Generating Electricity At Newport

Perhaps the Newport Folk Festival's most famous or infamous (depending on your point of view) came in 1963, when Bob Dylan plugged in his guitar. 

That moment's fame might be eclipsed by something that electrified the audience at this year's Festival--and folks like me who saw it only on video.  Joni Mitchell, who performed at the 1969 edition, appeared for the first time, in any venue, with guitar in hand, since her 55th birthday--23 years ago.  Since then, she has suffered a number of health problems, including a brain aneurism in 2015 that left her unable to speak or walk, much less play a guitar.

What may not be as well-remembered as Bob Dylan's electric guitar or the electricity Joni Mitchell generated by, well, simply showing up is the way one stage's electricity was powered.  You guessed it:  Some festival-goers pedaled stationary bicycles for the Bicycle Stage, a brainchild of the environmentally-conscious Virginia indie rock duo Illiterate Light.  

Mardi Diaz, right, performs on a stage powered by festival-goers on bicycles. (Photo by Pat Eaton-Robb for the AP) 

Jeff Gorman, the band's front man, said that the Bike Stage in Newport marked the first time the idea has been tried at a festival.  The idea came to him at the 2019 edition of the festival, when about 1300 of the 10,000 or so attendees pedaled to the Rhode Island festival.  Festival-goers take turns pedaling the bike for about five minutes of a twenty-minute set.  For their efforts, they get spritzes of water from a spray bottle, a free can of iced tea and a front-row view of the performance.

Queensboro Plaza Dawn

Having an early morning class means, as often as not, being sleep-deprived, both for me and my students.

There are rewards, though:  Students in such classes tend to be a bit more dedicated than those in mid-afternoon classes.  Also, riding to work early can be a very pleasant experience, especially when you're out before the rush-hour traffic and people are walking their dogs--or themselves--rather than rushing to the train or bus.

And then there are the air, light and the relative overall calm of the dawn (or, during the winter, pre-dawn).  Gertrude Stein once said that every great artist she encountered was up before dawn or slept until noon.  I can well understand the former when I see the play of the light of the rising sun on the colors and shapes of a landscape, wherever it may be.

Perhaps "Queensboro Plaza Dawn" doesn't have quite the ring of "Chelsea Morning".  But it offers a vista that, although grittier, is as vivid as the moment Joni Mitchell portrays in her song.  And both are equally transcendent and ephemeral.