New Light In Long Island City

Superstorm Sandy flooded Recycle-A-Bicycle's Long Island City shop, which is only a pedal stroke or two from the East River.  So, it was no surprise that the mural on the outside of the building had faded badly.


So local artists Sunny Hossain (a student at a nearby school), Pasqualina Azzarello and Alex Cook teamed up to give the old building new life:





And they got a well-deserved parade:





Their friends and family are justly proud:

Outrunning The Clouds To Spotty Showers

If you've been reading this blog for a while, you may recall that I've written about "playing chicken with the rain."  As often as not, I manage to keep the rain at bay. ;-)

I did the same thing again today.  As I pedaled down 11th Street in Long Island City, I was greeted with this fairly ominous-looking vista:

Most days, the weather across the river in Manhattan ends up in my neighborhood withing a few minutes.  That's because Manhattan lies to the west, the direction from which most of our weather (one notable exception being hurricanes/tropical storms) comes.  When I can't see the spire on Liberty Tower (where the Twin Towers of the World Trade Center once stood), I know it ain't gonna be pretty.

The weather forecasters predicted "spotty showers" for the afternoon before a full-on storm would plow in for the evening.  What else can showers be but "spotty", especially on your clothes?

That is exactly how my ride ended:  with the showers making spots on my tank top and shorts just as I reached my front door.  In the meantime, I managed to make it to Point Lookout and back--105 km, at least.  I say "at least" because I took what I believe to be a slightly longer route--through Brooklyn--home.

The Dawn Of A New Semester

The college semester has begun.  I'm teaching a couple of early morning classes.  This morning, I went in about an hour early to post some materials I'm using in one class.  

There are a number of ways I can ride to work.  This morning, I decided to wend my way through an industrial area of Long Island City.

Now that I think of it, using "wend" and "industrial" in the same sentence seems almost contradictory.  But at the time I rode--about 6:30--there's almost no traffic.  It seems almost bucolic, in a weird sort of way.

And the light is not to be missed:

I wish I'd brought my camera:  I caught this image, such as it is, on my cell phone.  At least there's a glimmering of what I saw.

If Speed Doesn't Kill

Today I'm going to talk about one of those topics about which none of us wants to think:  accidents.

Specifically, I'm thinking about motorists hitting or, worse, running down cyclists.

One reason it's on my mind is that last night, I had one of the closest calls I've had in a while.  

I had just traversed the Pulaski Bridge from McGuiness Boulevard in Greeenpoint, Brooklyn to Jackson Avenue in Long Island City, Queens--a crossing I've made hundreds of times.  On Jackson, I turned left and followed it to 50th Avenue.  Then I turned right on Vernon Boulevard, which skirts the East River and takes me within a few blocks of my apartment.

Daylight, such as it was, fell into night.  Showers were turning into a downpour.  Even that, in itself, is not so unusual, especially at this time of year.  I exercised my usual caution:  I rode a little bit slower and gave myself extra time and distance to brake.  I expected nothing more inconvenient than wet clothes (I was riding Vera, which has full fenders and a flap, but I had not brought any rain gear.) on the rest of my trip home.  

But as I approached the "Y" shaped intersection of Vernon with 45th Avenue and 10th Street, a car shot out from behind me and seemed to miss my front wheel by inches.  A quick turn of my handlebars saved me.

The intersection was well-lit, so my "blinky" lights and reflective vest should have been sufficient for the driver to see me.  There was no light or "stop" sign in the intersection, and I proceeded as far to the right as I could without making a turn.  

However, that driver had to be going at least twice the speed limit for that street.  And, given that it was early on Saturday night, I wouldn't be surprised to learn that his blood-alcohol level was over the legal limit.

In thinking about the incident, I realize that in every one of my close encounters with automobiles in which road conditions or inadequate signals or signage weren't the cause, the driver was speeding.  And, I would suspect that there was a better-than-even chance that the driver was drinking.

Then, just a little while ago, in doing some research (i.e., surfing the web), I came across this account of a 70-year-old cyclist in India who was mowed down by a speeding mini-bus. As it turns out, the driver has a record of speeding and recklessness.

That got me to wondering whether speeding is the main cause of accidents between cars and bikes in which the motorist is at fault. 

Sunset In The Afternoon

Yesterday I rode to Sunset Park, in part to take in some of my favorite views in this city.

I half-jokingly refer to the eponymous neighborhood around the Park as "Brooklyn's San Francisco."  Just a block away from the park, 45th Street begins a dramatic descent to New York Bay.

Most people think of the waterfront area as part of Sunset Park.  I guess it is, technically, but I think of it as Bush Terminal, after the complex of factories and warehouses that line Second and Third Avenues.

A few businesses have left the area, but the area looks much as it did during my childhood, when two of my uncles worked on the piers.  

They were "longshormen", a job that has all but disappeared.  But with its factories and warehouses, Bush Terminal is one of the last blue-collar waterfront areas of New York.  It's something like the Williamsburg and Long Island City waterfronts about twenty years ago, when the last factories (including the Domino Sugar plant that had been operating since the 1850's) were winding down.

As you can see, the old industrial buildings, in various states of disrepair (and none of which stand taller than five stories) provide a vista of open sky and water that can be found only at the beaches.  But, I think that an urban photographer or other artist will find the light--an almost surreal combination of metallic reflections and diffuse mist--a most accomodating canvas.

I wonder how much longer those factories and warehouses will operate.  When they close--which, eventually, they will, given how a developer would salivate at the sight of such real estate--I hope those weathered brick facades--as worn and useful as a coat that has survived yet another season--won't be torn down to construct condo buildings, faceless in spite of all of the glass that lines their exteriors, that now line much of the Williamsburg shoreline.

.



 

Volunteering In Recycle-A-Bicycle's "Other" Center

This evening, i helped out at Recycle-A-Bicycle's Long Island City center.  I learned about it while helping out at RAB's DUMBO location.  

Both spaces are cluttered, as are most bike shops in New York CIty.  However, the Long Island CIty location feels more like a bike shop:  Spaces are used in ways that even most of us who've lived in postage stamp-sized apartments would have trouble imagining.  On the other hand, in DUMBO, some attempt is made to create space (or, at least the illusion of it) in the front area.  Also, the front of DUMBO is well-lit, both from the front windows as well as the light fixtures.  Even the image of such light is not possible in the more bunkerlike space at Long Island City.

As much as I enjoyed volunteering at the DUMBO spot, I think I'm going to continue helping out in Long Island CIty.  For one thing, it's much closer to where I live.  Also, the folks who run it--and those who volunteer--seem to be a more diverse group, even if there are fewer of them than there are at DUMBO.  I think it has to do with the way the neighborhood around the latter site has become chic in the way Soho was about twenty years ago (before it became the world's first mall with cast-iron architecture).  DUMBO is trying to appeal to a crowd that, I think, reads New York magazine when it isn't going to craft and food fairs.  In contrast, the neighborhood around the Long Island City site is still mostly industrial--as DUMBO was about thirty years ago--although new condo towers have opened nearby.

Oh, and I can't forget that the folks in Long Island CIty know from music.  It's always playing==everything from ''60's  rock classics, 70's funk and soul classics to rap from all over the world.

Finally, the Long Island CIty center has a greater selection of bikes: everything from a custom tandem to an early Trek carbon fiber bike, a couple of Peugeot PX-10s and a bike that looks like an imitation of a Flying Pigeon. (Why anyone would imitate such a bike is beyond me.)

And then there was an English three=speed with a missing head emblem and chainguard, but this chainring:

718

This is post #718 of Midlife Cycling.

That number just happens to be the Area Code of Queens, where I have lived for a decade.

So I thought it appropriate to make this post an homage to cycling in the Borough of Homes.

Here's an image from the Queens stretch of the Five Borough Bike Tour, which passes just a few blocks from my apartment:

Of course, I can't write a post like this without including an image from Kissena Velodrome, the "Track of Dreams".

And, pardon me if this seems immodest, but I simply had to include an image from one of my early posts:

And, finally, no Midlife Cycling post about cycling in the 718 area code would be complete without a photo in Socrates Sculpture Park--directly across the East River from Roosevelt Island and Manhattan's Upper East Side--taken by none other than Velouria (of Lovely Bicycle fame), who inspired me to start this blog in the first place:

Out And About After Sandy

I was lamenting the fact that I won't be able to take a big trip this year.

However, I am experiencing the weather and seeing the kind of light one finds in London, Copenhagen and other northern European capitals.  

Somehow, though, I don't imagine they've had anything like Hurricane Sandy.  Then again, I'm sure they have other kinds of rough weather that I didn't spend enough time in those places to experience.

But I digress. Apart from the chilly, damp air and gray skies, something else gives the part of the world in which I live the flavor of northern Europe:

Those bikes are parked outside PS 1.  It seems that every time I ride down that way, I see more and more bikes parked there:

Those racks, installed recently, aren't enough for the bicycle traffic that stops at the museum.  Almost as many bikes are locked and chained to lamposts, parking meters and other immobile objects on the surrounding blocks.  Some of those bikes are interesting and unusual, such as this one:

A few A. Sutter bicycles, which were made  France, made their way to these shores before and during the '70's "Bike Boom."  They are much like other French bikes of the period--a little nicer, perhaps than Peugeot, but not quite as nice as Motobecane. But definiely, quintessentially French, for better and worse.

I mean, nobody else did chainguards the way they did them in Gaul.  And their fenders are, rightly, the ones that inspire the ones Velo Orange and other companies make:

The bike in the photos, and most other A. Sutters, were manufactured in Chatellerault, in the Loire Valley. A. Sutter also offered a top-of-the line racing model that Olmo made in Italy.  Like most top-of-the-line Italian racing bikes (as well as some from other countries), it was equipped with Campagnolo Nuovo Record components.

I don't know whether A. Sutter is still in business--and, if they are, whether their bikes are still made in Chatellerault or anywhere else in France.

If they're still being made, I wonder whether they're available in the light blue of that bike. Lots of bike makers made light blue bikes, but this particular shade, by itself, all but marks it as a French Bike.

Now, for a very different blue bike, take a look at this:

You've probably seen Austro-Daimlers before.  They're another marque associated with the '70's Bike Boom.  They might be best-known for one of the most elegant catalogs ever produced and their pledge that their top-of-the-line bike, the Ultima, would "leave the factory in a specially prepared foam-filled case." The ladies' version of the Vent Noir might be the most elegant mixte that wasn't made by a French constructeur or English hand-builder!

Even their lower-and mid-level bikes reflected the attention to detail of their best machines:

I find it interesting to see bicycles like this one that are more than three decades old but look as if they just left the showroom.  Was it stored in one of those foam-filled cases?

Anyway, enough about bikes.   I took a spin down to Brooklyn, and passed by Pratt Institute. I can hardly imagine a campus looking more autumnal than this:

Waiting At The Bridge

What do you do when you're riding and have an unexpected roadblock?


Normally, you go around it by taking a slightly different route.  But, sometimes that's just not possible, or feasible. Such was the case when I was crossing back into Queens on the Pulaski Bridge:

Just as I got onto the bike lane, the gate swung shut and warning bells clanged.  This meant, of course, that the drawbridge was about to open.  


It's far from the first time I've encountered a bridge opening when I wanted or needed to ride across it.  At least, today I wasn't really in a hurry. I had moderate time constraints: I'd had to attend to a few things later in the day, so I had to get home, shower and prepare myself.  But I'd budgeted more time than I thought I would need.


The wait for the bridge didn't seem particularly long.  At least, the weather was nearly perfect, and even the normally turbid (and sometimes rancid) waters of the Gowanus Canal were nearly a reflection of serenity as the boat churned through it.


What was interesting about this wait, though, is something you may have noticed in the photo:  I was far from the only cyclist there.  In fact, I can scarcely recall seeing so many other bikes and riders at any other opening of a drawbridge.  As it turned out, there were just as many cyclists, if not more, waiting on the other side of the opening. 


That there were so many cyclists makes sense when you realize that the Pulaski connects what have become two of the greatest concentrations of cyclists in the NYC Metropolitan Area: the neighborhoods of Greenpoint, in Brooklyn and Long Island City in Queens.  I can remember when both of those communities were blue-collar enclaves in which almost nobody rode two wheels.   It seemed that the only time I saw other cyclists, besides myself, in those neighborhoods or on that bridge was when the Five Borough Bike Tour transversed them.


Some of the cyclists I saw today weren't even born then.

Along The Way

While riding to Randall's Island last week, I passed the block--9th Street, from the Noguchi Museum to a construction-supply store-- on which I lived before I moved to my current locale.  


The day I moved there, nearly a decade ago, was almost frighteningly clear and blindingly hot.  I had just left the last long-term relationship in which I'd been involved; I knew I was going to embark upon a part of my life I'd spent my life avoiding but which was absolutely necessary to become the person I've become, for better or worse.


I was struck by how much the light and shadows looked like the ones I saw the day I moved there:

When Velouria came to town for the New Amsterdam Bike Show, we rode down this block.  It just happened to be along the way.

You Never Know What You'll Find Or When It Will Come In Handy

Today was beautiful.  But it was still hard to believe that summer is--officially, at any rate--just a month a way.  


It was pretty brisk when I started to ride down toward Coney Island.  But it warmed up fairly quickly as I pedaled through Long Island City and across the bridge into Brooklyn.  I could even feel the sun warming my face in the cool breeze as my wheels spun--without any effort on my part, it seemed--by the East River on the Kent Avenue bike lane.  


The air felt positively summery as I passed the Botanical Gardens and crossed Empire Boulevard--near the site of the former Ebbets Field--into Flatbush.  In fact, I was starting to wish I'd brought one of my water bottles with me.  Of course, riding through Brooklyn isn't the same as riding through the Mojave Desert: After all, there are plenty of delis and bodegas where one can get something to drink. 


Still, I kept on riding.   I felt as if I were actually going to ride straight into summer until I crossed under the Belt Parkway overpass.  As soon as I emerged from its shadow, the sun seemed even brighter.  But it also seemed about twenty degrees cooler--as if I'd pedaled from July back into April.  That's because I was by Sheepshead Bay.  The ocean lay not much more than a kilometer away.  


That's one of the differences between a spring and, say, a fall ride around here.  While the air temperature rose to about 75F (24C), the ocean temperature has yet to reach 60F (15C).   The differences between inland and shore temperatures were even more pronounced a few weeks ago, but they were still noticeable today.


As it happened, I'd left something in Arielle's bag that came in handy:

It's an old Sugoi jacket with a light lining:  One of the last pieces of cycling apparel I have from the days when I was the "before" photo, if you know what I mean!

The Bikes Stop Here--And There

A series of neighborhoods dangles along the banks of the East River like a cedille from Astoria Park to the Williamsburg Bridge.  They include Astoria and Long Island City in Queens and Greenpoint and Williamsburg in Brooklyn.  There may be more cyclists, per capita, in this corridor--in which I happen to live--than in any other part of New York City. In fact, I doubt many American urban neighborhoods outside of Portland (and, perhaps, Seattle) can rival the concentratration of bicycles and cyclists found here.

So I guess I shouldn't have been surprised to see this near the Long Island City (Queens) side of the Pulaski Bridge.

The first time I saw it, I wondered what all of those bicycles were doing in a bus kiosk.  Then I saw the sign.


On the block before it, there is a row of bike racks that's almost always full.

The bike at the front makes me wonder just how good an idea unsecured open-air bike parking facilities actually are.  On one hand, I'm glad to have dedicated bike-parking spaces. On the other, I can't help but to think that maybe they're targets for bike thieves and cannibals.


Maybe I'm just too accustomed to locking to parking meters and such--or not parking my bike and not doing business with stores that don't allow me to bring my bike in.  


Anyway, I got in a quick ride after work the other day. At times like that, I'm thankful for Daylight Savings time, and Tosca likes rhe photo ops available on the Greenpoint (Brooklyn) side of the bridge:

Beware of Indian Three-Speed Bikes

I should've known something wasn't good when I saw this:

Even though I haven't worked in a bike shop in at least fifteen  years, I still have nightmares about this bike. 


It's a made-in-India replica of the traditional English roadster--specifically, the Raleigh DL-1.  Like the erstwhile velocipedic pride of Albion, this made-in-India machine has three speeds, rod brakes and one of those rear kickstands that lifts the rear wheel of the ground.


Someone once said that the Yugo took the worst features of the Fiat 128 and made them even worse.  I would say something similar about the relationship between this bike and the DL-1.  It's well-known that rod brakes don't do a very good job of stopping, and that steel rims give poor-to-nonexistent stopping in the rain.  Well, the bike in the photo has inferior versions of those parts.  


And while the DL-1s weren't much fun to work on, the Indian bikes were downright scary.  Pieces broke and threads stripped under a normal amount of torque from riders' bodies as well as from bike shop tools.  Seeing as much rust as you see on the bike in the photo wasn't unusual; what was scary was that brand-new bikes were already rusting from the inside when they were brought into the shop.


Plus, as much as I like pink, the shade of the bike in the photo looked a little too much like Pepto Bismol for my tastes.


The bike was parked in front of a pizzeria where I hadn't gone in some time.  I used to stop there when riding along the Long Island City and Greenpoint waterfronts; sometimes I'd buy a slice or two of pizza and pedal over to the Long Island City piers, which are directly across the East River from the United Nations and directly in line for a nearly perfect view of the Empire State Building. 


The pizza slices from that place were always pretty good.  So was the one I had today.  And the dour middle-aged proprietor who made the pizzas the first time I went there, at least a decade ago, is still plying his trade though, I suspect, he may be a senior citizen by now.  That wouldn't be so bad if he didn't seem so worn, and the place sadder, shabbier-looking and not as clean as I recall from earlier visits.  


Maybe the now-old man senses the end is near.  Several storefronts around his are vacant, with "For Rent" signs in their windows.  I'm not sure of whether they're the result of the economy, which has claimed a lot of restaurants, bars and stores, or of the changing neighborhood.  The places that closed looked like their best days were past when I first saw them, around the first time I went to the pizzeria.  I wouldn't be surprised if I learned that the now-closed bar specialized in Boilermakers.


I wonder whether that Pepto Bismol-colored Indian bike parked in front of that bar, or any of those other places that have closed, will be unearthed by some future archaeologist--from another planet, perhaps.  What would that person/being make of them?

Commuting on the Fifteenth of November

If you looked at my other blog around this time two years ago (Now why would you have done that?) , you'd know that one of my favorite descriptions one person has ever given of another was what Gertrude Stein said about T.S.Eliot:  "He looked like the fifteenth of November."

Today looked, well, like the fifteenth of November:

As gray and overcast as that sky was, it posed absolutely no threat of precipitation.  And it won't until late tomorrow afternoon.  The weather was cool-to-chilly, also typical of this date. I don't mind riding in these conditions at all.   To me, a day like this one is as much a reason to commute by bike as a sun-drenched morning in late spring is.

The street on which I live dead-ends onto the one from which I took the photo.  I was a mile or so from my apartment and had about an hour of daylight remaining.  That gave me enough time to notice the particular (and sometimes peculiar) geometry of that area of Long Island City, Queens:

The funny thing is that I don't like either of those buildings.  The one on the left is owned by Citicorp; it's across the street from the company's main tower, which is the tallest building in Queens:

"Citicorp" as in "Citibank":  When I had an account with the latter, I used to refer to them as "Shittybank."  And I wasn't the only one who did!

Anyway, I re-shot the second photo from another angle.  Did I unwittingly create a commentary on the government bailout?

It makes the fifteenth of November seem downright balmy.

The Bridge Called My Bicycle

As I rode this evening, I  was thinking about what "Velouria" posted yesterday on her Lovely Bicycle! blog.  In it, she talks about bicycles with "trusses":  an old design that is apparently being revived by a few small builders like A.N.T.  


The "truss" frames she showed are indeed lovely, and she mentioned that the bicycles that inspired them were built about 100 years ago and patterned after truss bridges.  


You simply can't spend any time in New York without going over some bridge or another.  Even the sorts of people who leave Manhattan only to go to Europe pass over stone or girdered spans over streets and roads that were, in some cases, streams or small rivers before they were filled in.  


And I can't help but to think of bicycles themselves as bridges.  After all, there is something "on the other side" of every bike ride.  This evening, it happened to be the wonders of New York--and Nature's-- architecture:

You all know the building in the center:  It's the one phoenetically-challenged kids of my generation used to call "the En-tire State Building."  I took this admittedly primitive photo from this spot:

The pier in the photo is part of Gantry Plaza State Park in Long Island City.  Of course, the opportunity to experience a nautical breeze while taking in one of the best possible views of the Manhattan skyline is reason enough to go there.  It also happens to be just a few blocks from the PS 1 Contemporary Art Center. 


What's interesting about the park and the museum--and much of the rest of the neighborhood--is that about 15 years ago, they were part of an industrial area, much of which was decaying or derelict.  Stolen cars were abandoned there; indeed, the area was, as I understand, the setting for part of the Grand Theft Auto series. In 1885, the Long Island City docks bustled with shipments of Long Island produce headed for Manhattan and points beyond; a hundred years later, those docks were all but abandoned.


However, even in its dilapidated state, the waterfront and some of the buildings on it shared a trait with those classic and classy bicycles that people sometimes find in basements and barns.  That trait was perhaps best expressed by Victor Hugo in Les Miserables:  "Le beau est aussi utile que l'utile.  Plus peut-etre."  ("The beautiful is as useful as the useful.  Perhaps more so.")


I apologize that my keyboard doesn't have those fancy and pretty markings the French and other speakers of non-English languages like to put on their words.  My favorite one in French is the "hat," or accent circumflex.  Since I couldn't type one, I'll give you a photograph of one.  In fact, this photo has a whole bunch of them:

Even if it's named after an auto company that got bailed out twice, it's still beautiful.  In fact, the Chrysler Building is still my favorite skyscraper, and one of my favorite buildings in New York.  This one ain't bad, either:

Still, to me, nothing constructed by humans compares to a bridge.  

And the bicycle is a bridge for many of us.