A Cuevas Leads Me To A Beacon To Hollywood

For part of yesterday's ride to Point Lookout, an interesting fellow on an interesting bike accompanied me.

His name is Augustine, and this is his bike:

At first glance, it seems like another vintage road frame converted to single-speed usage.  In fact, it is.  But this is not just any old vintage from.  Oh, no. 

All right.  Looking at the headtube and fork crown may not give you a hint as to who made the frame.  But you can see that the builder did nice work.  You can especially see it in the seat cluster.  

It's a sure sign of someone who did some of the nicest lug work ever done in the United States: Francisco Cuevas.

He was born in Barcelona, Spain, where he learned how to make frames as a teenager.  But a little thing called the Spanish Civil War came along, followed by a Franco's dictatorship.  So, in the early 1950's, Senor Cuevas set sail for Argentina with his wife and young children.

He built frames for Argentina's national team, as well as other cyclists.  However, he and his family found themselves living under another military dictatorship, and emigrated to the US in 1970. After a stint with Metro Bikes, he built frames for Mike Fraysee's Paris Sport line, and then opened his own framebuilding shop only a few pedal strokes (literally!) from where I now live.  Senor Cuevas built Augustine's frame there.

When Cuevas came to the US, the "bike boom" was about to start.  During the "boom," boatloads of bikes came into the country, some bearing brands never before, or since, seen or heard about.  One name in the latter category is Beacon.

Apparently, there was a manufacturer of that name in Wisconsin, and a company by the same name that imported bikes.  I don't know whether they're related.  What I do know is that the importer had several house brands, including Astra (made by Motobecane in France) as well a line of bikes called Beacon, which were made in Japan and, later, Taiwan.

Like many Japanese bicycles sold in the US during the "bike boom" of the 1970's (including Nishiki, Azuki and the Japan-produced Univegas), they could be found only in the US.  In contrast, Fuji, Miyata and Panasonic made bikes in Japan that were also sold there, in addition to the bikes that were exported.

Like many of the Japanese bikes made strictly for the US market during the "bike boom," they have solid, reliable lugged-steel (usually mild steel, but sometimes chro-moly) with clean, if not flashy, lugwork and paint.  Those are the very qualities that make them good city and upright bikes, like the one I saw in Rockaway Beach:

I think about the only orginal components on Peter's Beacon are the headset and, possibly, the seatpost.  His wheels were built around a Shimano internal-geared rear hub and dynamo front hub.  Velo Orange rims are laced to them.

The rims aren't the only VO components, as evidenced by the crankset, chainguard and fenders.  This bike is practically a  "poster child" for VO!

Finally, when I got to Point Lookout, I espied this old gem by the playground:

This one looks like it's from the 1960's.  And it doesn't look big enough for most adults.  Could it be that some little girl rode her mother's--or grandmother's--Schwinn Hollywood to the beach?

On The Rocks, Into The Sunset

When I rode to Point Lookout today, I realized something about the place.  So did this couple:

Everyone and everything in Point Lookout must perch on the rocks.  I think that's actually written into the local ordinances.

Arielle understands as much.  And for being a good citizen, she (and I) got to end our ride in grand style:

For Two, For History

As I've mentioned on other posts, I haven't spent a lot of time riding tandems.  Logistically, it's more difficult than riding a single:  You need, in addition to the bike itself, a partner, a place big enough to store the bike and money, for tandems tend to be high-maintenance.  

Once I was the pilot (the cyclist in front) for a blind woman on a charity ride.  I was riding a basic heavy-duty tandem--from Schwinn, if I remember correctly.  I think I rode a lightweight road tandem only once.  It's something I wouldn't mind experiencing again.  However, if I were to ride a tandem, I think I'd be even more interested in riding a track tandem.  I mean, for two riders to pedal a fixed gear, both have to be skilled cyclists who communicate well.  Were I to do a ride on such a bike with such a rider, I'd probably feel supremely confident in my abilities as a cyclist.

And I think I've seen the tandem I'd like to ride:

From Classic Rendezvous

This Schwinn Paramount track tandem is  believed to be the very first one ever made.  Jackie Simes and Jack Heid pedaled it to victory in a three-mile tandem race that ran through Johnson Park in New Brunswick, NJ in June 1951.  It would be the last professional bicycle race held in the United States for nearly a quarter of a century.

Johnson Park is near the campus of Rutgers,where I did my undergraduate degree. I took many a ride there, and witnessed a couple of races.  I knew that some important cycle races had been held there, but I didn't know, at the time, that the last professional race was run in that bucolic setting.

Check out this detail of the front"

The Lighthouse Guides Another Ride

There may not be many lighthouses that still guide ships into and through harbours--at least not here in the US.  However, many are all but irrestistible as destinations, or at least landmarks for bike rides.

This one is only a few minutes' ride from my apartment.

It's at the northern end of Roosevelt Island, that sliver of rock between Manhattan and Queens.   It's what I usually envision when I'm pedaling over the bridge to the island, and it's the point at which I feel an escape from the city becomes a meandering, however brief, along the coast.

Ironically, following the lighthouse yesterday may have been one of my last opportunities for an after-work ride in daylight. 

A Pinarello's Replacement On The Campus Bike Rack

In one of my early blog posts, I mentioned seeing a Pinarello on a campus where I worked.  I contrasted it with the near-absence of bicycles on another campus in which I worked, and that whenever I parked at the latter campus, my bike--even Marianela, the old Schwinn LeTour III on which I was commutig--was by far the best.

Well, the young man who used to ride the Pinarello has graduated.  But, yesterday, I saw another bike that surprised me almost as much as seeing that Pinarello did.

Seeing a late-model Cannondale, particularly in an upper middle-class suburban area like the neighborhood that surrounds the campus, is not remarkable in and of itself.  Seeing a Cannondale track bike is somewhat more unusual but, again, not entirely out of the realm of possibility.

What shocked me was how well-equipped that bike was.  Most track, fixie or single-speed bikes parked in campus bike racks have serviceable, but not spectacular components.  However, this Cannondale sported Mavic Ellipse track wheels, an FSA carbon crankset, a Ritchey Pro seat post, Salsa stem and Nitto bars.  

The only components that seemed incongruent were the flat pedals, intended for downhill mountain biking, made by Crank Brothers (makers of the Egg Beater pedals).  Don't get me wrong:  They're a high-quality component.  But they did seem odd on a bike that otherwise seemed to be built for the velodrome.

I wasn't able to get a better angle to take close-up shots because a motorcycle was parked next to the Cannondale.  But I think you can see why it stood out even in a bike rack that has hosted a Pinarello--and Vera, my green Mercian mixte.