Yes, This Is A Love Letter To Greece!

A week after my Greek adventure, I am still reflecting on it.  And my toe is still healing.

Despite that mishap, my Hellenic holiday is one of the best I've ever spent.  I know I will always return to France because it's become a part of me, but, of all of the countries I've seen, Greece is the one to which I most passionately hope to return. I didn't do as much cycling as I'd hoped, in part because of the injury.  One day, though, I hope to return and do some more cycling--and, of course, to experience more of what the country and its people have to offer.

First, let me say something about the people.  If any of you are Greek, I hope you won't take offense to this:  In all of my travels, I've been to only one other country where the people were as effusively yet genuinely friendly as the Greeks:  Turkey.  A friend of mine once described me as an "extroverted introvert."  Yet I did not find the Greeks, as outgoing as they are, intrusive.  Perhaps it has something to do with being in a country that produced philosophers who wrote about balance and harmony:  Who better to understand the introspective soul within the effervescent, demonstrative personality?

If this view isn't worth pedaling up a road with five hairpin turns, what is?

Then, of course, there is the sheer physical beauty you encounter throughout the country, whether on the islands, or in the interior or Athens.  The Aegean Sea really is as blue, and its beach waters as clear, as what you see in photos all over the Web--and in postcards!  Seeing the temple to Zeus and the sanctuary of Athena in Delphi is even more awe-inspiring than I ever expected.  And, finally, even in its grittiest alleyways, Athens has a beauty very different from any other city I've seen--in part because you're never more than a few steps from a view of the Pantheon, and a subway ride can take you through an archaeological site.

That combination of classical balance and harmony with the large, wild bursts of line and color in the graffiti that adorned abandoned villas (and, in a few cases, defaced others) paint a portrait of a people and culture who have endured difficulty--whether from the economic crisis of 2009, the military dictatorship of the '70's or the Nazi occupation--but have not been broken.  Although I still love New York, so much of what I first loved about it has been co-opted or even destroyed by the pursuit of profit, always by those who already have much.  I don't know what the future holds for Athens, or for Greece, but I sense that Greeks young and old, contrary to what you may have heard, work hard but are still working to live, not living to (or for) work.

Finally--since this a blog about cycling, after all--I will say something about cycling.  I greatly enjoyed the cycling I did, although (or perhaps because) cycling in Greece was a very different experience.  Riding in Athens is different from riding in New York because the streets are narrower and there are almost no bike lanes.  (In fact, the only lane I encountered was the one I rode to the marina.)  Also, motorists are different:  A cyclist needs to be careful because most Athenian motorists aren't accustomed to seeing us.  This is in contrast with the open hostility one too often encounters from drivers in New York and other American cities, and is an even starker contrast to the relative bicycle-friendliness of, say, Paris or Montreal, let alone Amsterdam.

There is, as Manos at Athens by Bike told me, "no bike culture in this city, at least not yet."  Along the route to the marina--which parallels the #1 (green) Metro line, I did notice a shop in the process of opening, and there were a couple of stalls in the Flea Market that were as well-stocked (albeit with local brands) as shops I've seen elsewhere.  But in the city, or on the islands, you're not going to find the lycra-clad cyclists on carbon-fiber bikes.  They may show up one day, but I didn't see them on this trip.  On the other hand, in the countryside between Athens and Delphi, I did see a few cyclists who looked like they were doing some serious training on late-model, high-quality road and mountain bikes.

But as much as I like bike "culture," cycling is all about riding.  And people.  And places.  And history and culture.  Oh, and food.  Greece has all of that, which is why I want to return.  Maybe, by then, there will be more "cycling culture"--or I will help to create it!

A Thousand Words For "Red"

Even with the mishap I described in a previous post, Milos was great.  The swim alone would have been worth it, not only for its own beauty but for the way in which I was able to experience my own body.  Also, Irini is an absolute gem.

I went back to Athens on Saturday night.  Irini took me to Adamas, the port of Milos.  "Those ferries never leave on time," she advised me.  She was right:  Mine left more than an hour behind schedule.  I wasn't worried, though:  I wasn't making any connections in Piraeus or Athens.

If you've read anything having to do with ancient Greece, you might have seen Piraeus mentioned.  When people fly into Athens to take cruises, their ships leave from this port, which is in essence, if not in fact, part of the city of Athens.  It's at the western end of the #3 (green) Athens Metro line, which includes the stop (Petralona) nearest to the apartment where I stayed.  The train ride took about fifteen minutes, then it was about a five-minute walk (uphill!) to the apartment.  So, in spite of the ferry's tardiness, I got back at a decent hour.

The next morning, on the advice of the doctor at Milos, I called a doctor in Athens, who came to the apartment, took a look at my wounded toe and told me that the nail would need to come out.  Did I want to do it right then and there--she had the local anaesthetic--or wait until I got home?  I decided to do it then and there, even though I had to pay (I'll most likely be reimbursed by my health insurer) because I didn't want to think about it for the rest of my trip.

By the time she finished, the morning was all but gone and Athens by Bike closes early on Sunday.  I probably could have rented a bike elsewhere, but I figured that being off the bike for a day might not be such a bad idea, even if the doctor said riding would be OK, as long as I wore open-toed sandals.  

So, the afternoon seemed like the perfect time for something that was highly recommended to me:  the Byzantine and Christian Art Museum. "Don't think about the "Christian" part; it's a great museum," advised Kostas, the young man who drove me to Delphi.  He was right; I think I've found one of my new favorite museums.

"Byzantine" is often used as a synonym for "intricate" or "complicated."  If your tastes don't extend beyond minimalism or even late moderinism, you probably mean the latter.  For me, though, the Byzantine artists were just as meticulous and studied as the great Renaissance figures, even if their priorities are completely different. 

Oddly enough, I found myself thinking about photography.  The artists who made all of those amazing icons of the Orthodox church weren't, of course, striving for anything like photographic realism:  How could they?  For one thing, I'm not sure whether anyone had any concept of "photographic."  And, if they did, how could they apply it to representations of Biblical scenes?

What made the connection, for me, was that, like medieval artists of western Europe, they were creating two-dimensional objects and images, and realized that not everything could be "classically" proportioned.  Also, I felt as if some artists were exploring different ways of looking at (actually, imagining) faces, particularly expressions, in ways the early photographers did.

I can't help but to think those artists understood that whatever they were making could be seen in a variety of different ways--whether by the leaders of the church or the lay people, many of whom were illiterate.   Those artists even understood that what, if anything, you saw depended on where you stood in the church.  So they even created double-sided icons, like this one:




The museum also contained architectural adornments and other objects from Orthodox churches:

In looking at the painted icons, I came to this conclusion:  If Byzantine were a language, it would have at least a thousand words for "red."

I Really DIdn't Want To Leave, But...

I am on my way back to New York.  I wish I weren't.  In my next post, I'll talk about the last two days of my trip, which I spent in Athens.  And I will share more about what I've experienced on and off my bike during the past two weeks in Greece!

How I Became Aprhodite By Sunset

No, I'm not in Paris again.

After climbing to the castle (see yesterday's post), I descended back into Plaka's Archaeology Museum.  There, among pottery and other objects found on Milos and other islands, is this replica of Venus de Milo.   In the Plaka museum, it's called Aphrodite de Milos.

When I left the museum, I rode along another winding road to the place where a farmer, while digging for stones, came upon Aphrodite/Venus.   So how did she end up in the Louvre?  Well, as it turns out, some French naval officers were doing some digging of their own in a nearby area and took notice and, after some negotiations, bought the statue and bundled it onto a ship to France.  It was presented as a gift to Louis XVIIII, who in turn gave it to the Louvre.

How she ended up armless in France is another, much longer story, which I won't get into here.

Anyway, I continued along the road to a Roman theatre in Trypiti

and catacombs, which I didn't photograph because it was too difficult and, well, some of those people just might not like being photographed.  

From there, I pedaled up another widing road to a Klima and onto another rocky winding road to Areti, where an elderly couple leaving their house saw me and applauded. "Bravo!"

Of course, after all of that climbing came the descents to the sea, back to the port at Adamas, where I turned south and rode along the coast to Papikinou and the hot springs of Zefira.  By then, it was late in the day, and I wanted to swim before the end of the day.  After all, I'd brought my bathing suit with me and it would have been a shame not to use it, right?

So I stopped and descended the stairs to a pebble-sand beach with the clearest water I've seen in a bathing area.  Ahead of me the blue (yes, it really is!) Agean spread between volcanic islands.  I  started to duck behind this rock and was about to change into my swimsuit when I noticed a young boy and girl wading from the water.  Both were as naked as the day they were born.  So were their mother and father.   

Just past them, I saw the sign:  Nudist Beach.

They say that whatever happens in 'Vegas stays in 'Vegas.  Well, I figured the same holds true for Milos.  I probably would not see that family, or any of the other people--clothed or unclothed--again.  So I decided my bathing suit would have to wait for another day.

In that water, I became an acrobat and a ballerina.  I moved with the waves; my arms, my legs, even the rest of the body, became waves.  Maybe that is what our bodies really are, rather than the hard, straight lines we are taught to strive for in a commodified society.  Even the slender men and women in Greek sculptures were not composed of sinews and pistons; they move, fluidly, through time and light.  

When I stopped and stood, for a few moments, with those blue waves lapping up to my neck, I felt something silky and gelatinous, at the same time, against my legs.  I looked down through the clear water and saw little coral-colored fish with black stripes on their tails nibbling at me.  Were they feeding on some mineral my body exuded?  Or were they merely curious?  

Whatever (if anything) they were thinking, those fish didn't care that I was naked.  Neither did the other people, naked or otherwise, on that beach.  A guy in a swimsuit and googles made for racing pumped past me and didn't give me a second glance.  Everyone, it seemed, was there just to swim or wade as they pleased.  

After that swim, a few more things made sense to me.  To the ancient philosophers, life was about balance a balance, and the body was central.  And that is the reason, I realized, why there doesn't seem to be any body-shaming here:  Each of us is born with our own shape, size and other characteristics, and all we can do is make them into the best they can be. Venus/Aprhodite, however she is depicted, is simply the best version of herself. What the capitalist/materialist media in America and other places teach us, instead, is to strive for other people's reality.

I stayed in that water, swimming, dancing, or simply waving my arms and legs, until the sun started to descend between two hills.  Then I started pedaling along the road back to Adamas, and my hotel.

The sunsets on Santorini were beautiful.  But this one was, by far, the most rewarding I've ever experienced.

Did I become Aprhrodite, just for a moment?  Could it be that when you experience beauty, when you feel beauty, you become your own beauty?  

Now I'll confess that after I got back to the hotel and had dinner, I did something entirely un-graceful.  More about that in my next post.

Purification And Peripatetic Learning

Today I had an entirely insignificant achievement that had nothing at all to do with cycling, writing, teaching or any of the  other more-or-less respectable things I do.  Still, I feel a little bit of pride.

What is that momentous deed?  I went to Aristotle's Lyceum.  That means I visited all of the archaelogical sites covered by the 30 Euro inclusive pass.  

The Lyceum site, as it turns out, was on the way to the next part of my trip.  At least, it's along the Metro line I took.  According to Lonely Planet (the source of all of my scholarly information!), the site was excavated only in 2011.  So, for 2346 years, it lay buried beneath what is now a police station and down the street from the War Museum.

I have long known that, until fairly recently, most major cities are located on the banks of some significant body of water.  I have also noticed that many school catalogues show a body of water on their covers even if there isn't one within 100 kilometers of the campus.  

As it turns out, the Lyceum was built by a river that has long since been filled in or rerouted.  A chief reason is that, in keeping with the philosophy that the mind and body are one, the school had a gymnasium.  The river supplied water for the baths which not only cleaned sweaty bodies, but also served as a purifying ritual.  

Hmm...I always want to wash up after a bike ride.  But I usually feel that the ride itself was in some way purifying, or at least cleansing, of my mind and spirit.  

I imagine that it didn't take vigorous exercise for Aristotle's students to work up a sweat on a hot day.  They probably were glistening after the walks they took, during which they talked about ideas of one kind or another with the master.  Because of these walks, the Lyceum was also known as the Peripatetic (after perapos) School.

After visiting the Lyceum, I got back on the Metro for my next destination.  Here's a clue to it:

Yes, it has water around it.  I'll tell you more soon.

If I Can Ride In Athens, I Can...

I can honestly say that I'm not inclined to boasting. (If I were, would I know it?)  Even if I were, I'd have no need for it in Athens, at least when it comes to cycling:  If you ride at all, people--even other cyclists--are impressed, if they don't think you're crazy.

So I didn't have to claim that I ride up the hill of the Acropolis.  I rode a bit before I arrived, mainly to try out the bike I'm renting.  It's actually rather nice:  a hybrid with wide 700C tires. I had never seen the brand--Ideal--before, but it's apparently sold in a few other European countries.  If anything, it--or, at least, this particular bike--seems much like similar offerings from Trek or Specialized or Giant.  It wouldn't surprise me if Ideal bikes were made in the same factories as those other brands.

I rode another bike just like it yesterday morning with Sappho as my guide.  Both bikes came from Athens by bike,  Today, though, I had the advice of Manos, the co-owner of Athens by Bike (good on all counts) and my own instincts (sometimes good) to  guide me.

So I rode a bit around the Plaka, the central area of the city and home to the Acropolis as well as other well-known sites.  I stopped just before noon, as most any Greek might have done, when the temperature rose noticeably.  Instead of ducking into an air-conditioned building or a well-shaded cafe terrace, I took the hike up to the Acropolis and wandered among its ruins.

Contrary to what many people think, "Acropolis" refers to the site, not to any of the structures on it.  And, neither the Parthenon nor any of the other buildings are the "original" monuments built there.  Other things had been built there before, mainly because of its springs, which were said to be created by Poseidon himself.

I am amazed at how quickly (at least relatively speaking) the Parthenon or, for that matter, the Angkor Wat (which I visited last year) were constructed, let alone how accurate and intricate were the work that went into them, especially when one considers that the designers and builders did not have the technology we have today.  The funny thing is that it took less than a decade to build but has been in one stage or another of repair or reconstruction almost since Greece gained its independence from the Ottoman Empire---nearly two centuries ago!

To be fair, it's astounding that any part of the building is still standing, given how it was used and abused, not to mention damaged (and nearly destroyed altogether) by natural and human-caused disasters.  Also, I would imagine that it might be more difficult to figure out how something was conceived, created or constructed when records are sketchy, damaged or nonexistent, than it was to actually build something from scratch.

Still, I told the director of operations--who saw me riding to the site--that I might be able to help speed things up a bit.  Hmm...Maybe that person believed that if I was strong or persistent, or simply crazy, enough to ride on Athens streets, I could be of help.

So, instead of doing a job that involves no heavy lifting in New York for a salary that sounds good until you have to pay New York prices, I am going to do some heavy lifting in Athens.  The rents are much lower here--but so are the salaries.


All right:  I made up that story about getting a job here.  But, really, my time  on the Acropolis--and in its museum afterward--was some of the best I've spent.  And the late-day ride I took afterward was a reward, even if part of it didn't go as planned.  More about that later.
  

On A Journey With Sappho

Last night, I arrived in the place where I'm starting the epic (sort of) journey I mentioned in yesterday's post.

At least one epic is related to the trip I'm on now.  Think of the Odyssey.

Now, I hope I don't have to be like Odysseus and spend twenty years trying to get home.  For one thing, I still want to be a Major League Baseball player.  Hey, if I were to sign with, say, the Mets at this point in my life, I'd be the first known transgender player in history.  

All right, that was a bad joke.  But no less than Bart Giamatti, a former MLB Commissioner and Yale literature professor, suggested that part of the game's appeal is that its goal is to reach home.

Where I am now, I don't think very many people know much about baseball--unless, of course, they've spent time in America, or have relatives there.  The funny thing is that in the little bit of time I've been here, I've talked to a few residents and all have heard of the neighborhood in which I live:  Astoria.  If you're familiar with my "nabe," that might be a clue as to where I am: Astoria, until recently, was home to more of this country's natives or their descendants than any other place outside of this country.

I am talking, of course, about Greece.  I arrived late yesterday and fell asleep almost immediately afterward.  When I awoke, it was well into the night, but people were out and about.  

Such scenes were pretty common in the New York of my youth:  People would gather in parks and other public places to chat, eat, drink or just hang out.  That sort of public life is quickly disappearing from the Big Apple and is all but nonexistent among the young people who've moved in during the past fifteen or so years.  

As soon as I got back to the apartment where I'm staying, I booked myself on to a "Good Morning Athens" bike tour that starts, literally, just a few pedal strokes from the Acropolis Museum.  It's a very easy, slow-paced ride done on hybrid/comfort or flat-bar road/city bikes. (I chose the latter.)  But for me, the point of such a ride was not speed or distance or any other sort of physical challenge.  Instead, it was a way to introduce myself, and be introduced to, a city and culture I have previously seen only in books and images.

The entirely flat ride--something that seems impossible in this hilly city--was led by a delightful young woman named Sappho.  Really:  Even with my penchant for storytelling (if I do say so myself!), I could never make up such a detail.  Or, if I could, I would never use it because readers or listeners would never believe it.

All right, her name is spelled Sapfo.  Still, you can't come up with a better name for a tour guide in Greece. 

Our tour group consisted of, in addition to myself, a family from Atlanta, a couple who are about my age and live in the Washington DC area and a younger German couple.  Our ride spanned about ten kilometers and included a number of stops.  We didn't go into museums or the Acropolis, but we did see that symbol of world history and culture just about everywhere we turned.  We did, however go to the Cathedral of the Annunciation of the Virgin Mary, where all sorts of official ceremonies--and the marriages of wealthy and well-connected people--are conducted.  

Next to it stands a Byzantine church constructed on the site of an ancient Greek temple.  

We also stopped at the Roman Agora and the "original" Olympic stadium.  At least, it's the first stadium built for the modern revival of the Olympic games, in 1896.

That's about as close as I'll come to being an Olympic athlete.  Even if I were to become one, at this stage in my life, I'd have nothing on these guys:

We got to the Presidential Palace just in time for the changing of the guards.  While not as impressive as the ceremony at Buckingham Palace, it is a sight nonetheless, if for no other reason that those guys are performing their moves clad in heavy wool uniforms and shoes that weigh 2 kilograms in 34C (92F) weather.  

Sapfo pointed out that the "goose step" differs from others in that the soldiers bend their legs to make the number "4", commemorating the four centuries of oppressive Ottoman rule  (I couldn't help pointing out another kind of oppression that went on for 400 years in America) that ended with the War of Independence in the 1820s.

For their troubles, the guards--who are chosen for their height and abilities with weapons--are paid the princely sum of 8.5 Euros a month.  Granted, they are given housing, food and everything else they need when they're on duty, but on their days off (four a month), what can they do?  Most of them come from the countryside and, although a good meal and drink can be had for a good deal less than in New York or Paris, those young men still can't do much.  Even if they could "go out on the town," most would want (or be expected) to send money to their families, but the cost of doing so wouldn't leave much left to send.

It's no wonder, Sapfo said, that she and others refer to those young men, and everyone else in the military, as "victims."  Greece is one of the few European countries that still demands military service from all men, and all who end up on special assignments (such as the Presidential guard) are chosen them.  Oh, and everyone is paid that same princely sum every month.

(At least I wouldn't have to worry about being drafted if I were to move here:  I'm over 35 and, oh, only males are required to serve!) 

Now, just as I don't want you to think our ride was a race, I also don't want to give you the impression that we only concerned with such high-minded things as Hadrian trying to turn Athens into the cultural capital of the Roman Empire or the debates of Socrates.  We also partook of another important aspect of Greek culture:  food.  Across from the Agora, a group of people was leaving a church.  One of them had brought in a traditional ginger cake that's offered after a mass for a loss--of a person or any thing of importance in one's life. That cake, which I liked, is a symbol of hope that the person or thing will return, or that there will be a new beginning.

What I (and probably everyone else) in the group liked even better was served at a cafe where we stopped.  It's the best ice cream sundae I've eaten in my life.  At least, it looks like vanilla ice cream with red sauce. Greeks, however,  don't call it "ice cream" and, technically, it isn't:  It's made from yogurt.  But it--kaimaki -- is just as creamy, if almost chewy, and has the most enjoyable, complex combination of flavors I've ever tasted in a dessert.

Kaimaki is perfumed with mastiha, a spice that comes from a tree that grows only in one area of Greece, and is served with the most delectably sweet-tart cherry sauce I've ever savored.

If today's ride were only about riding, I'd wince that I rode ten flat kilometers, with stops, and consumed as many calories as I did.  Then again, the kaimaki and even the cake may not have as many as I might expect.  Even if they do, well, I am not on a journey to count calories, or kilometers (or miles).