Serious Mojo In The Shadow Of Power

Last week, I spotted a pair of Sun Tour shifters on eBay.  The item's location was listed as "New York, NY."  So I asked whether I could pick them up.

Turns out, the seller was even closer to where I live than I expected:  only about 4 kilometers away.  Woodside, Queens, to be exact.  And he said his "shop" was located behind a restaurant on one of the neighborhood's commercial strips.

The reason I'm not revealing the name of that restaurant, or the name of the shop, is that Damon asked me not to.  In fact, on his website, he says his "shop"--which is really more of a workshop--is in a "secret location" and that he meets customers only by appointment.

Damon is actually an engaging and friendly fellow.  The reason for his arrangement, he says, is that his shop--a garage, really--is a "passion" and he doesn't want to deal with the more mundane parts of the bike business.  (He once had a regular shop, he explained, and running it was nothing like he expected it to be.)  Also, I sensed that he wanted to deal only with customers who shared his passion for vintage bikes.

One of our common loves, as it turns out, is frames from British builders.  He showed me a Claud Butler from the '50's that he's fixing up, along with a few other frames from Claud's countrymen.  When I revealed my own love of Mercians, he knew he'd found a soulmate, at least in bicycle terms.

(Oh, and he did some of his studies for his profession--his "day job"--in Paris and, quelle coincidence, was living in the City of Light at the same time I was there. How do Francophiles become aficionados of British Frames?  Hmm...)

All of the frames in his "shop" were steel, except for one older Vitus bike.  Among his Butlers and early '80's Treks stood one of what might be the most sought-after (by collectors and enthusiasts) bike from a mass manufacturer:  Raleigh Lenton.  It was in really good shape, except for the cellulose fenders--which are almost always broken.  

I could have spent all day at that shop, and with Damon. Because he's trying not to publicize his operation too much, I didn't take photos--except for one particularly intriguing machine.

Damon equipped this Olmo city bike, which probably dates from the '50's or '60's, with Campagnolo Gran Sport equipment, except for the Weinmann centerpull brakes. (The Gran Sport brakes wouldn't have been long enough or played nice with the fenders.)  He was impressed that I've actually written posts about GS equipment and Weinmann brakes, but I was even more taken with some other features of that bike:

Those bars put those narrow "city bars" I see on hipsters' fixies to shame--both for function and style.  But perhaps the best (or at least my favorite) part is something Damon customized.

He bent it to accommodate the front derailleur.  That alone would have made me want to make a return trip to his "shop"--which is just a few blocks away from where Dick Power had his framebuilding shop and retail store.

Before I left, I noticed that he had some vintage Silca pumps that, he explained, had been stored away from sunlight which, apparently, is what makes the plastic on them brittle.  I bought one, in black, for Negrosa, the 1973 full-Campy Mercian I picked up last year.  I know that the Zefal HPX (or even the earlier HP and Competition) pumps are easier to use and sturdier, but most full-Campy bikes of the time had Silca Imperos--and Regina freewheels, which I also have, even though I know the SunTour New Winner and Winner Pro are better in almost every way.  

That trip was short but sweet, to say the least!

Two Stops, Two Conundrums

Today I rode to Point Lookout again.  It was not a perfect day, by most people’s definitions, but more than good enough for me:  clouds moved across a sunny sky, seemingly carried by the wind that I rode into on my way out to the Rockaways.  The temperature didn’t seem to rise above 25C anywhere I rode—the ocean water was only a couple of degrees cooler.  That might be the reason why I didn’t see very many people on the beaches or boardwalks, and the Point, like Jones Beach, across the cove, was deserted.  

The ride made me happy, even if it didn’t include any great developments or epiphanies.  I felt as if I got into a good rhythm while riding Arielle, my fixed-gear Mercian.  Most important of all, I didn’t feel achy or fatigued at the end of my ride:  I just felt as if I’d gotten a good workout and had a good time.  I really don’t ask for anything else.

Probably the most unusual things about this ride happened at two traffic stops—one in Atlantic Beach on my way out and the other in Sunnyside on my way back.

At the first stop, the light had just turned red.  I had about another half an hour—maybe forty minutes, given that I was riding into the wind—of riding to get to the Point.  Not that I was in a hurry:  I wasn’t worried about any commitments or even about the coming of night.  But I had, as I mentioned earlier, gotten into a good rhythm, and was trying not to stop. 

The light had just turned red and a man who looked like he had a decade or two on me was crossing the street.  Some guy in a Lexus tore through the intersection, against the red light.  Fortunately, the old man hadn’t gotten very far into the street, so he was in no danger of being struck.

What I found strange about the encounter, though, was the man kept on staring at me.  I wasn’t sure of whether he was surprised that I, and not the driver, stopped for the light. Or, perhaps he’d been directing stored-up anger over other cyclists who’d ignored traffic signals—or, maybe just stories he’d heard about them.  Whatever his motivations, he kept his head turned toward me until he stepped onto the curb on the other side of the street.

At the other stop, I was about two kilometers from my apartment.  Sunnyside is, like Astoria, an old blue collar-to-middle class neighborhood that never really deteriorated and is becoming home to increasing numbers of young professionals and creative people who work in Manhattan.  It’s also one of those neighborhoods where, at one time, I wouldn’t see anyone else on a bike but, over the past few years, I have been seeing more and more cyclists every time I ride through it.

Anyway, I stopped at an intersection of 48^th Steet, one of the neighborhood’s main arteries.  Trucks often come barreling down 48^th, coming from or going to the factories and rail yard that separate the neighborhood from Long Island City, so I don’t take chances when crossing it.  Neither do most people who live in the neighborhood.

A woman who looked like she was thirty, at most, crossed in front of me, with her son and daughter—neither of whom looked more than four years old—in tow.  She seemed like a nice person; we exchanged smiles.  “I’m sorry,” she simpered.

“For what?”

“For stopping you.”

“You didn’t stop me.  The light did.”  I pointed to the signal; it was turning yellow. She and her kids scampered to the curb.  “Have a nice day,” she shouted.

“You do the same.”

As pleasant as she was, I am still as puzzled by her reaction to my stopping for a light as I am to the man for his.

Photo by Darryl Kotyk