Arielle Is Ten; Tomorrow Tosca Turns Nine

Today marks an anniversary for me.

No, I am not secretly married in some other state or country.  And I am not talking about the beginning of some business venture, sobriety or any other milestone people mark in their lives.  

Actually, today is a milestone, for me anyway.  You see, ten years ago on this date, I got my first.  And you know what they say:  There's nothing like the first.

If you've been following this blog, you may have guessed what I am talking about:  my Mercians.

Yes, on 22 October 2006, I picked up Arielle--my custom Mercian Audax--from Bicycle Habitat in Soho.  My first ride with her took me through streets in the neighborhood, in the East and West Villages and other parts of lower Manhattan.  

You could say I fell in love.  Actually, that happened before I got the bike:  Hal Ruzal, the Mercian Maven at Habitat, let me ride one of his bikes.  And he seemed to understand what I wanted:  something responsive, but not necessarily a racing bike.  Something comfortable, but definitely not a fully-loaded touring bike, let alone a mountain bike or hybrid.  

Also, I wanted something beautiful.

He recommended getting a custom (my top tube is shorter than is typically found on bikes of my size) version of the Audax, a bike made, as he said, "for centuries and day rides."  And, as he pointed out, the horizontal dropouts with adjustment screws would allow me to shorten or elongate the wheelbase a bit, allowing a faster or cushier bike.

On that first ride, I could see that I had the best of both worlds.  I felt as if I were on a magic carpet that could dodge and outrun the taxis (yes, even New York taxis!) or anything else on the road.  The couple of times I stopped for traffic lights, strangers complimented my new steed.

I knew then, to paraphrase one of the most famous movies of all time, that my ride that day was the beginning of a beautiful relationship.

Today, ten years later, I've owned and ridden Arielle for longer than all except one bike I've ever owned.  And she's been in my life for longer than any lover (or my former spouse) and all except a handful of friends (and two cats) were.  She's also been with me for longer than I've stayed on any job or lived in any one place.  

Plus, she's led to some other beautiful relationships.  One year and one day later, I wheeled Tosca, my Mercian fixed-gear out of Habitat.  Helene, my first Miss Mercian followed almost three years later.  Another year later, I found Vera, my green Mercian mixte, on eBay.  

I've enjoyed many rides with them.  Some of them are on this blog.  They've all been great, beginning with the first, ten years ago--already!--today.

The World Is About To End, Again, And I Decided To Enjoy The Ride!

The world is about to end, again.

So what did I do?  I went for a bike ride, of course.

All right...I wasn't as cavalier as I might've sounded.  For one thing, the situation isn't quite as dire as the end of the world, or even the end of the world as we know it.

But tomorrow the beaches will be closed.  Think about that:  Beaches closed on the day before Labor Day, a.k.a., the penultimate day of summer--at least unofficially.

Hurricane/Tropical Storm Hermine has plowed across northern Florida and Georgia and is in the Atlantic, where she is surging her way toward New Jersey, New York and New England.  Even if we don't get the wind and rain she's dumped to our south, forecasters say that the strongest riptides in years will roil in local waters.  So, as a precaution, Mayor de Blasio has declared that our beaches--Coney Island, the Rockaways and South Beach of Staten Island among them--will be closed tomorrow.

I decided to ride toward those littoral landscapes.  First, I took my familiar jaunt to the Rockaways and, from there, to Point Lookout.  

The view to the east was ominous--at least, in the sky.  Those clouds looked as if they could have solved all of my hydration problems for a while.  But, as the day was relatively cool (high temperature around 25C or 77F) and the sun wasn't beating down on my skin, I didn't sweat much.

People seemed to think the beaches were already closed (well, the Mayor's pronouncement wouldn't affect Point Lookout).  Not many of them were on the sand or in the surf--or even on the boardwalk--in the Rockaways.  With those skies, it looked more like a mid- or even late-fall day than the End of Summer.

And Point Lookout was deserted!  Even the streets were all but empty:  the few cars I saw were parked.  A long, wide sidebar surfaced in the water, belying the predicted storm surge.  Normally, people would walk themselves and, perhaps, their dogs, on it.  But today the seagulls and egrets had it all to themselves.

Vera, my green Mercian mixte, seemed to be enjoying it.  Or, perhaps, she was anticipating the ride back:  We had pushed into the wind most of the way from my apartment to the Point.  So, of course, it would give us a nice push going back.

Except that I decided not to pedal directly home.  The ride felt so good that as I approached Beach 92nd Street in the Rockaways--where I would normally turn off the boardwalk (where we rode today) or Rockaway Beach Boulevard for the bridge to Broad Channel--I decided to continue along the boardwalk to its end in Belle Harbor, and from there along the Boulevard to Riis Park and Fort Tilden.

Then I rolled across the Gil Hodges/Marine Parkway Bridge to Brooklyn, along the path that rims the South Shore to Sheepshead Bay, Brighton Beach and Coney Island.  

Along the way, fissures split the cloud cover.  By the time I got to Coney Island, the sun had reclaimed much of the sky.  And, when I got there, I saw crowds of the size one would expect on a summer day.  I wonder whether they had been there all day or if they started to stream in for their "last chance" as the sky cleared.

Sunlight glinted off the water as I rode the promenade from Coney Island to the Verrazano-Narrows Bridge, where I once again saw the kinds, and numbers, of people one normally finds there on a summer Saturday:  cyclists, skaters, skateboarders, fishermen, young couples, older couples and Orthodox Jewish families enjoying their shabat.

Speaking of enjoyment:  Everyone has his or her own definition of that word.  Apparently, some Nassau County officials have their own interesting interpretation:

For the record, that women's bathroom in Point Lookout Park was filthy.  And the doors of the stalls didn't shut.  Nor did the front door of the bathroom.  I thought about calling Supervisor Santino, but didn't.  I was enjoying everything else about my ride and didn't want to interrupt it--especially since, if we incur Hermine's wrath, I won't be able to take another like it for a while!

A Ride Along Another Canal: A Path To Memory

Today it was Vera's turn.

I took my green Miss Mercian mixte on a ride to, and along, the Delaware and Raritan Canal towpath.  I used to pedal along that path when I was a Rutgers student; last year I rode it for the first time since those days.

Today I rode it just a week after pedaling and walking by the  Canal St. Martin through what has become a district of young artists and animators--and interesting, quirky restaurants and cafes--to the city's "little Africa".  Years ago, I also pedaled a section of the Chesapeake and Ohio Canal towpath near Washington, DC.  Like the D&R towpath, its surface (at least on the section I rode) is dirt and clay, with pebbles in some areas. A section of the St. Martin has a path with a similar surface, while another part is cobblestoned.

Towpaths along canals were constructed so that horses or mules could tow barges from the shore. Even if their surfaces are not paved, they make nice bike lanes as well as hiking trails because they are usually table-flat, or close to it.  The engineering that went into building them--not to mention the canals themselves--has seldom been bettered.

It's interesting that one reason we like to ride along canals is that they seem peaceful.  Their still waters reflect and refract light in sometimes-painterly sorts of ways, whether the canal courses through Paris residences or old factories in New England--or winds through stands of trees and follows railroad tracks in central New Jersey.  One often sees couples riding or walking, or simply sitting, along canal banks:  Canals and their paths are often among the most romantic sites in their locales.  

I also find it interesting that some canal towpaths are seen as "natural" sites.  Along some parts of the Delaware and Raritan, as well as other canals, trees and other vegetation have reclaimed the land from the remains of abandoned factories and other structures.  Areas along canals have also been turned into, or become, sanctuaries for various animals and birds.  But as lovely as all of those animal habitats, and all of the flora and fauna, are, they are no more "natural" than the canal itself. 

In saying what I've just said, I do not mean to diminish the aesthetic or recreational value of such sites.  I just find it ironic that we now ride along canal towpaths like the Delaware and Raritan to get away from the sometimes-dreary, or even grim, industrial and post-industrial landscapes those canals helped to create, or were built to serve.  

In fact, the city of New Brunswick--the locale of Rutgers University, located at one end of the canal--is such a place.  I don't know whether the term "post-industrial" had been coined by the time I attended university there, but it certainly would have fit:  A number of large and small enterprises had gone out of business or simply left:  Johnson and Johnson was threatening to do the same.  In fact, even some Rutgers administrators, and New Jersey state officials, talked about abandoning the Old Queens campus and moving all of the university's facilities across the Raritan River to Piscataway, where Rutgers already had some of its research laboratories as well as a residential campus.

Instead, they decided to "revitalize" the city.  In essence, they made it just like the downtowns of so many other cities, with all of the same chain stores and restaurants. (I mean, what town worth its salt would do without Starbucks, right?)  So it doesn't look as run-down as much of the town did when I lived there, but it has all of the character of a Sunbelt suburb.

And, of course, my favorite places--except for one--are gone.  Those places include what remains, to this day, my favorite music store I have ever encountered:  Cheap Thrills, on George Street. The prices were indeed cheap, which allowed me and many other students to buy albums (vinyl!) of all of those esoteric bands and kinds of music we learned about from each other.  

(That shop, and a Pyramid Books, which I also loved, were part of the Hiram Market district, which was designated a historic district, then de-designated because, as one architect put it, the area didn't fit into Johnson and Johnson's "clean desk" mentality.)

The only "old favorite" of mine that remains is a restaurant called Stuff Yer Face.  Of course, the menu includes all sorts of things we couldn't have imagined in those days. It also has a bar with an enormous beer selection.  Back in my day, they didn't (couldn't?) sell alcohol, but we could bring it in.  Of course, most of us did!

I ordered an Original Stromboli, for old time's sake.  The young woman who took my order and the one who brought it to me were, no doubt, not even born the last or first time I ordered one.  It was every bit as good--and unhealthy--as the first one I ate in 1979 or thereabouts.  A bargain, frankly, at $6.75. 

At least there was that--and the canal towpath.  They made the ride more than worthwhile.

An Adventure To The Familiar

Perhaps you've done something like what I am about to describe.

I packed lunch-- salsa I made myself, with some excellent locally-made tortilla chips--into the front bag on Vera, my green Mercian mixte.  With no particular destination or route in mind, I started riding. 

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The first few kilometers--along Sunnyside and Woodside streets, under the #7 train, into Corona and Flushing Meadow Park--were all familiar.  They could have taken me to some of the rides I do regularly:  the Rockaways, the South Shore, the North Shore.  But once I exited the park, I turned onto unfamiliar streets in a familiar (more or less) neighborhood.

I knew more or less the direction in which I was riding. But I didn't know, exactly, what I was riding into.  Mind you, I wasn't worried:  I wasn't beyond the reach of civilization or even in a place where I didn't understand the language.  But the rows of houses, surrounded by their patches of lawn and hedges, aren't the best of navigational aids.

No matter.  I kept on riding.  A turn here, another turn there.  Turn around where the road ends, then turn again.  Cross under a highway.  Spot a sign for a pond hidden by trees.  Do I take the path through the park on the left?  Or...are those old railroad tracks on the right?

Before I knew it, I had diagonally traversed Queens and was somewhere in Nassau County.  Mid-island, as they'd call it: somewhere between the North and South Shores.  More suburban developments, except now the lawns are bigger.  Some even have flower gardens. Then I found myself in a downtown area of one of those towns and noticed a sign for "Tulip Bakery".  OK, I guess that works:  cute cookies and pastries in the window, cute name on the sign.  

After running out of bakeries and cafes and boutiques, the street provided another stream of houses with lawns.  And its name:  Tulip Lane.  All right.  That bakery wasn't trying to be so cute after all.  Tip toe through the tulips.  Ride along Tulip Lane.  I continued:  It was longer than I expected, through a couple of places with "Franklin" in their names:  Franklin Square.  Franklin Lake.  Franklin something or other.  Then the Rockvilles.    Under another set of railroad tracks, and across still another.  Faces lightening and darkening and lightening again.  Still on Tulip Lane.

After crossing a state route, it stopped being Tulip Lane.  I didn't notice until much later, when I noticed I was riding on Long Beach Road.  I really had no idea of how far I'd ridden; I had just a vague notion that I'd been riding mostly south and east since I got on my bike.  The suburban houses had turned into garages, boat repair shops, a fishery and a tatoo parlor.  They didn't look like anything I ever saw in Long Beach before, on previous rides.

But the bridge at the end of them took me right into the heart of the town.  Over the bay, to the ocean.  I really enjoyed my lunch--and the unfamiliar ride to a completely familiar place.

Vera Shows Off Her New Accessories

I didn't have to work.  So I slept later and my day got off to, shall we say, a more leisurely start than I'd originally planned.

So I didn't take as long or ambitious a bike ride as I might've.  Still, I managed to get in about 100 kilometers, on a bike I haven't ridden in a while:  Vera, my green Mercian mixte.

A sweet ride she is.  And she's had a slight makeover.

From the saddle forward, she hasn't changed.  It is below the saddle, and to the rear, where she sports a new look:

When Velo Orange had a sale, I decided to go for a constructeur rack and some of those beautiful Rustines elastic cords.   At first, I was skeptical of a rack that rests on the fenders.  But, as Chris at VO and others point out, the fender doesn't actually bear the weight.  Nor, for that matter, do the struts on racks that attach to the rear stays.  Rather, those struts--and the fender--act as stabilizers.  Rather, the load is borne by the rack itself, which is surprisingly strong.

It real benefit, though, is that it sits lower than other kinds of racks.  We all know that the lower the center of gravity, the more stable the bike is. And, on a bike with a load, stability translates into speed.

All right.  I'll admit it:  The real reason I went for the rack is the look.  It really seems right, I think, on a classic twin-stay mixte.  Plus, the rack matches the one on the front. 

Indulgent, perhaps.  But Vera doesn't seem to mind, and it didn't seem to make the bike faster or slower.  But I'm liking it, so far.

Vera Goes Gran Fondo

You tell yourself, "This is it!"

You're not going to buy another bike, you tell yourself.  The bikes you have are "for life".

No more changes, no more upgrades, you say.  You're not going to buy another part unless you absolutely have to replace something that's worn out or broken.  You won't buy another bike accessory, no matter how great it looks or whether you really wonder how you've lived without it. And you absolutely swear not to go to any more swap meets, spend any more time hanging out in bike shops or while away your evenings looking at bikes and parts on eBay.

And you promise yourself you won't lift another allen key or screwdriver, or squeeze your oil can or grease gun, unless you're doing maintenance that absolutely must be done to keep your bike rolling.

But you know, deep down, you're lying to yourself: Once you learn how to tinker with your bikes, you won't stop--no matter how little mechanical aptitude you thought you had before you picked up that first repair manual, that first edition of Anybody's Bike Book.

You always find something to fix, even if it doesn't need fixing.  And there's always some experiment you want to try.

So it is with Vera.  Just before I went to Paris, I had an idea:   I'd turn  her gearing from a typical "compact" road setup (well, with slightly lower gears) to something I'd never before tried:  Gran Fondo gearing.

Turns out, I had everything I needed for the experiment. Well, almost.  The crankset that originally came with Vera--a Shimano Deore triple from the late '80's or early '90's--was sitting in a box, just begging to be reunited with her.  A BBG 46 tooth chainguard/bashguard, also sitting in that same box, would look good on that crank--and on Vera--I thought.   And I had a nice Stronglight 46 tooth chainring I'd been using with my the compact double as well a Shimano UN-52 bottom bracket that, according to the folks at Harris Cyclery and Velo Orange, would work. All I'd need is a 30T chainring with a 74mm bolt circle, which I found easily enough.

I installed the chainguard in place of the outer chainring.  The Stronglight ring, made to be an outer ring for a double or triple, went on the middle position.  And, of course, the 30T ring was bolted on the inside.  

I installed the Stronglight chainring with the logos facing out, as if it were in the outer position.  That meant the chainring fixing nuts wouldn't sit flush with the surface of the ring, as the holes for the chainring bolts are countersunk on the opposite side of the ring.  That didn't seem to matter.  I've ridden the setup about 200 kilometers and it doesn't seem to be coming loose--and the nuts standing proud of the chainring surface doesn't seem to affect the shifting.

In this image, you can see the countersinking of the holes for the chainring fixing nuts.  You can also see a segment of an example of drillium at its best or most extreme, depending on your point of view!

Speaking of which:  I've shifted, well, only to see how it shifts.  I haven't ridden on the 30T ring.  But part of my intention in setting up the gears as I did--and, by the way, I set up the gears on Arielle, my Mercian Audax and Helene, my other Miss Mercian--was to spend most of my riding time on the larger ring and to use the smaller one as a "bail out" gear.

In any event, the shifting was even smoother than I expected it to be.  The Shimano 105 front derailleur from the 8-speed group is made to handle, as most modern road front derailleurs are, a 14-tooth difference between the chainrings.  Part of the reason why I haven't had problems with shifting is, I believe, that I'm using a non-indexed downtube shifter.  I wonder how (or whether) the setup would work if I were using Ergo or STI levers, or even bar-end shifters.

The bottom bracket's axle is 127 mm long.  The crank is actually made for the old-style asymmetrical axle:  The original bottom bracket is what's known as "121+5":  In other words, 5 mm are added to the right side of a 121mm axle.  Using the modern bottom bracket doesn't seem to affect shifting or my pedal position"  It just leaves more axle showing on the left side than what you see with modern cranks and bottom brackets.  However, if I keep this setup, I might splurge (if finances permit) for a Phil Wood bottom bracket with the asymmetrical axle.

In reality, riding with this setup isn't different from riding with the compact double, as I am using the 46T ring nearly all of the time.  But I think that it will allow me a greater range of gears, should I ever want or need them.

Vera seems to like it.  Truth be told, I think she likes getting the nice old crankset back.

Past The Max

Today I rode to test a new electronic device and, well, ride.  It was a perfect day for both.

But I had to test the electronic device before I could out of the house, let alone get on my bike.  To be fair, Max has never given me as hard a time as former partners, roommates and others (including an ex-spouse) have about going out without them.


He didn't say "Vous ne passerez pas!" mainly because he doesn't speak French (though he understands some).  But he insisted that my first photo on my new camera would be a portrait of him.

Anyway... Today was another near-perfect day for a ride. The temperature reached 30C (86F), but it dropped as I neared the water.  The humidity was low and the clouds were high and sparse.

Actually, I didn't take a direct path to the water:  I wandered through various parts of Queens and Nassau County before heading toward the southern bays of Long Island.

For a moment, I wondered whether those folks might be in trouble.  I couldn't see what, if anything, was propelling their watercraft.  (I'm not sure of whether to call it a boat or something else.)  From my admittedly limited perspective, they didn't seem to be in any distress.   

One thing about the ocean: It's pretty easy to tell whether the tide is in or out, and its clock, if you will, is fairly predictable.  On the other hand, the bays and inlets from East Rockaway to Freeport can ebb or swell in an instant, and the tides and currents seem to have even more random effects than those of the ocean.  You can see the results of what I'm talking about in the waterfront residential areas:  One home seems to have been untouched by Superstorm Sandy or any other natural phenomenon, while a house next to it looks, nearly three years after the storm, as if it's being held up by the boards nailed over its windows and doorways.

On this day, however, almost nothing besides those houses even hinted at one of the worst natural disasters this area has experienced in its recorded history.  Looking at the sky and the sunlight, such a catastrophe doesn't even seem possible, let alone probable.

Vera knows all about those things, but she rode like a magic carpet.  She almost always does.

P.S.:  I bought the camera because of something I'm going to talk about a couple of posts from now.

 

Vera Gets New Bags From Ely

Vera doesn't seem to have suffered any structural damage from the accident a few weeks ago.  I feel confident in saying that after doing some work on it.

In the course of doing some maintenance and repair, I decided to make a few changes.  One involved going to a slightly longer handlebar stem extension.  I took the opportunity to install one with a built-in cable hanger:

And, as you will notice, I did something to the stem.  Look at how the bell is attached.  Yes, I drilled a hole and tapped it so that the bell, which I unscrewed from its bracket, threaded in.

The bell, by the way, is Japanese.  I bought it from Velo Orange.  From what I understand, it's also available from Jitensha Studios.

One reason I decided to set up the stem that way was to de-clutter the front.  Also, having a cantilever brake means having a hanger, and whoever originally set up this bike didn't leave much room in the steering column for much besides the headset.  There was enough room for the hanger, but I wanted to put something else in there:

Yes, I made the plunge:  I'm using a decaleur, also from Velo Orange.  More to the point, I'm using it on a great piece of kit:  RuthWorks' Randonneur bag.   

I've written about his Brevet and wedge bags in other posts.  Ely Rodriguez makes RuthWorks bags and seems to have a great time doing it.  Not only does he offer canvas (and other materials) in all sorts of colors; he pays great attention to detail.  So, his bags are full of all sorts of thoughtful features as well as great workmanship.

I love the way the top flap opens.  I suspect that it provides greater protection against the elements, though I have not yet ridden with this bag in bad weather.  

It's hard to believe that in all of the years I've ridden, I've never before used a front bag like this one, much less a decaleur.  It seems that those things disappeared from the face of the Earth right around the time I got involved in cycling.  I didn't even see them in Europe:  It seems that all of the traditional manufacturers of bicycle luggage and the stuff you need to use them on bikes disappeared, or started to use synthetics where they once used cotton duck canvas and more modern methods of attaching the bags. 

And, it seemed that the world was forgetting about how to position bags. (I actually had a Specialites TA front bag that I never used because no one had any idea of where to find the hardware I'd need for it.)  One ironic result was that we were always complaining that our handlebar bags bounced:  All of the lore and science that would have told us that they were really meant to be front bags, not handlebar bags (which meant they'd mount lower on the bike , close to the wheel rather than high up on the handlebar) disappeared like the scrolls and books that burned in the Library of Alexandria.

What this means is that I wish I'd known about bags like this, and how to use them, when I took my European, New England and California-Nevada tours.  I would have been so much more comfortable about carrying the Honeywell Pentax I brought on those trips!  And, let's face it, with a bag like the one Ely made for me, I would have been riding in style.

My bag includes large velcro strips that wrap around the rails of a front rack.   It might be possible to use the bag with just those straps and no decaleur.  (Perhaps the bag could also be lashed to the rack's "tombstone".)  It's also possible to use it with something like the Nitto F15 handlebar support or the Rixen Kaul "Klick Fix" system.  Either of those supports, however, attach to the handlebars themselves and render the bag more like a traditional handlebar bag.

If you order one of these bags, you can ask Ely to make it without the loops for the handlebar rack or the Velcro straps.  You can also ask him to make other accommodations for whatever racks and attachment systems you use.  He's very willing to work with you on helping you get a bag you like.  He even makes "vegan" bags, without leather or other animal products.

Now, I grant that this is my first experience of using such a piece of bike luggage.  So I can't honestly compare it to other boxy Randonneur bags.  However, I can wholeheartedly recommend this piece of kit for its details, convenience features and Ely's workmanship.

And, oh, can you tell that I love the color?  It's called Nantucket Red, but it's really more like a salmon pink.  My other RuthWorks bags in that color are great on my other Mercians, with the purple/green "flip=flop" (#57) finish.  I was tempted to ask him to make a gray or black bag for Vera, but I think I like this color with the British Racing Green finish.  What do you think?

(You've noticed another bag on the rear of Vera.  I'll write about it soon.)