04 December 2012

Triangle Spokes Group: New Bikes For Poor Kids In North Carolina

There are very few things that make more kids happier than finding a bike under the Christmas tree.  Of course, for many--especially in these economic times--such a thing seems out of the bounds of possibility.

Someone I know in North Carolina has sent me word about a charity that's doing something for kids whose parents (or whoever is raising them) can't afford to give them bikes for Christmas.




Triangle Spokes Group is named for the "Research Triangle" of Raliegh-Durham-Chapel Hill, which is the organization's home base.  This is the sixth year TSG is giving away bikes and helmets to needy kids in their area.  Their goal for Christmas 2012 is 500 bikes and helmets.  They're able to get a bike and a helmet for $70 from Huffy.  What that means, of course, is that they need money, which can be donated through their website.

If any of you know of organizations in your own area, or some other, that's doing similar work, please leave a comment with your contact information.

One thing that my involvement with Hurricane Sandy relief efforts has shown me is that it's the small, locally-based organization that are most effective in helping.  When I went to the Rockaways, I saw groups from various schools, colleges, universities and houses of worship (including the Sikh Temple of Queens, as well as various unaffiliated individuals, helping people who said they hadn't seen anyone from the Red Cross or FEMA.  So I am especially pleased to see an organization like TSG doing what it's dooing.

03 December 2012

An After-Work Ride On A Late Fall Day

It seems that fall, as we normally think of it, has come late to this area this year.  Perhaps it has to do with Hurricane Sandy and the subsequent nor'easter, as well as the mild October weather that preceded them.

When I say "fall has come later", I'm thinking about the kind of light and the feel of the air.  Also, I'm thinking about the trees (the ones that are still standing, anyway), which seem to have shed their leaves later and have not taken on the sere, wizened facades so many of them have by this time of year.

Maybe the lateness of the season is one reason why Tosca was so enjoying this part of an after-work ride:


Admit it:  You're not above taking a roll in the leaves.  Tosca is a fine traveling companion; she's entitled.

As she so frolicked, I noticed that the house directly in front of us is for sale:


For decades, members of the Steinway family lived here, in the Astoria Mansion.  At one time, part of their piano workshop was housed on the grounds.  When that business grew (i.e., when Steinway pianos came to be regarded among the world's best), they had to build a bigger factory a few blocks away.

Michael Hiberian died about a year and a half ago after living all of his 82 years in the house.  He'd put the house up for sale a few months before breathing his last in it; now his son is trying to unload it.  At the time the house was put on the market, it had a potential buyer at $5 million.  But that deal fell through, and the current owner is looking for $3 million.

I've never been inside, but from what I'm told, it's even more impressive there than from where I stood.  The problem is that it's in, ironically, what might be the least desirable location in Astoria.  When the house was built, it was surrounded by meadows that rolled into the bay.  The house, on  the highest hill in the area, had some expansive views, to say the least.  But now the house has an even better view of the Con Ed powerplant along the shore--and the bridge to Rikers Island.  Also, in the area around the mansion are warehouses and a cement plant.



Anyway, from there, I continued to ride along the water, past LaGuardia Airport and the World's Fair Marina, to a waterfront area I hadn't seen before--at College Point.



My bikes just love waterfronts and sunsets!  

02 December 2012

What's Your Idea Of A "City Bike"?



What is your idea of a "city bike"?



Some--including Grant Petersen of Rivendell--think that an old mountain bike with a good rack is, if not ideal, then at least the best possible.



Others, such as hipsters and some messengers would tell you that a fixed-gear bike is the only thing you should ride in the concrete canyons.  They would argue for the sheer simplicity of it.  A few would even go for a pure track bike with no brakes and a tight wheelbase, which makes them maneuverable.



Then there are those who want a plush bike to ride over sewer grates, potholes and all of the other hazards of the urban landscape.  Such riders--particularly those who do no other riding but their commutes--might opt for a hybrid or mountain bike with suspension in the front fork, and even in the rear.  Or they might ride cruisers or other fat-tired bikes.



There's also the English three-speed camp.  They are probably the most immune to fads:  Such riders will clatter along on their vintage Raleighs, Dunelts, Rudges and other machines from Albion.  Because they're immune to fads (at least in bikes), they never think of their mounts as "vintage," even if they those bikes were made before they were born.




Cousins, if you will, to the English three-speed crowd are the ones who like Dutch-style city bikes.  Some might also argue that these cyclists are variants of the comfort-bike crowd.  The difference is that, not only are the Dutch bikes built for comfort and durability, they also come with features that you may have never thought of having on your bike but "might come in handy", such as built-in locks and lighting.




And then there are those who like the speed and nimbleness of the road bike, but want a more upright riding position and a bit more style.  They're the ones who ride French-style city bikes and porteurs, which are based wholly or in part by the elegant machines made by constructeurs such as Rene Herse and Alex Singer.




Finally, there are the rat-rodders.  In other words, any bike that looks like it's been to hell and back is the right bike for the city.  Lots of cyclists here in New York follow that credo, which makes a lot of sense when you have to park your bike in high-theft areas.  The rat-rod can be just about any kind of bike; these days, the majority (at least here in New York) seem to be ten- or twelve-speeds from the '70's or '80's, or mountain bikes from the '90's.  Think of the guy (Yes, he's almost always a guy.) who delivers your supper from the Chinese restaurant or diner:  He probably brought your meal on a "rat-rod."


A variant on the rat-rodder is the urban cyclist who rides a Frankenbike.  You've seen them: the Specialized Rockhoppers with Schwinn Varsity rear wheels; the Peugeot ten-speeds with high-rise bars and forks in a color (and style) that clashes with everything else on the bike.


In the nearly three decades in which I've been riding in New York, and through the years I biked the boulevards of Paris---and while biking on trips to other large cities like London, Prague, Amsterdam and San Francisco, I have seen my notions of the "ideal" city bike evolve and change.  Sometimes I want comfort; other times, I want a bike that I can leave in urban combat zones as well as those areas--like the neighborhood around St. Mark's Place--to which thieves gravitate.  At times, I've craved speed and the ability to slice between parked cars and belching buses; at other times, I've worried about preserving dental work.  But I've always thought about what's practical for my errands, commutes and other ride-and-park activities like shopping.  And, of course, I've changed, and so has the city in which I live.

What's your ideal city bike?  Has your idea of it changed?  If so, how?


01 December 2012

A World Of Christmas Bikes

Around this time last year, I posted "Christmas Bikes And Trees". Interestingly, it's become the fifth-most viewed of the 664 posts on this blog.  What I find even more intriguing is that, although it had more views during the last holiday season, and during this one, there's been a fairly steady stream of viewers throughout the year.

I guess a lot of people associate bikes with Christmas trees, even if they never got a new Schwinn (or Raleigh or whatever) as a childhood holiday gift.  The bike under the tree is a very appealing image.  In fact, it's really a metaphor for a lot of other things--most, if not all, of them positive, I'm sure.

Of course, there are many bicycle-themed holiday ornaments and cards.  Quite possibly the only thing more fun than hanging a miniature bicycle on a tree is decorating a bicycle for the holidays.  

From Cycle The Earth

If you prefer to stick to daytime riding, you could deck out your bike like this:

Also from Cycle The Earth


Now, if you want to be a good little girl or good little boy and help out Santa, here's your steed:

Rudolph The Red Nosed Bicycle


I'm sure that wherever he is, Pablo Picasso is amused.

30 November 2012

A Parts-Bin Bike That Changed The World

The Trek I recently sold was a "parts bin bike."  That is to say, most of the components I hung on the frame were ones I had lying around after being stripped from other bikes--or acquired in swaps, or given to me.  

Practically every bike mechanic has put together at least one such bike for him or her self, and possibly for someone else.  Sometimes I think a true bike mechanic will not ride any other kind of bike.

Every once in a while, a "parts bin bike" gains some sort of significance beyond its maker's life.  Such was the case of this machine:





In the immortal words of Tom Cuthbertson, if you had a grand of cash and dreams of riding the Appalachian Trail on a bicycle, you went to Joe Breeze and he built you a bike like this one.

I have always liked the look of it:  an apparent cross between a diamond and French mixte frame.  (In fact, his first bikes were usually equipped with mixte bars.)  There was a reason for this design:  When Breeze, Gary Fisher and others who have claimed (or have had others claim for them) the title of the Inventor of the Mountain Bike were barreling down Marin and Sonoma County fire trails, their frames broke with alarming regularity.  The short life-spans of their bikes had to do with the abuse they incurred, to be sure. However, those pioneer mountain bikers were using bikes they picked up in thrift shops and garage and yard sales.  Some were not terribly strong bikes to begin with, but others were old bikes that probably had hairline cracks and other damage when the Downhill Dudes bought them.  Also, the old Schwinn and Columbia cruisers--which, in those days (late 1960's-mid 1970's) could be found for as little as $2--were made of mild steel.  That is why they were so heavy:  A lot of metal was used to make up for its lack of strength.

Back to Breeze's bike:  The frame was built from tubes and other pieces from wildly differing kinds of bicycles.  For example, take a look at the dropouts, fork, cranksets and brakes:

 

A mountain bike with track dropouts?  Or a fork from a newsboy-style bike of the 1950's?  How about a crankset and brakes from a tandem or touring bike?

When Joe Breeze built that bike nearly four decades ago, there were, of course, no mountain bike-specific parts.  The TA Cyclotouriste was one of the few cranksets available that could handle the kind of gearing needed.  And the Mafac cantilevers were, by far, the strongest brakes available at that time.  As primitive as those parts may seem to some people today, they were the best Breeze could find for his purposes.

I have to admit that I get a kick out of seeing a Brooks B-72 (which was standard equipment on many English three-speed bikes) on Breeze's rig.  What mountain biker rides such a seat today?

Whether or not Joe Breeze "invented" the mountain bikes, many agree that the bike pictured was the first to be built specifically for the nascent sport of mountain biking.  If nothing else, it's a parts bin bike (sort of, anyway) that changed the world.