Should The Pedaling Picasso Become A Planner?

Who is an artist?

More specifically, what makes an artist an artist?

OK, I know that you (some of you, anyway) don't come to this blog for answers to questions like those.  Greater minds than mine can't come up with them, so I won't try to formulate any on this blog, let alone in this post.

There are, however, cyclists who make, if not objets d'art, then at least conceptual creations when they ride.  

Anthony Hoyte, a.k.a. The Pedaling Picasso, created this Strava image of Pere Noel in and around Paris.  While pedaling 109.7 miles over 13 hours and 19 minutes does not yield an impressive average speed, you have to remember that works of art, great or not, take time.  In Hoyte's case, he probably spent much of that time simply navigating his route.

Likewise, his GPS must have worked overtime as he pedaled sketches of Frosty the Snowman, a reindeer, Santa's head and the words "Merry Christmas in and around London and Birmingham.

If he could make street-level route maps of those images, they would be more useful than some of the "bicycle infrastructure" built lately:

I mean, what is the point of a "roundabout" in a bike lane? An intersection with signal lights synchronized so that cyclists cross before the traffic would be infinitely  more practical--and safer. 

A true artist would know better, I think.

Voyage En Rose

 In  2000, I did a bike tour through the Pyrenees, from France into Spain and back.  I started in Toulouse, where I spent four days.  To this day, it's one of my favorite large cities.  The people are friendly and it has all of the other things to love about French cities and towns:  great food, beautiful public spaces and interesting art.  But the thing that leaves me with a warm glow (please indulge me in this analogy/pun) is the light at the end of the day.  So much of the city softly blazes as the sun sets among brick buildings.  For that, Toulouse is often called la ville rose.

So why did I think about that while riding yesterday?  (Well, why wouldn't I?)  As we near the winter solstice, the days are growing shorter.  So any given ride has a greater chance of ending, or even continuing, into the sunset, under twilight.  After riding to the Rockaways and Coney Island, I passed through Clinton Hill--a neighborhood just east of the Brooklyn Academy of Music and Atlantic Center.  

The area is probably best known for its old stone churches, brownstones and the Pratt Institute.  Nestled among them is a smaller but well-respected university:  St. Joseph's.  As a longtime presence, it--not surprisingly--shares the neighborhood's architectural and other visual delights.  

Those buildings, on Clinton Avenue, are adjacent to St. Joseph's and share many characteristics with its other buildings.  They are not, however, part of the university.  The exteriors have been almost unchanged since they were built in 1905, in part because the block is one of the city's first designated historic districts.

Whoever lives in those buildings comes home to a maison rose at the end of the day.  That might be reason enough to live in them, as so many other parts of this city have less rose and look more and more like they're built with neutral-tone Lego blocks. 

The Authority Of This Blog

 We've all heard the expression, "Don't believe everything you read."

Well, you can ignore it when you read this blog.  Really, you can believe everything you read here.  Here's why: