One Of My Teachers

In yesterday's post, you might have noticed Vera behind a repair stand.

 
 

No, she wasn't getting fixed.  As good as I felt, she might have done the ride even better than I did.  At least, she didn't shed any tears.  (And, if she had, she wouldn't have claimed that the wind was causing her eyes to well up--something her rider would do!)




That do-it-yourself repair station, with various tools dangling from chains, stands beside a bike shop that holds a special place in my cycling life.

The Peddler of Long Branch, NJ is probably the first shop focused on high-performance bikes (which, in those days, pretty much meant imported ten-speeds)  I ever visited. 

Back in those days, they were in a squat storefront that looked as if it had been built from driftwood. Located just across the street from the beach, it was the sort of place where, had you not seen the bikes in the window, you might have expected to find surfers and latter-day hippies. Actually, in those days, some cyclists fit into either or both of those categories. 

They're still in the same building, though it's expanded and been remodeled more than a bit.  I'm guessing that paint and aluminum siding were done in response to some sort of pressure to reflect the aesthetic (if one could call it that) of nearby Pier Village. 

All right, so it's not terrible-looking.  But it's hard not to feel a little nostalgia for the shop the way it used to be--especially because it's one of the places where I went to learn more about high-quality bikes. 

Anthony "Ducky" Schiavo, the founder, was very patient, thorough and friendly in answering my questions.  I would later learn that, prior to opening the shop, he'd been an elementary-school teacher.  He understood that nobody is born knowing the difference between Reynolds 531 and Columbus tubing, and that most of us didn't--in those days before the Internet or even before foreign cycling publications were readily available--have many reliable sources of information about cycling. 

In other words, he continued his teaching even after he left the classroom. And, given how well he could explain technical details in vivid language, I always suspected he was a very good writer.  

A writer.  A teacher.  A cyclist.  Someone after my own heart, you might say.  A role model.  He definitely furthered my education.

So...Would it surprise you to learn that I bought two bikes-- my Nishiki International and Peugeot PX-10--at the Peddler?  I didn't think so.

 

Family Portrait Day

Today is Family Day.  So you’re gonna see lots and lotsa pikshas.

In the previous sentence, my roots were showing.  I’m going to my hairdresser on Thursday.

Anyway…Now I’m going to show you some portraits of family members.  It’s a particular but close branch:  The Mercians.

Yes, I’m going to show you my bikes, after their winter makeovers and some riding.

First I’ll start with Arielle, the first Mercian to come into my life:

You’ve seen some photos of her already. But I wanted to show her after 500 miles, post-facelift (and overhaul):

I’m liking it more and more with the honey leather.  I think the bags have something to do with it:  The color of the canvas (“Nantucket Red”, which is really more like salmon pink) works with both the green and purple of the “flip flop” finish and the honey saddle, bar wrap and toe straps. What do you think?

As you know from a few previous posts, Tosca, my fixie (and the second Mercian I acquired) got a similar treatment.

I’m happy with the way the colors play off each other.  However, I wasn’t able to find a double track toe strap to go with the other leather accessories.  Then again, I guess the mismatch isn’t as noticeable as if, say, I wrapped the bar in a darker color.

The third Mercian to come my way is, I realize, one I haven’t written as much about lately.  Helene is a 2010 Miss Mercian with similar geometry (but with slightly more tire and fender clearance) to Arielle, which is a custom Mercian Audax.  

The rear bag is a bit larger than the one I use on Arielle and Tosca.  As you can probably tell, it was also made by Ely Rodriguez of Ruth Works SF. So is the handlebar bag, doubles as a clutch or shoulder bag when removed from the bike.

Finally, here is the last Mercian I bought. Ironically, it’s the oldest:  Vera, my “other” Miss Mercian.  It was made in 1994 and I purchased it in 2011:

Somehow the boxy randonneur front bag and larger saddle bag make the most sense—and look best—on this bike, although I could use them on my other bike.  Perhaps it’s because Vera has a longer wheelbase and is therefore the most stable with a load on it.  I wonder what it would be like on a longer tour.

She seems really happy to have those bags, and the Brooks B17 special.  So am I.  In fact, I’m happy with all of these bikes:  As similar as they might seem to someone who doesn’t know bikes or Mercians, each has its own character and personality.  Still, they all make me happy when I ride

Now, here’s the rest of my family:

 
La-Z-Boy, a.k.a. Max

 and La-Z-Girl, a.k.a. Marlee!

Maintenance And Makeovers

I've been back to riding regularly, more or less, for nearly two months.  It feels really, really good:  I'm starting to overcome how little riding I did this winter, and my age.

It's a good thing I'm back in the saddle most days.  You see, being the old-time mechanic I am, when I'm not riding I work on my bikes.  Now, there's some maintenance I normally do during the winter:  I usually replace my cables and chains. Sometimes I install tires, brake pads, cogs and handlebar tape.  More rarely, I'll put on other new parts or accessories, depending on how badly they're worn.

But this past winter I went "above and beyond" what I needed to do.  You see, I changed the looks of my bikes a bit.  

Here is Arielle, my Mercian Audax, with her "makeover" that she didn't need, if I do say so myself:

After Ely of Ruth Works made those bags for me, I had a feeling that they would look even better with a Brooks honey saddle and handlebar tape.  I asked Ely; he encouraged me and assured me that (in his opinion, anyway), it would look fine with the paint, whether it was showing its purple or green side. (It's Mercian's #57 "flip flop" finish.) 

I was fortunate to find this slightly-ridden "pre-softened" Brooks Professional--with copper-plated rails--for $100.  Apparently, it was made during the time Sturmey-Archer owned Brooks. At least, the style of the nameplate on the rear (which I like a lot on this saddle) would indicate as much.

Tosca got a similar revamp, except that she got a current Brooks Professional.  Somehow I don't think it's that much, if at all, stiffer than the "pre-softened" saddle was when it came out of the box.

Somehow I get the feeling the bikes, the leather and canvas are going to grow old together nicely.  I could say the same for Vera, my green Miss Mercian mixte:

The saddle is a B17 and I used one roll of tape on the handlebars.   The front bag on this bike--and the British Racing Green paint--seemed to call out for the honey leather even more than my other bikes did.

And, no I didn't leave Helene--my other Miss Mercian--out.  I'll have some shots of her soon.

Winter Fix For Vera

What do you do when you’re not riding?

Well, I guess that depends on your reason for not riding.  If you’re in bed with illness or injury, you don’t do much of anything except (if you’re like me) read and write.  But if you’re icebound, you can do those things and make soups, bake, be cuddled by pets and partners and watch Fargo for the umpteenth time.

And, oh yeah, you can work on your bike(s). I’ve been doing a fair amount of that.  If you ride regularly, you need to clean and perhaps overhaul or fix various parts of your mounts.  You might also decide to upgrade or otherwise change something or another to meet your changing needs as a rider, or simply to try something new.

I’ve managed to work on all of my bikes as snow has turned to ice on streets I normally ride.  I cleaned the drivetrains—and changed the chains—on all of my Mercians.  Because of the accident I had in August, I did the most work on Vera, the green Miss Mercian I bought second-hand three and a half years ago.

Neither the frame nor most of the major components were damaged.  I expected the handlebars to be bent, but they weren’t.  (Now you know that Velo Orange makes strong bars!)  But the chainring and chainguard were:  I couldn’t get the wobble out of the ‘ring and the guard crumpled. Also, the front fender bent and, as it turned out, developed cracks around the fork crown mount.  I figured it would be a good idea to replace it for safety’s sake.  Translation:  It was an excuse to try something new!  And, it just happened that Velo Orange recently introduced a new fender style, the Facette.  

Actually, it’s new for VO:  It’s a reproduction of an old French (what else?) style.  I thought it might work nicely with the lines of Vera’s twin top stays:

Those lines and the shape give the fenders—and the bike—a sort of Art Deco look, I think.  

Ely Rodriguez made the fender flap when he made the front bag and all of those other wonderful RuthWorks SF bags he's made for me. 

And, oh, by the way, I replaced the single chainring I bent with two.  The Sugino XD crank was sold as a single but has a provision for a second chainring.  Since the crank has a 110 BCD pattern, a wide variety of chainrings is available.  The ones I chose are made by Stronglight in France; the larger one has 46 teeth and the smaller one 34.

Installing two chainrings meant installing a front derailleur—a Shimano 105 from the 8-speed gruppo—and a lever to operate it.  

I haven’t ridden the bike on the streets yet.  On the repair stand, the new chainrings and derailleur were playing nice with the new chain and cassette.  I feel confident they will work out. I’ll miss the green-and-gold chainring and gold chainguard, but I think I like the look of the new parts—and the bike overall.  And we all know that’s what’s really important! ;-)