In The Bag At The New Amsterdam Bike Show

In "What I Carried In The Original Messenger Bag"--one of my early posts on this blog-- I talked about a role the eponymous bag played in my life.


It may have been the only bag I owned at that time in my life.  Or, I may have had one or two others.  Truth is, I didn't have much I could have carried with them. 


Even so, I was always looking at bags in stores and on street vendors' displays.  After I quit messengering  (I know, such a word doesn't exist, at least not officially!), I went to work for American Youth Hostels.  At the time, they operated an outdoor equipment store and mail order service from the Spring Street headquarters in which I worked. One of the first things I did after getting my first AYH paycheck (which, believe me, wasn't much) was to buy a shoulder bag that I hadn't seen anyone else carrying.  

These days, I seem to end up with more and more bags, even after self-imposed moratoria on buying new ones, and after giving away or selling ones I have.  Even so, I'll look at more bags, as I did today in the Brooklyn Industries outlet store where Lakythia and I stopped during our ride today.


You might say I have a bag fetish. It seems that other cyclists share it.  I say that after seeing how much time and space is devoted to discussions of them on various online fora, and the numbers of them available.  Plus, it seemed that at the New Amsterdam Bike show, which I attended yesterday, there were almost as many displays, and more makers, of bags than bikes.  

There were the classic, traditional saddlebags from Brooks, which also showed a couple of modern shoulder bags, tool rolls and other bags now in their line.  There were also the icons of cordura cartage--namely, messenger bags and backpacks from makers like Timbuk2 and Chrome.

A company called Truce is making some interesting-looking bags--including long backpacks that seem inspired by rock climbers' rucksacks--in just about any kind of bright color you can imagine.  Their name and palette seem to be a rebuke or parody of the pseudo-military imagery other companies try to invoke.  

At the other end of the spectrum, literally as well as figuratively, Elektra is offering canvas panniers that mimic, in many ways, the Berthoud bags--which, in turn, are modern renditions of the French panniers of old.


So, tell me, dear readers:  Do we, as cyclists, have an obsession with bags?  Or was the high number of them displayed at the New Amsterdam show just a passing fad?  Or could it be that there really is much greater interest in--and, thus, a bigger market--for bags because more cyclists want to use their bikes for transportation and in other practical ways?  

A Bike Show, Then And Now

Today I did something I haven't done in nearly three decades:  I attended a bike show.  Specifically, I went to the New Amsterdam bike show in SoHo.


Naturally, I found myself making comparisons to the last show I attended, seemingly a lifetime ago.  That one was held, as the New York Bike Shows were for two decades, in one of the most unloved major buildings in the history of this city:  the New York Coliseum at Columbus Circle.   It was one of those boxy "International" style buildings constructed during the 1950's as part of one of the most cynical and duplicitous pieces of urban planning in the history of American cities, courtesy of Robert Moses.   


On the other hand, this year's New Amsterdam Bike Show was held in Skylight Soho, a renovated loft building that is part of a neighborhood that, around the same time the Coliseum was built, was nearly bulldozed for another one of Moses' schemes:  a cross-Manhattan expressway that would have connected the Holland Tunnel with the Manhattan, Brooklyn and Williamsburg Bridges.  It was one of his few ideas that, fortunately, never came into fruition.


All right, so you're not reading this blog for history lessons and half-baked ideas about architecture.  So I'll talk about some of the differences between the two shows, and how I was a different person at the time of each of them.


At the old bike show, the emphasis was on racing and touring bikes.  Mountain bikes were new; I think there was an exhibit or two of them.  But I don't recall any displays of utility or transportation bikes, which seemed to comprise the majority of bikes I saw at today's show.

Also, most of the companies that displayed at the old show were the "old school" names of the industry.  While a few American framebuilders and manufacturers exhibited, the majority of those who set up at the show were from Europe or Japan.  

On the other hand, most of the companies that showed their wares today were from North America:  mainly from the East and West coasts of the United States.  There were quite a few frame builders, a few manufacturers of bikes and even more smaller operations that made everything from purselike bags that attach to handlebars and racks to reflective clothing that looks just like stuff someone might wear to an art opening.  I'll talk more about some of those products in a future post.  While I liked some ideas and products better than others, I was glad to see all of those (mostly) young artisans, manufacturers and entrepreneurs: The stuff they're making might entice someone to ride his or her bike instead of a car to work or shop, or might entice someone else to ride a bike, period.  In contrast, most of the stuff at the old show had been made for decades and, through all of that time, was liked and disliked by the same people for the same reasons, and would entice no one into cycling for sport or recreation.


I mentioned that most of the people with interesting new ideas and products are young or youngish.  This is another departure from the old bike show, in which many of the companies were represented by the patriarchs of the families who started and owned them.  And, yes, all of them were male.




In fact, the only females I saw at the show back in the day were the wives, girlfriends and daughters of the men who exhibited or attended.  I take that back:  One bike company had a group of young women in lycra (which was new in those days) and high heels pedaling their bikes on a trainer.  


In other words, the women were props and accessories.  I was neither.  Now there were female artisans, entrepreneurs and sales representatives.  And I got to speak with one author.  I hope to be an author.  I can hope for that.  

Another difference between then and now is one that has to do with circumstances of my own life.  When I attended all of those years ago, I went with some guys with whom I worked in the bike shop, the owner, his wife and some of his friends.  I had known them for several years, but now I haven't been in touch with any of them for at least two decades.   Today I went to the New Amsterdam show with someone I had not met until the other day.  However, I have corresponded with this person for nearly three years.  I'll tell you more about that in a future post.  


At the old show, I didn't meet anyone I already knew. At today's show, I saw Charlie from Bicycle Habitat (who had an exhibit) as well as owners and employees of other bikes shops whom I knew at least in passing.  Plus, I met someone I hadn't seen in about a dozen or so years.  She has been a sales rep for one of the few big bike manufacturers I saw at today's show.  The last shop in which I worked sold those bikes, so she was in the shop pretty frequently. 


What did I say to her?  "My, you've changed!"  All right, that was a joke.  In reality, I passed by her table a couple of times before we caught each others' glances.  In a split-second, I did an FBI-style age-progression image in my mind and realized I was looking at an older version of the rep I knew all of those years ago.  Then she took a longer look at me.  "Should I know you from some place?"


The real question wasn't whether or not she should have. The real question was the way she knew me--and I knew her.  


Finally, at the old show, I think one or two cyclists' organizations may have set up tables.  But they didn't have nearly as active a role as the organization at today's expo.  One--which I never would have imagined back in the day--is a group of women who take social and training rides.  I signed up.  Back in the day, I never would have done that.

Bike Backdrops

Arielle in Point Lookout, NY

As Velouria and others have noted, bicycling and photography seem to go hand-in-hand.  Cycling experiences, and bicycles themselves lend themselves very nicely to photo-imaging, for a variety of reasons.

Tosca in Weehawken, NJ

Now, for those of you who like to photograph bicycles, I have a question:  Do you have a favorite backdrop or "prop"?  I always seem to photograph my bikes by bodies of water.  That may have to do with the fact that I have rarely lived far from a large body of water, and so much of my riding is alongside, or a few pedalstrokes up- or down-wind of them.   Then again, I don't think that where I've lived and where I've ridden are accidents:  I have always had an attraction, if you will, to the sea,


Speaking of cycling and photography:  I'm having a very interesting experience that involves both.  I'll tell you more about it soon.