Blame It On The Bike!

During my youth, I did lots of strange, stupid and forbidden things that I tried to smooth over with implausible explanations to parents, teachers, professors, supervisors, lovers and other people.  Probably even a cop or two.

I might have even said something like this:

Now, whether the cop believed me, I won't say--mainly, because you know the answer.  All I know is that when I woke up, I wasn't in jail.  But I sure had a headache--and a bike to fix!

A Twist In The Mixte

Most Americans never saw a twin-tube mixte frame before the 1970s Bike Boom.  That, of course, is also the first time most Americans saw a bicycle with a derailleur.  So, perhaps, it's no surprise that bike manufacturers like Peugeot, Motobecane, Raleigh and Fuji sold boatloads of ten-speed mixtes--though, to be accurate, many more diamond-frame (men's) bikes were purchased.

Nearly all of the mixtes available then, and now, have more or less the same design:  a pair of narrow parallel tubes that slope from nearly the top of the head tube to the rear dropout, or some point near it.  The twin tubes usually crossed the seat tube about halfway down, or maybe a bit lower.  The result was a frame that wasn't quite as "open" as the traditional women's frame, with a single curved top tube, but easier to mount than the traditional diamond frame.

What's not commonly known is that mixte frames with twin top tubes mixte frames, or at least frames that resemble them, have been made almost since the first "safety" bicycle (ones with two wheels of equal, or more-or-less equal, size) was introduced in the late 19th Century.  And they have taken on a variety of configurations, such as this example from Geoffrey Butler:

The South London builder made it to the specifications of a then-young woman who owned it until recently.  Its  eBay listing doesn't specify the tubing used to build the bike, but my guess is that it's some variation of Reynolds.  All of the parts are what one might expect to find on a touring or club bike from its era (1962):  all British, except for the Michelin tyres. (Yes, I had to spell it the British way!)  And, I must say, it is lovely.

I was struck in particular by two things.  One is, of course, the configuration of those top tubes:  They don't slope down as far as those on the more familiar kind of mixtes.  In fact, they don't seem much less horizontal (Is that a real phrase?) than the top tubes of most diamond-frame bikes.  Moreover, they end at the seat tube in a sort of semi-lug, which I find to be an interesting touch.

(Don't you just love seeing that pump between the parallel tubes?)

The other thing I immediately noticed is its size. I can't recall seeing a mixte that was too big for me:  For that matter, I haven't seen many mixte frames as tall as Vera, my Miss Mercian.  If the measurements listed are accurate (and, from what I see in the photos, I believe they are), it's indeed larger than my Miss Mercian, or almost any other mixte.  In fact, at 58 cm (for the seat tube) it's even larger than all but one diamond-frame bike I've ever owned. 

With all due respect to Vera, it is a rather uniquely (Is that a real phrase?) lovely bike.  If I were about three inches taller--or had the money and space have a collection--I probably would buy it.

The Mountain We Climbed

Two cyclists climbed the mountain.

Image from Tripsite

Their long, arduous pedal strokes channeled their fear, rage and loneliness into jagged thrusts through virages.  They funneled their darkest secret into energy that helped them push against headwinds on deceptively narrow straightaways.  

They would reach the summit but feel no sense of pride or elation about it.  Years later, each of them would say exactly the same thing:  Yeah, I did that.  To this day, others are more impressed than they are with their feats.

Both grew up in working-class enclaves--one in Scotland, the other in Brooklyn and New Jersey.  They have remarkably similar stories about being bullied and ostracized, and how they both felt the need to escape.  It drove both of them to France.

The American stayed for a time and has returned several times since.  The Scot achieved great professional success there and returns for various gigs.  

They both climbed the mountain.  And, after their descents, they realized that they would have traded that experience, and all of the others, for a life they could not have led until they crossed the valley.

As you might have surmised, I am the American.  What you might not have realized until now---I didn't, until a couple of hours ago--is that the Scot in question was the first Anglophone to wear the polka dot jersey (for the King of the Mountains) in the Tour de France.  In one of cycling's more famous photos, this rider is seen descending a mountain in the 1989 Tour, alongside Laurent Fignon, Pedro Delgado and eventual overall winner Greg LeMond.

In the 1984 Tour de France.

I am talking about someone who went by the name of Robert Millar.  Yes, that Robert Millar.  The one who finished fourth overall (then the highest standing for an Anglophone) in the 1984 edition, when Millar won the polka-dot jersey.   The following year, the Glasgow native would have a Vuelta a Espana victory "stolen" by riders who colluded for a Spanish victory.  Two years later, Millar placed second in the Giro d'Italia:  still the best finish in that race for a cyclist from the British Isles.

Millar, even after retiring from the sport, garnered great admiration and respect from former rivals and teammates, not to mention fans.  While my brief racing career brought me no money or fame, my life as a cyclist gave me, if I do say so myself, people who admired and respected me for riding up the mountain.  And another.  And another.  Some of the folks who shouted "Bon courage!" I would never meet again, but others became riding and training partners for periods of my life.

But even though Millar was a better, or at least more accomplished and recognized, cyclist than I ever was or will be, we do have remarkably similar stories.

We are the same age: only two months separate us.  And in addition to our class roots, we have other similarities in our backgrounds.  In particular, each of us had a parallel experience.  For all I know, we might have had it on the same day:  When we were five years old, the boys and girls lined up on opposite sides of the playground.  Robert in Glasgow felt the same way as Nicholas--"Nicky"--in Brooklyn:  different.  "But there was no way to communicate that without the other boys beating me up or picking on me," Millar recalls.

She took the words out of my mouth!

Philippa York

Robert Millar no longer goes by that name.  Today she is known as Philippa York.  While she has a bike with mudguards and a wicker basket for "going to town", her knowledge of the gradients and lengths of climbs around her home on the South Coast of England is "suspiciously accurate," according to a Telegraph article.  "I still like that rush of speed, but that's only downhill," she explains.  "I can't go fast on the flat or uphill anymore and I accept that I am going to need every gear on my bike."

I can relate.

We climbed the mountain.  And we are here, now--female midlife cyclists, both of us.

N.B.:  I want to thank one of my favorite bloggers, "The Retrogrouch", for alerting me to Philippa York's story!

One of my early posts will tell you more about the mountain (actually, one of the mountains) I climbed.