Showing posts with label Raleigh Super Course. Show all posts
Showing posts with label Raleigh Super Course. Show all posts

03 May 2014

Un Mirage, Aujourd'hui Et Hier

If you entered the world of cycling during the 1970's, as I did, you recall certain iconic bikes.  They're not necessarily the high-end ones:  You most likely would have been riding one of those if you had become a cyclist earlier or were wealthy.  I'm thinking, instead, of bikes like the Peugeot U-08, Raleigh Grand Prix and Super Course, Fuji S-10s and Nishiki Olympic and International.  They were the bikes on which many of us learned about cycling:  that is to say, when we went from being kids who banged around on bikes to adolescents and young adults who commuted, trained, raced, toured or were messengers astride two wheels.

Another bike of that genre was the Motobecane Mirage.  I was reminded of that yesterday, when I saw one parked.



Of course, a Mirage from my youth would not have looked like that:  For one thing, red on black, seemingly ubiquitous today, was not quite as common a color scheme.  Even more to the point, one of those old Mirages would not have built in China, or this way:





No, those old bikes would not have had their aluminum frame tubes joined by cobbly welds.  Instead, like most bikes of any quality made at that time, their steel tubes would have been fitted and brazed into lugs.

The result would have been something like this specimen from around 1981:

From Mr. Martin's Website

Like earlier Mirages, this one is constructed from high-carbon steel tubes and lugs.  Though it's one step above entry-level, it had workmanship, a finish and ride better than other bikes in its category. 

Motobecane is said to be the first European bike-maker to equip new bikes with Japanese drivetrain components like the SunTour derailleurs and Sakae Ringyo crankset you see on this bike.  Those components--especially the derailleurs--were significant improvements over the gear found on earlier iterations of the Mirage:




The derailleurs are Huret Allvit:  the same ones found on many entry-level European bikes during the Bike Boom era.  (Schwinn equipped several of its models with rebadged versions of the same derailleurs.) While as advanced when it was introduced in 1958 as the first personal computers were two decades later, they became anachronisms just as quickly.  So did the steel cottered crankse after Japanese companies like Sakae Ringyo (a.k.a. SR) came out with relatively low-priced cotterless cranksets around the same time SunTour introduced its VGT rear derailleur, of which many are still in use nearly two decades after SunTour stopped making derailleurs.

Now, some components on the new black Mirage I saw yesterday are certainly vast improvements over (though not as attractive as) the stuff on the green Mirage--and, some would argue, on the blue one. And even if the new machine is a good rider, somehow I will never be able to see it as a Mirage from my youth. (Pun intended!)

P.S.  I actually owned and rode a Mirage--which was my commuter/beater--for about two years.  It was like the green one in the photo, except that mine was black with purple seat tube and head panels.  I loved the way it looked, and rode.  Sadly, like several of my commuter/beaters, I crashed it.  Or, more precisely, I rode it into one of the deepest potholes in the history of paved roads and cracked the top and seat tubes just behind the head lugs.

31 January 2013

What They Didn't Have

From Butch Cassidy And The Sundance Kid

More than three decades ago, Hal Ruzal, the Mercian maven and mechanic par excellence of Bicycle Habitat, rode his bicycle across the United States for the first (!) time.  

A friend who accompanied him had several flats and was down to his last inner tubes when they were in Kansas.   Now, I've never been to Kansas, but I don't imagine that, even today, it's as easy to find some bike items there as it is in, say, Portland, Minneapolis or Boston.  However, in those days, according to Hal, "there wasn't a single Presta valve tube in the entire state of Kansas."

He can tell a good story, but I don't think he was exaggerating. I don't think the very first shop in which I worked--in New Jersey--had Presta valve tubes, either. For that matter, I wouldn't be surprised to know that most shops in the Garden State circa 1975 didn't have them.


If they didn't have Presta valves,  it meant they didn't have sew-up tires, and probably didn't have the high-pressure clinchers (like the Michelin Elan) that were just starting to become available around then--or the new rims Mavic and Rigida were making for use with them.  

If you were in a rural area, it could even be difficult to find things like toe clips and straps. (The only clipless pedal available then was the Cinelli M-71, a.k.a. "The Suicide Pedal.) Around that time, John Rakowski, who rode his bicycle around the world, ordered the Karrimor panniers and handlebar bags he used directly from the manufacturer in England:  Very few shops carried good touring gear, and supplies were sporadic, to put it mildly.

Those times were probably the heyday of mail-order shops.  Sometimes the shops' proprietors (who were almost invariably the buyers, if their wives weren't) didn't even know where to find high-quality bike items.  Or, if they could find a source, the prices would be exorbitant because they were ordering only one, and paying the full shipping costs.

The lightest bike sold in the first shop in which I worked was the Raleigh Super Course.  

Raleigh Super Course, in the 1975 catalogue.

It was a pretty bike, I thought, especially in that shade of candy-apple red. (The green wasn't bad, either.)  But I would soon find myself riding a bike that, in almost every way, exceeded that one.  I didn't get it in that first shop in which I worked.  I couldn't have.



06 June 2012

A Derailleur I Don't Miss

As I've mentioned in earlier posts, I don't do "retro" for the sake of being retro.  I like the ride of high-quality steel frames, and like the look of lugs.  I also like leather saddles and canvas bags, for looks as well as comfort (in the case of saddles) and durability (the bags).  Also, I appreciate the craft that goes into many of those items.

There are some "old-school" parts I really like, too.  As an example, I probably will ride cranks with square-taper bottom bracket axles for as long as they're available. (I went through eight ISIS bottom brackets in the three years I rode a crankset made for them!)   And, I like Lyotard-style platform pedals with toe clips and straps because they don't require the use of special shoes or cleats--and, frankly, they're better-made than most clipless pedals.  (For a time, I was replacing my clipless pedals every year, even if I didn't crash them.)  And, although I've ridden some of the exotic pre-made wheelsets, and owned a couple of pairs, I prefer handbuilt wheels with traditional (not straight-pull) spokes.

On the other hand, I don't understand the fascination with some "old-school" stuff, save for collectors and people who want to do "period" restorations.  


Here is an example of what I mean.  The other day, this derailleur ensemble sold for 170 dollars on eBay.  Granted, it is in New Old Stock (NOS) condition, meaning it had been sitting in some box or drawer for the past forty years.  

While these parts aren't as common as they once were, they haven't exactly disappeared from the planet, either.  The pieces of the ensemble were made by Huret. The shifters and front derailleurs were decent: not as good as Campagnolo's best or almost anything SunTour ever made, but competent enough, especially in their time.  However, there was no excuse for the rear derailleur, even when it came out.

The Huret Luxe Super Touring rear derailleur was scary.  When you rode it, I mean.  It shifted with all of the predictability of Lady Gaga's sartorial choices.  To be fair, the same could be said for most wide-range touring derailleurs of that time (circa 1972) that weren't made by SunTour.  The Campagnolo Gran Turismo didn't shift much better than the Huret.  But at least the Campy GT shared a trait of other Campagnolo derailleurs at that time.  Frank Berto best described that characteristic when he said, of the Nuovo Record, that it would shift poorly forever.  


From VeloBase 


The Luxe's body consisted of spindly stamped steel pieces riveted together.  Even on the "racing" version of the Luxe, which had a shorter pulley cage, the pieces would work themselves apart, destroying even the pretense of shifting ease or precision.  The long-caged version would deteriorate even more quickly because the extra length of cage and chain created even more stress on the fragile body.

For a couple of years, some European bikes (such as the Raleigh Super Course and  Motobecane Mirage) were equipped with this derailleur.  Such bikes were usually "sport" models with a wider range of gears than were typically found on such model.  The Luxe Super Touring may have been the first European derailleur made to shift onto a 32 tooth rear cog.  (The largest most other derailleurs could handle was a 28; racers in those days typically had largest gears of 21 to 24.)  It came out just as SunTour derailleurs were first becoming available outside of Japan; within a couple of years, SunTours would adorn the Super Course, Mirage and many other mid-level European and American bikes.

When it was new, the Luxe ST sold for around twenty dollars; the ensemble in the photo went for about forty.  Within a couple of years of its introduction, SunTour and Shimano derailleurs that shifted much better, and lasted longer, could be had for half as much, at least in the US. (Japanese components were significantly more expensive in Europe.)  Still, it appears that Huret made the Luxe derailleurs until the early 1980's, when Sachs bought Huret and a few other French component makers.

As I said, I can understand someone buying a Luxe or Gran Turismo for a collection or a "period" restoration.  But I would not install them on any bike I intended to ride anywhere besides an "oldies" show.

28 July 2011

Mixte-O-Mania

Miss Mercian II is almost there.  Today, Hal at Bicycle Habitat installed a new headset for me.  I'd hoped to get it in silver or gold.  However, because the original headset has a short "stack height," the number of headsets I can use is limited--unless I replace the fork with one on which the steering column wasn't cut.  And why would I want to replace the fork?  So the headset I got is black, albeit of high quality.


I'm also making a couple of other changes, which you'll see when I unveil her--after my first ride.


And the mixte-o-mania continues.  I found this photo of an old Raleigh Super Course mixte:




Back in my early adolescence, when I was barreling around town on my Schwinn Continental, I wanted--for a time, anyway--this bike.  Of course, back then I wanted the diamond frame, which was no less pretty than this one.


Its color remains, to this day, my favorite shade of red I've ever seen on a bicycle.  I don't remember what Raleigh called it, but I would say it's a deep candy-apple shade.  And it looked great with those white panels and outlines.  


I didn't get the bike.  It was just as well, really:  Later, I ended up buying a Peugeot PX-10, which was a much nicer bike.  When I started to work in a bicycle shop, during the mid-1970's, I saw that the quality of all but the three or four top models of Raleigh was declining.  In fact, I saw more than a few new (at that time) Records, Grand Prix and Super Courses--not to mention Sprites and three-speeds--with misaligned frames, bottom bracket threads that weren't cut properly and bearings that seemed to have sand instead of grease in them.  


Even so, those red Super Courses sure were pretty!  Not as pretty as my bikes though, just as no other cats are as cute as Charlie and Max! ;-)