There's Nothing Like The First

Whenever I ride my Mercians, I find that I've actually ridden faster than I thought I was riding and, even when riding on rough stretches or climbing into the wind, I don't feel beat-up or worn-down at the end.  This is particulary true of Arielle, my Mercian Audax.

It's a bike meant for longer rides, hence the model name.  With such a purpose in mind, the bike is  designed with a somewhat longer wheelbase and slightly shallower angles than a dedicated racing bike.  On the other hand, its geometry is tighter than that of a full-load touring bike or even many randonneur bikes.   It also has, according to my specification, a shorter top tube than is typically found on touring (and even some racing) frames in Arielle's size (56 cm center-to-center) to accomodate the rather long legs and short torso I have for a person of my height.

When I was ordering Arielle--the first Mercian I bought--I was going to specify 16mm diameter seat stays.  At the time, Mercian was still offering 12mm on some models, including the Audax.  Hal Ruzal at Bicycle Habitat talked me into going with the 12mm, in part because that's what he has on one of his Mercians, which is very similar to Arielle. 

I'm glad he did.  Tosca, my Mercian fixed-gear, has 16mm stays.  It feels stiffer, but that may have to do with the geometry of the bike rather than the stay diameter.   Arielle, however, never felt flexy or noodly to me.  Yet those 12mm stays, I believe, absorb more road shock than the thicker stays, which--I'm guessing--is the reason why I never feel "beat up" after riding her.  

I also am glad Hal--and the folks at Mercian--convinced me to buy an Audax rather than one of the other models.  I didn't want a full-on touring bike:  If I ever do another multi-day tour, it will probably be with a light load.  On the other hand, I didn't want another racing-specific bike:  I'd owned and ridden a number of those and felt as if I were past being even a "wannabe", let alone an actual racer.

On this bike, I can ride fast when I want to, but--more important to me at this point in my life--I can simply enjoy the ride.  It has never felt like a "compromise":  It's simply a bike that fits well and feels good. 

Because Arielle fits and rides so well, specifying my next two custom Mercians--Tosca, my fixed-gear and Helene, one of my Miss Mercians--easy.  Tosca's geometry is just a bit tighter; Helene's dimensions were tweaked to allow wider tires and fenders. 

Vera, my other Miss Mercian, is the only one of my Mercians that wasn't custom-built for me:  I bought it second-hand.  So, while its fit is a bit different from that of the others (the imaginary top tube length is 15mm longer than on Arielle or Helene and 10 mm longer than on Tosca, and the chain stays are about 15 mm longer than the ones on Helene), my experience with my other Mercians served as a good guideline in helping me choose the right stem length and such.  Overall, it has the cushiest ride of my "Mercs" and, not surprisingly, Tosca has the stiffest and most responsive. 

All of them feel great, but, as the saying goes, there's nothing like the first.  And mine (at least in terms of my Mercians) is Arielle.

Vera Goes Gran Fondo

You tell yourself, "This is it!"

You're not going to buy another bike, you tell yourself.  The bikes you have are "for life".

No more changes, no more upgrades, you say.  You're not going to buy another part unless you absolutely have to replace something that's worn out or broken.  You won't buy another bike accessory, no matter how great it looks or whether you really wonder how you've lived without it. And you absolutely swear not to go to any more swap meets, spend any more time hanging out in bike shops or while away your evenings looking at bikes and parts on eBay.

And you promise yourself you won't lift another allen key or screwdriver, or squeeze your oil can or grease gun, unless you're doing maintenance that absolutely must be done to keep your bike rolling.

But you know, deep down, you're lying to yourself: Once you learn how to tinker with your bikes, you won't stop--no matter how little mechanical aptitude you thought you had before you picked up that first repair manual, that first edition of Anybody's Bike Book.

You always find something to fix, even if it doesn't need fixing.  And there's always some experiment you want to try.

So it is with Vera.  Just before I went to Paris, I had an idea:   I'd turn  her gearing from a typical "compact" road setup (well, with slightly lower gears) to something I'd never before tried:  Gran Fondo gearing.

Turns out, I had everything I needed for the experiment. Well, almost.  The crankset that originally came with Vera--a Shimano Deore triple from the late '80's or early '90's--was sitting in a box, just begging to be reunited with her.  A BBG 46 tooth chainguard/bashguard, also sitting in that same box, would look good on that crank--and on Vera--I thought.   And I had a nice Stronglight 46 tooth chainring I'd been using with my the compact double as well a Shimano UN-52 bottom bracket that, according to the folks at Harris Cyclery and Velo Orange, would work. All I'd need is a 30T chainring with a 74mm bolt circle, which I found easily enough.

I installed the chainguard in place of the outer chainring.  The Stronglight ring, made to be an outer ring for a double or triple, went on the middle position.  And, of course, the 30T ring was bolted on the inside.  

I installed the Stronglight chainring with the logos facing out, as if it were in the outer position.  That meant the chainring fixing nuts wouldn't sit flush with the surface of the ring, as the holes for the chainring bolts are countersunk on the opposite side of the ring.  That didn't seem to matter.  I've ridden the setup about 200 kilometers and it doesn't seem to be coming loose--and the nuts standing proud of the chainring surface doesn't seem to affect the shifting.

In this image, you can see the countersinking of the holes for the chainring fixing nuts.  You can also see a segment of an example of drillium at its best or most extreme, depending on your point of view!

Speaking of which:  I've shifted, well, only to see how it shifts.  I haven't ridden on the 30T ring.  But part of my intention in setting up the gears as I did--and, by the way, I set up the gears on Arielle, my Mercian Audax and Helene, my other Miss Mercian--was to spend most of my riding time on the larger ring and to use the smaller one as a "bail out" gear.

In any event, the shifting was even smoother than I expected it to be.  The Shimano 105 front derailleur from the 8-speed group is made to handle, as most modern road front derailleurs are, a 14-tooth difference between the chainrings.  Part of the reason why I haven't had problems with shifting is, I believe, that I'm using a non-indexed downtube shifter.  I wonder how (or whether) the setup would work if I were using Ergo or STI levers, or even bar-end shifters.

The bottom bracket's axle is 127 mm long.  The crank is actually made for the old-style asymmetrical axle:  The original bottom bracket is what's known as "121+5":  In other words, 5 mm are added to the right side of a 121mm axle.  Using the modern bottom bracket doesn't seem to affect shifting or my pedal position"  It just leaves more axle showing on the left side than what you see with modern cranks and bottom brackets.  However, if I keep this setup, I might splurge (if finances permit) for a Phil Wood bottom bracket with the asymmetrical axle.

In reality, riding with this setup isn't different from riding with the compact double, as I am using the 46T ring nearly all of the time.  But I think that it will allow me a greater range of gears, should I ever want or need them.

Vera seems to like it.  Truth be told, I think she likes getting the nice old crankset back.

Past The Max

Today I rode to test a new electronic device and, well, ride.  It was a perfect day for both.

But I had to test the electronic device before I could out of the house, let alone get on my bike.  To be fair, Max has never given me as hard a time as former partners, roommates and others (including an ex-spouse) have about going out without them.


He didn't say "Vous ne passerez pas!" mainly because he doesn't speak French (though he understands some).  But he insisted that my first photo on my new camera would be a portrait of him.

Anyway... Today was another near-perfect day for a ride. The temperature reached 30C (86F), but it dropped as I neared the water.  The humidity was low and the clouds were high and sparse.

Actually, I didn't take a direct path to the water:  I wandered through various parts of Queens and Nassau County before heading toward the southern bays of Long Island.

For a moment, I wondered whether those folks might be in trouble.  I couldn't see what, if anything, was propelling their watercraft.  (I'm not sure of whether to call it a boat or something else.)  From my admittedly limited perspective, they didn't seem to be in any distress.   

One thing about the ocean: It's pretty easy to tell whether the tide is in or out, and its clock, if you will, is fairly predictable.  On the other hand, the bays and inlets from East Rockaway to Freeport can ebb or swell in an instant, and the tides and currents seem to have even more random effects than those of the ocean.  You can see the results of what I'm talking about in the waterfront residential areas:  One home seems to have been untouched by Superstorm Sandy or any other natural phenomenon, while a house next to it looks, nearly three years after the storm, as if it's being held up by the boards nailed over its windows and doorways.

On this day, however, almost nothing besides those houses even hinted at one of the worst natural disasters this area has experienced in its recorded history.  Looking at the sky and the sunlight, such a catastrophe doesn't even seem possible, let alone probable.

Vera knows all about those things, but she rode like a magic carpet.  She almost always does.

P.S.:  I bought the camera because of something I'm going to talk about a couple of posts from now.

 

A Path Of Learning

 No, it’s not rust:

and it’s not a “fade” paint job

(although, if I do say so myself, it goes rather nicely with the toestraps, saddle and straps and trim on the bags)

and it’s not an attempt to out-hipster the hipsters 

That reddish-brown “mist” you see is dirt.  Not sooty, dirty city dirt.  No, it comes from soil:

Specifically, it’s the residue of a trail—one I hadn’t ridden in more than thirty years.

When I was a Rutgers student, I used to pedal along the Delaware and Raritan Canal towpath.  Connecting the two rivers in its name, it opened in 1834.

The trail wasn’t, of course, wasn’t used for cycling, running or hiking in those days.  If someone had the leisure time for such things, he or she wasn’t doing them:  Aerobic fitness wasn’t, shall we say, terribly fashionable among the gentry.  And anyone who worked along the canal, or in the industries that sent barges down its waters, didn’t have the time or energy for such things at the end of the day.

In fact, people didn’t use the path.  Rather, horses and mules trod it when they pulled the barges and boats that carried coal from Pennsylvania to New York City.

Believe it or not, there were actually industries, including manufacturing and bottling, along the canal’s shores.  They have long ceased operations, as the canal itself did in 1932, forty years after it last turned a profit.

Today the only watercraft one sees are canoes and kayaks, which can be rented at several points along the way.  On the path itself, people walk dogs and themselves—and pedal bicycles.

Before yesterday, I hadn’t ridden the towpath in more than thirty years.  When I was riding it fairly regularly, I barreled along on ten-speeds that are now considered “retro” or “classic”.  Sometimes I’d ride my racing bike on the road—one lane in each direction, no shoulder-- that skirted the canal’s shore.

The towpath and its surroundings don’t seem to have changed much since then.  The only difference I could see between yesterday and those long-ago rides (when I was a Rutgers student) were the canoes and kayaks, and the stations that rented them.  Back in the day, most people in the area hadn’t heard of kayaks and anyone who paddled a canoe was plying his (just about all were male) craft elsewhere.

All right, I noticed a couple of differences.  Somehow it seemed more even more relaxing—in a Zen sort of way—than I remembered it.  Perhaps that has as much to do with me, if I do say so myself, as it does with the path. 

Also, I think I saw more cyclists on the towpath than I saw in all of the rides I did along it back in the day.  They were all riding mountain bikes:  a genre of velocipedes unknown outside of northern California, northern New England and parts of Colorado when I was living and studying “on the banks of the ol’ Raritan”. 

I had to get off my bike and tiptoe over this part, just like I did back in the day.  Everyone else—even those who rode extra-wide tire as well as full-suspension—did the same.  They also hopped and skipped across a couple of other stretches, where stone slopes were constructed to conduct water between the canal and the river. 

Riding the towpath wasn’t part of my original plan, if I had any.  I rode to Liberty Tower, took the PATH train to Newark and started pedaling as soon as I emerged from that city’s Penn Station.  I headed south and west, more or less on the route I took to Somerville on past rides.  I wasn’t thinking about Somerville, but in Cranford (about twenty kilometers from Newark), the sun opened its face and the breeze whispered as thin clouds stuttered across the sky:

How can anyone not ride in such conditions?  So I kept going and I found myself floating on the bow of a ship from which I heard a the call to ride and ride some more:

As I pedaled up the inclines and down the slopes, I though of boats raised and lowered in locks.  Maybe that’s the reason I rode toward the canal.

Whatever I exerted in pedaling along the towpath and  on it, It was more effortless, I’m sure, than any voyage taken by those barges and boats that plied the canal—or the steps taken by the animals that towed them, or the men who raised and lowered the barges and boats. 

One reason is that Vera—my twenty one-year-old Miss Mercian—seemed to just glide over everything.  I mentioned the part where everyone had to dismount.  Well, on two other stretches, cyclists on mountain bikes dismounted—and I didn’t.  Vera—shod with 700X32 Continental Gator Skin tires—stood her ground, skipped or glided, as necessary, over red dirt, gravel and cobblestones.  In fact, she seemed even more comfortable—even happy—on this trail than in or on any other place or surface on which I’d ridden her. Perhaps I’ve found her true niche.

As for me:  I was able to experience a ride from my youth without any of the anger, frustration or sorrow (much of it for myself) I carried in my youth.  Even with two bags—and, lets say, the weight and hormones my body didn’t have in my youth, the ride seemed even more effortless than it did when I was in better physical condition.

On my way back, a dog crossed into my path.  Back in the days, I would have cursed the dog—and the woman who walked her.  But I stopped and stroked the dog, who licked my hand.  The woman apologized.  “It’s OK,” I demurred. 

 

A man—her husband, I presume--followed with another dog. He echoed her apology;  I repeated my deflection of it.  He stretched out his hand.  “Can I offer these as penance?”

He had just picked the blackberries.  I don’t remember anything that tasted so good.

One Of My Teachers

In yesterday's post, you might have noticed Vera behind a repair stand.

 
 

No, she wasn't getting fixed.  As good as I felt, she might have done the ride even better than I did.  At least, she didn't shed any tears.  (And, if she had, she wouldn't have claimed that the wind was causing her eyes to well up--something her rider would do!)




That do-it-yourself repair station, with various tools dangling from chains, stands beside a bike shop that holds a special place in my cycling life.

The Peddler of Long Branch, NJ is probably the first shop focused on high-performance bikes (which, in those days, pretty much meant imported ten-speeds)  I ever visited. 

Back in those days, they were in a squat storefront that looked as if it had been built from driftwood. Located just across the street from the beach, it was the sort of place where, had you not seen the bikes in the window, you might have expected to find surfers and latter-day hippies. Actually, in those days, some cyclists fit into either or both of those categories. 

They're still in the same building, though it's expanded and been remodeled more than a bit.  I'm guessing that paint and aluminum siding were done in response to some sort of pressure to reflect the aesthetic (if one could call it that) of nearby Pier Village. 

All right, so it's not terrible-looking.  But it's hard not to feel a little nostalgia for the shop the way it used to be--especially because it's one of the places where I went to learn more about high-quality bikes. 

Anthony "Ducky" Schiavo, the founder, was very patient, thorough and friendly in answering my questions.  I would later learn that, prior to opening the shop, he'd been an elementary-school teacher.  He understood that nobody is born knowing the difference between Reynolds 531 and Columbus tubing, and that most of us didn't--in those days before the Internet or even before foreign cycling publications were readily available--have many reliable sources of information about cycling. 

In other words, he continued his teaching even after he left the classroom. And, given how well he could explain technical details in vivid language, I always suspected he was a very good writer.  

A writer.  A teacher.  A cyclist.  Someone after my own heart, you might say.  A role model.  He definitely furthered my education.

So...Would it surprise you to learn that I bought two bikes-- my Nishiki International and Peugeot PX-10--at the Peddler?  I didn't think so.

 

Family Portrait Day

Today is Family Day.  So you’re gonna see lots and lotsa pikshas.

In the previous sentence, my roots were showing.  I’m going to my hairdresser on Thursday.

Anyway…Now I’m going to show you some portraits of family members.  It’s a particular but close branch:  The Mercians.

Yes, I’m going to show you my bikes, after their winter makeovers and some riding.

First I’ll start with Arielle, the first Mercian to come into my life:

You’ve seen some photos of her already. But I wanted to show her after 500 miles, post-facelift (and overhaul):

I’m liking it more and more with the honey leather.  I think the bags have something to do with it:  The color of the canvas (“Nantucket Red”, which is really more like salmon pink) works with both the green and purple of the “flip flop” finish and the honey saddle, bar wrap and toe straps. What do you think?

As you know from a few previous posts, Tosca, my fixie (and the second Mercian I acquired) got a similar treatment.

I’m happy with the way the colors play off each other.  However, I wasn’t able to find a double track toe strap to go with the other leather accessories.  Then again, I guess the mismatch isn’t as noticeable as if, say, I wrapped the bar in a darker color.

The third Mercian to come my way is, I realize, one I haven’t written as much about lately.  Helene is a 2010 Miss Mercian with similar geometry (but with slightly more tire and fender clearance) to Arielle, which is a custom Mercian Audax.  

The rear bag is a bit larger than the one I use on Arielle and Tosca.  As you can probably tell, it was also made by Ely Rodriguez of Ruth Works SF. So is the handlebar bag, doubles as a clutch or shoulder bag when removed from the bike.

Finally, here is the last Mercian I bought. Ironically, it’s the oldest:  Vera, my “other” Miss Mercian.  It was made in 1994 and I purchased it in 2011:

Somehow the boxy randonneur front bag and larger saddle bag make the most sense—and look best—on this bike, although I could use them on my other bike.  Perhaps it’s because Vera has a longer wheelbase and is therefore the most stable with a load on it.  I wonder what it would be like on a longer tour.

She seems really happy to have those bags, and the Brooks B17 special.  So am I.  In fact, I’m happy with all of these bikes:  As similar as they might seem to someone who doesn’t know bikes or Mercians, each has its own character and personality.  Still, they all make me happy when I ride

Now, here’s the rest of my family:

 
La-Z-Boy, a.k.a. Max

 and La-Z-Girl, a.k.a. Marlee!