Why Was I Doing My Commute On Sunday?

Sometimes I joke about "going through the Gate of Hell to get to work every day."  The truth is, I ride over Hell Gate and by the Hell Gate Bridge when I cross the RFK Memorial (a.k.a. Triborough) Bridge every morning.

On Sunday I took Bill and Cindy by it.  If that was supposed to scare them into living on the straight and narrow, it wasn't very effective.  Then again, how could I scare, or persuade, anybody or anything into being straight?  


But I digress.  We were riding to Van Cortland Park.  They wanted to take the Greenway along the Hudson River (and the West Side Highway.)  While I like the views and that it's so close to the water, I knew that on a sunny Sunday, half of the cyclists, 70 percent of the skateboarders and 99 percent of the people with dogs or baby strollers would be on that path.  Pedaling through the Port Morris industrial area--deserted on Sunday--and Bronx side streets would be bucolic by comparison.

So, after taking Bill and Cindy through, or by, the Gates of Hell, we descended (literally) to Randall's Island where we rode underneath the Amtrak viaduct.  After the Gate, these arches were rather impressive.  Funny thing is, I don't normally see them that way:  They are, after all, part of my commute.

So are these houses on Alexander Avenue in the Bronx:

Not far away are these houses.   Save for the graffiti next to the "fish" building, almost nobody expects to see them in the South Bronx:

They're diagonally across from each other on the Grand Concourse.  The mansion is the Freedman House, built in the 1920s for formerly-wealthy people who had fallen on hard times. Now it contains an event space, art studio and bed-and-breakfast. It's almost jarring to see such a classically Florentine house across the Concourse from the Art Deco building with its mosaic. 

Anyway, Cindy had an appointment and had to leave us before we reached Van Cortlandt Park. Back when I lived on the Upper West Side and in Washington Heights, I used to take quick spins to the park, where I would check out whatever was on display in the Manor or watch the Irish rugby and soccer players. Time marches on, and now there are different folks playing a different game.

The clouds thickened, but never threatened rain.  But they didn't portend anything like Spring, either.  Rolling across the hills of Riverdale, they broke against the shore of Spuyten Duyvil, another place almost nobody expects to find in the Bronx:

After Paris....A Ride In The Bronx?

Two years ago, the former chief of the French National Police caused a stir when he said that certain parts of Paris were starting to resemble the Bronx.

He was making reference to the increasing crime in those Parisian arrondissements--namely, the 18th, 19th and 20th.  (It also just happens that those neighborhoods contain the city's greatest concentrations of African and Middle Eastern immigrants.)  He is not the first Frenchman, or European, to make such a comparison:  the worst parts of cities, or the banlieues are often likened to New York City's northernmost boroughs, usually based on impressions gleaned from such films as Fort Apache, The South Bronx.  While I certainly wouldn't compare Port Morris with the Place des Voges, not all of the Bronx is poor and crumbling and even its worst parts aren't quite as dangerous as some other urban neighborhoods.  But I guess "Camden" or "North Philadelphia" or "The South Side of Chicago" doesn't have quite the same ring.

Anyway, there is a certain irony in the former police chief's comparison.   It can be seen in certain areas, such as a stretch of the Grand Concourse near Yankee Stadium where I rode today:

 

 

 

 

 

While the buildings are in need of maintenance, some are quite nice:  People actually lived in them by choice.  More to the point (for the purposes of this post, anyway), they bear the influences of Art Deco and classical architectural styles found in many Paris buildings.

Also, you may have noticed that the Grand Concourse, like the Boulevard des Champs-Elysees, is wide, has a parklike median and is lined with residential as well as commercial buildings. 

The parallels I've described are not merely coincidental.  At the end of the 19th Century, most of the Bronx was still wooded or farmland; all of its industry as well as most of its population was concentrated in the southernmost part of the borough.  But new waves of immigration would fill Manhattan's tenements and trains almost to their bursting point, and many longtime Manhattan residents sought bigger apartments as well as more open space but wanted a manageable commute to work.  The city's subway and trolley lines were extended into the Bronx, and new street and apartment buildings were constructed. 

Around this time, a man who had been a surveyor, mapmaker and engineer for the New York Central Railroad (then the second-largest corporation in the US, after the Pennsylvania Railroad) was appointed the chief  topographical engineer for New York City.  His name was Louis Aloys Risse. At age seventeen, he emigrated to the US from France, where he was born in 1850.  Thus, it comes as little surprise that while on a hunting trip (!) in the hills of the North Bronx, he conceived of a boulevard, inspired by the Champs-Elysees, that would connect one end of the borough with the other, and with Manhattan.

So...Do you still think it's so odd that I'd take a ride in the Bronx while still in the afterglow of my trip to Paris?