouldn't have sold it.  Even if its owner had no idea of how rare (and possibly valuable) that bike could be, I think she or he is taken with its charm--not to mention its color!

Besides, I'd need more space (not to mention time and money) for it.  I don't think I'd want to leave it outside at night, even in my relatively safe neighborhood.  A childhood dream deserves better.

04 June 2012

Life On A Rainy Day

Today has been unusually cool for this time of year.  It's also rained on and off throughout the day.  I managed to ride for about half an hour.


After a dinner of shrimp and corn bisque, tilapia coated with cornmeal, freshly-ground black pepper and thyme and sauteed in olive oil with capers and lemon, and a vegetable medley, I did some work.  But Marley (r) and Max had their own way of coping.  Oh, by the way, they dined on poached tilapia.







03 June 2012

Rain Gear Or Not?

It's been raining on and off today.  Meteorologists forecast more of the same for the next three days or so.  


My grandmother used to joke about "walking between the raindrops."  Has anyone ever cycled between raindrops?  I've ridden between bouts of rain.  In fact, that's what I did today.  


Whenever I've gone on a multi-day ride, I've brought rain gear with me.  Sometimes I'll bring it on a day ride.  But today I didn't bring any with me.  


Do you usually bring rain gear if you think there's a chance of getting wet?  Do you take your chances?  Or do you not ride in the rain at all?


Whether or not you ride in the rain, you've got to admire this cyclist's sense of style:


From Cyclingtops.com



02 June 2012

Hipster Hook Bikes

How do you know you're in Hipster Hook?


Well, first of all, I should tell you where and what Hipster Hook are.


Roughly, HH rims the East River in Brooklyn and Queens from the Williamsburgh Bridge to the Queensborough (a.k.a. 59th Street) Bridge.  From the river, it stretches a few blocks inland, to about Driggs Avenue in Brooklyn and 11th Street in Queens.  Hipster Hook includes parts of the Brooklyn neighborhoods of Williamsburgh and Greenpoint, and the Queens Community of Long Island City.


All right. You don't always have your map or GPS handy.  So, how else can you tell you're in the Hook?


Well, just take a look at the bikes parked locked to the sign posts, parking meters or other immobile objects:








I mean, where else are you going to find a '70's Bob Jackson, with a full set of Campagnolo Nuovo Record Components, converted to flat-bar use and locked up next to two other bikes?






If you've been following this blog, you have probably realized that I favor purple and deep green (especially British Racing Green), cobalt blue or burgundy bikes.  But I also have a soft spot for orange bikes of that time.  (I include Marianela, the Schwinn Le Tour I used to ride.)  Somehow, the orange bikes made since then just don't have the same kind of character:  Instead of glowing, they shout.






Anyway, I think that bike also has the only thing that, to me, could have made it even prettier:  a somewhat-aged Brooks B-17 saddle in honey.


I wish I could have gotten a full solo shot of the bike.  Oh well.  At least one of the bikes locked next to it was a Masi from the same era.  Today, bikes bearing the Masi name are being made in Taiwan and seem to be, at best, parodies of the real thing.






And how else do you know you're in Hipster Hook?  Well, the bike locked next to the Bob Jackson and Masi was a current KHS bike.  Not bad, really:  I once had a KHS myself.  But you simply can't compare it to those other two bikes!

01 June 2012

Sneaking Away, Into The Wind

Today I was asked to go to a function where I really didn't have to be.  I never exactly said "no," but I didn't commit to it, either.  So, if anyone notices I wasn't there (There's a good chance nobody will!), I can say that "something came up."


Which it did.  That "something", of course, is a ride.   When I left my apartment just after noon with Arielle, scarcely a cloud besmudged the blue, sunny sky.  A strong breeze bent tree limbs and flickered leaves.  But the weather was just warm enough that the breeze invigorated me.


Given that it was such a lovely day, I figured I could ride to Point Lookout and be home around the time of the end-of-day traffic filled the roads.  It was a good plan, but not necessarily for the reasons I planned.


We all know that when you pedal into a breeze, it turns into a wind.  And when you pedal into a wind, it turns into a gale.  Someone told me that once.  That person, once again, was right.  But I didn't care:  I just wanted to ride.


Then, as I pushed through Howard Beach and along the roads and bridges to the Rockaways, clouds gathered.  By the time I got to the Rockaway Beach boardwalk, the skies were overcast.  Even though they grew grayer and more opaque, they never really darkened.  So, I knew there was no real threat of rain.


But by the time I got to Point Lookout, I felt I was looking at what Andrew Wyeth might have painted had he lived in a coastal town:










Still, the ride was more than pleasant and, surprisingly, didn't take much longer than it normally did.  I also wasn't tired.  






The upside to pedaling in the wind, of course, is that when you turn around, it's at your back.  Arielle really lived up to her name:  I felt like I was floating over the roads through Lido Beach, Long Beach and Atlantic Beach, and over the bridge to Far Rockaway.  Even when riding the boardwalk, I felt like I was on a magic carpet powered by Eddie Mercx, Jeanne Longo and a Russian sprinter or two.  






Things probably never would have gone so smoothly had I attended that function I really didn't have to attend!