Cycling, In Living Color

Time was when I wore nothing but black:  black leather, black lycra, black latex and black everything else.

Yes, I even had an all-black bike outfit before carbon fiber and the "stealth" look became so prevalent!

Now, understand that I was young and had just moved back to New York:  to the East Village, no less.  Even two of the three bikes I owned at that time were black. The Peugeot PX-10 was available only in white the year mine was made. Somehow that was overlooked in the circles in which I found myself.  Actually, I know how:  None of them were cyclists, and I'm not sure that any of them saw me on my bike.  And if they had, I'm not sure they would have noticed or recognized me:  Rare was the occasion on which we saw each other sober or in daylight.

Anyway, in my "black" period I was keeping a terrible, terrible secret.  No, it's not the one that became the subject of my other blog. Well, all right, I was keeping that secret, but that's not the one I meant. Nor was it that I'd voted for Reagan. (I didn't, but I later learned that some of them had, in secret.)  Or that I was having splendid relationships with my family:  My father and I were barely on speaking terms at that time.

My hidden vice, if you will, had to do with my tastes in art. Actually, the fact that I cared about art at all would have enraged some of my not-so-fellow-after-all travelers.   Some of them thought the whole idea of art was inherently bourgeois; at least one wore a T-shirt that read "I Hate Art."  (I thought she was talking about her ex until I learned otherwise.)

My dim, dark perversion was...my weakness for Jean-Honore Fragonard, which I retain to this day.  Yes, he represented every excess of the ancien regime.  When the Reign of Terror descended upon Paris, he fled and died, nearly forgotten, a decade and a half later.  Given the sort of person I was in my faux-punk days, I could have hated him for painting such subjects as the wife of a nobleman on a swing in her garden, much as I once hated writers like Henry James for their focus on high society.  (I've gotten over that!)  

So what attracted me to such paintings as "Blind Man's Bluff" and "The Stolen Kiss"?  All right, the title--and the none-too-thinly-veiled eroticism--of the latter.  But even more important, to me, were those colors.  Oh, those colors!  And the way he used them!  

(Hmm...Maybe I'm really a magpie in a human's body.)

So of course I had to get myself out to ride today.  No classes on a cool, fairly windy day when fall is just starting to tip toward winter.  The sun shining brightly.  And colors everywhere.  

I figured that if the red, orange and yellow leaves were so vibrant in my neighborhood, they must be blazing in other places--like, say, New England.  Or, more specifically, the part of it closest to me:  Connecticut.

So now you know where I rode today.  I pedaled into the wind most of the way up, which sharpened my senses, I think. (That, or the colors were even deeper than I thought they were!)  And Arielle, my Mercian Audax, felt even more lively than she usually does, which is saying something.

Call me shallow or trivial or--if you want to sound like someone who's trying to sound like he or she knows better--a sensualist who has never grown up.  And I won't, as long as I can do rides like the one I did today.  They just might keep me from fading back to black!

Seeing The Signs

Caterina, Charlie (I), Candice, Charlie (II), Max and Marlee.

I have loved them all.  I miss Caterina, both Charlies and Candice.  At least I have Max and Marlee.

They all did, and gave, everything I ever could have wanted from the likes of them.  Well, all except one thing.

I never could get any of them to do this:

For that matter, I've never been able to persuade any cat to ride with me.  

A few years ago, on New Years' morning, I stopped for a cat I saw and who looked almost pleadingly at me.  As soon as I got off my bike, he darted to my ankles and rubbed himself against me.  I picked him up.  For a moment, he curled on my shoulder and I tried getting on my bike, figuring I could start off the new year by rescuing a feline friend.  But he was having none of it:  As soon as I lifted my leg over the bike, he dropped himself off my chest and landed on his feet.

I tried a similar rescue about a year ago, on another cat who greeted me.  It ended much like the first one I tried:  When I got on the bike, the cat decided to go airborne.

Perhaps those felines--and my own--saw this sign:

Well, now I know what they're doing while I'm riding!  Hmm...Maybe that's the reason they won't ride with me. 

Abigail Dougherty: She "Collided" With A Garbage Truck

Even though it's something I haven't done often, I've done it too frequently.

I am talking about writing posts like this one—in which I describe an encounter between a bicycle and a motor vehicle results in a dead cyclist.  Or dead cyclists, plural.

In too many such incidents, the driver was intoxicated.  Or, worse, the driver simply took off after running down a bike rider.  

From what I've read so far, the tragedy I'm about to relate doesn't fit into either of those categories.  It seems that the driver in question simply didn't see the cyclist:  a plausible scenario, especially given a few factors I'll mention in this post.


Abigail Dougherty, a University of Florida student just a couple of weeks from turning 21, was riding southbound on NW 17th Street in Gainesville and was starting to cross University Avenue.  

A garbage truck was rumbling along the same street, in the same direction at the same moment.  It, however turned right to go west on University.

Abigail Dougherty

A local news report said she "collided" with the garbage truck.  It's difficult to imagine how she could have done such a thing--unless she rode into the intersection as the truck was in the process of turning.

The more likely scenario, it seems, is that she was partway into the intersection when the driver started to round the corner for the turn.  If things transpired that way, it's not difficult to imagine how the driver might have lost sight of her, or never saw her in the first place, especially since garbage truck drivers don't have the best sight lines.

Having cycled for decades in New York, I have had tailed, dodged  and weaved around all manner of vehicles, including garbage trucks.  Probably the only vehicles with worse sight lines are long-haul trucks.  The best chance I have with garbage trucks or long-haul drivers, it seems, is to get them to see me. 

Of course, I do not know how Abigail Dougherty fell victim to a turning garbage truck. An investigation is ongoing, as of now; officials aren't even sure of who had the right-of-way.  According to a local attorney, motorists are expected to yield to cyclists and pedestrians before making a turn.  If footage of the incident can be found, I would think the question of right-of-way would be fairly easy to solve.  

Whatever the answer, we--cyclists and motorists, as well as pedestrians--need to be more cognizant of each other, and how each of us has different needs, but the same responsibilities, on the road.

Now that Ms. Dougherty's death has sparked a conversation about cyclists and drivers on the road, I hope it won't lead to misguided attempts--like bike lanes that, too often, are more dangerous than the streets--to make cycling "safer".

Whatever comes of this tragedy, I hope it helps to prevent more like it.  After all, who wants to hear about another cyclist (or anyone else, for that matter) cut down in the bloom of youth?