In The Bag At The New Amsterdam Bike Show

In "What I Carried In The Original Messenger Bag"--one of my early posts on this blog-- I talked about a role the eponymous bag played in my life.


It may have been the only bag I owned at that time in my life.  Or, I may have had one or two others.  Truth is, I didn't have much I could have carried with them. 


Even so, I was always looking at bags in stores and on street vendors' displays.  After I quit messengering  (I know, such a word doesn't exist, at least not officially!), I went to work for American Youth Hostels.  At the time, they operated an outdoor equipment store and mail order service from the Spring Street headquarters in which I worked. One of the first things I did after getting my first AYH paycheck (which, believe me, wasn't much) was to buy a shoulder bag that I hadn't seen anyone else carrying.  

These days, I seem to end up with more and more bags, even after self-imposed moratoria on buying new ones, and after giving away or selling ones I have.  Even so, I'll look at more bags, as I did today in the Brooklyn Industries outlet store where Lakythia and I stopped during our ride today.


You might say I have a bag fetish. It seems that other cyclists share it.  I say that after seeing how much time and space is devoted to discussions of them on various online fora, and the numbers of them available.  Plus, it seemed that at the New Amsterdam Bike show, which I attended yesterday, there were almost as many displays, and more makers, of bags than bikes.  

There were the classic, traditional saddlebags from Brooks, which also showed a couple of modern shoulder bags, tool rolls and other bags now in their line.  There were also the icons of cordura cartage--namely, messenger bags and backpacks from makers like Timbuk2 and Chrome.

A company called Truce is making some interesting-looking bags--including long backpacks that seem inspired by rock climbers' rucksacks--in just about any kind of bright color you can imagine.  Their name and palette seem to be a rebuke or parody of the pseudo-military imagery other companies try to invoke.  

At the other end of the spectrum, literally as well as figuratively, Elektra is offering canvas panniers that mimic, in many ways, the Berthoud bags--which, in turn, are modern renditions of the French panniers of old.


So, tell me, dear readers:  Do we, as cyclists, have an obsession with bags?  Or was the high number of them displayed at the New Amsterdam show just a passing fad?  Or could it be that there really is much greater interest in--and, thus, a bigger market--for bags because more cyclists want to use their bikes for transportation and in other practical ways?  

A Bike Show, Then And Now

Today I did something I haven't done in nearly three decades:  I attended a bike show.  Specifically, I went to the New Amsterdam bike show in SoHo.


Naturally, I found myself making comparisons to the last show I attended, seemingly a lifetime ago.  That one was held, as the New York Bike Shows were for two decades, in one of the most unloved major buildings in the history of this city:  the New York Coliseum at Columbus Circle.   It was one of those boxy "International" style buildings constructed during the 1950's as part of one of the most cynical and duplicitous pieces of urban planning in the history of American cities, courtesy of Robert Moses.   


On the other hand, this year's New Amsterdam Bike Show was held in Skylight Soho, a renovated loft building that is part of a neighborhood that, around the same time the Coliseum was built, was nearly bulldozed for another one of Moses' schemes:  a cross-Manhattan expressway that would have connected the Holland Tunnel with the Manhattan, Brooklyn and Williamsburg Bridges.  It was one of his few ideas that, fortunately, never came into fruition.


All right, so you're not reading this blog for history lessons and half-baked ideas about architecture.  So I'll talk about some of the differences between the two shows, and how I was a different person at the time of each of them.


At the old bike show, the emphasis was on racing and touring bikes.  Mountain bikes were new; I think there was an exhibit or two of them.  But I don't recall any displays of utility or transportation bikes, which seemed to comprise the majority of bikes I saw at today's show.

Also, most of the companies that displayed at the old show were the "old school" names of the industry.  While a few American framebuilders and manufacturers exhibited, the majority of those who set up at the show were from Europe or Japan.  

On the other hand, most of the companies that showed their wares today were from North America:  mainly from the East and West coasts of the United States.  There were quite a few frame builders, a few manufacturers of bikes and even more smaller operations that made everything from purselike bags that attach to handlebars and racks to reflective clothing that looks just like stuff someone might wear to an art opening.  I'll talk more about some of those products in a future post.  While I liked some ideas and products better than others, I was glad to see all of those (mostly) young artisans, manufacturers and entrepreneurs: The stuff they're making might entice someone to ride his or her bike instead of a car to work or shop, or might entice someone else to ride a bike, period.  In contrast, most of the stuff at the old show had been made for decades and, through all of that time, was liked and disliked by the same people for the same reasons, and would entice no one into cycling for sport or recreation.


I mentioned that most of the people with interesting new ideas and products are young or youngish.  This is another departure from the old bike show, in which many of the companies were represented by the patriarchs of the families who started and owned them.  And, yes, all of them were male.




In fact, the only females I saw at the show back in the day were the wives, girlfriends and daughters of the men who exhibited or attended.  I take that back:  One bike company had a group of young women in lycra (which was new in those days) and high heels pedaling their bikes on a trainer.  


In other words, the women were props and accessories.  I was neither.  Now there were female artisans, entrepreneurs and sales representatives.  And I got to speak with one author.  I hope to be an author.  I can hope for that.  

Another difference between then and now is one that has to do with circumstances of my own life.  When I attended all of those years ago, I went with some guys with whom I worked in the bike shop, the owner, his wife and some of his friends.  I had known them for several years, but now I haven't been in touch with any of them for at least two decades.   Today I went to the New Amsterdam show with someone I had not met until the other day.  However, I have corresponded with this person for nearly three years.  I'll tell you more about that in a future post.  


At the old show, I didn't meet anyone I already knew. At today's show, I saw Charlie from Bicycle Habitat (who had an exhibit) as well as owners and employees of other bikes shops whom I knew at least in passing.  Plus, I met someone I hadn't seen in about a dozen or so years.  She has been a sales rep for one of the few big bike manufacturers I saw at today's show.  The last shop in which I worked sold those bikes, so she was in the shop pretty frequently. 


What did I say to her?  "My, you've changed!"  All right, that was a joke.  In reality, I passed by her table a couple of times before we caught each others' glances.  In a split-second, I did an FBI-style age-progression image in my mind and realized I was looking at an older version of the rep I knew all of those years ago.  Then she took a longer look at me.  "Should I know you from some place?"


The real question wasn't whether or not she should have. The real question was the way she knew me--and I knew her.  


Finally, at the old show, I think one or two cyclists' organizations may have set up tables.  But they didn't have nearly as active a role as the organization at today's expo.  One--which I never would have imagined back in the day--is a group of women who take social and training rides.  I signed up.  Back in the day, I never would have done that.

Bike Backdrops

Arielle in Point Lookout, NY

As Velouria and others have noted, bicycling and photography seem to go hand-in-hand.  Cycling experiences, and bicycles themselves lend themselves very nicely to photo-imaging, for a variety of reasons.

Tosca in Weehawken, NJ

Now, for those of you who like to photograph bicycles, I have a question:  Do you have a favorite backdrop or "prop"?  I always seem to photograph my bikes by bodies of water.  That may have to do with the fact that I have rarely lived far from a large body of water, and so much of my riding is alongside, or a few pedalstrokes up- or down-wind of them.   Then again, I don't think that where I've lived and where I've ridden are accidents:  I have always had an attraction, if you will, to the sea,


Speaking of cycling and photography:  I'm having a very interesting experience that involves both.  I'll tell you more about it soon.

Ways To Go In The Bronx

For a short local ride, one of my favorite destinations has become Concrete Plant Park.  For one thing, I just love the idea that someone converted an old factory to a park.  Better yet, whoever conceived of the park was absolutely brilliant in actually incorporating the old machinery into a recreation area.

The concrete path you see is a bike/pedestrian path that is being extended along the Bronx River.  With the old cement plant on one side of the river, and some old brick factory and warehouse buildings on the other, the park feels rather like an old New England mill town, especially in the spring and fall.

What is also interesting is that every kind of transportation, except for aviation, intersects there:

Motorized vehicles are not allowed on the path.  But, just outside of the park and under the railroad trestle (where, if you look closely, you can see a passing New York City transit train) is the bridge for Westchester Avenue.  And, when I was there the other day, motorboats stuttered over the surprisingly choppy water.

I understand that the Parks Department plans to extend the path along the entire length of the Bronx River to Westchester County, a distance of about ten miles.  That would definitely make for one of the more interesting urban bike lanes. Actually, it already is:  We just need more of it.

Let The Profits Roll In

From Knox Gardner

 According to economic surveys, the price of gasoline is dropping, however slightly.  Still, it begs the question of how long prices will stay down, and when and by how much prices will rise again.  If the long-term trajectory for gas prices is upward, I have to wonder what it will do to the way people commute and travel, and how they will shop and entertain themselves.  While gasoline prices in the US are still nowhere near the levels in Europe and Japan, long-term increases will, I think, impact Americans' way of life even more than Europeans' or Japanese people's lifestyles because so much of this country's landscape and infrastructure is designed for the automobile.

Now, I don't expect people who are accustomed to driving a couple of days to their favorite vacation spots to suddenly take up bicycle touring.  However, there seem to be signs that more people, particularly the young, are doing that.  Almost any time I take a ride outside of New York City, or take a road or a path that leads out of it, I see couples or groups riding bicycles laden with panniers and, in some cases, camping equipment.  I am also noticing more and more families (or fathers and sons or mothers and daughters) riding on the paths and trails.

If more of us ride our bicycles, that could actually become a tourist economy unto itself, as it has in places like Portland.  In fact, Elly Blue, a bicyclist, activist and writer based in Portland, makes such an argument.  She points out that 78 percent of visitors to the city say that its bicycle-friendly reputation played a role in their decision to travel there.  She also shows how such tours as RAGBRAI pour money into local economies--which, I imagine, has a real impact in states like Iowa, which ranks 47th among the 50 states in tourism.  Even in New York City, a ride like the Five Borough Bike can boost revenues for restaurants, stores and hotels as thousands of people come in from other states and abroad to join local cyclists for the ride.

So...Will Tourist Bureaux establish committees on bicycle touring?  Stranger things have happened!

Springing Ahead

I try not to seem jaded, or to be condescending to the younger generation. ;-)  However, when you've spent enough time with anything--including bicycles and bicycling--you realize that there really is "nothing new under the sun."  To wit:

Add http://patentpending.blogs.com/patent_pending_blog/2007/01/first_front_sus.htmlcaption

About twenty years ago, suspension was the great "new" development in bicycles.  But, as you can see, it had been done a century earlier.  It was revived at various times:  If you're a bit older than I am, you may have ridden a Schwinn or Columbia balloon-tired bike with a big spring on the front fork.

What will they re-discover next?

Bicycles On Earth Day

This photo was taken at North Carolina's first Earth Day celebration in 1970.  It can be found on the North Carolina State Archives' Flicker page.

I find it just a bit ironic to see so many "Chopper"-style bikes with "banana" seats in an Earth Day celebration.  In fact, it looks as though most of the seats are vinyl or plastic.  I guess a vegan could argue that those are more appropriate for ED, or any other day, than leather saddles.  Then again, all of the bike frames are steel, which is more environmentally friendly than aluminum or carbon fiber.  Is it also better than titanium for the planet?  

Of course, pretty much any bicycle, made of any material, leaves less of a carbon footprint than anything with a motor.

From The Ferry

Today I didn't have classes.  But I had a couple of errands to run in Manhattan.  As it was a mild, almost warm, day and clouds passed across a sunny sky, I was more than happy to ride.  


Then, I found myself in the Union Square area.  From there, it's just a few minutes to the Staten Island Ferry.  I got to the terminal just as a boat was to depart.  


Besides Vera, there were about five other bikes on the boat going to Staten Island, and another dozen on the return trip. On both trips, I saw more cyclists than I'd normally expect to see at those times on a weekday.


I'm not a photographer, so take what I'm about to say for what it's worth:  Every photographer should ride the Ferry.  There are seemingly endless photo opportunities.  Plus, the interplay of water, skylines and the interiors of the boat makes for some very interesting light.


Plus, it can be a rather romantic ride:

Given that there are so many commuters on the Ferry, there are almost always sleepers:

and dreamers:

Of course, every nautical crossing must include a Gatsby Moment:

Finally, since I am one of those snotty New Yorkers who sniffs when I deign to use the word "tourist", I will offer you a photo that's about as touristy as you can get:

Line And Form

In keeping with the tone and spirit of yesterday's post, I'm going to continue on the theme of cycling and visual imagery.

So, I want you to pay attention to the composition of the photo you see here.  I find it interesting that the lines in her dress--particularly the ones below her waist--flow in almost exactly the same way as the lines of her bicycle.  And the lines above her waist all but mirror the ones between the bricks in the wall.

Seriously...I am thinking about line, form and composition.  This isn't just another one of those blogs that shows pretty girls on bikes.  Really!

Photo from Simply Bike

 

Cycling Images

Most people would probably say that photographs are more "realistic" than drawings or paintings.  On the other hand, they would probably associate dreams, fantasies and other reflections of the imagination with painting, drawing and other graphic arts.

I held such notions before I saw images from photographers like Eugene Atget and realized that they were sometimes just as fabricated (I don't mean that word in a derogatory sense) as the canvases of Titian and Fragonard.  And, in their own ways, those photos can be as impressionistic and visionary as much of what Monet, vanGogh and Picasso did.

The lines between the fantastical and the quotidian are blurred in cycling art as much as they are in other kinds of art.  I think you'll see that in this photograph:

and this poster:

.

Is it "just" my imagination, or are those two images related (aside from the fact that each one has a human and a bicycle)?