I Ride My Rental Into History

So, here's where I went yesterday:

Take a closer look:

No, I didn't come home early from my trip.  This replica of the Statue of Liberty is on the Ile des Cygnes, a manmade island in the Seine under the Grenelle Bridge.  

(Now I'll make a confession:  I am one of those New Yorkers who's never been to the Statue of Liberty in my hometown's harbor.  When I have made that confession elsewhere, I have been called a disgrace to the human race, and worse.)

Another difference between this one and the one in New York is that you can ride to this one. Well, almost:  You have to walk down a couple of flights of stairs from the Grenelle Bridge. (When I had a mountain bike with a suspension front fork, I probably would have ridden down those stairs!)  And I rode to it--well, actually, I didn't intend to visit the statue. But it happened to be along my ride.

Yes, I rode a bicycle--but not one from Velibre.  One of the hotel staff told me about a site called Bim Bim Bikes, which can locate a bike rental for you anywhere in France.  When you reserve it, you can pay directly with your credit card or with PayPal or other services.  (I used PayPal since my card is linked to it, which makes things easier.)  The shop--Paris Velo, C'est Sympa (which lives up to its name) --is in a neighborhood I know well, near the Canal St. Martin. A six-day rental cost me 65 Euros (about 75 dollars at current exchange rates).

For that price, I got this bike:

a basic "city" bike from a company called "Arcade".  It's slow and handles like a truck, but  I'm not going for speed or even distance on my rides here.  I could have paid more for a "name brand" bike like Giant, but I figured that even if I got a lighter, sprightlier bike, it still wouldn't be my own.  Perhaps this sounds counter-intuitive, but a more performance-oriented bike might make me wish for my own more than a basic bike like the one I'm riding--which, of course, can in no way resemble my Mercians.

But it rolls over cobblestones--and grips to ones slicked by the light rain this city has experienced for most of the day--nicely.  Plus, it includes, in addition to the lock, this interesting bag

that fits onto a Klick-Fix attachment used with some other bags and baskets.  It loos rather like a purse and includes a shoulder strap for carrying it when I park the bike--which, of course, I did at two cafes and a store.  

(I have to admit that I cried at the store.  A young woman was cradling a kitten who looked like Marlee when she first came into my life!  When I stroked that cat and rubbed its nose, that young woman said, "'s't v'avezoon chat, vrai?" (You have a cat, don't you?) in that Parisian equivalent of New York speech that seems, at times, to have more contractions than actual words.

The drizzle I that colored most of the day was interrupted by bouts of rain and overcast sky. But there wasn't any wind, and it wasn't terribly cold (8C high temperature).  Best of all, the low clouds made for an interesting view:

Since I've lived in, have visited and have friends in, this city, I don't think of myself as a tourist.  So I always promise I myself I won't take another picture of the Eiffel Tower.  But I figure the one with the low clouds is justified.  Heck, I can even rationalize another photo of the Arc de Triomphe.  At least I'm approaching it, just like the riders at the end of the Tour de France.

Hey, I even rode around the rond--twice!  I have to wonder, though, what it would be like if they made those Tour riders pedal through the cobblestoned bike lane. Hmm...Maybe they could think of it as training for the following Paris-Roubaix race.

Finally, I'm going to do something I often do when I travel: subject you to a history lessson.  Two, actually.  The first I encountered on the Metro, on the way to pick up my rental:

I had to transfer from la ligne 2 to ligne 5 at Stalingrad.  That's what everybody calls it, but the official name is la Place de la Bataille Stalingrad.  The city was known by that name at the time it staged one of the major conflicts of World War II.  For centuries, it was known as Tsaritsyn; today we call it Volgograd.  I find it interesting and ironic that the name "Stalingrad" cannot be found in Russia, but it remains part of the appelation of the intersection of Paris' two main canals (St. Martin and Ourcq).  

The sign is also interesting because it's in a style that's disappearing. When I first came to Paris in 1980, most signs inside the city's Metro stations were in that style.  Now most of them look more like this:

Now for more history:  Along the way, I stopped at this square:

named for the French officer falsely accused and imprisoned for passing military secrets to the Germans.  He just happened (yeah, right) to be Jewish.  So was the writer who fought for his release, and the reversal of his guilty plea:

The avenue on which Dreyfus park is located bears Emile Zola's name.  He is right that the truth wins out.  Sometimes it takes time--and it comes too late for some people, including the  victims of the terrible incident this statue commemorates.

I have mentioned Jews who were rounded up and detained in the Velodrome d'Hiver (known to locals as Vel-Deev) before they were deported.  That is, if they survived the head and unsanitary conditions inside the velodrome.  

As Zola said, the truth marches on.  And this is its color:

Or so I like to believe.  That sign is found on one of the streets that form one of the Dreyfus Park's boundaries.

Descent From The Grand Boulevards

I'm staying in a place just off the Place de Clichy--where the 8th, 9th and 18th Arrondissements meet.

The 18th is best known for the Sacre-Coeur de Montmartre and its many winding cobblestoned streets. And the Moulin Rouge.  And, oh, the Place Pigalle. My uncle, who spent time in Verdun, France with the US Army, told me that when he and his fellow soldiers had their leave, they headed for Paris  and from the Gare de l'est, straight to the Pigalle.  The cab drivers, he said, all knew the drill.  But as for me, I went only to the Montmarte.  Really, I did!

The 8th is often nicknamed "Elysee" because the boulevard, and the President's residence are located in it.  So are many of the world's best-known fashion houses and France's largest corporations.  The 8th also shares the Arc de Triomphe with the First.  And the 9th is often referred to as "Opera" because the Garnier (not to be confused with the Bastille) Opera house is found there.  It's also called the "Grands Boulevards" district because some of the city's more iconic thoroughfares, including the Boulevard Haussmann, lace it.

I walked down a few of those Boulevards today on my way to Paris Bike Tour.  Along the way, I encountered this:

Now, I know Milton is a common name in English. I couldn't help but to wonder, though, whether the person who named the street was thinking of the poet who wrote Paradise Lost--especially after I encountered this a couple of blocks away:

These scenes of the creation, fall and expulsion of Adam and Eve are behind the pillars of this church:

the Parish of St. Vincent de Paul, next to the Franz Liszt Square.  While the Sacre Coeur de Montmartre is actually located atop a hill, the St. Vincent de Paul only seems to be because of its placement on land that was built up.  Thus, while it stands over everything else in a neighborhood that doesn't have (thankfully!) high-rise buildings, it doesn't dominate the way the Sacre Coeur or even the Notre Dame do in their environments.

Interestingly, the church's organists have included some distinguished musicians.  The one you are most likely to recognize, though, is one whose name you associate with something else:  Louis Braille, the inventor of the tactile writing system for the blind still in use, virtually unchanged.

From there, I passed by the Place de la Republique.  Given that any number of riots or rebellions (depending on your point of view) have begun there, over every sort of cause imaginable, it's not surprising that some of the gilets jaunes have protested--and probably will protest again--in that square.  There, I found something one of the gilets jaunes--or people who are in completely different parts of the political, social and economic spectrum--might have written:

La France est un dictature!! La resistance est un devoir!  You don't need to know much French to get the gist of that:  France is a dictatorship!  Resistance is a duty!  Actually, you could substitute the name of many other countries, including my own, for France: Most countries, I think, are dictatorships, whether of political leaders or the economic elites.

After some more walking, I reached the Centre Georges Pompidou and enjoyed a crepe and coffee in a nearby cafe.  Then I walked to Paris Bike Tour, just across the pedestrian- and bike-mall known as as Rue Rambuteau from the Centre.

The first thing I noticed is that they occupy a smaller space than I recall from the last time I rented one of their bikes.  And it was closed.  Turns out, from December to March, they are open "only by reservation."  In one way, it's not surprising, as there probably isn't much demand for their tours during the winter.  But I had to wonder whether Velib, Ofo and other services have eroded their rental business.

So, I guess I'll be using Velib after all: I don't want to spend too much of my remaining time in search of another rental outlet.  Or, perhaps,  I'll get lucky and find a cheap used bike somewhere. 

At The Home Of A Love Child And Her Love Child

Look at this photo:

Can you guess where I've landed?

I'll give you another clue:

Once again, I'm in "the City of LIght."  I decided that the off-season fares made it worthwhile to come here for a week and visit my friends.

I thought about going to other places--say, Scotland or England or Finland--but it's cold here, and I can only imagine what the weather is like in those places.  Normally, I don't mind the cold, but I think this time it's a shock, given that I experienced summer-like weather last week in Florida.

Anyway, I got to my hotel--in the neighborhood where I took the photos--well before check-in time.  The clerk allowed me to leave my bag, and I went for a walk to my favorite building in this city.

Sacre-Coeur de Montmartre is only a 15 minute walk from the hotel but seems even closer.  I have long believed that it's the most Parisian of buildings because it's not typically Parisian.  At least, it seems to belong in this city because, well, it really couldn't be anyplace else.  I mean, in what other city could a Roman Catholic Cathedral have domes that look more like those of a mosque?

Back when it was constructed, it must have been even more out of character for the area, which was then semi-rural, and the city.  These days, however, it's hard to find anyone who can imagine Paris without it.  I know I can't.  And the artists who lived and worked in the area certainly couldn't.

One reason why artists flocked to the neighborhood is that it was, believe it or not, cheap.  Even more important, though, is the light in and around it: subtle, but not muted, and dreamy if not somnambulent.  Best of all, on that hill, you can see the light of the rest of the city unfolding like a video of the weather on a screen of linen haze.  Its movement is slower than that of the city, at least when one walks or cycles the streets, but is a kind of film (rather than a mirror) of the city's life force.

What I have tried to explain makes even more sense after a visit to the Musee de Montmartre, located in the oldest house in the neighborhood.  It's also where Maurice Utrillo and his mother, Suzanne Valadon, had their studio.

The man whose last name he inherited--a Catalan painter--acknowledged Maurice but really wasn't in his life.  Valadon--ironically, a love child herself--would later marry Andre Utter, who was Maurice's best friend and twenty years her junior.

All of this sounds like something you might expect from artists living the bohemian life in what was then the most bohemian part of the western world's artistic capital. So are many other aspects of their tumultuous lives, which included alcoholism and nervous breakdowns.  But what you might not expect is that Utrillo, who was born just steps from the Sacre Coeur and spent almost his entire life within a few minutes' walk from it, spent considerable time in the cathedral, and not only for aesthetic reasons:  He actually had a sincere faith and believed that the cathedral and its environs were suffused with spiritual powers. Some might say that it was part of his search for serenity, or at least comfort.  

Now, I'm not religious, but I can see why people like Utrillo and Valadon--along with other artists--were drawn to the Sacre Couer and its environs.  An artist is a kind of bastard child who doesn't quite fit into the conventions of their society--and, from the story presented at the museum (as well as what I've read over the years), the neighborhood was removed, physically as well as mentally, from bourgeois expectations.

All right, I'll stop theorizing.  All I'll say is that the walk to and from the Sacre-Coeur--and the walk up and down the hill--was a great way to spend the first hours of my latest visit to Paris.  Between the walking and climbing, and my jet lag, I was ready to sleep when I got back to the hotel!

As for cycling:  I haven't done any yet.  During my previous two visits to Paris, I rented a bike (from Paris Bike Tour) because I don't want to worry about finding docking stations and I figured (correctly) that a rental bike would be of better quality and better-maintained.  I'll probably go to PBT tomorrow.

I thought about using Velib, the city's bike-share program, but I saw only one docking station--and, worse, only one of their bikes-- today.  Turns out, there are far fewer of those bikes and stations than there were in the summers of 2015 and 2016.  A little more than a year ago, JC Decaux's contract to run the program expired, and a new company took over and instituted a new system.  Now users complain that it's not only more difficult to find a dock and bike, it's sometimes "impossible" to find a dock that works properly when you're trying to return the bike.  That often results in a half-hour ride (which is free) turning into a two-hour rental.  Worst of all, some users have said that the 300 Euro deposit the system charged their credit cards wasn't returned to them even after the bike was returned.

Anyway, I look forward to riding, meeting my friends and visiting a museum or two.