Home Again

By the time you read this, I'll be on my way home or already there.  Back to my "normal" life!

If you don't hear from me for a day or two, it's probably because Marlee wouldn't let go of me.  I guess I can't blame her if she's upset:  After all, I spent a week away, a couple of days home, and more than a week away again.  So far, I've been home for only three days in 2019!

Will the rest of the year be a journey?  For the world, it might be an arduous one, to say the least. It might be for me, too, but I hope that it will be as interesting and fun as it's been so far!

A French Lunch With Old Friends

On this visit, I've ridden more than 20 kilometers on only two of the seven days I've been here.  But cycling lots of kilometers (or miles) wasn't the point of coming to Paris, though I didn't want to go without pedaling the pave (cobblestones) as well as the paths and paved streets.

Yesterday I didn't ride at all.  I did, however, visit two more old friends who had me to their house for one of those wonderful and inimitable French lunches.  In many ways, it was the best of all worlds:  the lunch was both civilized and leisurely, and they live in a house full of sunlight in a town that feels like the country even though it's only 15 kilometers from the center of Paris.

I met Michele about 15 years ago through my late friend Janine, who lived nearby.  Since then, she re-connected with Alec, whom she met when they met in Spain.  At the time, they've explained, they were living as hippies and hitchiking around Europe--much to the dismay of both of their parents.


Neither of their parents approved and each of them eventually married people their parents approved.  From the way I'm telling you this story, you've probably guessed that their unions didn't work out.  Well, Michele's didn't, anyway, and Alec's wife died.  So, nearly four decades after first meeting, they reunited and married four years ago.

Our lunch started around noon, when I arrived and lasted well into the afternoon.  I, of course, am on holiday, and they are retired, so we don't really know--or care--when the lunch ended. (Does it end when you stop eating or after you take a walk and come back for more cidre rose and coffee?) 

The food was uncomplicated but exquisitely prepared:  a starter of sliced sausage, followed by three different kinds of salad:  one of shredded red cabbage, another of carrots and onions, and still another of creamy cucumbers.

What followed was a rare steak and some wonderful roasted sliced potatoes.  Of course, it was accompanied by bread.  Alec had bought some before we met, but in following an old French custom, I brought a baguette which we ate.  (I also brought a box of fancy chocolates.) And, after all of that, chocolate and cafe creme eclairs, with espresso coffee.

Don't believe for a minute that the French--even Parisians--are not friendly. When I toured the countryside by bicycle, I experienced all sorts of kindness.  And here in the Paris region, people have treated me well. They simply don't make friends with people immediately, as Americans and other people often do.  They have to get to know you, or meet you through someone they know well. 

Somehow, though, I suspect that I might've befriended Michele even if I hadn't met her from Janine, just as I would've been friends with Isabelle if she hadn't been married to Jay.  

He did more bike riding than I did today!

It was also fun to spend some time with Michele's grandson, who was spending the day with him.  Now, you probably think a prototypical (or stereotypical) name for a French boy is Jean or Jacques or Yves.  But this three-year-old boy has a name only a French person--or someone who loves impressionist paintings--could have given him.  Are you ready for this?  Matisse.  At first, I thought it was a French pronunciation of Matthis or Matthew.  But I learned that he is indeed named for the Picasso's friend and rival.

Don't you just love this water pump in the local park?  It actually works!

I would love to see what he becomes when he "grows up."  Will he rebel against it and become an accountant or lawyer, or even a physicist?  Or will he live up to the connotations of his name?

Of course, that is not the only reason why I want to visit Michele and Alec again, or have them visit me, some time soon!

Cycling, Cubism, Computers And Commerce In Paris

I am certainly not the first cyclist to notice that pedaling enhances the senses.  We can see and hear more vividly, and whatever we taste or touch (or touches us) is more intense.  And we all know that our favorite foods and drinks taste even better during and after a ride.

Perhaps it's no coincidence that I found myself thinking about these phenomena as I pedaled around the Place des Vosges and through narrow streets lined with sandstone-colored buildings:  My morning's meanderings ended at la Musee Picasso.

So how are my ramblings and ruminations connected to the creator of Demoiselles d'Avignon and Guernica?

Well, actually, I started to think about the way we receive sensory details--on or off our bikes--on Saturday, while looking at an exhibit of Cubist painters in the Centre Pompidou.  The way Picasso, Braque and others dissected (visually, anyway), faces, objects and vistas, then re-assembling them in new ways, does not reflect the way our eyes see--or, at any rate, the way we are accustomed to thinking that our eyes see.  Rather, those artists were showing us how something besides our sensory organs--call it the mind, the intuition or the spirit (I mean that in a secular sense.) senses the world around us--which, of course, cannot be a re-creation of the object, the face or whatever we see.  

It makes sense when you realize that the words on this page, or any other words, cannot transmit the things they are supposed to communicate or represent.  All they can do is convey something--a code, if you will-- that the mind turns into an image or idea of whatever the words are supposed to convey.  The mind doesn't do that simply by taking in the sequence of letters that form the word; it turns them into something that the mind or consciousness, or whatever you want to call it, can use to portray an idea or essence of whatever that word is supposed to represent.  If you see the word "house", your mind provides you with an image of a house because it turns the letters of the word into something your mind can re-assemble into a visualization of some house or another.

I am not a neuroscientist, so I have been able to describe our conscious processes only in the language I could find in my own intuition, such as it is.  And I know even less about the way computers process data, so please forgive me if what I say next makes less sense than anything I've said before.

Here goes: It occured to me, while riding afterward, that Cubism may well have been a prototype of how computers process data--and, in particular, how information is conveyed through computer systems and, in particular, across the Internet. As I (mis)understand it, what I am typing right now won't be posted directly to my blog:  It must be changed into a format that can be sent and re-assembled into the intended message or content.  And that format, as I understand it, bears no resemblance (at least in terms of logic or syntax) to the language we use and has to be rearranged in ways we never would (or could) do in order to convey our message.

So..Could the Cubists have been proto-computer scientists?  

Anyway, riding is always a great primer for looking at art, or almost anything.  And within steps, literally, of the Picasso there are two other museums.  I was going to go to the Carnavalet, but it was closed for renovations.  So I went to one I visited on my previous trip to Paris:  the Cognacq-Jay.

Like the Jacqmart-Andre, it was the residence of a wealthy couple who collected art and objects.  The collection was on display, but there was also an interesting exhibit about "l'art du commerce."  It shows how artists like Jean-Antonine Watteau were instrumental in bringing about what we might recognize as marketing in the 18th Century.

The convergence of a few factors made it possible. One was, ahem, colonialism, which gave France and the rest of Europe access to a wider variety of materials--and designs they'd never before seen.  Another was the means to reproduce the exotic objects that came from afar, mainly the Middle and Far East.  Then there was the development of merchant and middle classes --whose tastes and demands drove these new markets--and, last but not least, a group of artists and other creative people.  

This is the era in which, essentially, department stores and catalogues began. That is why artists like Watteau others of his generation were so suited for this development: They had sketch-like techniques developed for creating portraits of  merchants, bankers and other professionals:  the sorts of people (and their families) to whom marketing was directed.  So, in some weird way, you can thank (or blame) Watteau for Amazon--or, if you're of my generation, Bike Nashbar, Performance, Supergo and all of those mail-order shops that sold all of those exotic and unaffordable bikes and parts we couldn't find at our neighborhood Schwinn dealers.

Could it be that the bicycle developed from the draisienne to what we ride today because of the l'art du commerce?