Yesterday, I took a bit of a detour during my ride home from work. I was rewarded with this spectacle from the top of Claremont Park, about five kilometers from my apartment:
It definitely made my day!
In the middle of the journey of my life, I am--as always--a woman on a bike. Although I do not know where this road will lead, the way is not lost, for I have arrived here. And I am on my bicycle, again.
I am Justine Valinotti.
Yesterday, I took a bit of a detour during my ride home from work. I was rewarded with this spectacle from the top of Claremont Park, about five kilometers from my apartment:
Has something ever stopped you in your tire tracks?
While commuting, touring, day-tripping or doing just about every other kind of riding except racing, I have stopped when I’ve seen something unusual or interesting. I more or less expect to make such stops when I’m somewhere I’ve never been before: Whether I was seeing the chateau at Amboise or an elephant in the wild for the first time, I knew that such sights—or a marketplace that only the locals know—is as much a reason for my ride as, well, pedaling on unfamiliar terrain.
Perhaps nothing is quite as surprising, however, as pedaling through a part of my neighborhood I hadn’t seen in months and encountering something that not only differs from its immediate surroundings, but would stand out almost anywhere.
While spinning the pedals on Tosca, my Mercian fixed-gear bike, along 36th Avenue, I couldn’t have missed a house with such a paint job. I know it had to have been built recently because, while the stoop and other fittings seemed to match those of adjacent houses—at least at first glance—they didn’t have the nooks and crannies (like Thomas’s English Muffins) of bricks that have weathered seasons and been painted over.
I saw a name plate by the front door. Looking it up, however, was fruitless because it’s a name common to the Indian-Bengali community in that part of the neighborhood. My guess is that it’s the name of the person or family who built it. Whoever they are, they’re probably rich and eccentric.
At first glance, it reminded me of a Buddhist temple. Perhaps the nearby spice shop and Punjab restaurant and bakery had something to do with that. (I know: Punjabi people are as likely to be Sikhs, Hindus, Muslims or even Christians. My Eurocentricity is showing!) Then, for a moment, I thought of San Francisco about 35 years ago, before tech money remade it: Victorian houses were painted in colors you never would see on similarly-styled houses in Brooklyn, Boston or Montréal.
I believe that if I’d seen that house anywhere, it would have stopped me in my tire tracks.
Yesterday was a Florida day I reverse: It began with rain that fell “fast and furious”: I don’t think it lasted more than 15 minutes. A curtain of clouds remained, sealing this city into a cauldron that became even steamier when the sun peeked out before filling a clearing sky.*
I took a late afternoon ride in that late-summer soup. So, not surprisingly, what I wore—and I—turned into wet rags. I needed to do laundry anyway, so after supper, I lugged my dirty, smelly load to my usual laundromat.
It was closed for “maintenance.” I figured there had to be another nearby, so I walked down to 34th Avenue, where I encountered this:
Whatever others (and a government agency or two) say, I aver that I am in the middle of my life. I claim that status because I don’t know when it will end. That means I might not see, again, what I saw last night. Or I might see its next predicted appearance—in 2037–or the one after it.
The Super Blue Moon is one of the rarest celestial phenomena. You’ve heard the expression “once in a blue moon.” There’s a reason for it: The “blue” moon is the second full moon in a calendar month. Because the moon’s cycle is 29.5 days, it’s “blue” only every three years or so.
The name comes from the ok hue the orb sometimes reflects back to earthbound viewers. But last night’s blue moon shone as bright and silvery-white as a streetlight because it’s a “Super” moon: a full moon that coincides with the perigee, or the moon’s closest approach to the earth. That happens a bit more frequently than a blue moon, but still only three or four times a year.
Thus, seeing a “blue” moon so big and bright won’t happen again until 2037. Whether or not I get to see it, I saw last night’s Super Blue Moon in the middle of my life, after a late-day ride.
*—To anyone who happens to be in Florida (or Georgia, the Carolinas or Virginia): I hope you’re safe in the wake of Idalia.
I have to admit that along with the mental and physical health benefits—and sheer pleasure—cycling has given me, something that keeps me in the saddle is that it still feels subversive sometimes.
During my junior and senior years in high school, I definitely was pedaling to my own drummer (or guitar player: they were my real musical heroes, along with Bob Dylan) when my peers were leaving their Schwinn Varsities and Continentals, Raleigh Records and Grand Prixes (Is that the proper plural?) and, in a few cases, Peugeot UO8s, the moment they got their drivers’ permits.
Since then, I’ve been in the minority for most of my life: In previous posts, I recalled how I often pedaled rural roads, suburban subdivisions and city streets without encountering another adult cyclist. Then, as now, some saw me as a nuisance or even a threat: Even during the last years of the Cold War, a man or woman astride two wheels instead of behind one and on four was linked, in some minds to socialism or communism (which, although different, were and are conflated).
Even today, as adults—mainly young ones—riding to school or work, or for fun, are more common here in New York and in other places, I still feel that bicycles are vehicles, if you will, for changes.
I was reminded of that during a late-day ride, when I was greeted by this grand dame at MOMA/PS1.
Along the way, I pedaled along a familiar path on the Long Island City waterfront. If I were just a little more self-centered (which would be saying something!), I’d say the Parks Department landscapers were paving the way for me.
I’m told that people whose favorite color is purple tend to march, or pedal, to their own drummer, or guitarist or lyricist.
This Spring, so far, has been strange in all sorts of ways. For one, people are, in some ways, acting as if the COVID-19 pandemic is over: They're not wearing masks; they're going to restaurants and movies and taking trips. On another, sometimes I encounter people I haven't seen since the disease struck, or have seen only in passing, and I don't feel as if I am looking at, or talking to, the same person I knew. Perhaps I, too, am no longer the person people once knew. And strangers are even more anonymous, and even automotonic than they were before: They seem even more walled-off from their surroundings, and other people, than they were three and a half years ago..
The weather has been strange, too. Temperatures haven't been unusually warm--except for yesterday, when it reached 21C (70F)--but there have been combinations of wind and rain, rain and hail, wind and sun and even sun and rain we don't normally see. There were even tornadoes in Delaware and South Jersey.
But one part of the weirdness of this season appeared to me the other day, during a late-afternoon ride. That I saw cherry blossoms budding, or beginning to bloom--which always gladdens my heart--along Woodside Avenue wasn't, in itself, out of the ordinary for this part of the world in the first week of April. But seeing them in that same act of their show as I saw in trees just a few miles away (and, I assume, at more or less the same latitude) three weeks ago made me wonder what's going on.
Not that I'm complaining about seeing what I saw the other day. Of course, few trees are more beautiful in full bloom than the cherry blossoms. But something about seeing those early blooms against the sky, in all of their fragility and ephemerality, gives me the strength of my vulnerability.
When the sun descends at this time of year, the red and orange hues feel like glimmerings of hope, or at least wishes. The night that follows will be long, but not as long as the one that came before it. The horizon may not stay lit until I reach my destination—whether it’s home or some other place—but at least there is a view, a vision ahead.
Whoever decided to paint the bridge from Roosevelt Island to Queens in that burgundy-rust shade must have had an artist’s sensibility. Perhaps that person, or committee (Can a committee actually make such an inspired choice?) took a bike ride like the one I did yesterday—at the end of a day, at the end of a year.
One thing I love about pedaling through neighborhoods tourists don't visit is the glimpses I get of the city as it was-- and still is, in the memories of people who've been in it for a long time.
Once upon a time--actually, when I was growing up and even during the years just after I moved back to New York--signs painted on the sides of buildings were abundant. One thing the remaining signs tell us is, of course, that there was once a time--not so long ago--when there was enough space between buildings for such signs to be seen. They also remind us of a time when most of buildings and businesses in this city--even large ones--were owned and operated by the families that originally founded or funded them.
I found myself thinking about who might have been behind this mural advertisement:
Cardinal Realty Company was registered with the city on 22 June 1951. It grew to include, as the sign attests, auto insurance and other services before its dissolution on 19 December 1984. At least, that's the date on which it's listed as "Inactive-Dissolution."
I don't know when the sign, on the side of an apartment building on St. John's Place, just off Troy Avenue, was painted. The telephone number shown is NE(vins) 8-9000. Telephone exchanges were converted from numbers to letters during the 1960's, but telephone numbers were listed in the old way until the 1980s.
The neighborhood in which I saw that sign also is, in its own way, a remnant of an old Brooklyn. It's usually identified as part of Crown Heights or Bedford-Stuyvesant, but it's actually part of Weeksville, one of the first communities founded in New York by freed and escaped slaves. Some farmed the land; others started businesses or trained in trades and professions. Thus, the neighborhood became one of the first middle-class black communities, a status it held well into the 20th Century. It's still a mostly-black (a mixture of American and Caribbean) neighborhood. Although it's not as prosperous as it once was, it's retained a kind of worn-but-not-shabby working-class dignity reflected in the peeling paint of that sign--and the bricks, smoldering in the light of the setting sun, surrounding it.
Perhaps Cardinal was founded by a descendant of someone who lived out his or her freedom in old Weeksville.
Today is Earth Day.
This day was first designated in 1970, a year after the Santa Barbara oil spill. I remember growing up with a great awareness of the environmental movement. Because of that and the Jacques Cousteau television series that aired at the time, for a time I wanted to become a marine ecologist. They also watered, if you'll pardon the metaphor, the seed that had already been planted for my cycling enthusiasm.
I remembered that yesterday, during a late-afternoon ride. I had no particular destination: I zigzagged along Queens and Brooklyn streets, past bridges and brownstones, parks and pre-schools, international neighborhoods and industrial colonies. And this:
It's hard to believe, but this was once the most fertile oyster bed in the world. Lenape natives literally picked them up from the banks and roasted them with the corn, beans and squash they grew nearby. Now a sign admonishes visitors not to eat anything from that water, or even to enter it. Every year for as long as I've been paying attention, the Environmental Agency has rated Newtown Creek, which separates the metal fabricators, cement plants and truck depots of Maspeth, Queens from East Williamsburg, Brooklyn, as one of the most polluted bodies of water in the United States. Sometimes it takes the "top" spot.
Cycling has helped me to appreciate the beauty of landscapes, natural and manmade. It also reminds me of. not only the need to preserve such places, but to use what we've built wisely and resposibly.
Mornings fill with one commitment or another. So, for me, it's a good thing the days are getting longer: On an afternoon ride, I can look forward to more hours of daylight. I don't avoid riding in the dark altogether, but I really prefer to ride in daylight, especially in heavily-trafficked or unfamiliar areas.
On Friday, I started another 120 km Point Lookout ride after midday--at 1:45 pm, to be exact. That meant my last hour or so of riding was in darkness. But I was treated to some light and vivid or stark, depending on your point of view, colors by the sea.
The public beach and playground area of Point Lookout are closed to repair erosion and prevent more of the same. But I ventured on to a nearby side-street where, surprisingly, the gate was open to an area normally restricted to residents. A couple of people--one a man walking an English Sheepdog, another an elderly woman--passed me on their way out. Both greeted me warmly and didn't seem to care (or know) that I don't live in the area.
I think people who are out walking the beach on a chilly, windy day have respect for anyone else who's doing the same.
On Saturday, I got on, La-Viande, my King of Mercia, with no particular destination in mind. I found myself wandering along the North Shore from the Malcolm X Promenade (Flushing Bay Marina) to Fort Totten, where I took a turn down to Cunningham Park and Nassau County, where I pedaled down to Hewlett (part of the Five Towns and up through the town of Hempstead, which contains more contrasts in wealth and poverty, and residential grandeur and squalor, than any place in the area besides New York City itself.
As I saw the blue sky tinge with orange, I started toward home--or so I thought. Instead, I found myself wandering through suburban developments that gave way to the SUNY-Old Westbury campus and long lanes lined with mansions and horse farms. I saw a sign announcing that I'd entered Brookville--which, it turns out, is home to Marc Anthony and Prince Felix of Luxembourg.
I didn't take any photos on my Saturday ride because my battery had less power than I thought and I wanted to save it for an emergency that, thankfully, didn't happen. But I had forgotten, until that ride, how such a rural setting could be found only 50 kilometers from my apartment!
And I ended my day with that ride--and the day before with a ride to an "exclusive" beach.
Yesterday, for the first time in a week, we had more than a couple of hours with temperatures above freezing (0C or 32F). Breezy still, the day refracted hues of sea and sun stretching into, and stretching, the end of the day.
A late afternoon ride along the North Shore meant riding home into the sunset along the Malcolm X pier between Flushing and LaGuardia Airport. I think of passengers on descending flights and how some of them are coming to this city for the first time--and how the skyline they've seen in countless images is so close, but is still so far away--something as clear yet impenetrable as the window of a plane keeps it all even more distant from them, at least for the time being, than the lattice of tree limbs along the cold gray water.
Do they get to see the skyline as a reflection of the water that channeled all of us--from the Maspeth tribe to Milennial tech workers--into streets where we can get lost, or find ourselves?
Yesterday I went for a late afternoon ride and noticed that, among other things, late afternoon is stretching later into the day. I shouldn’t have been surprised: Almost a month has passed since the Winter Solstice.
Something else I noticed also shouldn’t have surprised me, but did: It seems that Christmas decorations have remained on homes and businesses, and in public places, for longer than in any other year I can recall. I’m sure it has to do with the fact that nearly two years have passed since the COVID-19 pandemic arrived here. Some people, like health care workers, are tired in body; many more, I am sure, are fatigued in spirit. Perhaps putting up those decorations, or simply trying to muster up some cheer, sapped them.
Or they may simply want to cling to whatever flickerings of joy that are illuminating days that, while lengthening, are still followed by long nights.
I suspect that such is the story of the Toufous family, who gives our neighborhood one of the best and most extravagant holiday displays I’ve ever seen:
They’ve put on a great show for years, But I think they outdid themselves to honor the memory of a family member.
They, like so many people, have endured so much during the past year. If they want to leave that display up all year, even if only to make themselves feel better, I’m all for it!