A World of Bike Dreams

You've probably heard this joke:   

There are two kinds of people in this world:  Those who categorize people and those who don't.

Well, I haven't met very many people who don't fall into the second category, at least some of the time.  And I am as guilty as anyone of dividing people into categories.  I often do that when I teach, especially when I tell my students that there are basically two kinds of people in the world:  dreamers and schemers.  Very few of us are purely one or the other, but most of us tend toward one or the other.  And, of course, it's very important to know what you tend to, and to find someone else with the opposite tendency.  As if I know how to make a relationship work!

So what are cyclists?  I guess the ones who ride because it's cheaper than driving or using mass transit are schemers, or at least pragmatic people.  And those who do it as a release or escape are most likely dreamers of some kind.

Well, I know which one I am.  Perhaps my condition is genetic.  But I think it also has to do with having seen this very early in my life:

The Unisphere was the centerpiece of the 1964-65 World's Fair in Flushing Meadows Park, which is about six miles from where I live.  My family and I went to the Fair when I was about seven years old.  My youngest brother was born only a few months earlier.

Years later, when I was an undergraduate at Rutgers, I rode in one of the early Five Boro Bike Tours.  At the end of the ride,  a man whom I never saw again invited me to join a couple of other guys and a woman I never saw again for some post-Tour beer.  From Manhattan, where the tour started and ended, we rode across the Queensboro (a.k.a. 59th Street) Bridge to Woodside, a neighborhood that probably had, at the time, the greatest concentration of Irish people--and Irish bars--outside Dublin.  

Back then, my hair was redder than it is now and I think that I'd first grown a beard around that time.  Also, if I recall correctly, I wore a stovepipe hat.  Back in those days, few cyclists wore helmets (which were the useless "leather hairnet" variety), so unless the weather was very hot,  I wore my stovepipe hat or my beret when I rode.  I don't recall why I chose the stovepipe hat on the day of the Tour.

Anyway, a couple of the bar patrons adopted me for the day and, after staying somewhere I can't recall,  we spent much of the following day riding in circles around the Unisphere when we weren't emptying bottles of beer that were much better than any other I'd drunk up to that time in my life.

That, I must say, is a long way--in spirit if not in distance--from my ride today:

Yes, I was test-riding the Le Tour III.  If you saw my previous photos of it, you'll notice one difference:  the Wald fold-up baskets in the rear.  I haven't used them yet, but they look like a good design--and that they would be bombproof.  

Naturally, I had to do a test-ride in a dress or skirt, as I plan to use the bike for commuting.  As it was hot today, I opted for a sun dress.  And I wasn't wearing high heels:  Instead, I wore wedge sandals.  Still, I felt I was close to "real life" commuting conditions, at least for me.  

The bike is "almost there."  I've adjusted the seat and bars to comfortable positons.  I'm still not sure of whether I'll add a front basket.  I like to keep my purse in it when I ride.  But I really don't like to put much more in them, as weight on handlebars affects steering.  (Of course, I didn't say that to the dancer I once escorted on my Cinelli Giro d'Italias through the streets of Soho!)  Plus, I haven't had the best of luck with baskets:  I've broken a couple of wicker ones and a "quick release" version did exactly that as my wheels bounced along a street in an industrial area of Maspeth.  Maybe I'll get a small basket that attaches with a brace to the front dropout.

OK, so I'm being practical--a schemer.  But can one be called a schemer if her real purpose is to enable a dreamer?

Revisiting: Twenty Years After Abandoning and Escaping

If the Lord was the shepherd of some old Hebrew poet, then my navigator, at least for today, was this fella:

He leadeth me to the still (well, not quite) waters of places I haven't seen in a long time--  specifically, about twenty years:

I hadn't actually planned on riding there.  I passed it en route from my house to no place in particular.  Those of you who ride a lot know the kind of ride I'm talking about.

On the ride, I ended up here.... 

...among other places.  I guess, in some weird way, it makes sense that I went by the hospital in the second photo before I came to the house you see above.  Both places housed lives that are no longer there.  The difference is that, to my knowledge, I never knew anyone who lived in the abandoned house.  On the other hand, for two years of my life, I was involved, if in a peripheral way, in the lives of some patients, staff members and the director of surgery at that hospital.  To my knowledge, none of them are there any more. 


If any of you have grown up on military bases, you probably recall at least one house that looks something like this:

Although this house is not abandoned, it is not occupied, at least for now.  But I'm sure it will be soon.  After all, this is one of the  views from it:

And here's another:

It never ceases to amaze me how much prime real estate the military once had--and, in some parts of the country, still has.   


Both of those houses are in Fort Totten, on Long Island Sound in Bayside, NY. It was still an active military base when I was doing poetry workshops with the handicapped and chronically (and, in a couple of cases, terminally) ill kids at St. Mary's Hospital.  Now only a small part of the base is used for Army Reserve exercises; other parts are used to train specialists in the Fire Department.  The rest has become a park with some really lovely car-free places to ride and walk.  Plus--for those of you whose interests are anything like mine--the place is in Gatsby country.


Every week, I used to go to the hospital, which then had a school for the kids who were patients there.  The Board of Ed maintained and staffed it.  


Back then, I was living in Washington Heights,  in upper Manhattan.  Unless it was snowing or sleeting, I used to ride my bike--seventeen miles each way, on a Follis ten-speed from the 1960's that served as my commuter.  In some weird way, riding to the kids made me feel closer to them.  I guess it made me conscious of some of the things I could, and they couldn't, do.


Until today, I hadn't been to the hospital in nearly twenty years.  That means, of course, none of the kids I worked with are there.  Some may have gone on to lives much like other adults of their age; a few might be dead.  One girl died during the time I was there; even though she was only eleven, she lived longer than anyone expected.  


The director of surgery--who actually initiated the project and secured the grant for it--is probably retired.  So are the teachers who were there at the time, as well as many of the staff members: most of them weren't young.  


Even though I haven't seen any of those kids since then, I've thought about them often.  In fact, I thought about them a lot when I was starting my transition.  Many of the poems and stories they wrote--or dictated to me--were about running, flying, jumping, dancing and riding bikes:  the things they couldn't do.  Most people, including their teachers, said the kids had "vivid imaginations."  But one day, when I was talking with the director of surgery--Dr. Burton Grebin--I voiced something I realized at that moment: "They really are doing those things.  Their minds, their spirits, dance, jump and do all those things some of us can do with our bodies."


"That's exactly the reason why I have always supported the project," he said.  "It's the reason why things like poetry and art are, in their own ways, as important as the medicines and procedures we offer here."


That realization, and those kids always stuck in my mind.  And I finally realized why they mattered so much--which is to say, why I, who was pedalling over 300 miles a week, not counting my racing, identified so much with them:  We saw our true selves in our minds and spirits, and our bodies couldn't express who we are.


At the end of every day I worked with them, I used to pedal (actually, coast) down the hill toward Fort Totten.  Back then, it was still an active base and therefore not open to the public.  So, I used to go to a small park that stood just to the west of the fort's entrance, where one could see this:

The suspension bridge is the Bronx-Whitestone.   In the fall and winter, I used to sit there and read or write, or simply gaze, until dusk. Then I would start pedaling home along the nice little promenade that winds its way below the span and skirts the water.


As it was the first day of summer, I didn't wait that long today.  I was getting hungry and tired; I'd pedalled about 30 miles, which included a few hills, on Tosca, my fixed-gear.  What else could have I ridden to a current or former military base?  After all, multiple gears are for sissies.  (You know I couldn't resist that one!)

An Orange Bike

I've got the LeTour in rideable condition.  I'm still going to tweak it a bit.  But it's close to what I want it to be.


Early this evening, after the weather had cooled a bit, I took it on a test ride through the back streets of Astoria and Long Island City.  I ended up in Astoria Park, which is separated from Manhattan, Randall's Island and the Bronx by a strait known as Hell Gate.


This bridge is named for the passage it spans. Do you think it looks like a gate to Hell?:

If you've taken the Amtrak/Acela between Boston and New York, you've gone over this bridge.  The span behind it is the Queens-to-Randalls Island spur of the Robert F. Kennedy Bridge, which was known as the Triboro Bridge until a couple of years ago.


The waters are deceptively calm.  The strong undercurrent wrecked ships and drowned sailors, which is how the passage got its name.


But you didn't come to this blog to read about that, right?  You want to read about a middle-aged woman riding a bike she just fixed, don't you?


Well, the bike is actually a smooth, almost cushy ride.  Yet it feels very solid.  That last part didn't surprise me:  Schwinn had a reputation for building sturdy bikes, and this one was made in Japan by Panasonic.  The second shop in which I worked sold Panasonics, and I assembled a couple hundred of them.  Even their cheapest models were easier to assemble, and required less tweaking, than most other bikes.  


It won't be as responsive as my Mercians.  It wasn't designed that way.  But I have the feeling it will be very satisfactory for errands and commutes.


When I got to Astoria Park, I made another interesting discovery about the bike.  It's an aesthetic consideration.  


If you've been reading this or my other blog, you have some idea about my tastes in colors.  I like purple, especially lavender, lilac and violet, best.  I also favor most shades of blue, green and pink.  But I can see why  orange is a popular bike color.  I actually think this bike looks better in orange than in the other colors in which Schwinn offered the Le Tour series.  Even more interesting, though, is a quality revealed in this photo:

As ratty as the paint job is, it still has a nice glow to it in the dusk light.  In a way, it made me think of all of those weatherbeaten and even somewhat grimy brick buildings that mirror the sun setting at the end of the day.

OK, so this one came out a bit darker than I hoped it would.  But here's another shot, taken in the same light, of the bike:

And here's one taken a bit earlier:

As I mentioned, the bike is almost complete.  I'm going to add a bell to the handlebar (the Velo Orange Milan Bar which, so far, I really like on this bike) and a pair of Wald folding baskets to the rear rack. I have a feeling those might be the best solution for commuting as well as shopping:  I can simply put grocery bags or my bookbag into one or the other.


Until next time....I'll spare you the cliches about riding into the sunset or crossing that bridge when I get to it!