How A Windsor Became A Raleigh

Sometimes “parts bin bikes” become other “parts bin bikes”.

That’s how it seems to work for me, anyway.  In any event, that’s what happened to the Windsor Professional I built up.

As I mentioned in my previous post, I didn’t like the ride.  So I sold the frame and transferred the parts to another.

Back in those pre-Internet, e-Bay and Craig’s List days, we learned who was selling what by word of mouth, bike club newsletters and bike shop boards.  And, here in New York, we checked the board at the American Youth Hostels store on Spring Street.

It was on the latter that I saw a listing for a Raleigh Competition frame.  Built from Reynolds 531 tubing with “sport” geometry, it was, in concept as well as ride, similar to the Peugeot PX-10.  Actually, I’d say the Competition—at least the one I had-- was a bit stiffer, but not harsh.

I’m not sure of whether Raleigh sold only the frame.  During the 1960’s and into the late 1970’s, it was equipped with quality French components such as the Specialtes TA three-pin crankset, Normandy Competition hubs, AVA tubular rims and Huret Jubilee derailleurs. The brakes were Weinmann centerpulls, as they were on all derailleur-equipped Raleighs except the Professional. In the late 1970’s, the wheelbase was shortened a bit and, possibly, the angles were tweaked a bit to make it stiffer.  At that point, Raleigh started to equip the Competition with Campagnolo Gran Sport components and Weinmann Carrera side-pull brakes.  The rims were switched to narrow Weinmann concave clincher rims.

In both incarnations, the frame was finished in glossy black with gold lug linings and graphics.  The lettering and other elements of the graphics were updated when the Raleigh changed the specifications.  My frame was the later version, from 1978.

I liked the ride quite a bit:  not quite as aggressive as the Colnago I owned at the same time, but stiffer and quicker-handling than my old PX-10. And it didn’t have the hard, dead ride of the Windsor Pro it replaced, or of the Cannondale I rode a couple of years earlier.

Actually, it was like the Romic I mentioned in an earlier post, and a slightly less aggressive version of my current Mercian Audax Special, a.k.a. Arielle.

So why did I strip and sell it?

 If I recall correctly, the frame measured 58 cm or 23 inches.  Normally, I ride 55 or 56 cm, depending on the design of the frame.  I believe that by the time I bought the Competition, Raleigh stopped making it—or, at least, they were making a very different bike  and calling it the “Competition”.  Also, around the time I bought the frame, Raleigh had shifted most, or possibly all, of its production out of England.

More important, even if I could have found another used Competition, it probably wouldn’t have fit me.  You see, Raleigh had this habit of sizing their bikes in two-inch (five-centimeter) increments.  So, if the bike was offered in a 23” frame, the next-smallest would be 21”.  I probably could have ridden that size with the seatpost extended.  However, other proportions of the frame might not have been right for me.

I know someone—whom I mentioned in an earlier post-- who has a Raleigh Competition just like the one I had.  He turned it into a Randonneuse, with fenders, racks and an Acorn handlebar bag.  He loves it.

It Wasn't Eddy's Bike

Ever since I started cycling, I've heard no end of debates about which frame tubing is "best." And, as long as I continue cycling, I'll probably never hear the end of such arguments.

Of course, for the first two decades or so I was a dedicated cyclist, nearly all frames were made of steel.  Even after other frame materials such as aluminum, titanium and carbon fiber first came onto the market, it took about a decade for them to appear in European pelotons.

So, in my youth, the Great Tubing Debate was mainly one of Reynolds vs. Columbus.  A few cyclists preferred Tange, Ishiwata or Vitus tubing, but nearly anyone who had a custom frame built--or simply had any pretensions of being a "serious" cyclist--chose Reynolds or Columbus.

Deep down, I always knew that it made only so much difference.  All of the tubings I mentioned are of high quality and can therefore be built into light, responsive and sturdy bikes.  The design and build quality of the frame matter far more than which company's metal is used.

The bike about which I am going to write today helped me to learn that lesson.

Back in the 1970's and '80's, a Mexican bicycle company called Windsor made a frame and bike called the "Profesional."  (Note the Spanish spelling, with one "s".)  If the decals were removed, most people would have had trouble telling it apart from the work of De Rosa, Colnago and other legendary Italian bike makers.

Like its old-world counterparts, the Profesional featured Columbus SL tubes (SP on the larger-size frames) joined with long-point lugs.  The Profesional even had the sunset-orange finish (which I have always liked a lot) of the De Rosas and Colnagos Eddy Mercx and his Molteni team rode to victories in the Tour de France, Giro d'Italia and just about every other race you can think of.

As a matter of fact, in 1972, Mercx broke the hour record on a Colnago painted in that color, but covered with Windsor decals.  That ride in the Mexico City velodrome probably was the first time cyclists outside Mexico knew that Windsor bicycles existed.

A complete Windsor Profesional bicycle with Campagnolo Record components could be had for about half the cost of a Colnago, DeRosa or other Italian iron.  The Profesional frame was available for about a third, or even less, than what one of those old-world steeds cost.

Not long after I bought my Colnago Arabesque, I acquired a somewhat-used Profesional frame with a seatpost and headset for $100, a good price even then.  It became one of my "parts bin bikes":  clincher wheels with Shimano 600 hubs, Sun Tour dearilleurs and Sugino cranks and, perhaps incongruously, Mafac 2002 centerpull brakes.

Aside from the fact that they were in my parts box, there was another reason I used those brakes:  They were gold anodized.  You can just imagine how they looked on the sunset-orange frame. And, oh yes, I installed a brown Ideale saddle and wrapped the bars with a brown leather tape Cannondale sold at the time.  That tape was one of two items I bought for the bike:  The bottom bracket that I used with the Sugino crank on another bike was made to fit an English-threaded bike, but the Windsor was built to Italian specifications.  

So how did it ride?  Well, this is where I come back to my point about frame tubing:  Although it was built from the same materials as the Colnago I'd just recently bought and the Gitane Professional I would later acquire, the ride did not compare with either.  The Windsor was at least as stiff as either but its rigidity felt more like that of a bike made of heavier materials.  In other words, it felt "dead" and not very responsive.  My perception didn't change when I swapped the wheels for the best set of tubulars (with sew-up tires) I owned at the time.  

I don't know why the ride was so unpleasant:  If I recall correctly, the wheelbase and angles were the same as (or close to) those of the Colnago.  As far as I could tell, the fit was about the same on both bikes, and I used handlebars and stems with the same dimensions as the ones on my Arabesque.  

For a season, the Windsor Profesional was my commuter and "rainy day" bike, though I did take it on a couple of long-distance fair-weather rides.  Some might say I needed more time to develop a mutually supportive relationship with the bike but the Colnago, Gitane, my Mercians and other bikes I've owned felt "right" to me immediately, even before I'd become acclimated to their particular idiosyncrasy.    So, the parts on the bike went back to my bin--for use on the next frame I would acquire--and I sold my Windsor Profesional for $50 more than what I originally paid for it.