Showing posts with label Metropolitan Museum of Art. Show all posts
Showing posts with label Metropolitan Museum of Art. Show all posts

21 January 2023

If I Were A Museum Director...

 Every museum should have bicycle parking facilities--preferably indoors, with a valet.

The Metropolitan Museum in New York offered it briefly, thanks to a collaboration with Transportation Alternatives, when it re-opened after its pandemic-induced closure.  I was reminded of that during my latest Paris trip, when I went museum-hopping on the bikes I borrowed and rented.

In nine days, I visited the Rodin, Picasso, Modern Art (twice), Jacquemart-Andre and Orsay Museums. Sidewalk or curbside bike racks stood just outside all of them, secluded from the traffic.  Also, there were Velib ports near all of them.  So, in Paris it is easier than it is in New York to bike from museum to museum, without having to worry about whether your bike will be where you parked it after spending a couple or a few hours looking at paintings and sculptures.  Still, I would love to see indoor facilities--and even more encouragement of, not only cycling in general (which Paris' current mayor seems to be doing plenty of) but of riding to museums and other cultural sites.

"The Scream" isn't Edvard Munch's only painting.



I mean, for me, there is nothing like taking in the colors and forms, and the ideas and feelings they convey, after a ride along city streets.  The people, buildings and streets I see, almost kaleidoscopically, put me in a mind and mood about how artists see the subjects of their work and transform them into transmissible visions. 

Perhaps it has to do with the blood that pumps into my brain as much as the sensory stimuli I experience while riding.  That might also be the reason why I can go into "old favorite" museums like the Rodin or New York's Guggenheim, or newer favorites like the Jacquemart-Andre,  and feel as if I am, not only re-connecting, but re-discovering.

Lady Macbeth, by Fussli



Now, in the Jacquemart- Andre, I sauntered through a special exhibit of Johan Heinrich Fussli, an artist I knew peripherally through his connections with the London literary and theatre worlds of the 18th Century.  But its permanent exhibit, like the one in the Rodin, also felt fresh. So did seeing the more as well as the less famous Edvard Munch works in a special exhibit at the Orsay:  Even the "Scream" resonated for me, as did the works of Oskar Kokoschka in a Modern Art special exhibit.

Oskar Kokoschka, self-portrait



If I were a museum director, I would make bike riding a requirement for entrance.  Or, at least, I would offer a discounted admission price. (I can't exclude people who can't ride, after all!)  On second thought, if I had my way, all museums would be free.  It would be the only policy that would be fair to everybody, wouldn't it? 

That I think that way is probably one reason why I never could be a museum director:  They have to raise money somehow.  But perhaps one will listen to me when I say that cyclists make the best museum visitors.  Really, we do.


29 August 2020

Park At The Met

Yesterday I contrasted the anniversary of Martin Luther King Jr.'s "I Have A Dream" with the speeches of the Republican National Convention, which ended the night before.

Speaking of dreams: One of mine has long been to have indoor, or at least protected, bicycle parking at museums.  Well, that dream has just come true--for a while, and at one institution, anyway.




Today the Metropolitan Museum of Art is, like the Statue of Liberty* and a few other New York City museums and landmarks, re-opening to the public.  Visitors must purchase tickets and schedule their visits in advance.  Upon arrival, their temperatures will be checked and anyone who is 38C (100.4 F) or higher will be asked to visit on another day.

Some visitors, however, will be treated like VIPs.  From today until 27 September, "the Met" is offering valet bicycle parking at its Fifth Avenue plaza, just north of the steps to its main entrance.  An initiative by Kenneth Weine, the museum's vice president of external affairs, resulted in a partnership with Transportation Alternatives that brought about the parking arrangement.


Weine, who describes himself as an "avid biker," routinely rides from his Brooklyn home to work.  The museum has tripled bike parking capacity for staff in an effort to encourage more cycling to work.  Weine lauds the city for developing more bike lanes and says that "if we can be one extra link in that chain" by "offering an additional way for people to come to the museum, we're happy to do it."


In other posts on this blog, I have said that cycling enhances my perceptions of art, and that some art should be seen only after riding a bicycle to reach it.  I wonder whether Weine, or other museum administrators or curators, feel the same way.