Death For Bike Messenger, Tea And Sympathy For Driver

Warning:  The video near the end of this post may be too much for some of you to take.

A couple of years ago, a woman was attacked and raped not far from where I live.  She'd been walking home at 3:45 on a Sunday morning when she was set upon by a group of young men who dragged her into a darkened parking lot.

Most people were, rightly, outraged.  But a few, even at such a late date and liberal neighborhood, asked, "What was she doing out at that time?"

The explanation, it turned out, almost exactly matched what I'd surmised:  She'd been working a Saturday night shift at a bar.   To the question of why she didn't take a cab or Uber or something, the answer was simple:  She lived only a block and a half away from the bar and had never before encountered any trouble.

It was a chilling reminder of the days, which I remember, when the first questions people--even other women--asked upon hearing of a sexual attack were, "What was she wearing?"  "What was she doing there at that hour?"  The implication was, of course, that she'd "asked for it"--even if the woman had been wearing "scrubs" and was in front of a church in the middle of the afternoon. (Yes, I heard of such a case once!)

I found myself thinking about such victims after a story  that made news in our area:  A 20-year-old female bike messenger was struck and killed yesterday morning, just as the workweek was beginning, in the bustling Flatiron district of Manhattan.

One reason I found myself thinking about the rape victims I mentioned is that news coverage seemed to emphasize two major points, one being that the messenger was a young woman.  Some of the coverage expressed more grief, if in a patronizing way, than she might've received had she checked the "M" box.   But some of those same reports--and, of course, other coverage--seemed to convey a tone of suspicion and scorn reserved for the rape victims I mentioned.  You could almost hear some news editor wondering, "What was she doing, working a job like that?"

The other salient point of the coverage, which also turned into another way to blame the victim, was that she was riding "in the middle of the street" and "not in a bike lane" when she was struck.

Robyn Hightman

I am very familiar with the block--Sixth Avenue between West 23th and 24th Streets--where the Robyn Hightman, recently relocated from Virginia, lost her life.  There is indeed a bike lane, which is frequently congested.  Anyone who makes deliveries, whether on foot, bike or in a motorized vehicle, knows that it's all about speed.  A messenger simply can't move quickly enough in a lane crowded with tourists on Citibikes.  

More to the point, though, is that the way the bike lane, like most others in this city, is designed.  Because it's at the curb's edge, and the "stop" line at each intersection is the same for bikes as it is for motor vehicles, turns--which you make a lot of if you're a messenger--can be dangerous if a motor vehicle is turning in the same direction.  This arrangement also makes crossing major intersection--23rd Street at Sixth Avenue is one--difficult, if not dangerous.

Moreover, when there are flexible or no barriers--as is the case on the Sixth Avenue lane--delivery vehicles and Ubers frequently pull in and out, especially in as busy an area as the one I'm mentioning. 

What makes the shaming of Robyn Hightman all the more galling is that the driver of the vehicle, who claimed he didn't know he hit her, got off with a sympathetic pat on the shoulder from a police officer who arrived at the scene.  The driver claims this incident is his first "accident" (the word he used) in 14 years of driving for his employer.  An investigation, however, revealed that the truck he was driving has been cited with 83 summonses since 2015.  Most were for parking violations, but at least two were for speeding.



In 2018, ten cyclists were killed by motorists on New York City streets.  Robyn Hightman was the 12th in 2019, and the year isn't half-over.  And the driver got tea and sympathy--along with an assurance he wasn't in trouble--from an NYPD officer.

The Heights Of Fall

Today is the first day of Fall.  And it feels like it, in a pleasant way:  Billowy but thin clouds waft over cool breezes.

A few hundred kilometers north of here, the leaves have begun to change color. Here, though, they're still green.  So if we want Fall colors, we must look elsewhere:

People who don't know the area don't associate these houses with Harlem.  But they line Convent Avenue, a street that bisects the City College campus in a part of Harlem known as Hamilton Heights.  

I was all smiles on my bike, and everyone and everything--including the stones of these houses--seemed to smile back.

Her Last Ride

While riding here in New York City, I avoid curbside bicycle lanes.  I especially avoid them if they are alongside parks where motor vehicles aren't allowed. A terrible incident that occurred yesterday reminded me of why.

Madison Jane Lyden, 23 years old, was visiting from Australia.  She rode a rented bicycle in the lane on Central Park West just south of West 66th Street.  A livery cab pulled into it, in front of her.  She swerved to avoid it.  

A private sanitation truck rumbled up behind her.

Madison Jane Lyden isn't going home.  

When I lived in Manhattan, I cycled up Central Park West often.  That was in pre-bike lane days.  I always knew that the intersection with 66th Street was hazardous.  It's the where the southernmost traverse across Central Park enters regular New York City traffic.  Often, drivers are lulled after driving across that traverse, where they don't have to contend with the vagaries of Manhattan street traffic and are thus not ready for a change in traffic signals, pedestrians crossing--or cyclists.

Traffic is further congested when there is a performance at Lincoln Center, three blocks to the west, or in any of the other nearby performance and exhibition venues such as the West Side Y.

I am guessing that Ms. Lyden would not have been familiar with those traffic patterns.  Even if she were, I don't think she would have been prepared for a livery cab pulling into the bike lane--or for a private sanitation truck barreling behind her.

Let alone a garbage truck operated by an intoxicated driver.  

Madison Jane Lyden so enjoyed riding downtown that she decided to do some exploring.  She pedaled uptown.  It shouldn't have been her last ride.

Loves "Bicycle Thieves." Hates Cyclists?

Nobody has an unbiased opinion--well, all right, nobody has an unbiased opinion, right?

So let's just say that nobody can be, um, neutral when it comes to Woody Allen.

As repulsed as I was by his affair with, then marriage to, a woman decades younger than he whom he and his ex-wife adopted as a baby, I was--still am--willing to admit that I enjoyed Annie Hall and Manhattan when they came out.  I thought even Hannah and Her Sisters and Stardust Memories were pretty good.  All right, I'll admit that part of the latter film's appeal for me lay in my uncle's bit role in it.

Emma Stone and Joaquin Phoenix in Irrational  Man

But almost nothing he's done since Hannah has appealed to me.  Irrational Man, which came out last year, was torture to see:  It felt like a murder mystery written the way some self-absorbed sophomore imagines how Jean-Paul Sartre or Soren Kierkegaard might have written it.  Or, perhaps, it's Woody Allen's own idea of how he might have made Dead Poets Society (a favorite of mine) were he up to the task.

I know, I'm not Pauline Kael.  So why am I ranting about a would-be auteur whose time has come and gone in this blog?  Well, I have recently found another thing to further becloud my judgment when it comes to Mr. Allen:  He's anti-bike.  More precisely, he's anti-cyclist.

Woody Allen at the Community Board meeting n which he voiced his opposition to bike lanes on Manhattan's Upper East Side.

He didn't become that way overnight, although it became plain for all to see when he opposed the city's plan to paint a bike lane on East 70th Street--which just happens to be the street on which he lives.  (A little bit of NIMBY, wouldn't you say?) For years, he's been blaming "out of control" cyclists for making the city a worse place.  Why, he even blames them (us:  He thinks all cyclists are "out of control"!) for everything from making the streets more dangerous to--are you ready for this?-- that there is no "graceful" way for any street on the Upper East Side, where he lives, to accomodate bike lanes.

He made his prejudices known at his local community board's hearing in May.  But not everyone who attended that meeting agreed with him.  And, apparently, not the city's Department of Transportation, either:  While they decided not to paint lanes on East 70th and 71st Streets, they are going to put them on East 67th and 68th Streets as well as 77th and 78th, and 84th and 85th, Streets.  Traffic on each of those streets is unidirectional:  eastbound on the even-numbered streets of each pairing, and westbound on the odd-numbered ones.  All of them run from Central Park (at Fifth Avenue) to the East River.

For what it's worth, Allen still says that Bicycle Thieves is still one of his favorite films, but admits that he doesn't have it in him to make anything of its magnitude.

A Couple Of Views From The Saddle

Is a ride ever defined by what you see on the horizon?

During the past week, I pedaled into two very different, yet distinctly of-this-season-vistas.

As I pedaled north on the Hudson River Greenway, the sun--invisible even in the cloudless sky--refracted off the dull metallic surface of the river and shrouded the towers of the George Washington Bridge about three miles in front of me.

The other day, I was rolling down 38th Street in Astoria, just a few blocks from my apartment.  There sun, again invisible, would make its presence known only through the bare branches of the tree a mile or so down the street.


Are these the dying embers of a season, of a year?

Riding Again At Sunset

I'm so happy to be back on my bike again.  Late the other day, I took a ride that wasn't a commute for the first time in weeks.  I was going to meet some people for dinner in the Village, which meant I would have to lock my bike on the street.  And I knew that there was still a lot of ice and sand on the streets. So I took my LeTour, as its tires are the closest things to snow and ice treads I have.

It wasn't a long ride, but enough to stimulate my senses.  I got this glimpse of dusk on the Hudson River near Christopher Street in Manhattan.

And this--with the relatively rare sight of ice on the Hudson--just north of 14th Street:

I did what I could with my primitive cell phone. But I think I captured something of what the light, if not the cold air, felt like!  If nothing else, they're whetting my appetite for more riding.

To A Virgin (Forest)

I went on a deep woods bike adventure today.

All right...I took a little spin after work to this place:

I wished I'd had my regular camera.  I did the best I could with my cell phone to capture the line of color on the rock ridge and its reflection in the water.

So where did I go?

My little jaunt took me to a virgin...OK, a virgin forest.  Where?

Would you believe Manhattan?  (You probably didn't believe there was a virgin anything there.)  Yes, at the very northern tip of the island, there's a wooded area in Inwood Hill Park where trees have never been cut or planted.  Take away the Henry Hudson Parkway bridge and the nearby buildings, and it's more or less the way it was when Peter Stuyvesant landed there.

I think it's one of those places best seen at this time of year.

 

Flower Power And Memory

One of the great things about seeing more and more cyclists in New York is that good old bikes are being restored and repurposed. What that means is that, very often, people will do creative things to make a bike their own.

Such creativity sometimes extends to paint jobs, as with the one I saw on an old Cannondale hybrid:

I encountered this bike and its rider yesterday on First Avenue, near the United Nations.  A friend painted the frame for her, she said.  I touched it, so I know the flowers are indeed part of the paint job, not decals or other appliques.

She told me her name, which I've forgotten. Perhaps she'll see this.  

What does that say about me when I can remember a bike but not a name?

A "Bike Lane" Under The Tracks

In some of my earlier posts, I expressed ambivalence and even disdain for bike lanes.

While it can be very nice to be able to pedal on ribbons of concrete or asphalt where motor vehicles aren't allowed, too many bike lanes are as dangerous as, or even more dangerous than, the roadways and motorists from which the lanes separate us.

Such lanes end abruptly or make turns though intersections that put cyclists directly in the path of turning trucks and buses.  Others are not clearly marked--for pedestrians, motorists  or cyclists--which results in pedestrians walking into our paths as they're chatting on their cell phones, or drivers using the bike lanes to pass other motorists.

Still others go nowhere or are so poorly constructed that they're all but unusable.  But I've never seen one quite like this:

Above 10th Avenue in the very northern end of Manhattan, the #1 train of the NYC transit system rumbles and clatters. The tracks are supported by the steel columns posted every few feet in the bike lane.

I mean, if you can ride a bike, you can do anything, right?  Well, almost...I haven't quite mastered riding through immobile objects.

The sign in the photo is not an aberration:  One is posted on every other (more or less) steel column.