It's All In The Details

I did!

When I was deciding on how to outfit Dee-Lilah, my new Mercian Vincitore Special, I thought about everything.

I was going to use a brown Brooks Team Pro saddle I have on hand.  But then I saw the same saddle in Maroon (sort of like a pair of cordovan/oxblood loafers I had) on Craigslist.  Brooks made a limited edition in that color a few years ago, so I knew I wasn't likely to see it again.

I figured that since Dee-Lilah is going to be unique, she should have a saddle in a color I chose just for her!

Three Times, Better

 I have done what just might be the strangest sequence of cycling I’ve done in a while.  What makes it so odd is its familiarity:  I have done the same ride three times in five days: today, Monday and Saturday.

Why did I do that?  Well, I took Negrosa, my vintage Mercian Olympic, to Greenwich, Connecticut on Saturday.  That has become a frequent weekend day ride for me.  I took that same ride on Monday because I wanted to start the week right.  And today I hopped on Dee-Lilah, my Mercian Vincitore Special.  The weather—overcast, with no threat of rain and temperatures that maxed out at 24C (75F)—was ideal and I just wanted to ride and ride. Somehow I ended up taking that 140 kilometer round trip again.

Perhaps an unconscious, or at least unacknowledged, wish guided to today’s ride.  Whether it had to do with Dee-Lilah, the weather or me, today I felt better riding today than at any time since last June, when a crash led to a weekend stay in Westchester Medical Center.

If I can say “this is the best I’ve felt” at my age, I guess things are pretty good.

What Did Dee-Lilah See When She Woke?

 Yesterday I roused Dee-Lilah, my custom Mercian Vincitore Special, from her long winter’s nap. 

For a few weeks, the season hasn’t been able to make up its mind: The weather has gone from February to May and back, and from clear skies to downpours faster than you can say “spin.”  As a result, streets and roads have been sprinkled or coated with the remnants of change-of-season storms:  sand, road salt, fallen branches and other kinds of debris. That’s why I let my “queen” extend her rest.

She experienced some of the changes I’ve described during our ride to Point Lookout.  When we began, the sky was as blue as, well, the sea, depending on where you are.  And the air was warm enough that a few minutes into our ride, I thought I might’ve over-dressed.

About half an hour later, though, I felt the temperature about 10 degrees (Celsius) as I pedaled into a seaborne wind on the Cross-Bay Bridge.  That is typical at this time of year because, even if the air is 10 or 20 degrees Celsius (50 or 68 F), the ocean is still only about 5C (40F).

Those differences, playing off or fighting (depending on your point of view) each other made for this view from the bridge.

The water in the foreground is Jamaica Bay.  The gray haze behind the buildings on Rockaway Beach could have been fog—or the ocean.  Just as the day could have been late winter or early spring.

A Detour Into Surprise

The other morning, I set out for Connecticut.  Dee-Lilah was certainly up for it:  the sky was clear and bright, and a light wind rippled yellow leaves that line my street.

Across the RFK (Triborough) Bridge and the Randalls Island connector.  Up the deserted industrial streets of Port Morris and Southern Boulevard to "the Hub," where the Boulevard meets White Plains Road and several subway lines.  Traffic was almost as light as the wind (though not me, at my age!) all the way up to the Pelham Bay Bridge, where my visions of the perfect Fall ride to the Nutmeg State met with this:

"Oh, it must be Ian's fault," I thought. Though the Hurricane brushed by us two weeks earlier, the damage, if there had been any, was still there, I mused.  But, peering ahead, I couldn't see it:

Then I glanced to my right and got the really bad news:

Spring 2023.  If I could believe that, I wouldn't be so upset:  I wouldn't be able to ride the Pelham Bay Trail to Westchester County during the rest of this Fall and Spring, but most of that wait would span the winter.  But, if you know anything about New York City Department of Transportation projects, you know that Spring 2023 is most likely when the work will start.  Then it will be further delayed by some dispute or another, and costs.  Call me a cynic, but I've seen such scenarios play out too many times.

Oh, and when I looked on the city's website, I learned that the plan is to replace the bridge altogether.  To be fair, it may well need replacement:  The bridge wasn't designed for all of the traffic it handles (and, I might add, the bike/pedestrian lane isn't the greatest, but it at least takes you to the trail) and probably is falling apart.  

I could have taken one of the routes I rode before I discovered the bridge and trail.  But, instead, I wandered in and out of the Bronx and Westchester County.  Guess where I took this photo:

It's a view from the Bronx, but not from where even people who know the Bronx might guess.  At the far eastern end of the borough, there is a neighborhood with the seemingly-incongruous name of Country Club.  The neighborhood was indeed the location of the Westchester Country Club before the Bronx became part of New York City.  But, in a way, the area still has a "country club" feel:  It's effectively an island, cut off from the rest of the Bronx (and New York City) by water, I-95 and Pelham Bay Park.  The houses come in all ranges of styles, but they have this in common:  they're big, more like the ones you find in the far reaches of Long Island or New Jersey.  The few buildings that aren't single-family houses or small stores or restaurants (mostly Italian and, I suspect, good) are condos, some with their own marinas!

Just on the other side of the highway is another neighborhood that seems to have been untouched by the "burning Bronx" of the 1970s. Like Country Club, it has many Italian-American families and remarkably clean public spaces.   And it has a store that seems to have been kept in a 1950s time capsule:

Frank Bee.  Transpose the "ee" on Frank, and you could have a nickname for someone in the neighborhood--or a DJ.  Frankie B.   Now that sounds like a name people would associate with the Bronx.

Just by those signs, you can tell that, like Country Club, Schuylerville has a lot of Italian-American families whose kids Trick-or-Treat freely in the neighborhood.  While very little in the store falls into the price range advertised on the store's banner, the prices are actually very good, especially compared to those in other parts of the city.

Whatever happens, I hope the store--and those signs and mannequins--stay where they are.  In an ideal world, such friendliness would be an antidote against the odious bellowings of would-be oracles:

Now, I'm not a political scientist and I'm an historian only if you define that term loosely.  That said, in my understanding, the notion that "Democracy killed Jesus" is wrong on two counts.

First of all, Pontius Pilate wasn't an elected official; he was an occupying Roman.  Second, and more important, an angry mob agreeing on something and acting on it isn't democracy, especially if it doesn't reflect the wishes of most people--or, as in the case of Jesus (if he indeed lived and died as he did in the stories passed on to us), if most people didn't even know about the accused or his alleged deeds.

Did that bit of graffiti reflect what most people in Country Club or the Bronx believe about the death of Christ or democracy?  I suspect not.  Whatever they think, I have to say this for them:  They, whether they were walking, raking their leaves or even driving, were very nice and a couple even cheered me on.  What I didn't tell them, of course, is that Dee-Lilah, my custom Mercian Vincitore Special, makes me look like a better rider than I am!😉

Bet You Can't Ride Just One

Do you actually ride all of those bikes?

You've probably heard that question from the non-cyclists in your life.  I try to explain that even though each of my rides might look similar, they actually offer different kinds of rides, based on their geometry, frame material and components (especially wheels and tires).  

So, my answer is, yes--though, if I'm feeling a bit snarky, I might add, "but not at the same time.  I'm working on that."

Well, last weekend I did manage to ride three of my bikes in three days.  On Friday afternoon, I took Tosca, my Mercian fixed gear, for a spin along the waterfronts of Queens and Brooklyn.

Saturday was the sort of gloriously sunny and brisk early fall-day that riding dreams are made of.  What better day to ride to Connecticut--on Dee-Lilah, my delightful Mercian Vincitore Special.

I'll say more about her accessories--the bags--in another post.   For now, I'll just say that I like them a lot, and while they're not the easiest to acquire, they're worth waiting for.  

And yesterday I took another ride along the waterfronts, mainly because I didn't want to turn it into an all-day (or even all-morning or all-afternoon) ride, as I'd promised to spend some time with someone who can't ride--and some quality time to Marlee.  I didn't take any photos of the bike I rode--Negrosa, my vintage Mercian Olympic, but she's pretty much how you remember her if you've seen her in some earlier posts.

So, while I didn't ride all of my bikes, I think I varied my rides enough to feel justified in having, well, more than one bike!

He Kept A Community's Wheels Turning

I love a beautiful bicycle as much as anybody does.  All you have to do is look at Dee-Lilah or Zebbie, my Mercian Vincitore Special and King of Mercia, to see how I care  about fine workmanship and finishes.  At the same time, I appreciate and respect the technological refinement of modern bikes and components.  I avail myself to as much of it as I find useful--and affordable.

But I also understand that what if the current bike boom, fueled by COVID, is to continue, it won't be on the wheels of bikes sold in boutique shops for more than workers in the developing world make in a couple of years.  Wherever the bicycle is seen as an integral part of the transportation network, let alone as a way of life, people are riding utilitarian machines (think of Dutch city bikes) to work or school, or bikes that are sportier, if not much pricier, to the park, seashore or market.  And, in such places, bike shops and mechanics concentrate on keeping those commuters and recreational cyclists on the road (or getting them there in the first place).  They don't spend much, if any, time working on the electronic shifting systems of $12,000 bikes.

In other words, those mechanics are like Joe Haskins who work in shops like the one that bears his name.  He bought it from its founder, his aging uncle, in 1958, when the shop was still known as Tampa Cycle--and he was 17 years old.

Joe Haskins.  Photo by Kelly Benjamin

He never left, literally and figuratively.  Over the years, the shop moved to several different locales, all within the same area of Tampa--and, most important of all, serving the same sort of clientele:  basically, anyone who needed a bike or repair.  Sometimes his services had nothing to do with bikes or cycling:  Former Tampa Bay Times reporter Alan Snel (who writes the Bicycle Stories blog) noted, "every mayor has their downtown pet projects, but the essence of a city is the neighborhoods and small businesses like Joe's bike shop that help everyday residents with everyday issues."

So, when the driving force/guiding spirit of such a business retires or passes away, as Joe did last Saturday, it leaves a hole in the community.  But it seems that the shop will continue:  During the past few years, as Joe's health declined, family members stepped in to keep the shop's unwritten mission alive.

Tampa's All Love Bike Crew will honor his memory with a ride on Sunday.  Somehow I don't think that many Crew members will be riding $12,000 bikes or $300 helmets. 

Introductions At The Beginning of A Season

When I first learned about Western Civilization (yes, with a capital C and capital W!*), I was taught about a period called the Dark Ages, which was in turn followed by the High Middle Ages and the Renaissance.  Everyone seemed to agree that the Dark Ages began when the Roman Empire fell (in the 5th Century C.E.) and ended more or less with the millenium, but there was more debate about the High Middle Ages and the Renaissance.

Anyway, I grew up with an image of the Dark Ages as a defoliated, barren landscape broken up by patches of mud and huts from wattles made.  And in the late part of the Middle Ages, the brightening but still austere light of winter-turning-into-spring made the landscape all the more stark.

Years later, when I would first read The Canterbury Tales, I somehow pictured Chaucer writing in such an environment, just as the first buds of irises and crocuses and lilacs were peeking out of sinewy vines and weary earth.  

That landscape of my imagination came to life, more or less, on Saturday, when I went for a ride with Bill and his friend Cindy.  Not that the landscape was a bad thing:  When I ride, it's all good.  And they were fun to ride with.

Our spin took us, ultimately, to the ocean.  Along the way, just after we crossed over the Belt Parkway between the Queens neighborhoods of Ozone Park and Howard Beach, we encountered this entirely appropriate (for the season, but unlikely for the location) sign of the season:

I've ridden horses only a couple of times in my life. I would ride one again.  Even if I don't, though, I'm glad to see them--although I'm sure they'd rather not be fenced in.  Everything about them--their beauty, their movements and the aura they have--reminds me of what I love about cycling.  In fact, they embody, they are, the freedom I feel when I'm in the saddle, with two pedals at my feet and two wheels between me and the street (or ground).

They can skip with the wind.  We can glide with it.  They gallop over reeds and fields.  We pedal by them.  And we and they can trod or slosh through mud--or not.  Our reasons, of course, are different.  We didn't ride through this mud because, well, it wasn't all mud:

It was odd to see such a vista just within the limits of New York City, just before the Atlantic Beach Bridge.  Even when it's full of water, when the tide comes in, it seems almost out of place.  But exposed or submerged, wet or dry, with the tide in or out, it was exactly right for a day like Saturday.



Anyway, these very-early-spring days full of sun and wind--especially when they include rides to the sea--always seem like beginnings.  So, perhaps, it's appropriate that I was riding with a new friend in Bill and I may have made another in Cindy.

And, like the ride I took two weeks ago, I introduced a new bike.  Well, all right, Dee-Lilah, my Mercian Vincitore Special, is indeed a brand-new bike.  But on Saturday, I rode another Mercian that looks brand-new.  

I am talking about Tosca, my fixed-gear bike.  A while back, I sent her to Mercian for repairs and refinishing.  She finally got to see the light of an American day again.

She may have a new look. But she rides like an old friend, only better!  I'll write more about her soon.

N.B.  All of the photos in this post--except for the one of me and Bill--were taken by Bill.  That photo came from Cindy.

And This is How 2021 Ends (Apologies to T.S. Eliot)

So how will you remember this year?  

Whatever the state of the  COVID pandemic, or anything else in the world, I can say that 2021 was better than 2020 in at least a few ways, however small.

For one thing, I didn't have two accidents (here and here) that landed me in an emergency room (one of them to a trauma center), as I did last year.  I guess one of my blessings, if you will, is that they were the only two such accidents in my nearly half-century of dedicated cycling.

For another, I've met a couple of new potential riding partners.  As much as I like to ride alone, I sometimes want someone to share the experience.  And one of those new fellow riders is two years older than I am and took her first rides in four decades--with me.  Lilian is good company and the educator in me finds fulfillment in helping her re-enter the world of two wheels and two pedals.

And last year's first crash, which wrecked Arielle, my Mercian Audax, yielded enough insurance money for me to buy another Mercian frame--La Vande, a custome Mercian King of Mercia constructed from Reynolds 853 tubing and equipped mainly with parts I had in my apartment.  She's a nice complement to Dee-Lilah, my custom Mercian Vincitore Special.

I still wish I could have taken a trip somewhere more than a state or two away. Well, I could have, but even though I am fully-vaccinated, I have been reluctant to get on a bus, train or plane.  That hesitancy has also kept me from doing a few rides that I've done a couple of times in each of the past few years because they involve a ferry ride to connect parts of the trip or a train ride to get me home.  So, I've been doing many of the same rides again and again.  Perhaps, in the coming year, I'll seek out some new routes.

Oh, and Marlee has been at the beginning and end of my rides.  She joins me in ushering out this year, and wishing you good tidings in the new year.

The Shimano Dance?

Today's Shimano Ultegra components trace their lineage to the "600" derailleurs introduced in 1975.  The following year, a complete "600" groupset was introduced.  Two years later, an iteration of them appeared with some fancy scrolls and engravings.

Shimano offered this groupset, called the "600 EX Arabesque" until 1984.  It was good stuff, especially for its time, except for one thing:  the headset required a special tool to adjust it.  Apparently, some Shimano marketing person thought the lace and filigree engraved into the other components would be difficult to replicate on a headset.  So, that person figured the best way to distinguish the headset was to shape the locknut like those scrolls. Still, it was a good headset: At least, the one I had served me well.

(Can you imagine Dee-Lilah, my fancy-lugged Mercian Vincitore Special, with an Arabesque groupset?  Maybe that would be a bit much, aesthetically.)

Anyway, even with all those fancy scrolls engraved into the parts, I have always thought "Arabesque" was an odd name for a line of bike components.  I wonder who their intended audience was.  Perhaps it included someone like her:

Riding In Beauty

 Some of you would  cringe if I quote a Carpenters’ song. I wouldn’t blame you.  But I’m going to cite one of their tunes anyway: “Rainy days and Mondays always get me down.”

Today is a very rainy Monday.  I don’t mind:  Yesterday, Saturday and Friday afternoon comprised one of the most glorious weekends for cycling I’ve had in this part of the world. The skies ranged from clear azure to swirly silver and blue with the sun piercing through—and temperatures from 15 to 25c (60 to 77F).

Friday afternoon was a ramble along the Brooklyn and Queens waterfronts between my apartment and the Williamsburg Bridge, and out to the Hispanic and Hasidic neighborhoods of the non-gentrified areas of Williamsburg and East Williamsburg.  

Saturday was ideal for a trek to Greenwich, Connecticut: I pedaled into the wind through the Bronx, Westchester County and over the ridge into the Nutmeg State.  That meant I rode the wind home.

I had the same kind of luck with the wind yesterday, when I pushed my way out to Point Lookout and glided home. The wind seemed to have blown out of the south-southeast:  I had to put more effort into the first stretch, going mostly south from my apartment to Rockaway Beach, than I did on the mostly-eastward section from Rockaway to the Point.

I didn’t take any photos on Friday or Saturday because, as beautiful as those experiences were, they are rides I’ve done many times and I didn’t see anything unusual. That will probably change soon enough, at least on the Connecticut ride, when Fall begins to paint the trees and foliage from its pallette.

On yesterday’s ride, though, a vista from the western end of the Long Beach boardwalk reflected the way this weekend’s rides felt:

I rode in beauty, or at least its light, this weekend. Maybe this rainy Monday won’t get me down, at least not too much.

(In case you were wondering, I rode Tosca, my Mercian fixed gear on Friday. Saturday, Dee-Lilah, my Mercian Vincitore Special, took me to Connecticut.  And yesterday La-Vande, my King of Mercia, brought me to the beaches.)

Tosca's Face Lift

This season has been quite a coming-out party--for me and my bikes.

A few posts ago, I introduced you to Dee-Lilah, my new Mercian Vincitore Special.  She's a gift to myself for a round-number birthday that's coming in July.  

The other day, I told you about my first ride with my new-old (well, not-really-so-old) bike:  Tosca, my Mercian fixie.  A while back, I sent her for a repair and to change the threadless steerer to a threaded one so I could use a prettier stem. All of that, of course, meant, Tosca got a facelift--a refinish.



Previously, she was coated entirely with Mercian's "flip-flop" finish (#57)--which Arielle, my Mercian Audax, still has---and white pinstriping.  I wasn't tired of it, but I decided that while I wanted to keep all of my Mercians in the same color "family", I didn't want them to look the same.

So I had Tosca re-finished in Mercian's Purple Polychromatic (#9) with head tube and seat panel in Dusky Pink Pearl (#49).  The cut-outs in the lugs and fork crown are also finished in that dusky pink hue, and the lugs are outlined in white.

Most of the parts were on the bike before the re-paint.  The exceptions are the stem, brakes, saddle, toe clips and chain (which I would have replaced at some point anyway).  Here's the "spec sheet":

Frame and fork--Reynolds 631.  Threaded steerer.

--Steering:

• Chris King headet:  This threadless set was overhauled by Mercian and was converted with King's threaded 2Nut adapter.
• Nitto Pearl Stem, 12 cm.
• Nitto Model 177 "Noodle" handlebars

--Seating:

• Brooks Team Professional Special Edition (L'eroica 2015)
• Nitto "Crystal Fellow" Seat post

--Wheels:

• Phil Wood hubs.  "Flip-flop" (fixed-free) 36 hole rear, high-flange track 32 hole front
• Mavic Open Pro rims, Velox rim tape
• DT Champion spokes
• Continental Grand Prix 4 season tires

--Drivetrain:

• Sugino RD 2 cranks (130mm BCD), 170mm, with All-City 47T chainring (1/8")
• Phil Wood bottom bracket, 103mm
• MKS Urban Platform pedals w/MKS "basket" toe clips and Velo Orange Grand Cru straps
• Phil Wood stainless cog, 17T, 1/8"
• Shimano freewheel, 18T
• SRAM PC-7X chain 

--Brakes:

• Dia Compe BRS 101 in gold (I couldn't resist) w/ Kool Stop salmon pads
• Cane Creek SCR-5 levers

--Other Items:

• Newbaum's Cloth tape, Eggplant, w/Rustines (like Velox) plugs
• Andrew King "Iris" stainless steel cages

(The bag is one of several I use that were made by Ely Rodriguez, of Ruth Works.  I move them around among my bikes, as I need them.)

Welcome back, Tosca!

Riding To My Own Guitar Solo (Or Overtime)

 On Monday morning and early afternoon, I took Dee-Lilah, my Mercian Vincitore Special, for a spin out to Point Lookout and back: 120 kilometers (about 75!mikes). Yesterday morning I took Tosca, my Mercian fixed gear, for a shorter ride—about 40 kilometers (25 miles) to Fort Totten and back.

What did these rides have in common, besides the fact that I enjoyed them?  Well, both bikes are purple, though in different shades.  Also, I timed both rides to, as best I could, finish before the most intense heat—and worst air quality (those Canadian wildfires, again!) of the day.

Both rides also have something in common with every other ride I’ve taken in my life:  I rode without headphones, eat buds or any other audio device.  Sometimes I feel I’m the only person who still rides that way.

I think I’ll always ride that way.  For one thing, I don’t want to impede my ability to hear traffic or other ambient sounds—including bird sings and ocean tides. But I also believe  don’t need devices to hear music, if only inside my own mind.

Back in the day, the term “ear worm” didn’t exist. (At least, I hadn’t heard it.) I would,!however, find myself riding to a tune playing through my head—usually, somethings I’d heard not long before.

I first noticed myself riding to a tune I was carrying with me during a ride when I was, probably, fifteen years old.  I’d been pedaling a long, flat stretch of New Jersey Route 36 from Sandy Hook to Long Branch. The ocean stretched thousands of miles to my left—it years would pass before I saw the other side. The sky stretched even further above and beyond me.  And, even though I knew the road ended—or, more precisely changed direction—in Long Branch and I was gliding toward it on a combination of youthful energy and the wind at my back, I saw myself pedaling forward, forced, even further than that road could take, or my own vision could guide, me.

That ride’s ear worn before there were ear worms?  The long guitar riff of Black Sabbath’s “Rat Salad.”  It’s trippy yet hard-driving and expansive: the way I was pedaling on that long-ago ride.

And what did I hear as I pedaled, with a light breeze at my back, along the long,f flat—and surprisingly deserted—Rockaway Boardwalk? You guessed it: Rat Salad. As Kurt Vonnegut would have said, I was woozy with deja vu.

Oh, and during yesterday’s ride, my “ear worm” was an overture from Debussy’s “La Mer”: one of the first pieces of classical music I came to truly love—and an “ear worm” on another long-ago ride.

Given what I’ve described, you might think I was a strange kid. I wouldn’t try to disabuse you of such a notion.  Of course, you may think I’m an even stranger adult—one in mid-life—because I’ve never ridden, and intend never to ride, with headphones, ear buds or any other audio device.

A New Year’s Eve Voyage

 The other day—New Year’s Eve—I took yet another ride to Point Lookout. I don’t know whether I was burning residual calories from Christmas week or waging a pre-emotive strike against the evening’s indulgences.

Whatever it was, I got what might have been the best treat of all, at least to my eyes. 

That softly glowing band between the sea and sky made the ship—and the few people I saw on the boardwalks of the Rockaways and Long Beach—seem solitary but not isolated, alone but not lonely. That, of course, is how I felt while riding Dee-Lilah, my Mercian Vincitore Special, under a sky that was muted gray but not gloomy .

Some of us need that light, and to move in or occupy it like that ship, because this season encourages, and sometimes forces, extroversion, camaraderie and bright lights. Some of  need times of solitude, and solo bike rides, to navigate, let alone enjoy, holiday gatherings of any size.

Two Views As The Fall Turns

Here in the New York Metro area, we've just had a weekend of warmer-than-normal fall weather, punctuated by showers late in the morning and early in the afternoon on Sunday.  I did a fair, but not unusual (for me, anyway) amount of riding.  

Saturday brought me and Dee-Lilah, my Mercian Vincitore Special, to Point Lookout.  In previous rides to the Point, instead of "the rocks," I've made another beach area, known mainly to residents, my turn-around point.  While it doesn't have as commanding a view as "the rocks" (where there are now large mounds of sand), the quality of light--a scrim of sea mist across a screen where blue meets blue--is serene.  It reminds me that when I'm cycling (or reading or writing) alone, I feel further from loneliness than I've felt in some of my relationships and in social situations.

I rode into the wind just about all the way to the Point--which meant, of course, that I had the wind at my back on my way home for my last ride before the end of Daylight Savings Time.

Yesterday I got out later than I'd planned.  Since I figured (correctly, it turned out) on taking a shorter ride, I hopped on Tosca, my Mercian fixed-gear bike.  I had no particular destination in mind.  My ride turned mainly into a series of dodges around the street closures and crowds gathered for the New York City Marathon.

On my way back, I pedaled up the Vernon Boulevard bike lane, which detours through Queensbridge and Rainey Parks.  Just past Rainey is an ersatz "beach" and kayak launch site below street level--where, less than a mile across the river from the Manhattan skyline, an autumnal vista more reminiscent of the New England seashore presented itself.

The weekend marked, to me, the end of one part of Fall.  Now another begins.  The light will be different, I am sure, but still beautiful.

Back To A Familiar Light

Yesterday I pedaled the 140 km to and from my apartment and Greenwich, Connecticut.  Although it's the longest ride I've done in three weeks, it actually seemed almost easy, even when I was climbing the ridge at the state line.  

One reason for that, of course, is that I was riding one of my own bikes:  Dee Lilah, my new Mercian Vincitore Special.  Plus, although the day was warm, it wasn't nearly as hot--or humid--as what I experienced in Cambodia and Laos.  

Even more to the point, the sun was much less intense.  I didn't think of it until I got to Greenwich and sat in the Common, by the Veterans' memorial.  Normally, I wear sunglasses any time I'm outdoors:  something my opthamologist recommends.  But, as I was sitting on that bench in the Common, I took off my shades.  The green of the leaves, and the pinks, purples, yellows, oranges and other hues of the flowers seemed soft, almost cool.

Not only did I have to remind myself to wear my shades, I also had to remember to put on some sunscreen.  Even when it was overcast, I could feel the sun's heat and radiation on my skin.  So I didn't forget to massage myself with protective lotion, or to wear my broad-brimmed hat and sunglasses.  Even so, at the end of the day, I would feel the kind of tiredness I experience after spending time in the sun--say, at the beach or after a bike ride.  Then again, I spent much of my time outdoors, looking at temple sites and landscapes.

I now realize that yesterday and the day before, I was experiencing, more or less, what I experienced when I've gone to France or northern Europe in the summer:  longer hours of softer light.  I believe, though, the difference is even greater between here and Southeast Asia than between here and Europe.

In any event, I enjoyed the ride, as I almost always do.  And it is nice to be my age and not feel tired after a 140 km ride!

A Day of Spring

It's been called "The Year Without Spring."

Here in New York, people talk--and complain--more than most farmers about the weather.  This year, though, they do have reason to complain:  Since March, we've had days or weeks when it's been cold and wet punctuated by a day or two of summer-like heat.

Yesterday was one of the few spring-like days we've had, at least temperature-wise.  The mild air, though, was humid, probably because of the heavy clouds that covered the area until mid-afternoon, when the sun broke out.  Also, we had march-like wind.

So what did I do?  I pedaled into that wind--to Connecticut.  Yes, I cranked most of the 70 kilometers (43 miles) up to the Nutmeg State into a 30KPH wind.  I had to remind myself of that when I arrived, more tired than I'd been on previous rides this year.  I thought I'd grown soft over the past couple of weeks, when papers, exams and other end-of-semester duties made me more sedentary than usual.

At the Veterans Memorial in Greenwich, the flowers--and flags--were in full bloom.  Unfortunately, my camera wasn't up to the occasion (or I'm the most technologically incompetent person writing a blog today).  Fortunately, Arielle was.*

Of course, the ride back was--if you'll pardon the expression--a breeze.  

*--I'll be riding more of Dee-Lilah, my new Mercian Vincitore, soon.  I have ridden her a couple of times, mainly to test things, but I wanted to save her for the nice weather--and my birthday, for which she is my gift to myself!