Going (Wing) Nuts

These days, when I hear the word "wingnut", I think of Rush Limbaugh, Fred Phelps, Jerry Falwell and Sean Hannity. 

Now, some of you may have decided to stop reading this post--or my blog--having read that.  But, hey, we have our differences, but we all love cycling, right?

Anyway...I am old enough to remember (There I go again!) when the term "wingnut" actually denoted a specific bicycle part.  And, I actually used a pair on one of my bikes.  You may have used--or still be using--them.

I had a pair that looked something like these on one of my bikes, long ago and far away:

Mine were chromed.  But they were shaped like those and indeed made by Huret in France.  I never saw the bronze version until I went to France.  At first, I thought they were corroded, as it's not unusual to see French people--especially in the countryside--riding bikes as old as they are.  Even if they (I'm talking about the wingnuts now!) were corroded, they would have been lovely.

Actually, I don't think I've seen a bike wingnut (as opposed to a right-wing radio talkshow host) that wasn't lovely.  Maybe it's not possible to make one that isn't attractive.

Of course, with good cheap quick release skewers available, there is little practical reason to use them today.  In my opinion, they should never be used on a rear wheel unless the rider is very light or weak and never rides uphill, into the wind or out-of-saddle.  But, I guess if you have a bike with solid axles and want to make the front wheel easily removable--say, for transport or storage--a pair of wings on the front is a good, and less expensive alternative, to replacing your axle or wheel.

And, of course, you can give your bike a little more style or enhance a "retro" look.  In addition to the Huret, I particularly like these from GB:

and from Gripfast:

I would trust the Gripfast ones because I've used their track nuts, which are solidly made and lushly chromed.  I never had any problems with my Hurets.

If you prefer something more modern, check out the ones from Velo Orange:

They're almost Bauhausian, at least to the extent that a wingnut can be Bauhausian.  Plus, they're made of stainless steel.  The only reservation I'd have about installing GBs on a bike I'd actually ride (as opposed to one that would hang on a wall) is that old alloy can be brittle.  That's a reservation I'd have about almost any old alloy component; it's not a commentary on the item's quality, as GB was making good stuff during the time those nuts were manufactured (1940's-1960's).

Here are some more examples of vintage wingnuts.  Have a good time looking for them on eBay!

 

"The First Brakes That Worked"

If you have a Peugeot--or almost any other French bike (Motobecane being one of the notable exceptions) made before the late 1970's, you are riding them.

No, I'm not referring to those plastic Simplex derailleurs or the longer-lasting but worse-shifting Huret models.  Unless you acquired a bike that was never ridden, you've probably had to replace your shifters by now.  Even If you didn't need to, you might have.

On the other hand, there's a good chance you're still riding your Mafac "Racer" brakes.  You might have replaced the pads and cables--actually, you should have because even if the bike wasn't ridden, the cables were probably corroded and the pads hardened.  If you did, and your brakes are adjusted, they work as well as--or even better than--most brakes available today.

I am mentioning them because, for about two decades, they achieved a distinction very few other bike parts held:  They were used on bikes at all price and quality levels, from the machines ridden by Tour de France winners to the most utilitarian city and town bikes.  Some time in the mid-1970's, Mafac came out with the "Competition", which was really the same brake with a shorter reach.  Later, it was cleaned up and polished (and still later offered with gold anodizing).  A longer version of the Competition --i.e., one with the same reach as the Racer--was also marketed.

 

The one other difference between the "Racer" and "Competition" was the straddle cable:  The one on the Competition had double ball ends, while the Racer used what was essentially a shorter link of derailleur cable (with the barrel-shaped end used on Campagnolo and Simplex shifters) bolted into hex-shaped ends.

While some may see these brakes as anachronisms, they have an important place in cycling history. Some cycling historians say they were "the first brakes that actually worked".  That is almost not hyperbole:  There seemed to be a mentality among brake-makers (at least those that made brakes for road bikes) that was expressed by a Campagnolo representative at a training session:  The purpose of the brake is not to stop, but to decelerate.  Some would argue that notion gave the brakes of the time too much credit.

(When I first got serious about cycling, there was a joke that the Universal 68 side-pull--commonly supplied on bikes that were otherwise all-Campagnolo--was a "courtesy" brake.)

One reason for Mafac's superior power was the way the brake block attached to the arm:  through an eyebolt.  This allowed a far greater range of adjustability along the vertical and horizontal planes.  This was particularly important with rims like the Constrictor Asp, which did not have flat parallel sides.

(The Asp seems almost like an embryonic version of today's V-shaped "aero" rims!)

Another advantage offered by the "Racer" brakes was that the length of the straddle cable could be adjusted to optimize the mechanical advantage of the brake.  This allowed the brakes to work well with a variety of different levers, as well as with the pads set all the way up or all the way down--or anywhere in between--on the brake arm.

Now, you might be thinking that the first working center pull--and the one on which others were based, at least in part--is not so important because sidepulls have advanced so much, and so Mafac has been relegated to la poubelle de l'histoire.  Well, even though Mafac hasn't been in business for about three decades, their place in cycling history is sure because of the very first product they made, about seven years before the "Racer" was introduced.

Their cantilever brake, introduced in 1946, remained in production throughout the company's history (about four decades).  It's not the first of its type.  But, compared to the ones that had been made before, it was easy to set up and use, and was more powerful.  For as long as Mafac made them, nearly every lightweight tandem was equipped with them.  So were many high-quality bikes made for fully-loaded touring, and most cyclo-cross racers.  For the latter, cyclists often brazed the necessary posts to old racing frames to accommodate the cantilevers which, in addition to offering superior stopping power, were not as easily clogged by the mud that is an essential element of any cyclo-cross race.

The early mountain bikes also used Mafac cantis.  When Dia-Compe and Shimano made  cantilever brakes that appeared on off-the-shelf touring bikes (and second-generation mountain bikes) sold in the US, their designs were basically adaptations and refinements of Mafac's.  Weinmann also more-or-less copied Mafac cantis and, apparently, bought Mafac's tooling and continued making cantis, in steel as well as alloy, until their own demise in the 1990's.

Many of us still use cantis today.  Those of you who use V-brakes also have to thank Mafac, because Vees were developed from cantis.  And even those of us who use dual-pivot sidepulls owe a debt of gratitude to Manufacture Auvergnoise de Freins et Accessories pour Cycle for developing the centerpull that helped to make it possible!

For me, it's interesting to recall that Frank Chrinko, the proprietor of Highland Park (NJ) Cyclery when I was working there, would not ride any brakes but Mafac centerpulls.  In fact, he put a set of Competitions, along with a mixture of Campagnolo and top-shelf French and Japanese parts, on a frame that was built custom for him. 

Light Along The Way

I tend to remember scenes, places and situations by the feelings I associate with them.  Those sensations are very much influenced by the light around them.

Although yesterday’s ride took me through places I’ve cycled many times before, I think it will become a Fall Classic, if you will, in my memory.

The Verrazano-Narrows Bridge always does interesting things to the hues of water, sky, sun and clouds:

and to newly-denuded limbs exposed to the wind that stripped them so that they could only open themselves to late-day sunlight trapped in a cloud.

At the end of the day’s fading light, across the water, a boat

follows the setting sun

Is it headed for a fjord of fire?

Why Did The Fill-In-The-Blank Cross The Road--In My Path?

I’m still thinking about the cat that smacked into my front wheel and caused me to crash.  The bike and I are OK, but I wonder what happened to him/her.

Other cats have crossed my path as I’ve pedaled.  One or both of us get out of the other’s or each other’s way.  At least, that’s how it worked until that unfortunate feline

Dogs are different.  I’ve been chased by a few; others jumped and tugged their leashes.  Some have walked up to me when I’ve stopped, and I rescued one that was wandering around in the middle of an intersection not far from where I worked.  I carried her in one hand while I steered with the other.  She stayed remarkably calm as I pedaled through traffic.  If I didn’t already have two cats—for whom I had to plead with my landlady for permission to move them with me into the house in which I was living—and had a bigger living space, I might have kept that cute little Yorkie—at least, I think that’s what she was.

As for other animals, I think most can be placed in one of two categories:  the ones who do whatever they can to get out of our way and the ones that barrel ahead in a straight line, completely oblivious to any cyclist who might collide with them.

Deer are in that latter category.  Several have bounded across my path; a riding buddy and I came within a tire width (or so it seemed) of splattering ourselves against the side of one that darted across the road at the bottom of a steep hill we descended.  In Bucks County (PA), no less.  You can’t make this stuff up.

I’ve seen moose, ibexes and mountain goats act in the same way:  straight ahead, with blinders on, across the road.  I wonder whether all ungulates behave that way.

Animals that avoid you include cats (most of the time), squirrels, chipmunks, lizards, armadillos and, believe it or not, snakes.  At least, the three snakes that I can recall crossing the path I was riding slithered away. 

Every one of those animals I’ve mentioned has entered upon “my” (Talk about a sense of entitlement!) riding space as I approached. 

In Florida, I’ve ridden paths and roads that rimmed or transversed swamps.  I’ve seen alligators, but none came near the road or path.  Do they avoid those things altogether, or was I just lucky?

Why did the alligator cross the road?  Well, actually, this one didn’t cross:  It was just standing there, on a street in DUMBO as I rode by.  I can’t help but to wonder:  Did it somehow just end up on the street in that position, or did someone leave it there?  

Another Winner From RuthWorks SF

A few days ago, I wrote about the excellent (and, in my opinion, beautiful) randonneur bag Ely Rodriguez of RuthWorks SF made for me.

I photographed it on Vera, my twin-lateral Miss Mercian mixte.  If you looked at the photos, you probably noticed another bag hanging from the seat rails.  I’m going to tell you about it in today’s post.

As you can probably tell, it’s also Ely’s work.  He made it around the same time he made the Randonneur bag.  So far, I have used that under-seat bag on three of my bikes:  Vera, Arielle (my Mercian Audax) and Helene (my other Miss Mercian).  It was a great complement to all of them.

How can I describe it?  Well, first of all, I’ll mention its capacity.  I don’t have an exact number, in cubic inches or liters.  But I can say with confidence that it’s somewhere between the Gilles Berthoud GB 786 saddle bag and the Carradice Barley: two bags I’ve used.

What that means is that it would probably do you well for a long day ride, or one that could involve changes of clothing or necessitate raingear.  You could also carry iPads and small cameras in it; if I were to carry a single-lens reflex camera with extra lenses and filters, I’d feel more confident with the Randonneur front bag ( or anything similar) with a small rack underneath.

Now, you could use it alone on a ride like the ones I’ve mentioned, or on a brevet or a long summer weekend ride for which you’re packing light. 

Well, perhaps I shouldn’t say “packing light”.  “Low-volume” might be more like it.  The bag is very strong, being solidly constructed of cotton canvas duck and leather.  (Ely can make a vegan version of it, if you prefer.)  And it offers a couple of options for mounting:  through the loops of a saddle like the Brooks B-17, or with a strap around the saddle rails.  Of course, you could use both if you’re carrying a large or heavy load.  Whichever you use, the bag is stabilized by a strap that fastens the bag to your seatpost, stays or rack rails, depending on the size and configuration of your bike. 

I would imagine that you could also install the mounting system Gilles Berthoud uses on its largest saddlebag, or fashion your own version of a decaleur.  Speaking of which:  I would also imagine that it would work as a handlebar bag, although I have not tried it myself.

Having said all of that, I will say that you probably won’t need to go to such lengths:  I simply pulled the long leather strap tight around the body of the bag, and it stayed snug against the saddle rails on all of my bikes, whether the bag was packed to, or far from, its capacity.  

All in all, I can say:  1.) I am happy with this bag for, essentially, the same reasons I’m happy with my other RuthWorks bag and, 2.) This particular bag is a good one to consider if you need something larger than a basic tool pouch/wedge but don’t want to buy a Bagman, rack or other hardware.  And, also like the other RuthWorks bags, it’s something to consider if you like a “retro” look and traditional materials and construction methods, but you want it your way. As I’ve mentioned in my posts about the other bags he’s made for me, Ely offers a variety of options (and even does custom designs) as well as materials and colors.