Entering And Reaching During A Ride

The other day, I pedaled along the Queens and Brooklyn waterfronts from my apartment to the Williamsburg Bridge.  After crossing, I turned onto Clinton Street and crossed the Lower East Side and Chinatown before crossing under the Manhattan and Brooklyn Bridges. 

Then I decided to channel the bike messenger I was many years ago and zig-zag through the narrow steel, granite  and concrete  canyons of the Financial District.  There, I did something that sounds riskier than it actually is (which is the opposite of so many things done in that part of town!): I stopped in the middle of Fulton Street, with a line of cars in front of,  and behind, me.

It wasn't so dangerous because the traffic was halted for a bit longer than it normally would stop for a red light.  Guys in thick boots and safety vests were doing some sort of construction or destruction, I'm not sure of which.  So they, with the help of police, stopped traffic for a few minutes, did whatever they were doing and let the traffic go for another few minutes.

That was good, for me, because there are some things for which one should stop before entering.

I couldn't help but to feel that I was riding into the entrance of a cathedral--of tourism?  Of capitalism?  Of this city itself?

When the new World Trade Center tower was under construction, about a decade ago, I was prepared to hate it.  I never cared much for the old "Twin Towers," but after they were destroyed in the September 11 attacks, I felt that nothing should be built in their place.  I thought that the twin rays of blue light that were beamed up from the site for about a year were a fitting tribute to all of the lives lost.

I must say, though, that I like the new tower.  Its curves on the outside give it the grace of a dancer rising and arching her arms as she pirouettes.  It's as if the feeling of transcendence one feels under the arches of a cathedral were the result of the cathedral itself reaching for something.

I feel the new WTC, in its architecture, honors the people lost in and around the Twin Towers.  If only they were here to see it.

Abandonment

 About three weeks ago, after a long day of work and errands, I was pedaling home when I flatted.

Rain and darkness were falling. I decided I’d rather fix my flat at home than on the street.  So I took the subway.

While waiting for the train, I saw this:

I’ve seen other shoes on the track bed. None were in as good condition, let alone as vibrantly colored.

Oh, and I’ve never seen another  shoe stand so prominently and conspicuously in its surroundings, in a trackbed or anywhere else.

It, of course, begs the question of how it got there, in such good shape and standing as proudly. Was it placed there deliberately?  If so, for what purpose?  So someone like me could babble about it on her blog?

Or was some street performer fleeing from law enforcement?  Perhaps he or she was playing Jean Valjean in a modern update of Les Miserables.  I mean, why not the New York City subways instead of the Paris sewers?

I haven’t been back to that station:  Cortlandt Street/World Trade Center on the R line.  So, of course, I don’t expect to see that shoe again. I hope, though don’t expect that it’s reunited with its mate—and, perhaps, the foot that dropped it!

From The Heights To The Cutoff—And Joe

Sometimes, when I ride through the industrial areas of Queens and Brooklyn, I feel like an archaeologist.

Tuesday afternoon I took Negrosa, my vintage Mercian Olympic, for a spin along some landmarked blocks in central Brooklyn.  I hadn’t planned to ride anywhere in particular; I just found myself spinning my pedals out that way.  

Brooklyn has, probably, the greatest concentration—and some of the best examples—of brownstone houses. Long-since-gentrified (and bleached, if you know what I mean) neighborhoods like Park Slope and Carroll Gardens regularly (during non-pandemic times) witness throngs of architecture students and tourists savoring the details of those buildings.  But some equally-beautiful areas like Stuyvesant Heights are less known because they are “off the beaten path. Stuyvesant Heights is still mainly an African- and Caribbean-American neighborhood.  Hmm...Could that be a reason why tourists (or White New Yorkers, except for those in the know) don’t beat a path to it?

These houses on Decatur Street have details even more intricate than what I saw every day when I was living in “the Slope.” 

I would love to see this neighborhood to keep the characteristics—including some interesting shops and cafes—that make it worth seeing.  But I hope it doesn’t turn into a masoleum, I mean museum or, worse, a Brownstone Theme Park.

Likewise, I could see this railroad underpass—under which I passed on my way home—turning into what many of us hoped the High Line would become.  The Montauk Cutoff, as it’s called, bears striking resemblances to The High Line before it became  catwalk for the well-heeled high-heeled:  Like the HL about 20 years ago, the MC is a weed-grown railroad right-of-way previously used by freight trains making deliveries to and from an old industrial area that’s starting to de-industrialize.

As I understand, the MC belongs to the Long Island Rail Road. (Yes, the LIRR still spells “Rail Road” as two words, just as they did in 1834!) Some reports say the Rail Road wants to add some trackage and connect it to their recently-expanded Sunnyside Yards.  Others say it’s structurally unsound and will be torn down.  Then there are stories that some city or state agency or investors want to acquire it and create a High Line, especially since some of the industrial sites could become upscale residential and commercial areas.

Me, I’d love for it to become a High Line for the people. It would include a bike lane (of course!), green spaces and art studios, galleries, craft shops, educational centers and cafes that could represent the many communities of Queens, the most culturally and linguistically diverse county in the United States, if not the world.

(Examples of the diversity include members of Central American indigenous groups who may or may not speak Spanish and Africans who might speak Wolof or some other native language and practice a religion far older than Christianity or Islam.)

Hmm...If someone takes me up on my idea, there might be a plaque or something with my name and likeness. Perhaps someone would look at it and wonder who, exactly, Justine was

just as I wonder what happened to Joe, or whether Marty and Janet stayed together. I mentioned these bits of graffiti on the Review Avenue wall of the Calvary Cemetery eight years ago.  I first saw it many years ago—if I recall correctly, with my family, on our way to visit relatives who were living in Queens.

I never know what I’ll unearth on a ride!