From Macbeth To Il Campione Del Mondo

I swear, I was looking for films to show my Lit class.  Really, I was trying to decide between Roman Polanski's or Orson Welles' version of Macbeth.  And I was browsing all of the other film and television adaption of the Bard's classic when...

The YouTube browser took me to videos of The Third Ear and other progressive-rock bands.  From Renaissance's Prologue, it led me through recordings of vocal pieces used in videos.  I swear, it's true.

And then browser took me to this:



Honest, I wasn't looking for bike videos.  But I couldn't stop looking at it.

You've seen a million Bianchis before.  If you are of a certain age, you remember when they all came in some version of the color ("Celeste") you see on Fausto's bike.  Something about this video makes it seem as arresting as it was the first time you saw it.

And the bike...Why, it has--gasp--cottered cranks.  And exposed bolts on the stem.  Everything's so low-tech.

But what a thing of beauty!  And Fausto himself, even when he was wearing a plain white polo shirt, just reeked style. Check out 0:43 into the video.  Those people look like they actually know him; they're not just props or backdrops. 

As for the bike--Check out 2:15 to 2:22.  If only today's integrated headsets looked like that! 

Now I'm going back to work.  I swear, I didn't look for that video.  I was brought to it.

Dorothy On A Bike?

Today's post is nothing but a reason to show an old bike ad:

The "White" Cycles advertised may be long gone.  But there was another "white" bicycle company in existence at the time that still makes and sells bikes today:  Bianchi.

The Persistence Of Dropped Top Tubes

What if Salvador Dali were hired to design a bike frame--and he only did the top tube?

The result might look something like this:

I had never before seen such a frame sporting Bianchi logos.  But now that I think of it, I'm not surprised.  The Bianchi in the photo was made in Japan for Bianchi during the 1980's.  Back then, the most famous Italian bicycle manufacturer was rebranding bikes built by Panasonic, Bridgestone and, it was rumoried, Miyata, for the US market.

When you look at this Panasonic closely, you realize why Bianchi made such a move.  During the 1970's and early 1980's, Japanese makers like the ones I've mentioned, and Fuji and Nishiki, took over much of the entry- and mid-level market for road and touring bikes in the US. There were good reasons for that:  The Japanese companies were offering better bikes for the money than most of their  European and American rivals.  Their quality control was more consistent:  Highland Park Cyclery sold Miyata and Panasonic when I worked there, and I don't recall having to return one for a defect.  On the other hand, I saw braze-ons break off a Peugeot and Treks that had miscut threads and wheels that didn't hold up for very long.  

Perhaps the biggest "draw" of Japanese bikes was that their drivetrains usually shifted more accurately and (a major selling point with new cyclists) more easily than those on their European counterparts.  The Panasonic in the second photo was the lowest-level ten-speed bike the company offered at the time, but its Shimano derailleur outshifted all but the very top models made in Europe at the time.  The BIanchi is a few levels up from the Panasonic, and its Shimano gears were more accurate and less fussy, I would submit, than any others--except for the ones made by Sun Tour.  

Of course, BIanchi would not be the only company to re-brand Japanese bikes for sale in the US.  Some of the most famous examples of such bikes were the "Voyageur" and "LeTour" lines Schwinn sold; Raleigh, Peugeot and other companies would also offer bikes from the Land of the Rising Sun.  Other companies, like Motobecane, would continue to make bikes in their home countries but equip them with Japanese derailleurs, freewheels and cranksets--and, later, other components--for American cyclists.

But not all of those companies offered bikes with the frame design of the BIanchi and Panasonic you see in this post.  In fact, frames with top tubes so shaped were made for only a few years, or so it seemed.  A couple of years ago, Trek revived  a modified version of it on their "Belleville" city/porteur bike:

I have never ridden a bike with such a configuration, but I can see the benefit of it, particularly for cyclists with disproportionately short legs.  I would think that people who, for other reasons, want a frame that offers more clearance than the traditional diamond design but don't want something more rigid or stable than a traditional women's, or even a mixte, frame would also like such a design.


Here's what I always wondered:  If you buy one of those bikes, do you get a watch with it?  Or a bike computer:  Imagine if Salvador Dali designed those!

Celeste, Rescued: My First Bianchi

Yesterday I wrote about a "rescued" bike.  Today I'm going to tell you about another one.  The difference is that the one I'm going to describe today is one I rescued.

It's also the first of four Bianchis I've owned in my life.  This is an old-fashioned made-in-Italy bike.  I'm not sure of the exact model, but I know that it was probably made in the 1970's or early 1980's, as the frame was made of Columbus "Aelle" tubing.  If I recall correctly, the dropouts, headset and seatpost were all made by Gipiemme, an Italian company that was influenced by, or copied outright, Campagnolo's desgins.  The name, interestingly, is the phonetic Italian pronunciation of GPM which, if I'm not mistaken, was the monogram of the company's founder.

The headset and seatpost were the only items that were on the frame when I got it from Toga Bicycle Shop near LIncoln Center.  I was friendly with one of the mechanics, a salesperson and with the owner, Len Preheim, to the extent that one could be friendly with him.  They were cleaning out the store's basement and unearthed the frame, which I got in a trade for, let's just say, something non-bike related.

I was glad that the seatpost came with the bike, as it was one of those non-standard diameter.  The headset worked after an overhaul; even if it hadn't, it wouldn't have been difficult to replace.  

Anyway, this became a "parts-bin bike."  By the time I got the frame, I had a pretty fair-sized trove of parts, most of which I stripped from bikes I had at one time or another.  

In its original iteration, the bike was intended as an entry-to-mid-level road bike.  Being made of Aelle tubing, the least expensive frame material Columbus made at the time, It was a bit heavier than the higher-level Bianchi road bikes.  So, perhaps, it wasn't quite as quick as a Columbus SL frame (of which I've owned two:  the Trek 930 and a bike I'll write about in the near future).  However, it gave a pretty stable and fairly nimble ride.

As you can see, I fitted a rear carrier to the BIanchi.  I rode the bike to and from work, and to classes during my first year and a half of graduate school.  I also took it on a couple of weekend trips in which I packed a change of clothes, a book or two, my camera and a couple of other items.

Although I rather liked the bike, it was too big for me: I think it was a 58 cm (about 23.5") frame, as measured from the center of the bottom bracket to the center of the top tube.  I normally ride a 55-56 cm, depending on the design of the frame.  

It size exacerbated another problem I had with that bike, and other road bikes I rode before I went for a custom bike: The top tube was pretty long.  That meant using a stem with a shorter extension than I might have otherwise used, which blunted the bike's handling. Later, I would try to solve the problem by going to smaller frame sizes (53-54 cm) and using a longer seat post.  When I did that, I missed the stability and the fullness of pedal stroke I could achieve with the slightly larger frames.

Anyway, I apologize for not having a better photo of the bike.  When I got it, the paint was in rough shape, though still unmistakably "Celeste".  

Because of its less-than-ideal fit, I was going to sell the bike.  However, someone got it for free when I parked it outside CBGB.  Hmm, maybe if I'd told Joey Ramone, he'd've done a song about it.

A Japanese Moulton from Bianchi?

Paint your bikes green, call them "whites" and they'll sell like hotcakes all over the world.


Believe it or not, a company has actually been doing what I've just described. 


I'm talking, of course, about Bianchi.  Time was when a Bianchi was a Bianchi, and you couldn't buy them everywhere.  They were available in a few countries outside Italy and in the US, a relatively small number of shops sold them.  The Bianchis available outside Italy were almost all mid- to high-range road bikes, and they were all made in Italy.


Things started to change during the 1980's when Bianchi had some of their bicycles manufactured for them in Japan.  As far as I know, those bikes were sold only in North America, and were--intentionally--much like the better Japanese bikes of that time from makers like Miyata, Panasonic and Bridgestone.  Bianchi's finest racing machines were still made in Italy, but they apparently realized that in the less-expensive road bikes (I'm talking about the real ones, not the ones that mimicked their paint schemes), Japanese frames were offering arguably better workmanship and clearly better components, particularly in the drivetrains, than the Europeans were, or could.


That was the beginning of a major shift for Bianchi.  Up to that time, you sought out a Bianchi if you were a racer or other high-mileage cyclist who cared at least somewhat about speed.  And you knew that getting a Bianchi meant getting a particular kind of Italian road bike.  If you weren't the type of cyclist I've just described, you had probably never heard about Bianchi at that time.  But, from the 1980's onward, Bianchi became, in essence, a number of different bike-makers in a number of different countries.  As an example, they marketed one of the first hybrid bikes in the US, where that type of bike first appeared.  They also offered mass-market versions of high-performance mountain bikes made by the pioneer mountain bike builders in the US. Later, they would make and sell one of the first mass-market fixed-gear bikes--and helped to spawn, if unintentionally, the "hipster fixie."  And they have sold various types of utility and recreational bicycles in other countries.  Those bikes are tailored to the needs and tastes of the local markets.


I've never been to Japan.  So, in all honesty, I couldn't tell you what cyclists ride there.  All I know about the Japanese cycling community and markets, I've read in bike magazines or heard from people familiar with Japanese cycling.  And, oh, yes, from seeing what the Japanese buy on e-Bay.


I never would have guessed that their tastes ran to bikes like these:

Martin, the owner of this bike, brought it and himself from Japan.  He says it's a kind of bike the Japanese call the "mini-sprinter":  a machine with a relatively tight wheelbase, straight fork and small wheels (on this bike,  20 X 1 1/8).  He tells me that when people see it, they ask him how to fold it.  I remarked that in some ways, the bike--which is called the Mini Velo 9 Drop--reminds me of the original Moultons.  


According to Martin, Moultons are sought by collectors in Japan, where they fetch even higher prices than they do here in the US.  And, he said, a lot of Japanese believe that it's possible to go faster with the smaller wheels.


I've always wanted to ride a Moulton just to experience it.  If I had money to burn, I might buy one even though I'm not a collector.  I'm sure that the ride of Martin's bike is different, however subtly.  If I had more time, I might want to try both a Moulton and Martin's bike.  I wonder which one I'd like better.  In any event, I'm sure that the shifting and braking are better on the Bianchi than they were on the Moulton.  My love of vintage (and vintage-style) bikes, bags and other accessories doesn't extend to components. 


However, Martin does have two things on his bike that, if they weren't standard equipment on Moultons, were almost certainly installed on many of them.  He has a nice brass Japanese bell like the ones Velo Orange sells.  More important, he has a nice brown Brooks B-17 on his Bianchi.