Bikes On The Walls

Here in the USA, the news we hear about Argentina tends to fall into two categories:

           its football (soccer) team and players

           the bad news.

In the latter category was, during my youth, the Peron regime.  These days, it's about hyper-inflation:  People spend their money as soon as they get it because it loses value faster than a dot-com stock in 2000.

What's often forgotten, though, is the country's creativity:  Not for nothing has its capital, Buenos Aires, been called "the Paris of South America."

And the city's and country's artistry isn't limited to what ends up in museums or on pedestals in public squares.  From what I've heard, few cities have more murals.  And those displays that adorn the city's walls encompass all kinds of styles--and subjects, including bicycles and bicycling.

Mart Aire started to grace buildings and other structures with his artistry in the 1990s---when he was 12 years old.  I just love the way his colors and sheer whimsicality express the flights of fancy and sheer freedom I experience when I'm spinning along a seashore, pumping up--or coasting down--a hill or zigging and zagging through city streets.

A Ride From Art To Marlee

 I've ridden to museums, galleries, plays, poetry readings, concerts and other cultural events.  It's one of my favorite ways to spend a day: I get to combine some of the things I love most.  

The problem, though is parking. I know, I sound like a motorist when I say that.  But only in a few venues can one bring in a bicycle. The Metropolitan Museum has bike racks in its parking garage and valet bicycle parking during certain hours.  But at most other events and venues, you take your chances with parking on the street.

A couple of days ago, during a late-day ride, I came across a solution to the problem:

The 5-50 Gallery is located, as the name indicates, at 5-50 51st Avenue in Long Island City.  More specifically, it occupies a garage--from what I can tell, a commercial one.  Converting industrial and retail spaces to use for art and performance is not new, but this gallery's space is uniquely accessible. 

No, that isn't a portait of Marlee on mushrooms.  It's one work by Kyle Gallagher, the artist featured when I stopped by. 

The paintings have a grab-you-by-the-collar quality, full of  colors that flash with, at once, the energy of street festivals and the urgency of flashing ambulance lights.  And the way cats and other living beings are rendered makes comics seem like a kind of mythology of the subconscious,  spun from threads of graffiti, street portraiture and abstraction.

All right, I know, you didn't come to this blog for two-bit art commentary. But there was something oddly appropriate, almost synchronistic, about encountering those paintings on a bike ride through an industrial-turned-trendy neighborhood.

When I got home, Marlee didn't care. She just wanted to know, "what's for dinner?"  

Painting--And Cycling--En Plein Air

 On a recent post, Coline commented, "Cycling helps clear thinking" and "opens the mind to exploration."

It also sparks creativity.  Lewis Williams understands this as well as anybody does.  For his 60th birthday, the Montrose, Colorado-based artist wanted to "rattle the cage a bit" to "see what would his shake out."  So, he decided to combine one of his preferred methods of working--plein-air painting--with his love of being outdoors and bicycling.

Yesterday, he embarked from San Diego on a cross-continental cycling trip.  He plans to arrive in Bar Harbor, Maine during the first week of August.  Along the way, he'll ride two historic trails, he says.  And he plans to paint outdoors, in the open air (the meaning of "plein air") along the way.  After that, he plans to participate in the Plein Air painting competition of the Red Rock Arts Festival.  

His wife is accompanying him on this journey, he says.

I know how difficult it is to carry cameras and multiple lenses--not to mention other photographic equipment--on a bike, especially if you're carrying camping equipment and clothing for a multi-day tour.  I imagine that it's so much more difficult for a painter to carry supplies.  So, he outfitted a van for camping and attached a trailer to carry his art-related necessities.  

The purpose of the vehicle is not just as a "sag" wagon one sometimes sees on organized rides.  Williams says that if any of his riding or painting takes longer than he anticipated, he and his wife will "mix up the riding with the driving" as needed.

This tour is an extension of an ethos he lives by:  "Find creative outlets in your life."  He, who has worked with senior citizens, believes that people are "not too old to do what they want to do or try something new." Why else would he embark on such a journey for his 60th birthday?