Cycling, In Living Color

Time was when I wore nothing but black:  black leather, black lycra, black latex and black everything else.

Yes, I even had an all-black bike outfit before carbon fiber and the "stealth" look became so prevalent!

Now, understand that I was young and had just moved back to New York:  to the East Village, no less.  Even two of the three bikes I owned at that time were black. The Peugeot PX-10 was available only in white the year mine was made. Somehow that was overlooked in the circles in which I found myself.  Actually, I know how:  None of them were cyclists, and I'm not sure that any of them saw me on my bike.  And if they had, I'm not sure they would have noticed or recognized me:  Rare was the occasion on which we saw each other sober or in daylight.

Anyway, in my "black" period I was keeping a terrible, terrible secret.  No, it's not the one that became the subject of my other blog. Well, all right, I was keeping that secret, but that's not the one I meant. Nor was it that I'd voted for Reagan. (I didn't, but I later learned that some of them had, in secret.)  Or that I was having splendid relationships with my family:  My father and I were barely on speaking terms at that time.

My hidden vice, if you will, had to do with my tastes in art. Actually, the fact that I cared about art at all would have enraged some of my not-so-fellow-after-all travelers.   Some of them thought the whole idea of art was inherently bourgeois; at least one wore a T-shirt that read "I Hate Art."  (I thought she was talking about her ex until I learned otherwise.)

My dim, dark perversion was...my weakness for Jean-Honore Fragonard, which I retain to this day.  Yes, he represented every excess of the ancien regime.  When the Reign of Terror descended upon Paris, he fled and died, nearly forgotten, a decade and a half later.  Given the sort of person I was in my faux-punk days, I could have hated him for painting such subjects as the wife of a nobleman on a swing in her garden, much as I once hated writers like Henry James for their focus on high society.  (I've gotten over that!)  

So what attracted me to such paintings as "Blind Man's Bluff" and "The Stolen Kiss"?  All right, the title--and the none-too-thinly-veiled eroticism--of the latter.  But even more important, to me, were those colors.  Oh, those colors!  And the way he used them!  

(Hmm...Maybe I'm really a magpie in a human's body.)

So of course I had to get myself out to ride today.  No classes on a cool, fairly windy day when fall is just starting to tip toward winter.  The sun shining brightly.  And colors everywhere.  

I figured that if the red, orange and yellow leaves were so vibrant in my neighborhood, they must be blazing in other places--like, say, New England.  Or, more specifically, the part of it closest to me:  Connecticut.

So now you know where I rode today.  I pedaled into the wind most of the way up, which sharpened my senses, I think. (That, or the colors were even deeper than I thought they were!)  And Arielle, my Mercian Audax, felt even more lively than she usually does, which is saying something.

Call me shallow or trivial or--if you want to sound like someone who's trying to sound like he or she knows better--a sensualist who has never grown up.  And I won't, as long as I can do rides like the one I did today.  They just might keep me from fading back to black!