As The Sun Sets On Newtown Creek, A Ross From The Land Of The Rising Sun

In Greenpoint, Brooklyn, Manhattan Avenue--one of the neighborhood's main throughfares--dead-ends at Newtown Creek.  One recent year, the Environmental Protection Agency declared it the nation's most polluted body of water. (In other years, the Gowanus Canal has garnered that distinction.)  But when it doesn't win "the Prize", the Creek is almost always listed among the most polluted bodies of water in the nation.

Of course, I don't think about that when a late day ride takes me there and I take in the views.

There's a nature walk along the creek.  By its side, at the end of Manhattan Avenue, there's a green patch with a fence around it that's a popular place to lock--and, it seems, abandon--bicycles.

Sometimes the bikes left there are rather interesting in their own ways.  For instance, there was this Ross 3-speed:

Ross was known mainly for making "muscle" bikes like the Barracuda (which was intended to compete with the likes of the Schwinn Krate and Raleigh Chopper) and some of the early production mountain bikes.   Their factories were located in Rockaway Beach, NY and Allentown, PA, before production moved to Taiwan.

However, during the 1960s--on the eve of the North American Bike Boom--Ross imported three-speed bikes from Japan.  At that time, few Americans owned or rode bikes with derailleurs.  Thus, most adults who rode--and kids who wanted something lighter than the baloon-tired "bombers" made by Schwinn and other American companies--preferred three-speed bikes, which were called "English racers".

Most of those bikes were made by the likes of Dunelt, Sunbeam, Robin Hood and other companies--and, of course, Raleigh, which would later acquire most of those marques and all but monopolize the remaining market for that type of bicycle.

However, as demand grew, those old English manufacturers couldn't keep up.  Thus, bikes were imported from Japan. One of my first bikes--a Royce-Union--was one of those English-style Japanese three-speeds.   As you can see in the photos, bike-makers in the Land of the Rising Sun did everything they could to emulate, if only visually, the "English Racers" that were so popular in the US and elsewhere.

(When Centurion ten-speeds first came to these shores in 1969, they could very easily be mistaken for Raleigh Grand Prix machines of the same year--unless, of course, one noticed the SunTour or Shimano derailleurs, as well as a few other details.  At that time, most Raleighs came with Simplex or Huret derailleurs.)

Some Japanese bikes came with leather saddles, also made in Japan, that resembled the offerings of Brooks, Ideale and other British and European makers.  I don't know whether the bikes made for Ross came with them (I can find practically no information about the bikes), but somehow I doubt it.  Even if it came with a leather saddle, I doubt it would have been this one:

You probably think it's a beat-up Brooks B72:  the saddle that came with many British three-speeds.  It does indeed have the same looped under-carriage rails and saddlebag slots built into the saddle.  And the top is the same size, and has the same shape as the B72, with a couple of exceptions:

It is indeed a B18. The embossed floral pattern at the top is wearing down.  I don't know whether it's from use or abandonment.  Somehow I don't think it's an original-production B18 from the 1930s, worn as it is.  The design was resurrected about a decade ago, as classic-style ladies' city bikes became popular.  The curled front is designed to prevent a skirt from getting caught on the saddle.

Whatever the story, the saddle is a nice addition to the bike, though I think it deserves better than to have bird poop on it.  I have to wonder, though, how the bike rides with this bar and stem combination:

That extension of that stem must be about 120mm.  That makes the steering more sensitive.  And, of course, the bars increase leverage.  I would be curious to ride the bike just to see how a bike that's not made for quick cornering rides with touchy steering.  Maybe it's a good combination for riding in traffic.

Anyway, I hope the bike isn't abandoned.  It may not be anyone's idea of a "great" or "classic" bike.  But it certainly is practical (except for those bars!) and I am always glad to see a bike like it in circulation.  At least, I hope, it won't become part of the detritus in Newtown Creek!

Un Mirage, Aujourd'hui Et Hier

If you entered the world of cycling during the 1970's, as I did, you recall certain iconic bikes.  They're not necessarily the high-end ones:  You most likely would have been riding one of those if you had become a cyclist earlier or were wealthy.  I'm thinking, instead, of bikes like the Peugeot U-08, Raleigh Grand Prix and Super Course, Fuji S-10s and Nishiki Olympic and International.  They were the bikes on which many of us learned about cycling:  that is to say, when we went from being kids who banged around on bikes to adolescents and young adults who commuted, trained, raced, toured or were messengers astride two wheels.

Another bike of that genre was the Motobecane Mirage.  I was reminded of that yesterday, when I saw one parked.

Of course, a Mirage from my youth would not have looked like that:  For one thing, red on black, seemingly ubiquitous today, was not quite as common a color scheme.  Even more to the point, one of those old Mirages would not have built in China, or this way:

No, those old bikes would not have had their aluminum frame tubes joined by cobbly welds.  Instead, like most bikes of any quality made at that time, their steel tubes would have been fitted and brazed into lugs.

The result would have been something like this specimen from around 1981:

From Mr. Martin's Website

Like earlier Mirages, this one is constructed from high-carbon steel tubes and lugs.  Though it's one step above entry-level, it had workmanship, a finish and ride better than other bikes in its category. 

Motobecane is said to be the first European bike-maker to equip new bikes with Japanese drivetrain components like the SunTour derailleurs and Sakae Ringyo crankset you see on this bike.  Those components--especially the derailleurs--were significant improvements over the gear found on earlier iterations of the Mirage:

The derailleurs are Huret Allvit:  the same ones found on many entry-level European bikes during the Bike Boom era.  (Schwinn equipped several of its models with rebadged versions of the same derailleurs.) While as advanced when it was introduced in 1958 as the first personal computers were two decades later, they became anachronisms just as quickly.  So did the steel cottered crankse after Japanese companies like Sakae Ringyo (a.k.a. SR) came out with relatively low-priced cotterless cranksets around the same time SunTour introduced its VGT rear derailleur, of which many are still in use nearly two decades after SunTour stopped making derailleurs.

Now, some components on the new black Mirage I saw yesterday are certainly vast improvements over (though not as attractive as) the stuff on the green Mirage--and, some would argue, on the blue one. And even if the new machine is a good rider, somehow I will never be able to see it as a Mirage from my youth. (Pun intended!)

P.S.  I actually owned and rode a Mirage--which was my commuter/beater--for about two years.  It was like the green one in the photo, except that mine was black with purple seat tube and head panels.  I loved the way it looked, and rode.  Sadly, like several of my commuter/beaters, I crashed it.  Or, more precisely, I rode it into one of the deepest potholes in the history of paved roads and cracked the top and seat tubes just behind the head lugs.