Showing posts sorted by relevance for query Arielle. Sort by date Show all posts
Showing posts sorted by relevance for query Arielle. Sort by date Show all posts

19 October 2015

There's Nothing Like The First

Whenever I ride my Mercians, I find that I've actually ridden faster than I thought I was riding and, even when riding on rough stretches or climbing into the wind, I don't feel beat-up or worn-down at the end.  This is particulary true of Arielle, my Mercian Audax.




It's a bike meant for longer rides, hence the model name.  With such a purpose in mind, the bike is  designed with a somewhat longer wheelbase and slightly shallower angles than a dedicated racing bike.  On the other hand, its geometry is tighter than that of a full-load touring bike or even many randonneur bikes.   It also has, according to my specification, a shorter top tube than is typically found on touring (and even some racing) frames in Arielle's size (56 cm center-to-center) to accomodate the rather long legs and short torso I have for a person of my height.




When I was ordering Arielle--the first Mercian I bought--I was going to specify 16mm diameter seat stays.  At the time, Mercian was still offering 12mm on some models, including the Audax.  Hal Ruzal at Bicycle Habitat talked me into going with the 12mm, in part because that's what he has on one of his Mercians, which is very similar to Arielle. 




I'm glad he did.  Tosca, my Mercian fixed-gear, has 16mm stays.  It feels stiffer, but that may have to do with the geometry of the bike rather than the stay diameter.   Arielle, however, never felt flexy or noodly to me.  Yet those 12mm stays, I believe, absorb more road shock than the thicker stays, which--I'm guessing--is the reason why I never feel "beat up" after riding her.  

I also am glad Hal--and the folks at Mercian--convinced me to buy an Audax rather than one of the other models.  I didn't want a full-on touring bike:  If I ever do another multi-day tour, it will probably be with a light load.  On the other hand, I didn't want another racing-specific bike:  I'd owned and ridden a number of those and felt as if I were past being even a "wannabe", let alone an actual racer.

On this bike, I can ride fast when I want to, but--more important to me at this point in my life--I can simply enjoy the ride.  It has never felt like a "compromise":  It's simply a bike that fits well and feels good. 

Because Arielle fits and rides so well, specifying my next two custom Mercians--Tosca, my fixed-gear and Helene, one of my Miss Mercians--easy.  Tosca's geometry is just a bit tighter; Helene's dimensions were tweaked to allow wider tires and fenders. 

Vera, my other Miss Mercian, is the only one of my Mercians that wasn't custom-built for me:  I bought it second-hand.  So, while its fit is a bit different from that of the others (the imaginary top tube length is 15mm longer than on Arielle or Helene and 10 mm longer than on Tosca, and the chain stays are about 15 mm longer than the ones on Helene), my experience with my other Mercians served as a good guideline in helping me choose the right stem length and such.  Overall, it has the cushiest ride of my "Mercs" and, not surprisingly, Tosca has the stiffest and most responsive. 

All of them feel great, but, as the saying goes, there's nothing like the first.  And mine (at least in terms of my Mercians) is Arielle.

11 June 2017

In The Sun, With Arielle

Until the other day, June had been rather gloomy:  mostly gray, chilly and damp.  I did a little bit of riding, mostly for some other purpose or another.  The other day, however, seemed like a "breakout" day.

And Arielle, my Mercian Audax, knew it:




I had ridden her a bit this year, but Friday was her first long ride:  up to Connecticut, where she frolicked in the fauna and took me up and down hills. I somehow managed to make wrong turns wherever I could (Perhaps I could blame her: I think she was feeling as adventurous as I was) and entered Connecticut by way of "The Ridge" on the north side of Greenwich.  That is where you find all of those houses and horse farms you see in Architectural Digest and Vanity Fair spreads. 

None of the climbs are long, but a few are steeper than you expect if you're not familiar with the area.  And they are endless:  No matter which way you turn, you have to go up a hill. And I was riding into the wind most of the way up from my place.



One nice thing about all of that climbing is that when I got to downtown Greenwich and did a little people-watching at the Veterans Memorial (where Arielle ensconsed herself among the flowers), the pear I brought with me tasted exceptionally sweet, and the bottle of water I bought (something Italian, with essences of cherry and dragonfruit) felt like a spring coursing through my body.

However, if I thought I'd taken all the wrong turns I was going to take that day, I was wrong.  Instead of turning on to Glenville Road, I turned on to Lake Drive, where I saw the back end of all of those estates I saw from the front on my way in, and the front of all of the places I saw from the rear earlier in the day. Or so it seemed.  Buclolic it is.  And hilly.  

When I came to an intersection that kind of-sort of looked familiar, I turned in the direction I thought was home.  Instead, I found myself climbing more hills an by the time I finally realized where I was, I saw that I'd pedaled about the same distance (75 km) from the Ridge to my place--but in the opposite direction.  I was just north of Mount Kisco.

So I rode until I came to railroad tracks and followed them until I ran out of sunscreen.  By then, I think I'd gotten more sunlight than I'd seen all month!  When I find myself tiring out on such sunny day, it usually is a result of the sun.

Then I hopped a train from Hawthorne back to Grand Central, without guilt:  After all I'd ridden about 110 miles (170 km), against hills and wind.

That seemed to whet Arielle's appetite--and mine.  So, yesterday, we took a "recovery" ride--120 mostly flat kilometers to Point Lookout, with a bit of a ramble along the South Shore.  



I got more sun.  And Arielle got to work on her tan.


05 February 2011

Cranking (and Gearing) Up Arielle

So...How do you spend another dreary winter day on which the streets are still full of ice?  I know, ride a trainer or rollers.  I may just go out and get one or the other.  I used to ride rollers, back when I raced and when I told myself I was "going to get back into racing."  I know it helped to keep me in shape and improved my bike handling skills.  But it was boring, boring, boring!

So I spent today--part of it, anyway--modifying Arielle a bit. 



There was nothing wrong with her;  as I mentioned a while back, I didn't feel I needed the triple I had given her.  So I swapped the crankset for a "compact" double and changed the cassette (and chain, which needed it).  The gearing change allowed me to switch from a long- to short-cage rear derailleur and from a triple to a double front derailleur.


Arielle's drivetrain now consists of:
  • Sugino "Alpina" 170mm cranks with Specialites TA "Syrius" chainrings, 50 and 36T
  • Phil Wood bottom bracket with 108mm stainless steel spindle and rings
  • Shimano "Dura Ace 7700" (9-speed) rear derailleur
  • Shimano "Dura Ace 7402" front derailleur
  • SRAM 850 8-speed cassette
  • SRAM 890 chain
  • White Industries Platform Pedals with MKS steel toe clips, Velo Orange leather toe clip covers and Velo Orange Straps
  • DiaCompe "Silver" downtube levers.
I had been using the levers before the switch.  I like them very much:  They have a smooth action and feel good on my fingers.  I like the simplicity of downtube friction shifters:  After riding with Shimano STI and Campagnolo Ergo brifters for about a decade and a half, I came back to them about two years ago.

Interestingly enough, the same size bottom bracket worked with both the triple and the double.  Of course, that does not mean that you can get away with using the same bottom bracket when switching from one crank to another:  That depends on which model you're switching from and switching to, and on various dimensions of your frame.

I had been using the 50T chainring on my triple.  I decided to keep it because it gives me some gears that I really like.

Now all I need is some decent riding conditions.  I'm not fussy about temperatures, can stand some wind and don't even mind light precipitation.  But I'm not about to ride when there's ice everywhere.  Arielle deserves better than that!

04 August 2016

Happy To Ride Them Again

Today I luxuriated in riding another one of my own bikes.

Yesterday I took flight on Arielle, my Mercian Audax.  Today I spun the pedals on Tosca, my Mercian fixed-gear bike.  

Tosca: My Fixed Gear/Single Speed Mercian
Tosca

For over a week, I rode a relatively heavy hybrid/city bike with a geometry more relaxed than on any bike I own.  I understand why rental centers choose such bikes:  They stand up better than road racing or touring bikes to the rigors of city streets--which, in Paris, often include cobblestones.  Also, they are more responsive than mountain bikes.

The bike I rode in Paris this year, like the one I rode there last year, has a dropped-bar ("ladies'") frame made of oversized aluminum tubes.  The bike I rented in Montreal in October was also aluminum, but with a "diamond" ("men's") frame configuration.  Long-accepted wisdom (or dogma, depending on how you look at it) says that diamond frames are inherently more responsive than those with dropped bars because they are more rigid. My experience confirms that notion, at least for me.  I notice such differences on steel bikes, but they don't seem as pronounced as on the aluminum bikes I rode.  I wonder whether oversized aluminum tubes exaggerate the differences between these frame designs.

The Paris Bike Tour machine I rode this year.

Now, of course, my Mercians are lighter than those rental bikes, even though I made no effort to save weight in building my bikes.  And, even 700 X 28 tires--which both Arielle and Tosca sport--are narrower and much lighter than the rubber on the rentals.  So it's no surprise that my bikes would feel livelier.

But perhaps the most differences of all have to do with fit and my personal preferences.  Mercian custom-built the frames of both Arielle and Tosca for me, to fit the idiosyncracies of my body and riding preferences.  No amount of fiddling with the saddle and handlebar positions on rental bikes will make them fit me as well as my Mercians. 

Also, no matter how the handlebars are adjusted, the rental bikes all left me in a more upright riding position than even my most upright bike, the Schwinn LeTour that's become my beater/commuter.  Moreover, even that bike has a narrower and less-cushy saddle than any of the rentals had--and my saddles, all of which are leather (Gyes on the LeTour and Brooks on my Mercians) are broken in.

The Paris Bike Tour 

Then again, my riding in Paris did not have speed or even long distances as an objective.  I stopped frequently, whether to look at interesting things, shop or eat.  I suppose most people who rent bikes or use Velib (Paris' bike share program) are riding in similar ways.  

The bike I rented from Velo Urbain in Montreal

Don't get me wrong:  The bikes I rented this year and last from Paris Bike Tour were pleasant to ride and well-suited to their intended purposes.  So was the bike I rented from Velo Urbain in Montreal.  I would rent those bikes, from those places, again.  Still, I'm very happy to be riding my own bikes--especially Arielle and Tosca.




19 April 2015

Same Ride, Different Day--By Choice



Have you ever done the same ride two days in a row?



Back in my racing days, I sometimes did.  Ditto for the early part of my post-racing life, when I was still pretty young and training for…what, I didn’t know.  But, most of the time, I managed to find a different route every day for the hour or two or three I’d ride before or after work.



It’s rare, though, that I’ll follow the same itinerary two days in a row when I’m riding simply for pleasure.  Today was one of those unusual occasions:  I rode to Point Lookout again.




The sun shone as brightly as it did yesterday.  However, the wind blew harder and the temperature barely made it to 15C (60F) in my neighborhood, in contrast to yesterday’s 27C (80F).  That meant that though the temperature dropped considerably as I rode over the Cross Bay Bridge to the Rockaways, the contrast wasn’t as extreme as it was yesterday.



In addition to being stiffer, the wind blew almost directly from the south-south-east.  Yesterday, it came more directly from the southeast.  So, while I had headwinds, then sidewinds followed by more headwinds on yesterday’s ride, I pedaled into headwinds all the way from my apartment to Point Lookout.  On the other hand, I had a nearly perfect tailwind all the way home.  



One other difference: I rode Arielle, my Mercian Audax, for the first time this year.  I don’t know whether it was because I was so happy to ride her again, but the ride felt even smoother than I recall from earlier seasons.  Best of all, my ride out was faster than I thought it would be and I felt as if I were flying home.



Plus, if I do say so myself, she’s never been prettier.  Arielle always gets compliments; they seemed more common today.  Interestingly, of all of my bikes, it seems that Arielle and Vera (my green Miss Mercian mixte) get the most compliments for their looks.



Another reason why I was happy to be riding Arielle is that the gears sure came in handy when I was pedaling into that wind.  On my way home, I never shifted to anything larger than my third-smallest rear cog (on a nine-speed cassette) and I stayed in my large chainring throughout the ride.

So…I did 100K rides on consecutive days.  I guess that’s not bad considering how little riding I during the past winter, which seemed to end only when I went to Florida the week before last.

30 September 2010

New Saddle, Used Saddle

I've  been having computer troubles.  At least they're more tractable than man (or boy-toy) troubles, I think.  Welll, now you know why you haven't seen my posts for a couple of days.  Today, if  you can stand it, I'll talk more about changing saddles. 


Would Mel Brooks have made a movie called "Changing Saddles"  if he'd had a slightly different outlook on life?  Hey, can you get any more ironic than a man named Brooks making a movie with "saddles" in its name?


Before I decided to switch saddles, I had a B17 narrow saddle that I saved from a bike I sold about three years ago.  I didn't ride it long enough to break it in, but I recall liking the shape and width of it.  So I planned to use it on either Arielle or Tosca, and I bought another saddle like it.


Then I saw that Wallingford Bicycle had another saddle like it listed on eBay.  Someone had exchanged it under Wallingford's six-month return policy--and, apparently, ridden it a bit.


The listing contained a photo and description that depicted the saddle's condition honestly.  So I bid on it, figuring that it would take less time to break in.  I won the auction and paid about twenty-five or thirty dollars less (including shipping) than the saddle would have otherwise cost me.   Today it arrived.


I think I'm going to install it on Arielle, my geared Mercian Audax Special.   And Tosca, my fixed-gear bike, will probably get the saddle I saved from the bike I sold.  I figure that the saddle that since the saddle that arrived today will take less time to break in, it makes sense to put it on Arielle, as I usually ride fixed-gear more than derailleur-equipped bikes during the winter.  So, even if I don't ride Arielle much after, say, the middle of December, at least the saddle will be broken in for next spring. And since my winter fixed-gear rides are usually shorter than my geared rides during the rest of the year, it won't hurt as much if the saddle hasn't broken in yet.


So I have a spare B17 Narrow, in case I wreck one  or decide to build another bike (!) that calls for one.  I'm not going to give it to Helene; instead, she's getting a standard-width B17.  I have one that was treated with a little bit of Proofhide but was never ridden.  I'll use it, unless I get lucky and find a partially broken-in B17 at a reasonable price.


One thing I discovered about the B17 Narrow is that, unlike the standard-width model, it's not made in a "special" model.  Still, I think the saddle will look good on both bikes.  And, in one of those "only-with-Brooks"  quirks, the "special" model of the Professional, which has the big hammered copper rivets, is available with chrome or copper-plated rails, while the B17 special has somewhat smaller copper rivets and is available only with copper-plated rails.  To tell you the truth, I'm not so crazy about the copper rails, in part because the plating comes off fairly quickly.  (At least it did on the copper-railed Professional I rode.)


It's funny how I was able to prepare in all sorts of other ways for my surgery and my life after it.  But there are some things nobody tells you about.  Hmm...Are there other cyclists who are about to have Genital Reconstruction Surgery? Just remember:  All you have to lose is your old saddle.  Well, maybe.

12 July 2016

A Compliment From Someone Who Would Know: George, WIth A Competition GS

Three days, three rides, three bikes.


Arielle

Yes, after riding Vera (my green Mercian mixte) the other day and Tosca (my Mercian fixed gear) yesterday, today I pealled Arielle, my Mercian Audax.

And today I rode, again, to Greenwich CT.  One of the reasons I've been doing that ride is that I'm finding more and more of the East Coast Greenway in the process.  Also, the ride offers different kinds of vistas, terrain and road (and trail) surfaces--actually, quite a bit of variety for the area in which I take the ride and its distance.

Also, the ride calms my inner cynic.  You see, when weather forecasters say the winds are "light and variable", my IC says, "You guys just don't know.  Admit it!"  But, on the ride, the winds (or breezes) can vary because it ranges from urban streetscapes to marshland, low hills and the shores of a large bay and three different rivers.

Plus, today I realized one of the reasons why I ride to Greenwich specifically.  The parks and old houses have their charm, certainly.  But going to the shopping area--lined with designer boutiques and a "thrift" store where I once found a "pre-owned" pair of lavender made-in-France Chanel ballet flats for the modest (ha, ha) sum of $300 (Alas, they wer the wrong size!) also helps me to put my passions and obsessions into a different kind of perspective.  

That's the lesson I learned today from a fellow who, as I was about to mount Arielle for the ride back, remarked on what a "beautiful" bike she is.  (I used the quotations because he used that word.)  "The attention to detail is amazing", he exclaimed.  He liked everything from the paint job, the pinstriping on the lugs (especially the strokes in the "windows" of the lugs) and the Brooks Pro seat, bar tape and the RuthWorks bags.  Plus, he liked the fact that all of the equipment is first-rate--including the Dura Ace derailleurs (the first parts he noticed) and Mavic rims.


Now, I don't mean to boast when I say I get a lot of compliments about Arielle. (In fact, I got another--from a woman pushing a stroller-- on the way home when I stopped for a traffic light in the Bronx, near Parkchester.)  But the fact that this man--George--went into such detail intrigued me.  Which meant, of course, he had a nice bike--whether or vintage or new--with a lugged steel frame.  He pulled up some images of it for me.  If he ever sends them to me, I'll post them.  But for now, I'll post one that's on Old Ten Speed Gallery:


George's 1978 Raleigh Competition GS


George's Raleigh Competition GS is from 1978, the first year it came equipped with Campagnolo Gran Sport parts (and Weinmann Carrera brakes).  Through most of the '70's, the bike came with Huret Jubilee derailleurs and other high-quality French parts.  Now, as you well know, I like the Jubilee and the TA three-arm crankset that was standard equipment for a few years.  But some of the Campy parts--such as the hubs--were a clear improvement.

George says the bike was sitting in the back of a now-defunct shop on Gun Hill Road in the early '80's, when he bought it.  At some point, he changed the three-pin Campy GS crankset for a five-pin Chorus model "because I thought I wanted a 53 T chainring".  Later, he swapped out the dropped bars and stem for a Nitto stem with a longer quill and "riser" bars--which meant, of course, changing the brake levers. He also swapped the Camapagnolo GS quill pedals for MKS touring pedals.   "But I've saved all of the original parts," he reassured me.

Even with all of the changes, I think it's still a very nice-looking bike.  I told him as much.  Part of the reason is that silver finish, which Raleigh offered for the first time in 1978.  That year, the bike was also available in black, as it was through most of the '70's. I think that even after silver became available, more black bikes sold--at least, I've seen more black than silver bikes from the late '70's and early '80's, when the bikes came with Campy GS equipment.  I like the black, but I prefer the silver, which I think is more elegant.

I don't know whether it's my imagination, but the workmanship on those frames--constructed of Reynolds 531 double-butted tubing--seemed to improve when Raleigh switched to Campy GS.  At least, the lugwork and graphics look cleaner.  If I'm not mistaken,  Competition GS bikes from that period were among the last to be made in Raleigh's Carlton facility, where the top-line models (such as the Professional and International) were built by hand.  Carlton bikes have always been more esteemed than the rest of Raleigh's producton, justifiably so, in my opinion.

"Some people think we're crazy to spend as much time and money as we do on our bikes," George mused.  "But look at that car over there"--he pointed to a custom Bentley.  "That's about $800,000 right there.  And for what?  At least we know we're spending on something that will get us somewhere faster, or in more comfort or style, than a cheap bike will."

He had a point.  There were, probably, other cars on that street that cost more than I've made in my entire life.  And I'm sure that some of those people who were sauntering from store to store--and Starbuck's--probably spend money on things, and in ways, I simply can't imagine.

So, George taught me this:  That no matter how much we spend on our bikes, it doesn't come anywhere near what others pay for less practical, less fun--and, to my eyes, less beautiful--things.  That makes me feel better. But it's probably a good thing I didn't come to such a realization when I was younger.


15 November 2014

The Wind I Buck, The Wind At My Back -- And Snow

The other night, rain was forecast for most of the area, along with a precipitous (pun intended) temperature drop.  There was even the possiblility of snow flurries for areas north and west.  




Now, the last time I looked, Rockaway Beach was neither north nor west of Central Park (where NYC area forecasts are usually made) or Astoria.  But it looks like the place the Ramones made famous got a bit of the white stuff:




I didn't see any of it on the streets or paths I rode.  But the fact that the snow is there is testament to how cold the weather's been:  The high temperatures haven't passed 5C (40F) in Manhattan or Astoria.  So it's conceivable that they've remained below freezing in the Rockaways.

While the weather's been a bit colder than normal for this time of year, the reason why everyone is talking about it is the wind, which seems to have blown nonstop since the snow/rain fell.  I was glad to be on Arielle rather than Tosca because Arielle has gears.  But it was great to ride her again; of all of my bikes, she fits (and therefore feels) best.



She didn't seem to mind the cold--or wind.  Oddly enough, my trip back from Point Lookout--into the wind--was faster than my ride out there, when the same wind blew at my back.  I guess I was just more motivated to ride in the wind, and Arielle seems not to mind it any more than she minds the cold.  At least the cold air was clear and bright. 

23 March 2018

All About Dee-Lilah

I'm waiting for the snow and ice to clear so I can take Dee-Lilah, my new Mercian Vincitore Special, out for another ride.  I'd also like the chance to take newly-painted Tosca, my Mercian fixed-gear out for a spin.

Meantime, though, I'll tell you a bit about Dee-Lilah.




She's made of Reynolds 853 tubing.  The geometry is just slightly different from that of Arielle, my Mercian Audax.  Both frames have 55.5 cm seat tubes and 53.5 cm top tubes.  But while Arielle has a very traditional sport-touring design of parallel 73 degree angles at the head and seat tubes, Dee-Lilah has a slightly steeper seat angle, at 74 degrees, and a slightly shallower head tube angle of 72.  This allows for the response I like in the rear combined with a bit more comfort in front. Also, it will make for better handling when I start using a bag on the front rack. 


If Arielle felt like a magic carpet, Dee-Lilah feels like a cloud with jet propulsion. I know, I've only ridden Dee-Lilah twice for a total of just under 100 miles.  But I definitely feel differences, however subtle, between her and my other Mercians.  And they are subtle differences I wanted when I ordered the frame.

Anyway, here is how Dee-Lilah is kitted out:


Wheels:  
  • Phil Wood hubs, 36 hole rear, 32 hole front
  • Mavic Open Pro Rims, Velox rim tape
  • DT Competition Spokes, 14/15 ga.
  • Continental Grand Prix 4 Season tires, 700X28


Drivetrain:  

  •   Sugino Alpina Cranks, 110 BCD, 170mm length
  •  Specialties TA Syrius chaninrings, 48/36
  •  Phil Wood square-axle bottom bracket, 108 mm
  •  SRAM PC-991 chain
  •  Shimano Ultegra 9 speed cassette, 12-25
  •  Shimano Dura-Ace rear derailleur, w/sealed pulleys
  •  Shimano Dura-Ace front derailleur
  •  Shimano Dura-Ace downtube shift levers
  •  MKS Urban Platform pedals w/MKS "basket" toe clips and Velo Orange Grand Cru straps
Steering:
  • Nitto Mod. 177 "Noodle" handlebars, 42 cm 
  • Nitto NP (Pearl) stem, 11 cm
  • Chris King 2Nut headset
Braking:
  • Shimano R650 brakes w/Mathauser-Kool Stop salmon pads
  • Cane Creek SCR-5 levers
Seating:
  • Brooks Team Professional, Maroon (cordovan/oxblood)
  • Nitto 65 ("Crystal Fellow") seat post, 27.2

Other items:
  • Sugino chromed seat binder bolt
  • Newbaum's Eggplant purple cloth handlebar tape
  • Rustines handlebar plugs (like Velox)
  • Nitto M18 front rack
  • Andrew King "Iris" stainless steel water bottle cages
  • Crane bell on Velo Orange spacer


Dee-Lilah is designed so that, if I like, I can add fenders and/or a rear rack if I decide to, say, take her on a tour. But I had her built mainly with day trips in mind, and my first such ride with her has been a joy. 

In all, I have tried to combine my color preferences and my love of traditional bike aesthetics with what is practical for me.  So far, it all seems to have balanced out nicely!

Speaking of aesthetics:  Dee-Lilah's main color is Lilac (hence her name) Polychromatic (#17 on the Mercian colour chart) set off with a head tube and seat panel in Deep Plum Pearl (#56).


                           

27 August 2015

In Twilight And Afterglow With Arielle

It was a gorgeous late-summer day...and life intervened.  The new semester is starting, so I had various things to attend to, including course outlines and finding and restoring links to readings and films I'm assigning my students.

At least I got out to ride in the middle of the afternoon,.  I took Arielle, my Mercian Audax, off the peg and inflated the tires.  I knew she would feel great after spending a week on a rented hybrid, but Arielle exceeded my hopes and expectations. I felt as if I were in a race car suspended by hot-air balloons.  Or maybe a flying carpet with jet engines.



Whatever the metaphor, the bike overcame the deficiencies in the human engine.  Possibly the best part of all was riding a Brooks Professional--which is starting to feel really broken-in--after whatever was on the rental bike and the cheaper leather seat on my LeTour.

The bike felt so good I just wanted to keep on riding it.  And that's what I did, all the way to Connecticut.

I'd've gone even further than I did into the Nutmeg State, but I really didn't want to ride back in the dark.  I have lights, but riding back from ConnectIicut means passing through a couple of dodgy neighborhoods.  I've ridden them in the dark, with no problems, but I prefer to avoid nocturnal rambles in them.

I descended to the Queens side of the RFK-Triborough Bridge just as the sun was setting.  From there, it's only a kilometer to my apartment after 120 kilometers of delightful cycling. 

I arrived in a glow of twilight, and in an afterglow of an invigorating ride--and, of course, my adventures of the past few weeks!