She's Back. And She's Like I Remember Her, Only Better!

She's ready.



In late June, I sent Vera, my Mercian mixte, back to England for some rejuvenation.  She was riding just fine as she was, but I wanted to fix a couple of things.  One was the seat lug:  I think someone tried to jam a 27.2 seat post in it when the bike really takes a 27.0.  As a result, I had to use a shim to keep the seat post from slipping.

Vera no longer has that problem.  The folks at Mercian replaced the seat lug.  They also took the old cable guides off the down tube and replaced them with bosses that can be used for shift levers--like the ones that are on the bike now--or the cable stops that are used with Ergo/STI shifters, which I would need if I ever change to bar-end shifters.

I also wanted to clean up the bottom bracket, headset and other threads.  Not surprisingly, they did a good job at Mercian--Hal, at Bicycle Habitat, told me everything went together easily.

So why, if I have worked as a bike mechanic, did I let him put the bike together?  Well, he's the one who introduced me to Mercians.  Also, Vera was getting special treatment, so I figured it was only appropriate to give the job to someone who's been working with bikes for far longer than I did.  Plus, he enjoys working on Mercians.


Finally, though, I wanted to allow Vera to be the pretty bike she is.  That's why I had her re-finished.  I liked the old finish (British Racing Green with gold transfers and lug lining) well enough, but I thought Vera should get a chance to kick up her heels.

I decided that I don't want all of my bikes to be the same color, but I want to keep them in a "family", if you will, of colors I like.  As I've mentioned, the Vincitore Special I ordered is going to be painted Lilac Polychromatic (#17) with Deep Plum Pearl (#56) head tube and seat tube panels, topped off with white transfers and lug lining.

Because of the slope of the twin top tubes, it's difficult to put panels on a mixte frame without distorting the proportions of the frame.  At least, that's how I feel.  So, I opted for a single color:  Mauve Pearl (#53), with white transfers and lug linings.

And I simply could not resist the '50's style headbadge.

I was pleasantly surprised to see a seat-tube transfer that matches the headbadge.

  

And, perhaps, one of the more esoteric decals of all:

I knew that Reynolds made "respray" decals, but I hadn't seen many of them.  

You may have noticed something else about Vera's new look.  Hal convinced me not to use metal fenders again:  He believes I broke a couple of pairs of aluminum fenders on this bike because the aluminum is thin and because I "squeezed" them into the frame.  He also convinced me that this bike would look better with black fenders than with shiny (or matte-finished) silver ones.

The SKS/Bluemels fenders Vera now wears have piping on their sides.  They reminded me, somewhat, of the "ribbing" on some of the classic English and French fenders--and the Velo Orange Facettes I had on this bike before the "makeover."

The piping, though, serves a non-decorative function:  They're reflective. 

The bags were made by Ely Rodriguez of RuthWorks.  I will most likely keep the seat bag on the bike, but I may use one of the other bags Ely made for me on the front, where I have a Nitto M12 rack.

This "makeover" didn't change Vera's ride.  Then again, I didn't want it to:  It's nimble and comfortable.  And, yes, stylish:  Isn't style the point of having a twin-tube mixte?

As much as I love Vera, getting her back now makes me even more eager for the Vincitore Special I ordered.  Just five more months, if all goes as planned! 

It's Done--I Think!

My "winter" project is more or less complete.

Back in December, I found a 1981.5 Trek 412 at an estate sale.  It was looking for a good home.  I thought I'd finish it during my January recess from school and ride it during the winter.

Well, as with almost any project, not everything went exactly as planned.  Some parts I'd intended to use didn't fit or work with other parts, and, well, I changed my mind about a couple of things along the way.

I finally got it into rideable (for my purposes, anyway) condition by Spring recess, in April.  And, as I mentioned a few days ago, gearing wasn't quite to my liking--and the crankset (which had been sitting in my parts box for I-don't-know-how-long) stripped when I tried to remove it.  So I had to "destroy it in order to save it", to paraphrase one of the more unfortunate commands of all time.

But now I think the only thing I might change is the bars--to drops. (Actually, I might make this bike "bi" and switch between drops and Porteurs as need, and whim, dictate!)

In putting the bike together, I didn't try to do an "original" or even a "period" restoration.  Instead, I tried to rebuild the bike in the spirit of the original (Yes, I know, that's an extremely elastic term!) while suiting my needs and tastes as a rider.  So, I decided not to refinish the frame (also, in part, because I didn't want to spend the time or expense) and when I didn't use parts that came with the bike, I installed components and accessories from within a few years of when the bike was made--or that at least don't look out of place on a bike of its time.

What that means is that the bike now consists of the following:

Frame and fork-- Trek 412, of Ishiwata 022 tubing.

Headset--  Stronglight A9 roller bearing (came with frame)

Wheels--   Rear:  Specialized sealed bearing hub (made by                                       Sansin) sealed bearing 
                          Sun CR 18 Rim, 700C
                          36 DT spokes, 2.0 straight gauge, 3 cross
                
                  Front:  Suzue sealed bearing hub
                           Sun CR 18 rim, 700 C
                           36 Wheelsmith spokes, 2.0 straight gauge,                                3 cross

                  Continental Gatorskin Hardshell tires, 700 X 32

Crankset--   Shimano A 124 triple (1986 model), triple
                            46/42/28 rings

Derailleurs-- Rear:  SunTour VxS with sealed pulleys
                    Front:  SunTour Spirt (top-normal)
                    Shifters:  SunTour PD-M (racheted)

Freewheel--  SunTour Winner Pro five-speed, 13-26

Chain--         SRAM PC-830

Pedals--        MKS GR-10 Platform (like Lyotard Berthet)
                    MKS "Basket" toe clips
                    Generic leather toe straps

Brakes--        Weinmann Carrera (first version)
                       with Mathauser "Kool Stop" pads
                  
                    Tektro 4.1 inverse levers 

Handlebar--    Velo Orange Porteur 

Stem--           Specialized 9mm, made in Japan (Nitto?)

Seat post--     SR Laprade alloy (came with frame)

Saddle--         Brooks B17

Fenders--       Velo Orange Hammered, 45mm, with flap                              from RuthWorks SF

Rear Rack--     Blackburn Expedition stainless steel

Front Rack--    Nitto M18.

Bottle Cages--  Twofish

Pump--            Zefal Competition, converted

I plan to put a decaleur made by Mark Guglielmana on the stem.  I've been using it on Vera (my Mercian mixte) and like it a lot.  The reason I want to shift it to the Trek is that there isn't enough room under the headset nut for a decaleur (or anything besides a headset spacer).  The Stronglight A9 that came with this bike isn't the original:  Apparently, the original (probably Japanese) had a smaller stack height.  Moving the decaleur will allow me to use my RuthWorks Randonneur bag on this bike.

Rebuilding this bike has been an interesting--and so far worthwhile--experience!