Fewer Bikes In A Dutch Lane?

A city wants fewer cyclists to use a bike lane.

Yes, you read that right.  Oh, but it gets better:  that city is in what is often seen as one of the world's most bike-friendly nations.

That country is the Netherlands.  The city in question in Utrecht; the bike lane, alongside Vredenburg, is said to be the busiest in the nation.  It was widened a few years ago; even so, it's not enough to meet the demand.  

So many cyclists ride it because Vredenberg path is the main east-west corridor the city center.  As in many older cities, there simply aren't many options available:  Other streets dead-end at rivers, canals, railroad tracks or other natural or artificial barriers.  (This is also true in some older areas of cities like New York and Boston.)  In some places, it isn't possible to build bridges or other ways to navigate those obstacles--and, in some of the more historic and scenic areas of a city like Utrecht, it's too expensive or people understandably don't want to do such a thing.

Also, as the author of the Bicycle Dutch post points out, just as "we all know that more asphalt isn't the answer to too many cars," it's "probably also not the answer to too much cycling."  In other words, old European cities like Utrecht have very limited amounts of space on which to build anything, so adding more pavement would defeat one of the purposes of encouraging people to ride:  reducing congestion. The city is thus looking at other possible solutions, which including the closure of some streets to motor traffic and turning them into bike routes. Another suggestion includes using a former railway bridge as a crossing for cyclists.  

At least it seems that the city is trying to create a comprehensive plan to make movement from place to another safe, convenient and sustainable. Too often, American cities build bike lanes or other transit facilities without a coherent scheme.  That, I think, is why too many bike lanes are poorly constructed and maintained and don't offer useful routes, or even connections to other forms of transportation.  

Release

Have you ever cried at the end of an arduous climb--or any other difficult, or simply long, ride?

I have.  I can't tell how I'll react at the end of any ride:  I might giggle with giddiness or fall asleep.  Or my tears might spill out:  sometimes from joy, or as a catharsis.

Yesterday I shed tears of release.  They felt, somewhat, like the ones that have rolled down my cheeks after a ride: salty as a tide, but cleansing like the rain.  

But I hadn't taken a long, hard, ride--or any ride at all.  I had planned to get out on one of my bikes, but I listened to the speeches and performances of yesterday's inauguration.  I wasn't expecting much:  Even before Trump campaigned for the presidency, I was pretty cynical when it came to political candidates' or office holders' words.  Even their most absurd claims or outrageous lies didn't enrage me:  They all seemed part of their stock in trade.  Never was I moved--as some claimed to be by "Ask not what your country" (I was about two years old when JFK made that speech!)--or by anything else an office-seeker or -holder said on the stump.

Yesterday, though, I couldn't help but to weep while listening to Joe Biden's inaugural speech.  He doesn't have the oratorical skills of JFK or Obama, and his words, while important and wise, weren't as stirring as those of Amanda Gorman, the young poet who followed him.  In hearing him, though,  I knew this:  I'd survived.  Those tears, the tension leaving my body, were the same as what I'd felt after the most traumatic events of my life--or, more precisely, the moment when I'd processed them, whether through finally talking or writing about them, or going on a ride.  

Speaking of which:  I am going to ride later today.  I haven't decided where, or which bike I'll ride.  All I know is that whatever and wherever I ride, whatever came before it is past, like the storm that's moved out to sea--or the tormentor who is gone.  At least, I hope they're gone, and all I have is the road ahead.

(For my next post, I'll try not to stray too far away anything related to cycling!)

Going Back Is Not An Option

I am writing, now, during the final hours of Donald Trump's presidency. I have no wish to analyze, interpret or even comment on it; really, there is much about it I'd prefer not to remember, at least now. 

To tell you the truth, I can't analyze or interpret or comment because I'm not thinking at this moment.  I'm not even sure that I can:  My mind's eye is projecting a stream of images, a riot of feelings, some related to personal experience, others coming from seemingly unrelated works of art.

About the latter:  One is a story I first read many years ago, and assigned in a few of my classes:  Eudora Welty's "A Worn Path."  The protagonist, an elderly black woman named Phoenix Jackson, trudges along the "worn path" through all manner of obstacles--as winter is bearing down--to get to town, ostensibly to procure medicine for her grandson who, as she tells the nurse who supplies it, never fully recovered from the damage to his throat caused by swallowing lye.  

What she encounters sees along the way is so real that it seems hallucinatory, or so hallucinatory that it seems real, depending on your point of view.  The nurse treats her with condescension and casts doubt on, not only Phoenix's story about her grandson swallowing lye, but even on the existence of the grandson himself.  But, perhaps, it doesn't matter whether Phoenix's story is actually true or the grandson is alive or ever existed in the first place.  One senses (or at least I sensed) that Phoenix had to make that journey, for whatever reason.  Or, more precisely, she couldn't not make it--perhaps she simply couldn't stay wherever she was.

A favorite film of mine, Cafe Transit  (released in the Anglophone world as Border Cafe), is full of characters like Phoenix. The film opens with Reyhan just having lost her husband and deciding to support herself and two young daughters by taking over his cafe, located on a mountainous Iranian road near the Turkish border.  

Because of its location, the cafe serves as a meeting and stopping-off point for people on their way to or from one place to another.  Some, like a Russian girl who lost most of her family members and who survived a sexual assault by a truck driver, have a definite destination:  She wants to be reunited with her sister, her sole surviving family member, in Italy.  Reyhan gives her an almost maternal welcome.  Others, like a Greek truck driver who takes a liking to Reyhan, simply can't or won't return home, whether because of some trauma (like the driver's wife leaving him) or because that home is gone.  

I mention all of this because while most viewers and reviewers focused (as I did, the first time I saw the film) on Reyhan's independence, I think she shared this with those other characters:  She was moving forward--on the road ahead, as it were--because, really, she couldn't do anything else.  For her, supporting herself and her kids wasn't about making a statement or defying the norms of her society:  Taking over that cafe, and making those meals (which you can practically taste while watching the film!) is her path.  

In other words, hers was not an act of defiance; she simply knew that following the norms of her culture by assenting to her brother-in-law's desire to become her second husband wasn't for her.  He wasn't a monster or villain--if anything, he's rather sympathetic, at least until the end of the film; she simply knew that her way forward didn't include him.  And the way forward was all she had.

So it was when I took  two of the most important bike rides I've ever taken.  One I described in "The Mountain We Climbed" and "Up the Col du Galibier." The other, shorter and less arduous, I took about a year later:  the last one from the apartment I shared with my former partner to my current life.  I had moved almost all of my stuff to my new place; I went back to pick up a few small things I'd left--intentionally, so I would have to take that ride?

I feel as if the coming Biden presidency will be like those journeys:  None of us knows what lies ahead; we just know that we must move ahead.  Going back is not an option.