Restfulness, I Hope

The other day, a late-afternoon ride along familiar routes turned into more of a journey than I imagined it could be.

Along the Malcolm X Promenade (formerly the Flushing Bay Promenade), workers who didn't have a "break room" were doing the best they could to take a break from work much harder than mine:

They were reclining by the water, in the way people can recline only when they're by the water.  A few miles away, in Fort Totten, I saw upright structures in, and by, the water.

Nearby, in Crocheron Park, Golden Pond allowed me, for a moment, to pretend that I'm Monet.

I hope that the men I saw early in my ride got their well-deserved rest--and, just as important, the calm I felt seeing the sailboats in the bay and blooms in the pond.

After Work, Under A Cherry Blossom Canopy

Yesterday’s commute from work was a bit different from the usual.  For one thing, instead of my “beater,” I took Tosca, my fixed-gear Mercian, as I had little to carry and had left a change of clothes (a skirt, blouse and pair of low-heel pumps) in the office last week.

I left them yesterday.  So I rode home in a pair of bike knickers and a long-sleeved top, on Tosca.  Although the wind was a bit nippy, the spring afternoon called me to ride. My reward:

A canopy of cherry blossoms along the river, late in the afternoon, early in the Spring.  What more can I ask for an after-work ride?

Late Afternoon Ride, Early Spring

Bare branches veil

late afternoon windows

before they open

 

early Spring 

red buds 

pink blossoms

my ride ahead

opens

late afternoon 

early Spring.

Late Afternoon, Early Winter, End Of Year

Late afternoon.  Early winter. End of the year.

That was today’s ride, down the Brooklyn and Queens waterfront and back.

I lingered a bit at the Long Island City promenades op and piers. I started riding there long before it sprouted glass towers, trendy cafes and young people who might be a little too self-consciously hip for their own good.  

Back then, it was an industrial area where each block, it seemed, showed a different stage of post-industrial decay.  But it felt comfortable, to me anyway, like a sweater that might look a bit tattered but feels right.  One thing that hasn’t changed is that it offers some nice harbor vistas and the best views of my two favorite Manhattan skyscrapers—the Empire State and Chrysler Buildings. I wonder, though, whether we’ll be able to enjoy those  views for much longer:  It seems that developers are building more and more, as tall and as close as possible to those edifices, as possible.

I mean, if they continue to hem it in, nobody will be able to see this, from Long Island City or anywhere else.

 

Still, the ride was a nice ending to a day and a year, at the beginning of winter.

A Cross I Didn't Have To Bear

It's been a while since I've been to church for anything but a wedding, funeral or memorial service. (At least they weren't my own!) But I have to admit that I at least stop and take notice when I see a cross looming over a landscape, like the Croix de Fer atop Mount Royal in Montreal.

For me, oversized crucifixes are both awe-inspiring and intimidating.  On one hand, I am impressed with the effort it takes to build any large structure that stands out in its environment. On the other, I can't help but to think about people who've been tortured and killed while or by hanging, whether from an upright tree or crossed staffs.  

Sometimes I wonder whether the person who constructed a large cross-like structure intended it to mean more than just its ostensible function--which, in this case, seems to have something to do with sails.

Somehow, seeing it over the water seems especially fitting today, the anniversary of Columbus' "discovery" of the Americas.  (I think Vikings, and possibly even Phoenicians, got here before him.  And neither they nor he "discovered" anything:  There were plenty of people living on this side of the ocean already.)  Colonizers claimed lands in the name of their church as well as the rulers of the countries from which they sailed.

Although I was pedaling into the wind when I saw this "cross" during a ride along the World's Fair Marina, my trek wasn't nearly as difficult as anything a "cross" represents!

 

Riding By Their Home

Even though I have lived and cycled in this city for most of my life, an afternoon ride still can include a “What’s this?”moment

So it was late yesterday afternoon, as I spun down Park Place in Crown Heights, Brooklyn.  

This T-shaped building takes up most of a square block and seems out of place , only because of its size, in a neighborhood full of elegant brownstone townhouses and min-mansions. (Crown Heights was one of the most fashionable neighborhoods in New York—something Stingo, the narrator of Sophie’s Choice, notices.) To me, it looked like a sanitarium attached to a church.

Turns out, my hunch wasn’t far off the mark:  It opened late in the 19th Century as the Brooklyn Methodist Episcopal Home of the Aged. About two decades later, the chapel was added.

When the Home was built, Social Security and public services for the elderly and other vulnerable people didn’t exist.  So, whatever help was available came from charities, whether secular or church-related.

Mercein Thomas, the architect of the Home, refused payment for his services. So did William Kennedy, the architect who designed the extension and chapel.  The money was donated by members of the Methodist Episcopal Church, which included some of Brooklyn’s most prominent families.

Today the building houses the Hebron Seventh Day Adventist Church and bilingual (French and English) school that mainly serves Haitian and Senegalese immigrants.

As I understand, the building is in peril:  A developer wants to demolish the south wing and build an apartment tower that would dwarf, not only the school, but the neighborhood. And it would accelerate gentrification, which would drive out longtime residents as well as the families of the kids who attend the school.

Where would be the sense of wonder in riding past another tower block?

Workers On A Late-Day Ride

Three weeks after the autumnal equinox, days grow noticeably shorter.  That, I feel, makes late-afternoon rides even sweeter:  Sunlight simmers into shades of sand, stone and rust just before the sun begins to set.

And, it seems, I notice things anew, or for the first time, along familiar routes.  Today, I pedaled a loop that skirted the edge of LaGuardia Airport and wiggled through an industrial waterfront area.  I had one ulterior motive: to climb the local version of Mount Ventoux.  It's nowhere near as high as that iconic French peak that has served as a "statement" climb for Tour de France winners and leaders, but the hill erupts, seemingly out of nowhere, from the cauldron of Berrian Boulevard and up 41st Street.  

After my second climb, I coasted back to Berrian, where a building I'd passed a number of times before caught my eye:

It's a waste water treatment plant, which is why it's surrounded by a chain-link fence.  The ship portal-style holes are telltale signs of an Art Deco-influenced Works Progress Administration building.  Other similarly-styled and -detailed buildings stand in other parts of this city.  This one, though, must have the least conspicuous location as well as purpose of such buildings.

WPA public works buildings like this one often feature some interesting bas-reliefs, often depicting scenes of workers, if in stylized or romanticized ways.  Ironically, works like these were made at about the same time  "social realism"--which also featured stylized and romanticized scenes of workers--was taking shape in the former Soviet Union.

The late day light and air would have been enough of a reward from my late-day ride.  But they highlighted something I noticed, for the first time, along a familiar route.