If You Build Your Bike In Italy from Reynolds Tubing, Name It After A French Town

Today I saw a listing for a Frejus bicycle that was made in "Torino, France."


I wrote to whoever listed the bike to correct his/her geography:  Torino--known in the English-speaking world as Turin-- is, of course, in Italy.


One of the ironies of that listing is that the town of Frejus is actually located in France.  Granted, it's not far from Italy and was, at different times in history, ruled not only by Italy, but also by several Italian city-states as well as the King of Sardinia and the Dukes of Savoie (Savoy).  


And it was part of the Roman Empire.  That is evident in the ampitheatre in middle of the town.  In fact, when I was there, I recall reading something (a brochure?  a plaque? a book, maybe?) that said it is the oldest surviving Roman ampitheatre, not to mention one of the  oldest surviving structures, in France.  There are also the remains of an acqueduct as well as a number of other Roman structures.


Perhaps they built chariots back then.  However, nothing that I've read in French, English or Italian indicates that any bicycle, or even any part for one, was ever produced there, though--it being in the south of France, after all--quite a few people ride bikes for recreation as well as transportation. Well, at least they were when I was there.

Even if we never rode or owned one, Frejus bicycles are special to cyclists of my generation or the one immediately before us.  As Sheldon Brown points out on his page, they were often ridden by the few active racers in the US during the Dark Ages of the sport in this country.  And it was one of the bikes of choice for relatively well-heeled enthusiasts in the early days of the Bike Boom.


Accounts vary as to their ride qualities. And, as pretty as many of them were, the workmanship was actually pretty mediocre, even on their best Campagnolo-equipped models. But, for many of us, they defined what an Italian racing bike was.


They were imported and sold by Tom Avenia, who was also one of the first importers of Campagnolo equipment.  I met him when he was a very, very old man.  (He lived to be about 95, if I'm not mistaken.)  Frail as he was, he still rode and could tell stories about the Six Day Races in Madison Square Garden during the 1930's (which would be the last most Americans would hear of bicycle racing for about another half-century) as well as his own participation in such races as the Somerville Classic.  I could see how the man all but singlehandedly kept the torch burning, or at least flickering, on his zeal alone.

And he rode a Frejus track bike, equipped with a front brake, nearly to the end of his life.

And, yes, he reminded me that Frejus is actually a town in France, even though the bikes were made in Italy--of Reynolds 531 tubing.

A Japanese Moulton from Bianchi?

Paint your bikes green, call them "whites" and they'll sell like hotcakes all over the world.


Believe it or not, a company has actually been doing what I've just described. 


I'm talking, of course, about Bianchi.  Time was when a Bianchi was a Bianchi, and you couldn't buy them everywhere.  They were available in a few countries outside Italy and in the US, a relatively small number of shops sold them.  The Bianchis available outside Italy were almost all mid- to high-range road bikes, and they were all made in Italy.


Things started to change during the 1980's when Bianchi had some of their bicycles manufactured for them in Japan.  As far as I know, those bikes were sold only in North America, and were--intentionally--much like the better Japanese bikes of that time from makers like Miyata, Panasonic and Bridgestone.  Bianchi's finest racing machines were still made in Italy, but they apparently realized that in the less-expensive road bikes (I'm talking about the real ones, not the ones that mimicked their paint schemes), Japanese frames were offering arguably better workmanship and clearly better components, particularly in the drivetrains, than the Europeans were, or could.


That was the beginning of a major shift for Bianchi.  Up to that time, you sought out a Bianchi if you were a racer or other high-mileage cyclist who cared at least somewhat about speed.  And you knew that getting a Bianchi meant getting a particular kind of Italian road bike.  If you weren't the type of cyclist I've just described, you had probably never heard about Bianchi at that time.  But, from the 1980's onward, Bianchi became, in essence, a number of different bike-makers in a number of different countries.  As an example, they marketed one of the first hybrid bikes in the US, where that type of bike first appeared.  They also offered mass-market versions of high-performance mountain bikes made by the pioneer mountain bike builders in the US. Later, they would make and sell one of the first mass-market fixed-gear bikes--and helped to spawn, if unintentionally, the "hipster fixie."  And they have sold various types of utility and recreational bicycles in other countries.  Those bikes are tailored to the needs and tastes of the local markets.


I've never been to Japan.  So, in all honesty, I couldn't tell you what cyclists ride there.  All I know about the Japanese cycling community and markets, I've read in bike magazines or heard from people familiar with Japanese cycling.  And, oh, yes, from seeing what the Japanese buy on e-Bay.


I never would have guessed that their tastes ran to bikes like these:

Martin, the owner of this bike, brought it and himself from Japan.  He says it's a kind of bike the Japanese call the "mini-sprinter":  a machine with a relatively tight wheelbase, straight fork and small wheels (on this bike,  20 X 1 1/8).  He tells me that when people see it, they ask him how to fold it.  I remarked that in some ways, the bike--which is called the Mini Velo 9 Drop--reminds me of the original Moultons.  


According to Martin, Moultons are sought by collectors in Japan, where they fetch even higher prices than they do here in the US.  And, he said, a lot of Japanese believe that it's possible to go faster with the smaller wheels.


I've always wanted to ride a Moulton just to experience it.  If I had money to burn, I might buy one even though I'm not a collector.  I'm sure that the ride of Martin's bike is different, however subtly.  If I had more time, I might want to try both a Moulton and Martin's bike.  I wonder which one I'd like better.  In any event, I'm sure that the shifting and braking are better on the Bianchi than they were on the Moulton.  My love of vintage (and vintage-style) bikes, bags and other accessories doesn't extend to components. 


However, Martin does have two things on his bike that, if they weren't standard equipment on Moultons, were almost certainly installed on many of them.  He has a nice brass Japanese bell like the ones Velo Orange sells.  More important, he has a nice brown Brooks B-17 on his Bianchi.