Vendredi 13eme Avec Jacques

I typed "Friday the 13th bicycle" into a Google search bar.  This is what came up:

"Montxgear" posted it on Pinterest with the caption "Friday 13th, 1922.  Jacques may not have won the Yellow Jersey today, but he did  receive the Pink Cravat for the most expressive moustache."

When I was a kid, it seemed that every "evil villain" (Is there any other kind?) had a sinisterly baroque moustache.   I think of such characters as Dishonest John (who had the best laugh of any cartoon villain), Snidely Whiplash, Boris Badenov and Dick Dastardly.  

Turns out, some of the biggest villains in real life had similarly imposing moustaches--among them Joseph Stalin, Gengis Khan and Saddam Hussein.  (So that's where he hid the WMDs!) 

Friday the 13th and bad guys with moustaches:  They go together like bike racing and...

Reunited With A Favorite Bike

For those of us who are dedicated cyclists, nothing hurts worse than having our beloved rides stolen.  It's happened to me a few times.  I lost bikes that, frankly, were meant for the purpose: "beaters" that were meant to be locked in urban combat zones.  However, I also lost a relatively nice bike and my first custom build to thieves.

For a time, I thought that having had more than one bike stolen was a sign that one was a true New York cyclist.  Just about everyone with whom I've ridden in the Big Apple has had at least one bike to theft.  In fact, one fellow with whom I sometimes rode in Prospect Park actually sat shiva after losing his classic Ron Cooper.

(I am now recalling how, when drafting him, I would see the tzitzit dangling from the tallit katan he wore under his jersey!  Only in pre-hipster Brooklyn, right?)

For about 99 percent of us, having a bike stolen means never seeing it again.  That's because bikes are pretty easy to transport, take apart and repaint.  Also, law enforcement agencies--at least here in the US--don't seem to make bike theft a high priority.  That's at least somewhat understandable in areas with lots of violent crime but less so, I feel, in relatively tranquil places like suburban or rural college campuses.

Still, when we lose our bikes, we try not to lose hope of being part of the 1 percent whose machines are recovered.  As with just about any other kind of theft, the more time that elapses from the moment the bike is filched, the less likely that bike is to be reunited with its owner.  And, of course, if you lose your wheels far away from home, there's even less chance that you'll ever see them again.

Such a realization left a fellow named Thomas "bummed/heartbroken" the day he left Japan in 1992.  For the previous two years, he'd been stationed in the  northern part the country as a US Navy Pilot.  The riding was "beautiful" there, he says, and the Mercian Strada he'd purchased as a college student a decade earlier got him around. 

He'd raced on that bike against folks like Davis Phinney, Alexi Grewal and Andy Hampsten before even most cyclists had heard of them.  It also made an appearance in the movie American Flyers.  As he explains it, he rode as an extra with the Cinelli team.  The bike the team issued him broke three weeks into the filming, so his Mercian took over.

Well, one cold day a year into his tenure in the Land of the Rising Sun, he stopped at a ramen house to warm his bones with a bowl of noodles.  He parked his Mercian outside the eatery and--you guessed it--his bike wasn't there when he came back out.

He filed a report with the local Japanese police as well as with base security.  No luck--at least not for a while.

In 2009, he was stationed with a squadron in San Diego. As he tells the story, one "glorious" day (Aren't they all in San Diego?), a box appeared on his front porch.

You guessed it:  his Mercian was inside the box.  At least, the frame was, anyway:  the Campagnolo and Cinelli parts, and even the fork, were stripped off. 

Somehow or another, the frame was recovered in Japan.  Because he was in the military, Thomas was much easier to track down than his bike. 

He spent the next few years tracking down replacement components. Once he found them, he sent the frame back to Mercian for restoration. "I'm sure that my next ride on the bike will give me just as much and more joy than that first ride in 1981."

Even though I read and watch all sorts of dark and moody books and films, I like a happy ending now and again.  This one is even better than the one in Breaking Away, don't you think?
 

A Road To Recovery Begins With VetBikes

Here in the US, today is Veterans' Day.

If you have been reading this blog for a while, you might have noticed a seeming contradiction:  although I am anti-war, I have written a number of posts about how bicycles have been used in the military. The real irony is that I have become more interested in such things as my opposition to armed conflict (in 99.9 percent of cases) increases.

As I have said before, studying military history in its truest sense (not what is commonly derided as "drum and bugle history") offers all sorts of lessons into other areas of history--and life. It shows us, very clearly, the sorts of mistakes leaders can make through their own egotism or arrogance, or through pure-and-simple misjudgment or miscalculation.  It also shows us, I believe, human nature in its most naked forms.

Now I'm going to present you with another seeming contradiction about myself:  the more I adopt an anti-war stance, the more pro-veteran I become.

Actually, my explanation for that will probably make sense (I think):  It is because I am opposed to war that I believe anyone who is sent to fight should never want for anything.  It's a disgrace that someone who has put on a uniform and faced danger should be sleeping under a bridge or railroad overpass.  I have seen a few on my way to and from work.   

Thus, I am willing to put in a good word for any organization that might help improve the lives of veterans.  Today, I learned about one such organization.

VetBikes.org is a veteran-run non-profit (501c3) that provides adaptive bicycles to recovering veterans.  VetBikes began in Seattle, but has recently opened a second location in Denver.   

Some of the machines VetBikes has provided were tailored to obvious physical disabilities such as the loss of limbs,  but most look like bikes most of us would ride, with small modifications.  According to VetBikes' website, its mission is to use bicycles, and cycling (mainly of the sport variety), to help veterans cope with their new lives.

To that end, VetBikes takes referrals from social workers, medical doctors and other profssionals for veterans suffering from combat wounds, substance abuse problems, homelessness and even blindness.  However, by far the largest number of referrals is for veterans with Post-Traumatic Stress Disorder (PTSD). 




With those realities in mind, VetBikes does not merely lend bikes or have them available for the vets to take out:  It gives each vet a machine.  But  VB's program doesn't stop there:  It also offers mentors, placement in local cycle clubs (to help with community integration), professional mechanical instruction and, according to its mission statement, "an introductory path to a career in the cycling industry". 

The site doesn't mention anything about expanding beyond Washington State and Colorado, but it would not surprise me if someone in the organization has that in mind:  The need certainly doesn't stop at the borders of the Evergreen and Centennial States.  It does, however, say that it can use help, whether as a volunteer, or through donations of cash, bike parts or bikes. 

His Wheel Is A Mirror

In one of your English or art classes, you might have seen--or created--examples of "concrete poems".  They're the ones shaped like their subjects:




Il Pleut, by Guillaume Apollinaire, is one of the most famous of its type.  The text of it goes like this:

Il pleut des voix de femmes comme si elles étaient mortes même dans le souvenir

c'est vous aussi qu'il pleut merveilleuses rencontres de ma vie ô gouttelettes

et ces nuages cabrés se prennent à hennir tout un univers de villes auriculaires

écoute s'il pleut tandis que le regret et le dédain pleurent une ancienne musique

écoute tomber les liens qui te retiennent en haut et en bas


Here's a rough translation:

It's raining the voices of women as if they'd died even in memory

and it's raining you as well, the marvelous encounters of my life, O little drops

those rearing clouds begin to neigh a whole universe of auricular cities

listen if it rains while disdain and regret weep to an ancient music

listen to the fall of chains that hold you above and below


Another one of Apollinaire's famous concrete poems is Coeur Couronne Miroir:

Here's the text:

 Mon Coeur pareil a une flamme renversee

Les rois qui meurent tour a tour
Reanaissent au couer des poets

Dans ce miroir je suis enclos vivant et vrai
Comme on imagine les anges
Et non comme sont les reflets

which, in English becomes Heart, Crown and Mirror:

My heart is like an inverted flame

The kings who have died one by one
Are reborn in poets' hearts

In this mirror I am captured alive and true
The way you imagine angels
And not only as a reflection.

I couldn't find anything that would hint at whether or not Apollinaire was a cyclist. Given the time and places in which he lived, however, I imagine he rode a bike for at least some time in his life. 

From Strange Vehicles

If he'd written a concrete poem about a bicycle, would he have said the wheels were mirrors of his heart?  Or would it have been like this?:

By Anwar Choukah

A Bike Spanner That Isn't Raleigh

If you bought a Raleigh bicycle before the 1970s, it might have come with this:

Even if you have never owned a Raleigh, there's a good chance that you've come across the Raleigh spanner (or what Yanks call "wrench").  You might even have one.  I did, for a long time.  I don't know whether I loaned it and never got it back, or simply lost it.

Anyway, Raleigh wasn't the only British bike maker to offer a spanner.  Check out this, from Claud Butler:

Like Raleigh's tool, the Claud Butler spanner has a hooked end for a bottom bracket lock ring.  I am guessing that the
hex side of the wrench fit the bottom bracket cup--or, possibly, the headset.  In the 1960s--when, it seems, the tool in the photo was made--if a customer bought a frame, it was as often as not supplied with those components.

Claud Butler is long gone, and bikes under his name, and Holdsworth, have been made by other British bicycle manufacturers for some time.  CB also offers a line of tools similar to those of other bike manufacturers, but when Claud was still alive, they had their own discrete line, which were probably made by Cyclo or some other Birmingham bike parts company.

A Ride, A Reflection

I have just taken an easy ride through the heart of Queens, to the far end of the borough and the near end of Nassau County.  It's Sunday, and the blaze autumn colors will soon turn into the ashes of fall, the foreshadowings of winter. 

I think I took the ride more for the opportunity to reflect on a few things than I did to exert myself physically.  I do that sometimes, especially at this time of year.  For me, there is something paradoxically clear and benevolent at the same time about the nip in the air and the light of days growing shorter.

There have been seasons that ended with my wishing that I had ridden more, harder or to different places.  I feel no such yearnings now.  Of course, having the opportunity to cycle in Florida, Paris and Montreal, as well as taking rides from my place to Connecticut and various points in New Jersey and Long Island has given me kaleidoscope of images to take with me through the winter.  I don't plan to stop cycling: I never do that except, perhaps, for physical injuries or ailments (which, thankfully, I don't experience often) or when there's a lot of ice on the streets, as there was through much of last winter.  But, realistically, I know that I won't cycle as much between, say, Thanksgiving and March or whenever the weather breaks.


Today I was satisfied, no, I was happy with the riding I did this year.  Perhaps I could have ridden even more, but I don't wish that I did.  I also don't wish that I had the strength and stamina I did when I was younger.  Well, all right, I'd like to have those things, but I know I don't need them to keep on riding, to continue my journey.

From Health Unlocked

As I rode today, I was thinking about a particular ride I took many, many years ago.  I had taken the day off from working as a messenger, hopped onto my Peugeot PX-10E and pedaled across the bridge, up and down ridges, and back up some old mining roads in the Watchung Mountains. The cloud cover was not a shawl that kept the ridges and cliffs warm and forgetful; rather, it seemed to keep the chill and ashen tones of the coming winter all around, and within, me.  

I had, in not much more than a year, experienced the deaths of two of my closest (emotionally and spiritually) relatives and the suicide of a friend.  There was nothing to do but pedal up that steep mining road; it could have been the last thing I did; I wanted it to be; there would be no wishes, no regrets left.

But no matter how hard I pedaled or how fast I ascended that hill, the young man I was could not have met up with the woman I am now.  If he could have, I would have told him that he would be OK, he is riding, he is on his journey, it was all that mattered.  

In short, I could not have understood what it would be like to have taken the ride I have taken to where I am now. 

Pete On His Feet

In an earlier post, I wrote about one of the great paradoxes of sports:  Some countries, particularly in Europe, that are cycling hotbeds are also powerhouses in what they call "football" or Americans call "soccer".  Yet one never sees anyone who competes--at least at a high level--in both sports.  That is all the more perplexing when one realizes that the skills and training for both sports are, in some many ways, similar.

In that post from a year and half ago, I posited that some of the reasons why the twain rarely, if ever, meet between the worlds of cycling and football because their seasons are more or less concurrent, both sports require intensive training to the exclusion of almost everything else (at least, if one wants to compete at an elite level) and that cyclists, even when they ride for teams, are competing mainly for individual honors while football is all about the team.

Peter Sagan of Slovakia is one of cycling's great young talents:  Just a few weeks ago, the 25-year-old won the men's road race of the UCI championships.  He has also won the points classification of the Tour de France and other races, and has a number of stage victories.  Not many people would be surprised, I think, if he wins the Tour--or the Giro d'Italia, Vuelta a Espana or other major multi-stage races over the next few years.

More surprising might be a switch to a professional football career.  Or would it?



 

A Late Summer Ride In November: No Sweat!

Today was a very strange day, weather-wise.  When I got out of bed at 7:30 am, it was already 20C (68F).  The normal afternoon high temperature  at this time of year is around 15C (60F).  By mid-afternoon, we had a high of 25C (77F).

What made it all even stranger is that in the morning, the rain that had fallen in the wee hours dripped and slicked all over everything.  Most of the day remained overcast, although there was no real threat of rain.  The sun peeked out briefly about three and a half hours into my ride, but it pulled the blanket of clouds across its face almost as soon as I saw it. I have often ridden, happily, in such conditions in coastal areas in the US and Europe.  

The sun peeked out briefly about three and a half hours into my ride, but it pulled the blanket of clouds across its face almost as soon as I saw it.  The combination of warmth--more typical of early or mid September--and cloud cover could have made for very sticky conditions.  However, even on a 125 km (75 mile), about a third of which consisted of sequences of climbs with very little flat or straight stretches between them, I wasn't sweating--or drinking water--very much.  And I didn't feel tired, in the middle, late in the ride, or in the end.

Perhaps I was energized by the light I saw:  the trees and bushes radiated their autumnal colors, just past their peak in upper Westchester County, against a gray sky particular to November, I feel:  aging, like the earth beneath it, and  rather melancholy, but not oppressive. 

Now that I think of it, that might have been the reason why I sweated so little, in spite of the climbing and heat:  When the late summer sky is shrouded with thick cumulus clouds on a late summer day, you can still feel the intensity of the sun, and of the heat that almost everything seems to absorb after several weeks of summer. But, even if the sun had shown itself more today, I don't think it would have drained me, and my waterbottle:  It would have been less intense, and it would not have been aided by the the ground, streets and other things that absorb its heat in the "dog days".

Of course, I might have just felt really, really good to be on Arielle, my Mercian Audax, again after riding to and from work all week on my LeTour.  

How Rattraps Became Beartraps---In 1899

Last week, I wrote about "rattrap" pedals.  They were the kind of pedals that came on most '70's Bike Boom-era ten-speeds, and have continued to enjoy popularity with cyclo-tourists, motocross riders and commuters. The great advantages of them are that they can be used with or without toeclips, and ridden on either side (unlike most quill and road clipless pedals, which must be flipped to the right side).  As I mentioned, two of the most popular models of rat-traps are the Lyotard 460 (which hasn't been made in at least two decades) and the MKS Sylvan.

Road "quill" pedals, which were all but displaced by the advent of easy-to-use clipless pedals from Look and Time, would sometimes have the "sawteeth" on the side of the pedal on which the cyclist pedaled.  The other side was usually cut away, and thus unrideable.  They were so made to improve cornering clearance, a definite concern for criterium and track riders.

(Track pedals usually had cages like those of road "quill" pedals, without the "quill".)

Famous examples of road quill pedals are the Campagnolo Record and its many imitators, and Lyotard 45. 

Double-sided quill pedals were all but nonexistent until around 1980.  At that time, the cults of BMX and mountain biking were spreading beyond their respective Southern and Northern California cradles.  That was also about the time equipment was being developed specifically for those new disciplines.



SunTour BMX pedals, circa 1980

Possibly the nicest double-sided quill came from  SunTour.  They had the same bearings, axles and bodies as SunTour's wonderful track and road pedals, which were made by MKS.  (The "Supreme" and "Nuevo" pedals, currently made by MKS, are virtual clones of the pedals made for SunTour.)  Some of the early mountain bikes came with those pedals; "bear trap" pedals, developed soon after, were essentially BMX pedals with curved plates.

SunTour "bear trap" pedals, circa 1985

When double-sided quill pedals first appeared on the market, many of us wondered why no one had ever thought to make them earlier.  Well, it turns out that someone had:

In 1899, the Bay State Stamping Company of Worcester, Massachusetts introduced the Bennet pedal.  Don't you just love the clover cutouts in the cages?

I tried to find out how long these pedals were produced.  They were introduced just as the first American Bike Boom was about to dissipate.  So, I suspect they weren't made for very long, and the design--like many others from that period--was forgotten.

Aside from the cage shape, the Bennet had a couple of other interesting features.  One is a dust cap that springs into the body and is held by latches. In contrast, most other dust caps are either screwed on or pressed in and often fall off, especially when the bike is ridden over rough roads or trails.   The other innovation was a bearing cone that was keyed rather than threaded to the axle, and held in place with a set screw.  According to the manufacturer, this system allowed for one-tool adjustments.  It also eliminated the problem of locknuts that came loose and allowed the cone to screw up and crush the bearings.

I would love to know how well those features worked. If they were effective, the Bennet was certainly well ahead of its time.  Even if they weren't, the Bennet is interesting as a kind of proto-BMX or -mountain bike pedal.

An Umbrella On The Trail

There are films I see for their artistry or historic or cultural significance.  Then there are movies that, I admit, I watch solely as entertainment, as harmless diversions. 

Then there are cinematic works that I simply must look at again and again because, really, there's nothing else like them and they defy categorization.  Among them are Vittoria de Sica's The Bicycle Thief and The Garden of the Finzi-Continis, Fracois Truffaut's The 400 Blows and Jacques Demy's The Umbrellas of Cherbourg.

That last one is perhaps the most uncategorizable of all.  If someone had told me, beforehand, that all of its dialogue is sung, I probably never would have looked at it, as I am not a fan of musicals.  However, it would never work if someone tried to cast it as a musical, whether on film or stage.  Hey, I think that even translating it into English would be almost criminal.

Also, the film is shot in a way that doesn't remind me of any other.  It's been compared to an Impressionist or Pointillist painting--which, in some ways, is a valid comparison.  It often uses color and form in ways similar to those of Auguste Renoir or Georges Seurat. It's actually worth seeing for that reason alone:  It's purely and simply beautiful to look at.  (So, for that matter, are Catherine Deneuve and Nino Castelnuova.)  It reminds me of why someone described melancholy as "beautiful sadness".

I got to thinking about  Umbrellas and the painters I've mentioned after coming across this image: