The Afghanistan Of The Bicycle Component World?

The Fatal Mistake was made in 1962.

At least, that's how Frank Berto (the author of The Dancing Chain) and others see it. At the time, the mistake's consequences weren't obvious.  The demise of the company that made the fateful decision took three decades. For a few years after it, the organization seemed to be doing better than ever.  

It's as if someone thrived, prospered and did some of his or her best work--and even looked better than ever--for a few years after swallowing a Death Potion.  The decline and demise would come slowly; along the way, the person who took the poison would have opportunities to take antidotes, or do other things to reverse the damage.  Instead, that person does things that would prolong their suffering and deterioration--all the while denying that he or she is in trouble.

The move I am talking about is not SunTour's decision to out-Duopar the Duopar:  the venerable Japanese derailleur-maker's decline and extinction was indeed protracted, but not quite to the degree of that of the company I'm about to mention.  Also, SunTour's decline was more obvious, as its attempts to come up with an indexed shifting system to compete with Shimano's were ill-conceived and, ultimately, disastrous.

The original Simplex Prestige derailleur, 1962

The Fatal Mistake to which I am referring is Simplex's introduction of their Prestige 532 rear derailleur.  It is, as far as anyone knows, the first such mechanism to be constructed mainly of plastic.  The parallelogram and knuckles were made of that wonder material, but the pulley cage was made of steel.  This resulted in what may have been the lightest derailleur available at the time--and one whose weight (220 grams) would be respectable even today:  about the same as an alloy Campagnolo Chrous or Shimano Ultegra/600 9-speed.

Of course, that Prestige probably couldn't handle 9 cogs and, even over 5, would not offer the same ease and precision in shifting as even Campy's or Shimano's current lower-end offerings.  But, for its time, the first Prestige offered a reasonably good shift, though not as nice as the company's Juy Export 61, introduced a year earlier.  

The JE61 (Who came up with that name?) seemed, at least superficially, to have the same design as the Prestige, the difference being that the JE 61 was rendered in steel.  But it was well-machined and -finished, and had brass bushings in its pivot points, much like the Campagnolo Gran Sport of its time.  In fact, Simplex's derailleur would not compare unfavorably to its Campy counterpart.

The Simplex Juy Export 61.  

Although questions were raised about the Prestige's durability (almost non-existent, at least in its first version), other companies felt they had to offer something at least as light in order to compete.  In fact, one small Italian firm tried, it seemed, to make a derailleur that had even more plastic than the Prestige.

That concern was called Gian Robert.  They seem to have begun making parts--crudely cast and finished copies or near-copies of Campagnolo components--some time in the late 1950s.  Some of GR's stuff made Triplex's products seem refined and elegant.  

One thing Gian Robert had in common with Triplex--aside from its attempts to look something like Campagnolo from a few meters away--is that few of its products made it to the US.  Some GR stuff was offered for a few years in Ron Kitching's influential catalogue, which also essentially introduced Shimano and SunTour to British cyclists. And, not surprisingly, some low- to mid-level European frames had Gian Robert parts hanging from them.

From the Ron Kitching catalogue, 1964

But those Gian Roberts shared an even-less-desirable trait with those first Simplex derailleurs:  They didn't last.  Their attempt to out-Simplex Simplex, if you will, succeeded--if you can call it that--in a perhaps-unintended way. From what I've read, GR's plastic derailleurs had even shorter life spans than the first Prestige derailleurs. According to one account in a British cycling magazine, the GR did reasonably well with a straight-block 14-18 five-speed freewheel.  Then again, what derailleur didn't?  But any attempt to use the derailleur with larger cogs--even as small as 22 teeth--resulted in the derailleur bending rather than moving the chain onto the cog.

Now, to be fair to Simplex, they did improve subsequent versions of their Prestige derailleur, adding steel reinforcement to the parallelogram plates.  (The later Prestiges had blue or red badges on black plastic parallelograms; the first version had a parallelogram that looked like it was made of pus-colored sparkles.  And they would make some very nice derailleurs, including one Bernard Thevenet rode to victory in the Tour de France, as well as the best non-indexed shift levers ever made. (I rode them with a Huret Jubilee rear derailleur on an otherwise all-Campagnolo-equipped bike.)  But few companies can survive on one product, as Simplex seemingly tried to do with its shift levers.

Gian Robert front derailleur on Rigi frame.

Ironically, Gian Robert met a similar fate.  Their plastic derailleurs disintegrated.  Their steel Campy knockoffs were nasty-looking and didn't shift much better.  But some of their other products were decent.  And one--for many cyclists, the only GR product they ever purchased--was actually essential for some riders:  a front derailleur which was the only one that would fit on the Rigi frame.

Ofmega Mistral "Maglia Rosa"

As for plastic derailleurs:  A few other companies, none of which exist today, made them.  (Hmm...Could it be that making plastic derailleurs is, for the companies that make them, what invading Afghanistan is for the countries that try it?)  Possibly the most glorious, if you can call it that, attempt was made by Ofmega in the early- to mid-1980s.  Their "mistral" rear derailleur was not only made of plastic; it also came in a dazzling array of colors like "maillot jaune" and "squadri azzuri" that were supposed to evoke major races and teams.  Their "maglia rosa" was intended to remind people of the jersey worn by the leader of the Giro d'Italia (as the "maillot jaune" adorns the front-runner of the Tour de France) but, as Michael Sweatman wryly notes in his Disraeligears, made it look, to some people, like a  sex toy or Barbie doll accessory.

To my knowledge, in the three decades since Ofmega (which seems to have gone out of business about a decade ago) ceased production of those derailleurs, no one else seems to have made a plastic (unless you count carbon-fiber offerings) derailleur.  But, as I have shown in some of my other posts, if an idea is bad enough, someone will try it again.  After my country, which will be the next to attempt an invasion of Afghanistan?

In Living Color

Black-anodized components, as I mentioned in yesterday’s post, have waxed and waned in popularity during (and before) the four decades I’ve been a cyclist. I hope I did not convey the impression that all components were black or silver.  At various times during my years on two wheels—and throughout the history of cycling—bike parts have been anodized in a spectrum of colors. 

Today, most of the parts available in a rainbow of hues are intended for fixed gear or single speed bikes.  While cranks, chainrings, pedals, cogs and even chains are available the Roy G. Biv range for bikes designed for the velodrome or urban hipsters.  But cranksets with more than one chainring, derailleurs, brakes and other parts made for road, touring or mountain bikes are usually made in either silver or black, with the latter shade becoming more dominant as carbon-fiber bikes gain popularity.  One of the few notable exceptions to the hegemony (or tyranny, depending on how you look at it) of silver and black in road and off-road bike parts is Velocity rims.

Weinmann Vainqueur 999 brakes.  Red and blue were offered only from 1961 to 1964.

However, in decades past, parts for road, touring and sport bikes have been finished in other colors, red and blue being the most common.  Weinmann and Mafac made their center-pull brakes in those colors for brief periods during the late 1950’s and early 1960’s.  Mafac, in their last years (the early 1980’s), also made their cantilever brakes in a variety of colors.

Modolo Professional brake, circa 1983.  And you thought white components were sooo 2009?

Ofmega Maglia Rosa rear derailleur.  You can't make this stuff up!

The component makers that became most noted for their color palettes were Italian and offered the greatest variety during from the late 1970’s until the mid 1980’s.  Perhaps the most prominent of them were Modolo and Ofmega.  The former finished their “Professional” brakes—found on otherwise all-Campagnolo bikes—in red, blue, green, gold and white, as well as the traditional black or silver.  The latter company finished their derailleurs, which were essentially Campagnolo Records rendered in plastic, in the rosa hue of the Giro d’Italia leader’s jersey as well as the jaune of its Tour de France counterpart, and just about every other color imaginable.

Colnago C60 with 24 karat gold-plated Campagnolo parts

Other companies did not offer such a wide range of tones but nonetheless parted, at least to one degree or another, from the silver/black binary.  I have ridden gold-anodized Mafac 2002 and Galli brakes; Zeus, Sugino and SunTour also made derailleurs, cranksets and other parts with gold anodizing.  Of course, if really wanted bling, you went for the gold-plated (24 karat) parts Campagnolo briefly made before the price of the precious metal skyrocketed around 1980.

Galli rear derailleur in "midnight blue"

In addition to gold, Galli offered one of the most distinctive finishes in the history of bicycle componentry:  “midnight blue”.  It was, of course, darker than most other blue parts but was more complex and richer than navy or black.  In addition to brakes, derailleurs, cranksets, hubs and other traditional “gruppo” parts, Galli offered rims (made for them by FIR) and retrofriction shift levers (manufactured by Simplex) in midnight blue.  Galli were even finishing 3TTT stems, bars and seatposts in their trademark finish.  Such an ensemble looked absolutely fabulous on a white Olmo of that period, but it also looked great on celeste Bianchis and just about any silver bike.

Kooka crank, circa 1992

Probably the last time components made for bikes with more than one gear or to be ridden by anyone besides Keirin racers or hipsters was the early- to mid-1990’s, when it seemed that every twenty-something in California whose father had a lathe in his garage was making parts, mainly for mountain bikes, that were lighter and more expensive than everything else on the market.  Kooka and Topline crankset, which I mentioned in an earlier post, are examples of that genre.  Interestingly, survivors of that time, like Paul Components and White Industries, are now making their (admittedly fine) stuff in silver and black.  Chris King may be the only exception:  His headsets, hubs and other parts are finished in even more colors than they were two decades ago.

These days, all of my bike components are black or silver.  Part of the reason is that most of the stuff I use is available only in those colors.  But another is that I don’t want parts that detract from the kinds of finishes I like on my frames.