A New Year’s Eve Voyage

 The other day—New Year’s Eve—I took yet another ride to Point Lookout. I don’t know whether I was burning residual calories from Christmas week or waging a pre-emotive strike against the evening’s indulgences.

Whatever it was, I got what might have been the best treat of all, at least to my eyes. 

That softly glowing band between the sea and sky made the ship—and the few people I saw on the boardwalks of the Rockaways and Long Beach—seem solitary but not isolated, alone but not lonely. That, of course, is how I felt while riding Dee-Lilah, my Mercian Vincitore Special, under a sky that was muted gray but not gloomy .

Some of us need that light, and to move in or occupy it like that ship, because this season encourages, and sometimes forces, extroversion, camaraderie and bright lights. Some of  need times of solitude, and solo bike rides, to navigate, let alone enjoy, holiday gatherings of any size.

Riding In Beauty

 Some of you would  cringe if I quote a Carpenters’ song. I wouldn’t blame you.  But I’m going to cite one of their tunes anyway: “Rainy days and Mondays always get me down.”

Today is a very rainy Monday.  I don’t mind:  Yesterday, Saturday and Friday afternoon comprised one of the most glorious weekends for cycling I’ve had in this part of the world. The skies ranged from clear azure to swirly silver and blue with the sun piercing through—and temperatures from 15 to 25c (60 to 77F).

Friday afternoon was a ramble along the Brooklyn and Queens waterfronts between my apartment and the Williamsburg Bridge, and out to the Hispanic and Hasidic neighborhoods of the non-gentrified areas of Williamsburg and East Williamsburg.  

Saturday was ideal for a trek to Greenwich, Connecticut: I pedaled into the wind through the Bronx, Westchester County and over the ridge into the Nutmeg State.  That meant I rode the wind home.

I had the same kind of luck with the wind yesterday, when I pushed my way out to Point Lookout and glided home. The wind seemed to have blown out of the south-southeast:  I had to put more effort into the first stretch, going mostly south from my apartment to Rockaway Beach, than I did on the mostly-eastward section from Rockaway to the Point.

I didn’t take any photos on Friday or Saturday because, as beautiful as those experiences were, they are rides I’ve done many times and I didn’t see anything unusual. That will probably change soon enough, at least on the Connecticut ride, when Fall begins to paint the trees and foliage from its pallette.

On yesterday’s ride, though, a vista from the western end of the Long Beach boardwalk reflected the way this weekend’s rides felt:

I rode in beauty, or at least its light, this weekend. Maybe this rainy Monday won’t get me down, at least not too much.

(In case you were wondering, I rode Tosca, my Mercian fixed gear on Friday. Saturday, Dee-Lilah, my Mercian Vincitore Special, took me to Connecticut.  And yesterday La-Vande, my King of Mercia, brought me to the beaches.)

Riding To My Own Guitar Solo (Or Overtime)

 On Monday morning and early afternoon, I took Dee-Lilah, my Mercian Vincitore Special, for a spin out to Point Lookout and back: 120 kilometers (about 75!mikes). Yesterday morning I took Tosca, my Mercian fixed gear, for a shorter ride—about 40 kilometers (25 miles) to Fort Totten and back.

What did these rides have in common, besides the fact that I enjoyed them?  Well, both bikes are purple, though in different shades.  Also, I timed both rides to, as best I could, finish before the most intense heat—and worst air quality (those Canadian wildfires, again!) of the day.

Both rides also have something in common with every other ride I’ve taken in my life:  I rode without headphones, eat buds or any other audio device.  Sometimes I feel I’m the only person who still rides that way.

I think I’ll always ride that way.  For one thing, I don’t want to impede my ability to hear traffic or other ambient sounds—including bird sings and ocean tides. But I also believe  don’t need devices to hear music, if only inside my own mind.

Back in the day, the term “ear worm” didn’t exist. (At least, I hadn’t heard it.) I would,!however, find myself riding to a tune playing through my head—usually, somethings I’d heard not long before.

I first noticed myself riding to a tune I was carrying with me during a ride when I was, probably, fifteen years old.  I’d been pedaling a long, flat stretch of New Jersey Route 36 from Sandy Hook to Long Branch. The ocean stretched thousands of miles to my left—it years would pass before I saw the other side. The sky stretched even further above and beyond me.  And, even though I knew the road ended—or, more precisely changed direction—in Long Branch and I was gliding toward it on a combination of youthful energy and the wind at my back, I saw myself pedaling forward, forced, even further than that road could take, or my own vision could guide, me.

That ride’s ear worn before there were ear worms?  The long guitar riff of Black Sabbath’s “Rat Salad.”  It’s trippy yet hard-driving and expansive: the way I was pedaling on that long-ago ride.

And what did I hear as I pedaled, with a light breeze at my back, along the long,f flat—and surprisingly deserted—Rockaway Boardwalk? You guessed it: Rat Salad. As Kurt Vonnegut would have said, I was woozy with deja vu.

Oh, and during yesterday’s ride, my “ear worm” was an overture from Debussy’s “La Mer”: one of the first pieces of classical music I came to truly love—and an “ear worm” on another long-ago ride.

Given what I’ve described, you might think I was a strange kid. I wouldn’t try to disabuse you of such a notion.  Of course, you may think I’m an even stranger adult—one in mid-life—because I’ve never ridden, and intend never to ride, with headphones, ear buds or any other audio device.

Cycling Through The PTSD of History--My Own and This Country's

Spring arrived yesterday at 17:24 (5:24 pm) local time in New York, where I am.

At that moment, I just happened to be out on Dee-Lilah, my custom Mercian Vincitore, for an after-work ride.  I knew I'd have about an hour and a half of daylight from that moment on, and I intended to take full advantage of it.

The sun shone brightly; there was scarcely a cloud in the sky.  But the wind, gusting to 40KPH (25MPH), and the temperature, which barely broke 5C (40F), reminded me that winter would not loosen its grip so easily.  Still, the ride was delightful because of Dee-Lilah (Why do you think I so named her?) and because I'd had a full day of work- and non-work-related things.

Also, I may have felt the need to work with, if not out, the lingering sadness I felt:  Yesterday marked twenty years since the United States invaded Iraq.  If 9/11 was America's first step into the quicksand of a perennial war, on 20 March 2003, this country had waded into it, at least up to the waist. If I believed in karma, I would say that the trials and tribulations this country has suffered are retribution for that act of violence--which was precipitated by one of the more monstrous lies told by a public official.  (That so many people see such dishonesty as normal in political and official discourse is something else I might have taken as some sort of cosmic payback.)

US Marines in Kuwait, near the Iraq border, the day before the invasion.  Photo by Joe Raedele, Getty Images

I remember that time all to well.  For one thing, I marched in the massive anti-war demonstration a month earlier, where I was just a few bodies away from those horses NYPD officers charged into the crowd.  For another, I was preparing to live as the woman I am now:  I had begun therapy and counseling a few months earlier, and started taking hormones a few weeks before that demonstration.  All of the jingoism and drumbeats I heard in the lead-up to the invasion-- not to mention the invasion itself, premised as it was on lies--disturbed me because they showed how profoundly disrespectful some people can be toward other people simply because they are darker, speak a different language, worship differently (or not at all) or express their gender or any other part of their identity in ways that are not accepted by the society around them.

Sometimes I am called "over-sensitive:"  I have PTSD from a few things that have happened to me and sometimes I think I suffer it simply from having been alive when great evils were committed.  It's a good thing I have my bikes, and riding!

Two Views As The Fall Turns

Here in the New York Metro area, we've just had a weekend of warmer-than-normal fall weather, punctuated by showers late in the morning and early in the afternoon on Sunday.  I did a fair, but not unusual (for me, anyway) amount of riding.  

Saturday brought me and Dee-Lilah, my Mercian Vincitore Special, to Point Lookout.  In previous rides to the Point, instead of "the rocks," I've made another beach area, known mainly to residents, my turn-around point.  While it doesn't have as commanding a view as "the rocks" (where there are now large mounds of sand), the quality of light--a scrim of sea mist across a screen where blue meets blue--is serene.  It reminds me that when I'm cycling (or reading or writing) alone, I feel further from loneliness than I've felt in some of my relationships and in social situations.

I rode into the wind just about all the way to the Point--which meant, of course, that I had the wind at my back on my way home for my last ride before the end of Daylight Savings Time.

Yesterday I got out later than I'd planned.  Since I figured (correctly, it turned out) on taking a shorter ride, I hopped on Tosca, my Mercian fixed-gear bike.  I had no particular destination in mind.  My ride turned mainly into a series of dodges around the street closures and crowds gathered for the New York City Marathon.

On my way back, I pedaled up the Vernon Boulevard bike lane, which detours through Queensbridge and Rainey Parks.  Just past Rainey is an ersatz "beach" and kayak launch site below street level--where, less than a mile across the river from the Manhattan skyline, an autumnal vista more reminiscent of the New England seashore presented itself.

The weekend marked, to me, the end of one part of Fall.  Now another begins.  The light will be different, I am sure, but still beautiful.

Riding Into The Season's Light

Sometimes I ride into sunrises.

Sometimes I pedal into sunsets.

Sometimes the day dawns as it ends.

Sometimes the day ends as a season continues.

And they're all journeys of light.

The other day, after work, Dee-Lilah--my custom Mercian Vincitore Special--took me into such a journey.

From a block away, I felt as I could see the day, the season, coming to us as we approached this tree

and it filled me with its light.

Do I need a better reason to ride?

 

A Detour Into Surprise

The other morning, I set out for Connecticut.  Dee-Lilah was certainly up for it:  the sky was clear and bright, and a light wind rippled yellow leaves that line my street.

Across the RFK (Triborough) Bridge and the Randalls Island connector.  Up the deserted industrial streets of Port Morris and Southern Boulevard to "the Hub," where the Boulevard meets White Plains Road and several subway lines.  Traffic was almost as light as the wind (though not me, at my age!) all the way up to the Pelham Bay Bridge, where my visions of the perfect Fall ride to the Nutmeg State met with this:

"Oh, it must be Ian's fault," I thought. Though the Hurricane brushed by us two weeks earlier, the damage, if there had been any, was still there, I mused.  But, peering ahead, I couldn't see it:

Then I glanced to my right and got the really bad news:

Spring 2023.  If I could believe that, I wouldn't be so upset:  I wouldn't be able to ride the Pelham Bay Trail to Westchester County during the rest of this Fall and Spring, but most of that wait would span the winter.  But, if you know anything about New York City Department of Transportation projects, you know that Spring 2023 is most likely when the work will start.  Then it will be further delayed by some dispute or another, and costs.  Call me a cynic, but I've seen such scenarios play out too many times.

Oh, and when I looked on the city's website, I learned that the plan is to replace the bridge altogether.  To be fair, it may well need replacement:  The bridge wasn't designed for all of the traffic it handles (and, I might add, the bike/pedestrian lane isn't the greatest, but it at least takes you to the trail) and probably is falling apart.  

I could have taken one of the routes I rode before I discovered the bridge and trail.  But, instead, I wandered in and out of the Bronx and Westchester County.  Guess where I took this photo:

It's a view from the Bronx, but not from where even people who know the Bronx might guess.  At the far eastern end of the borough, there is a neighborhood with the seemingly-incongruous name of Country Club.  The neighborhood was indeed the location of the Westchester Country Club before the Bronx became part of New York City.  But, in a way, the area still has a "country club" feel:  It's effectively an island, cut off from the rest of the Bronx (and New York City) by water, I-95 and Pelham Bay Park.  The houses come in all ranges of styles, but they have this in common:  they're big, more like the ones you find in the far reaches of Long Island or New Jersey.  The few buildings that aren't single-family houses or small stores or restaurants (mostly Italian and, I suspect, good) are condos, some with their own marinas!

Just on the other side of the highway is another neighborhood that seems to have been untouched by the "burning Bronx" of the 1970s. Like Country Club, it has many Italian-American families and remarkably clean public spaces.   And it has a store that seems to have been kept in a 1950s time capsule:

Frank Bee.  Transpose the "ee" on Frank, and you could have a nickname for someone in the neighborhood--or a DJ.  Frankie B.   Now that sounds like a name people would associate with the Bronx.

Just by those signs, you can tell that, like Country Club, Schuylerville has a lot of Italian-American families whose kids Trick-or-Treat freely in the neighborhood.  While very little in the store falls into the price range advertised on the store's banner, the prices are actually very good, especially compared to those in other parts of the city.

Whatever happens, I hope the store--and those signs and mannequins--stay where they are.  In an ideal world, such friendliness would be an antidote against the odious bellowings of would-be oracles:

Now, I'm not a political scientist and I'm an historian only if you define that term loosely.  That said, in my understanding, the notion that "Democracy killed Jesus" is wrong on two counts.

First of all, Pontius Pilate wasn't an elected official; he was an occupying Roman.  Second, and more important, an angry mob agreeing on something and acting on it isn't democracy, especially if it doesn't reflect the wishes of most people--or, as in the case of Jesus (if he indeed lived and died as he did in the stories passed on to us), if most people didn't even know about the accused or his alleged deeds.

Did that bit of graffiti reflect what most people in Country Club or the Bronx believe about the death of Christ or democracy?  I suspect not.  Whatever they think, I have to say this for them:  They, whether they were walking, raking their leaves or even driving, were very nice and a couple even cheered me on.  What I didn't tell them, of course, is that Dee-Lilah, my custom Mercian Vincitore Special, makes me look like a better rider than I am!😉

Me, Dad, Ian, Rita, Maureen And Delilah

The other day I took a ride to the ocean. 

And I took another yesterday.

From those images, you probably can tell that I'm not talking about the Rockaways, Point Lookout or Coney Island, my most common sea-bound treks.

For that matter, I don't mean the Jersey Shore, where I haven't gone in some time.  Rather, for the past two days, I've done two other seaside rides I've mentioned--though, again, not for some time--on this blog.

I arrived in Florida on Friday evening.  The purpose of this trip is a visit with my father, whom I hadn't seen in three years, since my mother's funeral.  We'd planned another visit but, like so many other plans by so many other people, it was put on hold when "COVID happened."  

Since arriving, I've had nearly perfect weather for cycling and, of course, have taken advantage of it.  The bike I rode during previous visits--a balloon-tired beach cruiser--got rusty and dusty. My father, thinking the bike was beyond redemption (it just looks that way) went and bought another bike--a cheapo full-suspension bike--from a friend.  I rode it on Saturday, along the Lehigh Trail, over the bridge in the first photo and up Route A1A through Beverly Beach and Painters Hill.

Along the stretch from Flagler Beach to Beverly Beach, I was looking at some of what Hurricane Ian wrought.  While the damage wasn't nearly as widespread as what befell Sanibel Island or Fort Myers, there were piles of debris on roadsides, testaments to damaged or destroyed buildings and trees. As I looked at one of those ruins, a car door opened.  Just when I thought I was about to be "doored" again, a woman emerged from the half-opened portal and said, "You write a bike blog!"

Nothing like being famous, eh?

Actually, she is someone I met during a previous visit, about seven years ago.  I'd stopped at a gas station-convenience store for a cup of coffee or to use the bathroom--possibly both--when Rita broke me out, for a moment, from my stereotypical New York "don't talk to strangers" mode. (If I recall correctly, I had just arrived the night before.) We stayed in touch for a time but I think her number was part of the data that didn't transfer from my old to new phone, in spite of the salesperson's promise that everything, including a bunch of photos, would make the journey.

I didn't experience a near-catastrophe-turned-happy-coincidence the following day, when I pedaled up to the Castillo San Marcos in Saint Augustine--49 kilometers, or 30.5 miles--into a gusty wind, on the rusty and dusty balloon-tired beach cruiser.  Upon arriving, I wended through the shops and houses of the historic old town before enjoying a picnic lunch on the waterfront promenade and riding back--with that same wind, of course. So, I reckon that I at least rode a metric century on that rusty beach cruiser, though that was not the point of this trip.

After that ride, I showered, got dressed and went out to Mezzaluna for a delightful meal of mussels in a sauce of butter, garlic and lemon with even more delightful company, which included my father and his friend Maureen, a retired Canadian nurse.  She, as it turns out, was something of an avid cyclist and hiker before, as she said, "arthritis found me."  Afterward, we went to her house, filled with her plants and handicrafts, photos and paintings by friends and her late sister, all against backdrops of walls and alcoves painted in very Floridian shades of blue, green and yellow, and "guarded" by my newest friend--Delilah, her cat.

So now there are two Delilahs--well, a Delila and a Dee-Lilah, on this blog. Both are synonymous with delight, even if one is furry and black and white, while the other is lilac-colored and probably would have loved the ride I took today.

So why did I come to the Sunshine State this weekend?  Well, today is Columbus Day, Italian American Pride Day or Indigenous People's Day. (I prefer the latter because, not in spite of the fact that, I'm of Italian heritage: Why should our "pride" day be in honor of a guy who got lost?)  That meant a long weekend and, while some people traveled--There were quite a few out of state plates along A1A and foreign languages spoken at St.Augustine--it isn't nearly as hectic or expensive as traveling at, say, Thanksgiving or the Christmas-New Year season.  Plus, I didn't want the focus of my visit to be a holiday. Rather, I wanted to see Dad again, and because I wondered what it would be like to meet him without Mom or other family members.

I met him into a new phase of his journey--and, I suspect, mine, as I took familiar rides for the first time in a long time.

 

A Weekend With Dee-Lilah

I decided to spend the weekend with Dee-Lilah, my custom Mercian Vincitore Special.  There was no particular reason why I chose to ride her.  She is a special bike because I gave her to myself for a round-number birthday, but like anything special, I shouldn't need a special occasion to enjoy her.

All right...Saturday was, save for the wind, one of the best days, weather-wise, I've experienced in a while.  I chose to pedal to Point Lookout because it meant pedaling into the wind on my way out and riding the wind on my way home.  Dee-Lilah liked that idea, too.

The conditions surrounding our ride were of the kind one encounters for a few days around this time of year, between the unofficial and official ends of summer.  The day's high temperature was only a couple of degrees higher than the water (74 F or 23F), so some people swam or at least waded into the water.

Also, the sun shone but didn't bear down on me.  So, I didn't need to use quite as much sunscreen as I'd needed on other recent rides.  Thus, while I didn't feel drained as I often do after riding under unfiltered sunlight, I needed to drink as much water as I would on a hot day, because the wind brought dry air with it.

Yesterday was a bit warmer and I woke up later.  So I simply wandered along the waterfronts, and through some of the back streets, of a few Queens and Brooklyn neighborhoods.  Dee-Lilah thought the light around the Statue of Liberty and Valentino Pier flattered her.  I agreed.

This weekend was not a special occasion. But, with Dee-Lilah, it was a Dee-Light!

A Ride Of Ripples

 High, wispy cirrus clouds.  The ocean barely waving, let alone tiding.  A breeze against my face on the way out and my back on the way home.

 

 

 

Everything felt like a ripple today.  It may have had to do with doing another Point Lookout ride.  I made that choice, in part, because of the direction of that breeze, as gentle as it was.  Had I gone to Connecticut, Westchester, Alpine or Nyack, I would have been pedaling against the wind on my way home.  Also, yesterday was warmer than it had been earlier in the week, and I started to ride later in the morning than I'd planned.  If the warmest part of the day was going to be warmer than the past few days, I wanted to ride by the ocean rather than inland.

 

So, when I say that the ride was a ripple, I'm not complaining.  Rather, I felt rather privileged, as if I could see the brush strokes of those ripples in the sky and on the water, as I felt them against my skin.  Also, it's a treat to ride any of my bikes--in this case, Dee-Lilah, my Mercian Vincitore Special, lived up to her name.

 

Our ride ended, not with the rain, but a ripple.  All right, T.S. Eliot didn't end " The Hollow Men" that way.  I'm not sure that he could have, any more than I could have written his poem. I am happy to write my own poems--and take my rides, whether they begin or end with ripples, or anything else.

Waiting For...Murray?

I waited nearly a year for Dee-Lilah, my custom Mercian Vincitore Special.  At least I expected as much:  When I ordered her, the folks at Mercian were advising customers to anticipate such a lag between the time they placed their deposits and received their frames or bike.  

If I recall correctly, I waited about the same amount of time for my first Arielle, my dear, departed first Mercian. For ten or twelve months to pass from the time someone puts down a deposit and takes delivery of has never been unusual when ordering a bespoke frame or builder.  But, until the pandemic, the longest I can recall myself or anyone waiting for an off-the-shelf bike was three months, in the heyday of the 1970s North American Bike Boom.  That's how long it took for me to get my Schwinn Continental in 1972.  To be fair, though, I wanted a color that, I'd heard, Schwinn was offering in limited numbers.  

But I don't recall a situation like the one that's developed during the COVID-19 pandemic:  People have had to  wait a year for a bike.  And I'm not talking about a Mercian or a custom frame from someone like Richard Sachs.  Rather, folks are standing in line for Murrays and Huffys from big-box stores.  That has to do with the supply-chain disruptions you've heard about:  Factories closed during lockdowns and ship and dock workers, and truck drivers, either couldn't go to work or quit their jobs.

So it's particularly galling to see this:

 

 Why, in the middle of a bike shortage, is Target tossing brand-new bikes into a dumpster?  One would expect that if those bikes didn't move during a shortage, perhaps they could have been discounted or donated.  But no.  For all that the company, like so many others, likes to tout its philanthropy and environmental objectives.  It doesn't, however, donate merchandise under any circumstances. 

To be fair, many other companies have similar policies. They also, like Target, try not to sell merchandise at significant discounts:  If Target sells Schwinn or H&M sells a sweater, for example, at 50 percent off, the regular price seems much higher.  As for donations, some companies cite the tax and other legal implications of this practice.  Call me a cynic, but while I am willing to grant that companies find that it's too difficult or costly to give their stuff to Goodwill or a community bike center, I can't help but to think that tossing brand-new stuff comes down to the only two words I remember from the only economics class I took:  supply and demand.  Retailers want to keep the former low and the latter high to prop up prices.

I wonder whether the dumpster-diving mom who took the video had been waiting for one of those bikes for herself or her kids.

To Their Own Hues, And Others

Earlier today, I wrote a post about something people might not associate with Spring:  a survivor pedaling among the wreckage of Mariupol.

To me, this season is about the living beings who make it through winter--whether it's a season of cold, snow and darkness or the death and destruction of war (another kind of darkness) as well as the new life that rises, whether from the ashes or a well-tended garden.

Because I've encountered the latter on afternoon rides, I am more fortunate than the cyclist in my earlier post.  It's funny, though, how Dee-Lilah (my custom Mercian Vincitore Special), Vera (my Miss Mercian), La-Vande (my custom King of Mercia) and Tosca (my Mercian fixie) always seem to find reflections of themselves.

Or, at least they, in their differing shades of purple, are drawn like moths to the flame of color.

Even if it isn't their own.

 

What Did Dee-Lilah See When She Woke?

 Yesterday I roused Dee-Lilah, my custom Mercian Vincitore Special, from her long winter’s nap. 

For a few weeks, the season hasn’t been able to make up its mind: The weather has gone from February to May and back, and from clear skies to downpours faster than you can say “spin.”  As a result, streets and roads have been sprinkled or coated with the remnants of change-of-season storms:  sand, road salt, fallen branches and other kinds of debris. That’s why I let my “queen” extend her rest.

She experienced some of the changes I’ve described during our ride to Point Lookout.  When we began, the sky was as blue as, well, the sea, depending on where you are.  And the air was warm enough that a few minutes into our ride, I thought I might’ve over-dressed.

About half an hour later, though, I felt the temperature about 10 degrees (Celsius) as I pedaled into a seaborne wind on the Cross-Bay Bridge.  That is typical at this time of year because, even if the air is 10 or 20 degrees Celsius (50 or 68 F), the ocean is still only about 5C (40F).

Those differences, playing off or fighting (depending on your point of view) each other made for this view from the bridge.

The water in the foreground is Jamaica Bay.  The gray haze behind the buildings on Rockaway Beach could have been fog—or the ocean.  Just as the day could have been late winter or early spring.

Acorn Bags: Nuggets Of Beauty And Function

Some would argue that a true artist, or even artisan, wants the focus to be on his or her work rather than him or her self.  They may have a point:  After all, while some (yes, I include myself) might be interested in the details of  Rodin's, Picasso's, Shakespeare's, Louis Armstrong's or Georgia O'Keefe's personal lives, what matters is the images, sounds and words they left us.

So I could understand Ron's wish not disclose his wife's name, or even his last name.  For the past fifteen years, they've done work that has, rightly, attracted attention in the cycling word--and outside of it. 

One day this past fall,  when I was crossing underneath the Hudson on the PATH train with Dee-Lilah, my custom 2018 Mercian Vincitore Special, two young couples asked me about the bike, with its lovely (if I do say so myself) paint finish, intricate lug work and a couple of nicely-made bags--or, if you prefer, pieces of bicycle luggage.

A male member of one couple, and a female of the other, seemed to be regular cyclists and wanted to know about the bike itself.  But the male member of the other couple--who told me he rides, but is "not a bike fanatic"--was interested in the bags because, he said, he's thinking of leaving his regular job and becoming a full-time maker of custom bags of all kinds.  He could see the workmanship on the bike's bag, he said, and was curious as to who makes such items.

A couple of weeks ago, when I pulled into a service station/convenience store on Point Lookout with Zebbie, my 1984 Mercian King of Mercia, someone asked about both the bike--which, while its lugwork isn't as intricate as Dee-Lilah's, has a unique paint job--and the bags I'd attached to it. 

In both instances, folks were curious about bags, or bicycle luggage, made by Acorn Bags in California.  I've been using them (along with Ruthworks Bags, which I've mentioned in previous posts) for about three years.  They haven't quite developed the "patina" canvas bags like it acquire because, since I have several bikes (and a bunch of bags), there isn't one, or even a set, that I use every day.  But I feel I've ridden the Acorn bags enough to comment on them.

First of all, I want to say that while they might seem expensive in comparison to mass-produced bags of synthetic materials,  Acorn's prices are actually quite reasonable, especially when you consider the materials used and the hand work that goes into making them.  

More important, the materials and workmanship on them are impeccable. The canvas is as strong as it is aesthetically pleasing, and the stitching is consistent and formidable.  Currently, Acorn's bags are made in three colors:  black, gray and brown.  Every couple of months, Acorn makes a run of bags in one of those colors.  They post a list of colors and anticipated availability dates on their website, so if you have your heart set on a particular color or model, sign up for their mailing list.

While I like all of their colors, my particular preference is for brown.  It looks both earthy and classy, like a leather bag or pair of boots made in a similar color.  Also, it's similar to a color in which Specialites TA-LaFuma bags were made for several years.  

I've been using their medium randonneur bag, front "bread box" bag and two of their saddle bags.  With the exception of their "bread box" bag, all are inspired by classic French and English designs.  It's hard not to notice the similarities between the Medium Rando bag on the front rack of Zebbie and its Specialites TA counterpart, the Medium saddlebag on that bike and the Berthoud "banana" bag, or the saddlebag on Dee-Lilah and some Carradice or Brooks designs.

But Ron and his wife don't seem content to copy traditional designs as much as possible.  They seem to have thought of how those beautiful, durable bags can be made more convenient.  For example, the Medium Rando bag can be used, with light loads, without a decaleur as long as you mount it on a rack like the Nitto M12 or M18 or Velo Orange racks with the "tombstone."  (The "bread box" bag is also designed to be ridden with such racks.) With somewhat heavier loads, you might want the decaleur, but I've managed to stabilize the bag with a small bungee cord attached hooked onto the D ring on either side and passed underneath the rack.  And, while I haven't tried it yet, I imagine that it might be possible to use the large saddlebag--with an exterior size and inner capacity like that of the Carradice Barley--without a support because of the ways in which the bag is reinforced in key spots.

The "breadbox" bag is somewhat smaller in capacity than--and, perhaps, not as "classic" looking as--the Rando bag. But one thing I really like about it is the way it fits on the rack:  Its profile almost perfectly matches the platforms on the Nitto M18 rack on Dee-Lilah or the Velo Orange Constructeur front rack on Zebbie.  And, its flap provides easy access to all of the bag's contents, though I advise tightening the elastic closure.

In all, I can confirm all of the good things you've read and heard about Acorn bags.  They are worthy of the finest handmade frame and will add a touch of class and personality to a mass-market bike. But, most important, Ron and his wife have managed to make functional improvements to beautiful classic bags--and to imbue them with the pride of true artisans and artists.