A Bike Show, Then And Now

Today I did something I haven't done in nearly three decades:  I attended a bike show.  Specifically, I went to the New Amsterdam bike show in SoHo.


Naturally, I found myself making comparisons to the last show I attended, seemingly a lifetime ago.  That one was held, as the New York Bike Shows were for two decades, in one of the most unloved major buildings in the history of this city:  the New York Coliseum at Columbus Circle.   It was one of those boxy "International" style buildings constructed during the 1950's as part of one of the most cynical and duplicitous pieces of urban planning in the history of American cities, courtesy of Robert Moses.   


On the other hand, this year's New Amsterdam Bike Show was held in Skylight Soho, a renovated loft building that is part of a neighborhood that, around the same time the Coliseum was built, was nearly bulldozed for another one of Moses' schemes:  a cross-Manhattan expressway that would have connected the Holland Tunnel with the Manhattan, Brooklyn and Williamsburg Bridges.  It was one of his few ideas that, fortunately, never came into fruition.


All right, so you're not reading this blog for history lessons and half-baked ideas about architecture.  So I'll talk about some of the differences between the two shows, and how I was a different person at the time of each of them.


At the old bike show, the emphasis was on racing and touring bikes.  Mountain bikes were new; I think there was an exhibit or two of them.  But I don't recall any displays of utility or transportation bikes, which seemed to comprise the majority of bikes I saw at today's show.

Also, most of the companies that displayed at the old show were the "old school" names of the industry.  While a few American framebuilders and manufacturers exhibited, the majority of those who set up at the show were from Europe or Japan.  

On the other hand, most of the companies that showed their wares today were from North America:  mainly from the East and West coasts of the United States.  There were quite a few frame builders, a few manufacturers of bikes and even more smaller operations that made everything from purselike bags that attach to handlebars and racks to reflective clothing that looks just like stuff someone might wear to an art opening.  I'll talk more about some of those products in a future post.  While I liked some ideas and products better than others, I was glad to see all of those (mostly) young artisans, manufacturers and entrepreneurs: The stuff they're making might entice someone to ride his or her bike instead of a car to work or shop, or might entice someone else to ride a bike, period.  In contrast, most of the stuff at the old show had been made for decades and, through all of that time, was liked and disliked by the same people for the same reasons, and would entice no one into cycling for sport or recreation.


I mentioned that most of the people with interesting new ideas and products are young or youngish.  This is another departure from the old bike show, in which many of the companies were represented by the patriarchs of the families who started and owned them.  And, yes, all of them were male.




In fact, the only females I saw at the show back in the day were the wives, girlfriends and daughters of the men who exhibited or attended.  I take that back:  One bike company had a group of young women in lycra (which was new in those days) and high heels pedaling their bikes on a trainer.  


In other words, the women were props and accessories.  I was neither.  Now there were female artisans, entrepreneurs and sales representatives.  And I got to speak with one author.  I hope to be an author.  I can hope for that.  

Another difference between then and now is one that has to do with circumstances of my own life.  When I attended all of those years ago, I went with some guys with whom I worked in the bike shop, the owner, his wife and some of his friends.  I had known them for several years, but now I haven't been in touch with any of them for at least two decades.   Today I went to the New Amsterdam show with someone I had not met until the other day.  However, I have corresponded with this person for nearly three years.  I'll tell you more about that in a future post.  


At the old show, I didn't meet anyone I already knew. At today's show, I saw Charlie from Bicycle Habitat (who had an exhibit) as well as owners and employees of other bikes shops whom I knew at least in passing.  Plus, I met someone I hadn't seen in about a dozen or so years.  She has been a sales rep for one of the few big bike manufacturers I saw at today's show.  The last shop in which I worked sold those bikes, so she was in the shop pretty frequently. 


What did I say to her?  "My, you've changed!"  All right, that was a joke.  In reality, I passed by her table a couple of times before we caught each others' glances.  In a split-second, I did an FBI-style age-progression image in my mind and realized I was looking at an older version of the rep I knew all of those years ago.  Then she took a longer look at me.  "Should I know you from some place?"


The real question wasn't whether or not she should have. The real question was the way she knew me--and I knew her.  


Finally, at the old show, I think one or two cyclists' organizations may have set up tables.  But they didn't have nearly as active a role as the organization at today's expo.  One--which I never would have imagined back in the day--is a group of women who take social and training rides.  I signed up.  Back in the day, I never would have done that.

Bike Backdrops

Arielle in Point Lookout, NY

As Velouria and others have noted, bicycling and photography seem to go hand-in-hand.  Cycling experiences, and bicycles themselves lend themselves very nicely to photo-imaging, for a variety of reasons.

Tosca in Weehawken, NJ

Now, for those of you who like to photograph bicycles, I have a question:  Do you have a favorite backdrop or "prop"?  I always seem to photograph my bikes by bodies of water.  That may have to do with the fact that I have rarely lived far from a large body of water, and so much of my riding is alongside, or a few pedalstrokes up- or down-wind of them.   Then again, I don't think that where I've lived and where I've ridden are accidents:  I have always had an attraction, if you will, to the sea,


Speaking of cycling and photography:  I'm having a very interesting experience that involves both.  I'll tell you more about it soon.

Ways To Go In The Bronx

For a short local ride, one of my favorite destinations has become Concrete Plant Park.  For one thing, I just love the idea that someone converted an old factory to a park.  Better yet, whoever conceived of the park was absolutely brilliant in actually incorporating the old machinery into a recreation area.

The concrete path you see is a bike/pedestrian path that is being extended along the Bronx River.  With the old cement plant on one side of the river, and some old brick factory and warehouse buildings on the other, the park feels rather like an old New England mill town, especially in the spring and fall.

What is also interesting is that every kind of transportation, except for aviation, intersects there:

Motorized vehicles are not allowed on the path.  But, just outside of the park and under the railroad trestle (where, if you look closely, you can see a passing New York City transit train) is the bridge for Westchester Avenue.  And, when I was there the other day, motorboats stuttered over the surprisingly choppy water.

I understand that the Parks Department plans to extend the path along the entire length of the Bronx River to Westchester County, a distance of about ten miles.  That would definitely make for one of the more interesting urban bike lanes. Actually, it already is:  We just need more of it.