14 May 2011

Ross: The Ramones' Lament?

If there is a cycling Nirvana, would all of the ugly places be airbrushed out of it?


A fact of life, at least in this part of the world, is that to ride to a beautiful place, you sometimes have to pass through some blighted spots.


Here is one I sometimes pass on my way to or from the Rockaways (as I did today) or Point Lookout:



In any industrialized country, you can find thousands (or even more) places like this. It's hard in the shadow, literally, of the MTA's Rockaway trestle, on which the A train rumbles and clatters.  Yes, that A train:  Duke Ellington's A train.  (I chose the link I included because on it, Ella Fitzgerald sings.  The slide show, ironically, shows pretty much every kind  of train except for the titular one.  It doesn't even show a NYC subway train!) This is nearly the opposite end of the line, literally and figuratively, of the subway route Ellington made famous.  Stay on the train for about an hour and a half and you'll be in Harlem, just a couple of stops from the line's terminus at the very northern end of Manhattan.


On the other side of that trestle are bungalows in various states of disrepair and the beach.


That beach is one you've heard of if you have even the most basic knowledge of 70's popular music:  It's the Rockaway Beach of the Ramones' eponymous song.  It sounds like a Beach Boys song as Brian Wilson might have played it while in withdrawal from something.


So, why should you care about any of this if you're a cyclist?


Well, not so long ago, the site in the photo was a rather important part of American cycling:  It was the home of the Chain Bicycle Corporation.


Now, if we'd had bicycle companies called Sprocket, Derailleur, Crank, Wheel or Frame, American cycling history might have been different.  How, I don't know.  But I digress.


You've probably seen, and you may have ridden,a bike that CBC made or sold.  CBC was the parent company of Ross bicycles.  Those bikes were sold in the first two bike shops in which I worked.  While I was working in my first shop, Ross bikes were at the lower end of the market:  sturdy bikes, mainly for kids, but also a few utility bikes.  They didn't have the cachet of Schwinn although many of their bikes were similar, and were aimed at similar audiences.






   If you're of my generation, you might remember a show called "Wonderama."  It was an extravaganza, marathon or ordeal, depending on your point of view, that aired all day Sunday, or so it seemed.  The show featured, among other things, games and competitions involving kids from the studio audience.  Ross Apollo bicycles were often given as prizes.




Anyway, after the vogue for "chopper" or "muscle" bikes passed, Ross started to aim for the more dedicated (and affluent) adult cyclists.  So, by the time I was working in my second shop, Ross was offering its "Signature" series of bicycles and frames, which seemed to be designed to compete with Schwinn's Paramount line.  The very best signature bikes were actually very nice.  They were built by Tom Kellogg, considered one of the best American custom builders of that time.  Most of those frames were constructed from Reynolds 531 tubing, though he occasionally made frames from Columbus and Ishiwata tubings.


I actually had one of those frames for a time.  It had been built as a kind of sport-touring frame.  But it, like the other "signature" bikes, was even more expensive than other premium bikes from top builders.  And people who were buying high-end touring bikes usually wanted cantilever brakes.  The frame did not have bosses for them.  So the owner of the shop sent the frame to Ross to have the bosses brazed on.  By that time, Tom Kellogg was no longer working for Ross.


The frame had been made for 700C wheels.  Ross, in its infinite wisdom, brazed on bosses for 26 inch wheels.  So it was even less salable than it had been; as a result, the shop's owner was willing to let me take it as pay for a couple of days' work, if I recall correctly.  I proceeded to build it up into a sort of cross between an audax/randonneuring bike and a mountain bike with slick tires.  


I rode that bike whenever I wasn't riding my racing bike.  It was a lot of fun:  I took it on trails, on the streets and in lots of other places.  Unfortunately, the fun didn't last very long:  About two years after I got it, I crashed it into the back of a taxi by the backside of Madison Square Garden/Penn Station.


By then, most, if not all, Rosses were being made in Taiwan.   I'm not sure whether they're still being made at all.  And, these days, it seems that anyone who's cycling through the Rockaways doesn't live there.

13 May 2011

Arielle Couldn't Wait To Get Back In The Picture

I really wondered whether I would ever get to write in this blog again.  Last night, as you know if you follow blogs, Blogger was shut down for maintenance.  There was no advance notice and the outage lasted well into this afternoon.


Anyway...Not much else has happened. So, for tonight, I'll leave you with a shot of Arielle:



10 May 2011

Only Gear Syndrome


Is Tosca suffering from Only Gear Syndrome?  You know what it is: When they don't have to share their single gear with any other bike, they think they're always the center of attention.




Truth is, everyone does pay attention to her, especially when she's at the beach.




People are always peeping at her.  But she loves being the center of attention.  It's really her world.




The evening is young. That's Tosca's time. She's getting ready now.




Well...Even if she suffers from Only Gear Syndrome, she's given me a lot of good times.  And, I hope, she will give me more for a long time to come.

09 May 2011

Tosca and the Pursuit of Young Love

You know what they say about the Spring...specifically, about where a young man's fancy turns:




Here is the young man:

After I snapped this, a friend of his happened by:




Of course, not all were in pursuit of love at Coney Island.  Some, apparently, already have it.




And Tosca was taking it all in:




which is odd, given that Tosca (Puccini's, anyway) was never known for simply taking things in.

07 May 2011

Remembrance of Bike Past: Romic





So why am I posting a photo of a weird bike I've never seen in person?


Well, believe it or not, it's personal for me.  


Those of you who know me, whether in person or through this blog, know that I have never owned a bike that even remotely resembles that one, and that I've ridden such bikes maybe a couple of times in my life.


Did some hipster use his fixie in an anger management class?Or did some messenger smoke too much of, shall we say, something that's not made by a subsidiary of RJ Reynolds?


Actually, the original owner of that bike had the frame built that way.  Apparently, it was built as a pursuit track frame.  

One thing that makes it more interesting is that the frame was built by a builder with a conservative reputation (in building practices, anyway:  I know nothing about his politics!).



Romic bicycles were built by Ray Gasiorowski in Houston from the mid-70's until the mid-90's.  On some frames he used Nervex-style lugs; on others, he used plainer but elegant long-point lugs.  His work was very clean and solid, if not blingy.  


     
This is a road-racing bike he made, apparently, some time during the early '90's.  Like most of his bikes, it was constructed of Reynolds 531 tubing.  


Here is a Romic touring frame:




Some non-Reynolds Romic bikes were made of Columbus or Tange tubing.  Some of the builder's touring and sport-touring frames had Reynolds 531 main triangles and Tange rear triangles and forks.  I suspect that such was the case with the pictured bike.


My suspicion is an informed one: I had one of those bikes.  It was a sport-touring model, which featured geometry somewhere between the racing and touring bikes in the photos. It was the first frame I ever bought and built up.  


At the time, it was my only bike.  And it was the kind of bike you wanted to have if you were going to have only one:  I toured and raced with it.  The rear triangle was surprisingly stiff for a bike with its geometry; it gave a zippy ride when I put a pair of tubular wheels and tires on it but was remarkably stable when I rode it, with a rack, panniers and handlebar bag, through England and France.  


One of my youthful follies was deciding that I needed a "racier" bike.  So I sold my Romic and bought a Trek frame made from Columbus tubing.  In those days, some Trek racing frames--including the one I bought--had even shorter chainstays and wheelbases than most Italian criterium bikes.  A few cyclists still seek those Trek frames from the late 70s and early 80s for their stiffness.   However, some of them had a problem that could prove painful:  the seat clusters broke off them.  


As far as I know, nothing like that ever happened to a Romic.  Better yet, I still remember the bike--and, more important, the ride--all of these years later.  When I ordered Arielle, I had that Romic in mind.  You might say that my Mercian road bike is an updated, somewhat tighter, version of that Romic from my youth.


Note:  Romic mountain-bike shocks have no relationship to Romic bicycles.  In fact, I think the first Romic shocks were made after Ray Gasiorowski died in 1996.