It seems that fall, as we normally think of it, has come late to this area this year. Perhaps it has to do with Hurricane Sandy and the subsequent nor'easter, as well as the mild October weather that preceded them.
When I say "fall has come later", I'm thinking about the kind of light and the feel of the air. Also, I'm thinking about the trees (the ones that are still standing, anyway), which seem to have shed their leaves later and have not taken on the sere, wizened facades so many of them have by this time of year.
Maybe the lateness of the season is one reason why Tosca was so enjoying this part of an after-work ride:
Admit it: You're not above taking a roll in the leaves. Tosca is a fine traveling companion; she's entitled.
As she so frolicked, I noticed that the house directly in front of us is for sale:
For decades, members of the Steinway family lived here, in the Astoria Mansion. At one time, part of their piano workshop was housed on the grounds. When that business grew (i.e., when Steinway pianos came to be regarded among the world's best), they had to build a bigger factory a few blocks away.
Michael Hiberian died about a year and a half ago after living all of his 82 years in the house. He'd put the house up for sale a few months before breathing his last in it; now his son is trying to unload it. At the time the house was put on the market, it had a potential buyer at $5 million. But that deal fell through, and the current owner is looking for $3 million.
I've never been inside, but from what I'm told, it's even more impressive there than from where I stood. The problem is that it's in, ironically, what might be the least desirable location in Astoria. When the house was built, it was surrounded by meadows that rolled into the bay. The house, on the highest hill in the area, had some expansive views, to say the least. But now the house has an even better view of the Con Ed powerplant along the shore--and the bridge to Rikers Island. Also, in the area around the mansion are warehouses and a cement plant.
Anyway, from there, I continued to ride along the water, past LaGuardia Airport and the World's Fair Marina, to a waterfront area I hadn't seen before--at College Point.
My bikes just love waterfronts and sunsets!
In the middle of the journey of my life, I am--as always--a woman on a bike. Although I do not know where this road will lead, the way is not lost, for I have arrived here. And I am on my bicycle, again.
I am Justine Valinotti.
Showing posts with label Steinway Pianos. Show all posts
Showing posts with label Steinway Pianos. Show all posts
03 December 2012
14 July 2012
Turning Into Noir In The Bronx
It sounds like the title of noir film, doesn't it? If such a movie were made today--in Hollywood, anyway--someone would tack a "happy" ending on it and the critics would call it "life-affirming" or some such thing.
Anyway, after teaching a class, I took a spin along the East River and into the Bronx. (Sounds so idyllic, doesn't it?) Because of construction (Why do they call it that when they're tearing something apart?), I had to take a detour. I found myself under the ramp for the Willis Avenue Bridge. If you've ridden the Five Boro Bike Tour, you've rolled across that bridge.
Underneath that overpass are some interesting old industrial brick buildings. It's sort of like DUMBO. From one of those buildings hung one of the more interesing--and, unless you know the area, incongruous--signs I've seen:
When I first saw that sign, I thought perhaps someone was making a film. Turns out, the place tunes, repairs and stores pianos. In fact, they've probably tuned at least some of the Steinway pianos that are made in Queens, not far from where I live.
That's all the more reason for me to be surprised if someone hasn't made a film (or part of one) there. It's hard to find a locale that looks more Victorian, in a shadowy sort of way, than that spot where Bruckner Boulevard begins.
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