In Memoriam: Jocelyn Lovell, Canada's First Cycling Star

The star was ascending.  Or so it seemed.

The time:  late 1970's-early 1980s.  The place:  North America. 

The '70's Bike Boom was over.  Some people discovered bicycle touring during the heady summer of Bikecentennial.  Not many stuck with it:  careers and families and such detoured them.  (Also, some had a "been there, done that" attitude after touring the country.)  And whatever awareness people might have developed about bike touring, or any type of cycling done by adults, didn't translate into a lifestyle of which cycling would be an integral part.  They continued to drive to work, school and for shopping and recreational activities.  They might take the bike for a spin in the park, but it was a novelty, much as taking a horseback ride during a vacation is for many people.

Still, there were some signs that the United States and Canada might one day join some of European countries and Japan among the elite cycling nations.  Nancy Burghart had dominated women's racing during the 1960's.  During the following decade, a new generation of American women would dominate the field to an even greater degree.  In fact, one could argue that Mary Jane ("Miji") Reoch, Sue Novara, Connie Carpenter and Rebecca Twigg turned the US into the first "superpower" of women's cycling.

Men's racing on this side of the Atlantic (and Pacific) was also improving by leaps and bounds, though they were pedaling through longer shadows cast by such riders as Anquetil, Mercx and Hinault.  Still, during the period in question, the world began to notice American male cyclists, especially after they took home seven medals, including three golds, in the 1984 Olympics:  the first time American men won any hardware since the 1912 games. (Connie Carpenter and Rebecca Twigg won the gold and silver, respectively, in the inaugural women's Olympic road race that year.)

Canada wasn't about to be left out of the picture.  In those same Olympic games, Steve Bauer took the silver medal in the men's road race, and Curt Harnett did the same in the 1 km time trial.  In the road race, someone you've probably heard of finished 33rd:  Louis Garneau.  Yes, the one with the line of bike clothing and helmets. 

Although Bauer's and Harnett's victories were sweet for our friends to the north, they highlighted the absence of another rider who, many believed, could have won, or at least challenged for, a medal:  Jocelyn Lovell.

Six years earlier, he'd won three gold medals at the Commonwealth Games.  Later that same year, captured the silver medal at the World Cycling championships. Those victories highlighted a career that saw him win medals in other Commonwealth as well as Pan American games, as well as numerous national titles, throughout the 1970s.  He also represented Canada in the 1968, 1972 and 1976 Olympics--the latter of which were held in Montreal. 

Lovell at the 1976 Olympics in Montreal

Like the United States, Canada boycotted the 1980 Summer Olympics, in protest of the then-Soviet Union's invasion of Afghanistan.  Thus Lovell didn't make the trip to Moscow, where the Games were held.  He turned 30 during the course of the games.   It seemed, then, that if Lovell were to ride in the 1984 Olympics, they would probably be his last.

But he never had that opportunity.  A year before the opening ceremony in Los Angeles Memorial Coliseum, tragedy befell Jocelyn Lovell. Late in the afternoon of 4 August 1983, he was out on one of his daily training rides near his Missisauga, Ontario home.  A pair of dump trucks approached him from behind as he crested a hill. The first swung around him.  The second ploughed over him.

That he wasn't killed was a miracle. However, from that moment onward, he would never move any part of his body below his shoulders, ever again. 

According to friends and acquaintances, he never accepted his fate.  He always said that one day, he'd be on a bike again.  He may well have said that on Friday, 3 June:  the day his battle ended, at age 65. 

Such an ending is particularly sad for someone who was noted for his souplesse:  his fluid form astride a bicycle.  Observers remarked that he and his bike simply seemed to belong together.  The terrible irony is that someone who had such physical grace would have to spend half of his life completely unable to use it.  He did, however, become an advocate for spinal cord research and other related causes.

Although relatively few in the US know about him, any of us who are cyclists and benefit in any way from the current interest in cycling owe him a debt of gratitude:  He helped to put our continent on the cycling map.  And he always kept his hope alive.  What is more American than that?

More Aerodynamic? More Ergonomic? Maybe Not, But They Were Pretty

A few posts ago, I mentioned the Shimano Dura-Ace aerodynamic (EX and, later, AX) components of the early 1980s.  While the components themselves didn't catch on quite as much as Shimano hoped, they had (and still have) their devotees. More to the point, they have their influence on today's components and bikes.

Perhaps no part of the EX system better epitomized the ensemble's inability to catch on with the cycling public and its long-term impact than the Dyna-Drive pedals. 

 

The Dura Ace EX Dyna-Drive (DD) crank was actually a lovely piece of work and would look as appropriate on a current bike as one of the era, or even an earlier time.  It resembled other Dura Ace cranks made since, more or less.  Its spider and pedal arm have a finish and shape like those of its successors, save for the flare near the end of the crank arm.  There was a reason for that:  the pedal mounting hole was about double the diameter of that on any other crank. 

That oversized pedal hole was made to accommodate the DD pedal, which had eliminated the through-axle found in most pedal bodies in favor of something shaped more like a plumbing joint that mounted outboard of the pedal.  The bearings were inside of it.  In contrast, most pedals have a set of bearings inside each end of the body.

In addition to lighter weight (about a third less than Campagnolo and other quill-caged road pedals of the time), this setup, because of the size of its mounting, was supposed to be stiffer. I never used the pedals or crank myself, but I knew a couple of cyclists who did and wouldn't use anything else. 

 

 

The mounting system also resulted in a pedal platform that was lower than, rather than level with, the center of the mounting hole in the crank arm.  As a result, at the bottom of the pedal stroke, the bottom of the foot was lower than the pedaling axis.  This was supposed to offer better biodynamics in the pedal stroke, which would lead to a more even power transfer throughout the rotation of the pedal. 

To me, it sounds like the benefit the Biopace (slightly elliptical) chainrings Shimano would make around the same time.  As I mentioned in an earlier post, I never used Biopace for any length of time, so I can't say whether or not they actually offered the claimed benefit.  Likewise for the DD pedals, which I never used.  I will say, however, that the few cyclists I knew who used them liked them very much.

Shimano made adapters so that conventional pedals could be used with DD cranks, or so that DD pedals could be used with conventional cranks.  I don't know anyone who used those, but I saw some cyclists ride conventional Dura Ace cranks and the pedals of their choice with the other aerodynamic EX parts.

Eventually, the 600 racing series and the then-new Deore touring and mountain bike parts would also offer the Dyna Drive option.   They were even less popular in those ensembles than in Dura Ace.  It makes sense, especially for the touring ensemble:  If your DD  pedal hit a curb or got snagged on a rock or tree root in the middle of nowhere, you probably wouldn't find a replacement--or even an adapter--in the local farm machinery shop where bike repairs are done.

Still, those pedals have had a lasting influence:  Look and other contemporary pedals, while they don't completely eliminate the through-axle, use a shorter axle than on earlier pedals.  More important, though, they use one set of oversized bearings on the side of the pedal that mounts to the crank, eliminating the bearing on the outer part of the pedal.  This makes lighter, more streamlined pedals possible. 

And, of course, the shapes of many of today's pedals owe much to the aerodynamic design of DD pedals, which in turn were influenced by the Lyotard No. 23, a.k.a. Marcel Berthet, platform pedal.

Forty Years Later--Bikecentennial, Punk Rock and Miji Reoch

Mention the year 1976 to most Americans, and they will think of their country's Bicentennial.

Mention that same year to most American cyclists--at least those of a certain age--and Bikecentennial will come to their minds.

Something else that became an important part of our lives is also about to turn 40 this year.

I'm not talking about punk rock.  (Whether you date it to the Ramones' release of their self-titled album in February or the debut of "New Rose" by The Damned that October, punk rock began in 1976.)  And I'm not talking about the founding of Apple or the debut of Big Red Gum or the Honda Accord--or, for that matter, the Laverne and Shirley series.

What I am referring to is the first race in Somerville.

But wait a minute, you say.  First of all, it's the Tour of Somerville, though it is in fact a race.  Second, it first ran in 1940.  Didn't it?

Well, yes--for half of the population.  For its first thirty-two editions (it was not held from 1943 until 1946 because of World War II), only men competed in what has been called "The Kentucky Derby of Cycling".  But in 1976, the Mildred Kugler Women's Open--named for the daughter of Somerville's first winner, a top competitor in her own right--ran for the first time.  Held on Memorial Day, the same day as the men's race, its list of competitors and winners reads like a who's who of women's cycling.  As an example, Sue Novara, one of the best of the generation of female racers  that put the sport "on the map" during the late 1970s and early 1980s, won the race four times.

The very first winner of the Women's Open is someone who, unless you are around my age or are immersed in cycling history, you probably haven't heard about.  But in her day, she--a few years older than Novara and Sue Young--was one of the riders who picked up the torch from those who kept bicycle racing in the US alive during its Dark Ages and became, not only a world-class racer, but later a coach to the generation of riders who included Young and Novara, as well as later riders like Rebecca Twigg and Connie Carpenter.

Mary Jane "Miji" Reoch first won the US National Road Race championship in 1971, at the age of 26. She would go on to win ten more national championships on the road and track before retiring from racing at the end of the decade.  She also led a contagion of American women cyclists on a tour of Europe, where they competed in, and won, still more events.

She also helped to shatter some prevalent myths about pregnancy and cycling.  While she was racing, most obstetricians--nearly all of whom were male--recommended that women stop cycling as soon as they knew they were pregnant.  Their advice was based on the notion, since discredited, that a woman would harm her fetus or baby if she continued to ride.

Well, Miji continued to ride all through her pregnancy.  In fact, she pedaled to the hospital where she delivered her baby!

Miji--almost nobody called her by her full name--managed to earn the respect and garner the affection of a generation of those who raced with and against her, as well as those she coached and fans of racing.   While coaching in Texas, she went for a training ride with one of her students on the morning of 11 September 1993.  She was riding behind that trainee to better study that student's position and technique on the bike when an out-of control motorist struck her from behind. 

That motorist--Mario Nambo Lara--was driving well over the 20mph speed limit on the wrong side of the road when he lost control.  Reports said that she flew more than 90 feet through the air before landing in White Rock Lake.  That night, she was pronounced dead at Doctors' Hospital in Dallas.  

The pickup truck Lara drove was later found, abandoned.  By then, Lara had fled to his native Mexico, where he was captured nearly three years later. It is believed that he was intoxicated on the day he crashed into, and killed, Miji.

The following year she was inducted into the US Cycling Hall of Fame.  Women's racing, as we know it, might not exist had it not been for her work.  And it's not hard to imagine how much more it could have advanced had Miji not met such an untimely and tragic death.  She'd be 70 years old now, but if she could cycle to her delivery room, it's not difficult imagine she'd be cycling and coaching now.

Letting The Air Out

Tubeless tires for bicycles have been available for about two decades.  I have never used them myself, but I understand how they are useful for some riders, particularly mountain bikers.  While most road cyclists' flats are the result of punctures from road debris, mountain bikers are more likely to incur pinch flats that result from riding tires at low pressures, which causes the tube to be squeezed between the ground and the rim. If I were to become an active mountain bike rider again, I just might try tubeless tires.

I once tried another product created with the aim of preventing flat tires. 

Imagine a (say, 27 inch or 700C) donut made from the kind of rubber used to make tire casings.  That "donut" is solid; it does not have a hollow core into which air can be pumped, let alone one that can accommodate a tube. 

As you can imagine, installing such a tire was not easy:  It didn't even have the "stretch" of a tight-fitting tubed tire with a particularly stiff bead.  (I thought it was difficult to put those old Specialized Turbo tires on Weinmann concave rims until I tried installing one of the solid tires I mentioned!)  Removing it wasn't easy, either. 

That tire--the Zeus LCM--was available for a few years from the late 1970's to the mid-1980's.  Frank, the proprietor of Highland Park (NJ) Cyclery, stocked a few only because a few customers wanted them.  He also kept a pair of wheels fitted with those tires so would-be customers could try them before committing.  During the time I was working at HPC, he allowed me to borrow them for a few of rides.

If I thought those tires were hard in my hands, they were even harder on the road. They felt like they were made of cement!  Believe it or not, I actually did a half-century, in addition to riding to and from work for a few days, on them.  Never before had I ridden so slowly and felt so banged-up after riding:  The Zeus tires lacked the buoyance of pneumatic tires.  I found myself wondering whether I had just experienced what riding on a "boneshaker" must have felt like!


By the way, those Zeus tires were made in the US and bore no relationship to the Basque/Spanish bicycle and bicycle component manufacturer. Ironically, the only items on Zeus bikes that weren't made by the company were--you guessed it--the tires (and, in the case of clinchers, tubes). 

Around the same time those Zeus tires were on the market, a few similar products were being made.  Also, at least one other company made and marketed a solid foam inner tube, and another made a closed-cell foam inner tube with a hollow core which, as Retrogrouch pointed out, was like a big elastomer.  They were even heavier, slower and harsher-riding than the Zeus donuts.

Those products apparently disappeared around the mid-to-late 1980s.  

Sometimes it seems that if an idea is silly, impractical or bad enough, its time will come, or come again.  (That could make Victor Hugo turn in his grave!)   So, would you be surprised to find out that someone is making closed-cell foam tire inserts  again?  For me, the only surprise is that one of the most respected tire makers--Hutchinson--is behind it.  They don't sell that insert alone, but as part of their "Serenity" tire, which is like one of their city tires (I forget the name of it ) with a tough casing. 

From the Tannus website

Knowing that, you also probably won't be surprised to know that another company--Tannus--is reviving the idea of the Zeus tire.  Like the Zeus, it's a fully-molded solid tire that come in an array of neon colors that would have sent even Valley Girls running and hiding.



As George Santayana said, those who ignore the past are doomed to repeat it.  The pneumatic tire is one of the most important inventions in the history of the human race, and certainly the most important bicycle-related inventions.  Without that chamber of air floating and cushioning the bike and its riders, the bicycle, most likely, still couldn't be faster than a horse, even with Eddy Mercx pedaling.

 

Bicycle Safety Camp Rap Video (Priceless!)

Ah, yes, the 1980s.  What was not to love?  (Well, except that Reagan and Bush pere were President.)  "Power suits" with padded shoulders.  Ghostbusters. (The best English-language translation of Caesar's declaration of victory is reason alone to see the movie!) Televangelists.  Miami Vice.  Neon-colored ski wear.  Trashdance, I mean, Flashdance.  Jolt cola. 
 

And in the world of cycling we had...fade paint jobs. And the Campagnolo Stinkro system.  

And Shimano took over the world.

As for music...The decade gave us the worst song in the history of rock'n'roll--and the best old-school rap.

Let me tell ya, tho'---The Sugar Hill gang and The Beastie Boys had nothing on these kids!

Shifting

These days, shift levers are curved pieces of metal with cylinders at one end.  The shapes vary somewhat, and the ones attached to brake levers (e.g., Campagnolo Ergo and Shimano STI) are longer.  But, for the most part, they don't call attention to themselves. 

Probably the most elegant shifters ever made were the "teardrop" retrofriction levers Simplex made during the 1970's and '80's:

Next in my beauty contest are the Superbe Pro levers SunTour produced during the 1980's"

Some might say they look even better with the gum-rubber hoods SunTour offered for a time:

I'd probably want those hoods if I were going to install the levers on Vera, my British Racing Green Miss Mercian.

Campagnolo Record levers of that era also had a fairly understated design:

unless some bike maker decided to re-fashion them:

Now, some would argue that an Olmo of that era simply wouldn't be an Olmo without those shifters.  I wouldn't disagree, though I've never owned an Olmo.

I've never owned a Schwinn Sting-Ray, either.  That's probably a good thing, considering the shifter that came with it:

I can't help but to wonder whether it has something to do with the decline in birth rates.   Supposedly, the shifter "clicked" or "indexed".  It's hard to imagine how that was accomplished with the derailleur that came with the bike:  a Schwinn-branded ("Schwinn Approved") Huret Allvit.

In a way, though, I can understand why that shifter was used on Sting-Rays:  the bike's designer was invoking the spirit (or something) of "muscle cars" from that time.  I guess some kid could push or pull that lever and imagine himself on the track at Daytona or something.

But there's no such excuse for this lever, which was made for adult bikes:

If you think somebody cannibalized a Simplex "Prestige" derailleur and glued parts of it to the tops of these lever, you'd be right--sort of. After all, these levers were made by Simplex around the same time they were making all-plastic derailleurs.

And then there are these levers that dare not speak their name:

The "333" on the sticker means that Shimano made them, probably during the 1960's or early 1970's.  SunTour's components were sub-branded "888".  How these companies came up with those numerical designations, I don't know.

One way you can tell it's from that period is the red adjuster knobs and trim.  Both Shimano and SunTour--as well as a couple of other less well-known Japanese manufacturers--made derailleurs and other components with red trim or even small parts. That practice seems to have lasted only a few years, and no one seems to know what inspired it.  The "rising sun" of the Japanese flag, perhaps.

I wonder whether it will work with Campagnolo cassettes. ;-)





 

Shifting Reversals

When someone displays a flag upside-down, it's usually a sign of protest.

Other emblems and objects are posted with their downsides up, it can be a signal of distress or surrender--or a message to someone who's "part of the club", so to speak.

So, what does it mean when a bicycle part--a derailleur, specifically--is made with its logo turned on its head?:

This "Vic" derailleur was made in China for Sugino during the mid-1990's.  It was designed for use with six-speed index systems.  That alone could be a reason for the upside-down logo:  By the '90's, only the cheapest department-store bikes came with six cogs in the rear. Perhaps Sugino, which has made many high-quality cranksets over the years (I ride four!) didn't want people to know they were "slumming" it in the low-end market!

(Ironically, the only other Sugino-branded derailleur was a real gem:  a rebadged SunTour Superbe Pro with an even nicer finish than the original, which is saying a lot!)

In contrast, the reversed logo on this next derailleur can be seen as an example of the many lapses in workmanship or quality control to be found in products manufactured in Soviet-era factories:

 

 To be fair, according to Michael Sweatman (author of the Disraeligears website), this Tectoron KS-01 derailleur is well-made:  strong and tight spring and pivots, smooth-spinning pulleys and no steel or plastic anywhere in sight. It's also only about 15 grams (about half an ounce) heavier than a current Campagnolo Record or Shimano Dura-Ace rear derailleur.  Most important, I would expect it to work reasonably well for a derailleur of its time (1978):  After all, its design is based almost entirely on the Campagnolo Nuovo Record derailleur of the same vintage.  Its only real fault is that it seems to have been finished in a way only Stalin (or, perhaps, Hoxha) could love. 

The next, and last, derailleur I'm going to show lacks the nasty charm (Is that an oxymoron)--and almost every other virtue--of the Tectoron:

Triplex, based in the Spanish Basque city of Eibar (also home to the--justly--better-known Zeus), Triplex made derailleurs and other components that, from three or four meters away, looked like Campagnolo's offerings.  Unlike their crosstown rivals--and other manufacturers of Campy knock-offs--Triplex never made anything that even remotely approached the quality or durability of the venerated Italian innovator.   I can say this, having seen a few Triplex changers--as well as those from many other Campagnolo imitators during the '70's and '80's--when I worked in bike shops.

Hmm,,,Would mounting a Triplex with the logo right-side up have improved the performance or durability?

 

A Franken-Barracuda

Spend enough time in New York City, and you're sure to see some "Frankenbikes".  Such machines have been modified to serve some purpose for which they weren't built.  So, an old racer becomes someone's "pedal taxi" by changing the dropped bars and clipless pedals to flat versions of both, wider tires and, in some cases, clip-on fenders and lights.  Sometimes such bikes, which could have originally had anywhere from 10 to 20 speeds, are converted to single-speed or fixed-gear use.

Old mountain bikes might undergo similar treatment.  The difference is that these bikes' tires are often swapped for narrower ones or slicks (rather than the knobbier treads found on mountain bikes).  

Other "Frankenbikes" include ones in which one frame is stacked on top of the other, or "parts bin specials", in which a bike is assembled, basically, from whatever is lying around.

Today I spotted an interesting version of the latter kind of bike:

I wish I could have gotten a better angle on it.  At first glance, it didn't seem so unusual.  However, in passing it, I noticed this:

It's not the first time I've seen side-pull caliper brakes on a bike made, as most mountain bikes were until a few years ago, for cantilever or V-brakes.  Still, they look pretty strange (a least to me) on a front fork with suspension.  It was then that I realized that 700 C (road diameter) wheels were substituted for the original 26" mountain bike wheels.  The brake would not have been long enough to reach the rim of the smaller-diameter mountain bike wheel:

The same thing was done on the rear.  As I looked closer, I saw that the crankset had also been changed. 

What's interesting is that the crankset and brakes more than likely came from the same bike, most likely a mid-to-upper level Japanese road bike of the late 1970's or early 1980's.  The brakes were Gran Compes, which were a Japanese near-copy of Campagnolo's Record brakes.  And the crankset was forged by Sakae Ringyo, known in bike circles as SR.  

That they ended up on what appears to be a Barracuda A2B from 1995 or thereabouts is a story I'd like to follow.  Moreover, they ended up on that bike with a current Quando wheelset, yet the rear derailleur is a Shimano of later vintage than the bike.

Barracuda bikes had a meteoric "career", if you will. Two lifelong friends from Grand Rapids, MI founded the brand in 1992 in the mountain biking hotbed of Durango, CO.  After the business and its race team were well-established, manufacturing was moved to Taiwan, as was typical at that time.

The bikes had a loyal "cult" following, like many iconic mountain bike and component makers of the 1990's.  But those companies--often started, like Barracuda, by a couple of guys who liked to ride or a twenty-something in California whose father had a lathe and a drill press--often were run on unsound business practices.  In an odd way, this story parallels the dot-com boom and bust that followed it by a few years.  

Also, some smaller mountain bike and component makers of that time were done in by warranty claims or, in a few cases, litigation when a product was faulty.   It only took one or a few such cases to sink some of the smaller manufacturers, especially the ones that were operating out of someone's father's garage.

Late in 1995, in spite of positive reviews of their bikes, Barracuda was hemorrhaging money.  At the end of that year, Ross Bicycles bought the company. While they didn't change that year's models considerably, the ones that rolled off the assembly lines in the brand's later years bore almost no resemblance to the ones that had become virtual legends among a small group of mountain bikers.  By the end of the decade, Barracuda production had stopped.

Ironically, Ross--which was headquartered in Rockaway Beach, Queens--actually made a bike called the "Barracuda" during the 1960's and 1970's.  It was a small-wheeled bike with a stick shifter on the frame, similar in many ways to the Raleigh "Chopper" or the Schwinn "Krate" series.  So, one might say that the "Barracuda" I saw today was a Frankenbike even before anybody altered it!

 

This Medici Won't Fade Away

Just when I thought neon fades had been consigned to the dustbin of history, I saw this:

Now, as you well know, I have nothing against purple and green standing side by side.  In fact, it's my favorite color combination. But not in this shade of green.

Too bad it's on such a good bike:  a Medici.  About 30 years ago, Gian Simonetti and Mike Howard left Masi USA to start the brand.   Not surprisingly, Medicis were very similar in design and in finishing details to the USA-made Masis which, according to some purists snobs, weren't quite as nice as the bikes Signor Masi built when he was in Italy.

I knew people who had both US- and Italian-made Masis, as well as Medicis.  Truthfully, nobody could quite explain what the differences were between them, and I couldn't tell by riding them.  Then again, those people might argue that I didn't spend enough time riding those bikes.

I'd be curious about the one in the photo, though.  The early Medicis--including the ones I rode--were made from Columbus SL tubing.  On the other hand, the frame in the photo was made from Tange Prestige tubing, which means that it was probably made in the early or mid-1990's.

As far as I can tell, the Medici marquee no longer exists.  i guess the Medicis, like all dynasties, had to end some time!  

Celeste, Rescued: My First Bianchi

Yesterday I wrote about a "rescued" bike.  Today I'm going to tell you about another one.  The difference is that the one I'm going to describe today is one I rescued.

It's also the first of four Bianchis I've owned in my life.  This is an old-fashioned made-in-Italy bike.  I'm not sure of the exact model, but I know that it was probably made in the 1970's or early 1980's, as the frame was made of Columbus "Aelle" tubing.  If I recall correctly, the dropouts, headset and seatpost were all made by Gipiemme, an Italian company that was influenced by, or copied outright, Campagnolo's desgins.  The name, interestingly, is the phonetic Italian pronunciation of GPM which, if I'm not mistaken, was the monogram of the company's founder.

The headset and seatpost were the only items that were on the frame when I got it from Toga Bicycle Shop near LIncoln Center.  I was friendly with one of the mechanics, a salesperson and with the owner, Len Preheim, to the extent that one could be friendly with him.  They were cleaning out the store's basement and unearthed the frame, which I got in a trade for, let's just say, something non-bike related.

I was glad that the seatpost came with the bike, as it was one of those non-standard diameter.  The headset worked after an overhaul; even if it hadn't, it wouldn't have been difficult to replace.  

Anyway, this became a "parts-bin bike."  By the time I got the frame, I had a pretty fair-sized trove of parts, most of which I stripped from bikes I had at one time or another.  

In its original iteration, the bike was intended as an entry-to-mid-level road bike.  Being made of Aelle tubing, the least expensive frame material Columbus made at the time, It was a bit heavier than the higher-level Bianchi road bikes.  So, perhaps, it wasn't quite as quick as a Columbus SL frame (of which I've owned two:  the Trek 930 and a bike I'll write about in the near future).  However, it gave a pretty stable and fairly nimble ride.

As you can see, I fitted a rear carrier to the BIanchi.  I rode the bike to and from work, and to classes during my first year and a half of graduate school.  I also took it on a couple of weekend trips in which I packed a change of clothes, a book or two, my camera and a couple of other items.

Although I rather liked the bike, it was too big for me: I think it was a 58 cm (about 23.5") frame, as measured from the center of the bottom bracket to the center of the top tube.  I normally ride a 55-56 cm, depending on the design of the frame.  

It size exacerbated another problem I had with that bike, and other road bikes I rode before I went for a custom bike: The top tube was pretty long.  That meant using a stem with a shorter extension than I might have otherwise used, which blunted the bike's handling. Later, I would try to solve the problem by going to smaller frame sizes (53-54 cm) and using a longer seat post.  When I did that, I missed the stability and the fullness of pedal stroke I could achieve with the slightly larger frames.

Anyway, I apologize for not having a better photo of the bike.  When I got it, the paint was in rough shape, though still unmistakably "Celeste".  

Because of its less-than-ideal fit, I was going to sell the bike.  However, someone got it for free when I parked it outside CBGB.  Hmm, maybe if I'd told Joey Ramone, he'd've done a song about it.