Enjoying The View When You Can't See

Jose Saramago's Blindness, first published nearly a quarter-century ago, might be seen as a kind of "pandemic" novel in a similar way to Colin Whitehead's Zone One and Albert Camus' La Peste (The Plague).  In the Portuguese writer's work, an epidemic of blindness affects nearly everyone in an unnamed city.  Perhaps not surprisingly, the social order breaks down, along with the infrastructure and conditions in the asylum where the first of the afflicted end up.  

I was thinking of it this morning, during a ride in which I did a couple of errands before going to work, because the way Saramago describes the sudden loss of sight is almost the opposite of the way most people picture blindness.  Like most people, I have imagined the complete loss of sight in the way I imagine death:  everything going black.  But in Saramago's novel, for those stricken, everything suddenly goes white.

Now, I hope not to go blind, whether that means everything in the world going black, white or some other color or form I can't conceive.  But, if I had to not see, for a moment, probably the best (or least-bad) way I can think of is this:

That was my view, if you will, from the Williamsburg Bridge.  Now, if I were a tourist, I'm not sure of whether I'd feel that it added to the allure of the city or be disappointed that I didn't get that view of the skyline so many envision before coming here.  

For those of us who've live in this city, a foggy morning might look more like this:

That is a view down 22nd Street in Long Island City, about half a mile from my apartment. 

Of course, I made sure to use my "blinkies," front and rear.  That might be a reason why I had no problem with the traffic--and enjoyed the views of what I couldn't see.  

When You Can't Look Out

The past couple of mornings began with mist that turned to fog at the ocean.

I don't know whether this is what the Ramones had in mind when they sang about Rockaway Beach.  I like it, actually:  The shadowy figures on the jetty were as clear to me as a dream, and I felt myself opening like a leaf on a bush that would soon flower.

The weather and traffic reports warned of poor visibility.  But I had no trouble seeing.

Well, I could see clearly enough to know that Point Lookout would not live up to its name:  It wasn't possible to look out very far from there.

But I could still see clearly, the way we can on an invigorating ride. 

When I Couldn't Look Out

The other morning, I woke up early and wasted little time in getting in the saddle.  I figured that if I got home by noon--which I did--I could beat the worst of the heat and humidity predicted for the day.

The weather reports also said there could be heavy fog and mist in coastal areas--where, of course, I planned to ride.  Specifically, I headed for Point Lookout because I enjoy the ride and because it's 125 kilometers:  not a bad before-lunch total.

I knew about the construction at PL, but I didn't mind:  I knew that, as the name implied, there would still be something worth looking out at.  And I figured the mist and fog would make it seem even more littoral.

That they did.  But the only problem was that I couldn't see anything at all, besides machinery, at Point Lookout.



Should it have been renamed, if only for the day?

In The Sunshine State, In A Cloud

The rain that pattered the canal yesterday turned, for a time, into a barrage last night.  When I woke this morning, raindrops were poking ephemeral pockmarks in the face of the water.

But, by the time Dr. Phil's show ended (Yes, I watched it with my mother and father.), the rain had stopped and the sun looked like it was trying to wedge itself between clouds.  I got on the bike a while later, and the clouds closed ranks on the sun.  Still, I managed to ride along some trails to the Palm Coast Parkway Bridge, where the scene changed just a bit.

Of course, when you see something on your left, you look to your right.  Or is it the other way around?  Who told me that, anyway?

In any event, I looked to my left and saw this:

I thought, for a moment, it was sea mist.  After I descended the bridge and turned onto the Route A1A bike/pedestrian lane, it thickened faster than the makeup of a reality TV star.

The shrouded area is known as Painters Hill.  It's a very lovely area where, on many a day, breezes skip across sea oats and other grasses and shrubs on the dunes that line the ocean.  I would have loved to see how a painter might have rendered it in the light I saw today.

The Flagler Beach pier jutted out into water that dissolved into mist.  The eponymous beach, about 10 kilometers south of Painter's Hill, was the only one open along  A1A from Palm Coast to Ormond Beach.  The area is still recovering from recent storm and the surf was rough.  Nobody was swimming at Ormond, but of course, a few surfers flung themselves into the tides.

Finally, as I reached Ormond Beach, the fog began to dissipate and the sun that, earlier, had been trying to get a few waves in edgewise pushed some clouds aside--and shone through a light mist.

I must say, though, that I don't recall much, if any fog in my previous two dozen or so trips here.  Certainly I had never before seen what I saw today.

Skyline, Invisible

Have you ever wondered what the Manhattan skyline looks like when you can't see it?

That was not an attempt to be cute, clever, ironic or oxymoronic.  It's also not an introduction to a post about going blind, an experience I hope never to have!

Rather, it is about my ride to work this morning:

That's what I saw ahead of me as I pedaled across the RFK Memorial Bridge.  Even if the weather forecast hadn't warned about fog, I wouldn't have been surprised to see it, given the heavy rains in the wee hours of yesterday morning, the showers that continued on-and-off through the rest of yesterday, and this morning's heavy gray sky. 


The skyline was invisible, but the Hell Gate Bridge was not:

When Hell Gate can be seen clearly, but the skyline is shrouded in fog, what kind of a day will it be?

So far, it's been good.  I think it had something to do with riding to work.

From A Late Night, Into The Mists

Last night, I stayed at work a bit later than I expected.  What that meant was, among other things, encountering less traffic than I usually see.

It also meant dealing with a change in the weather.  In the morning, I rode to work in a drizzle that occasionally turned into rain.  But, by the time night rolled around, a dense fog blanketed the city.

Normally, I can see the towers on the Queens spur of the RFK Memorial Bridge as soon as I make the turn from 132nd Street onto the Randall's Island Connector.  At that point, the entrance to the RFK Bridge lane is about 1 3/4 miles, or about 3 kilometers, away.  

Last night, though, I could not see the towers or cables until they were right in front of me--when I was in the lane.

When I reached the middle of the bridge, over the waters of Hell Gate (which I couldn't see), I looked back at the soccer field on the Randall's Island shore:

and ahead to the Queens side

My apartment is in there, somewhere!

Saluting An Early Morning Fog

This morning, on my way to work, I pedaled into a horizon of light, high fog.

The air was still pleasantly cool and, surprisingly, didn't seem very humid.  At least, I was pedaling at a vigorous, if not furious, pace because I could, and I wasn't sweating.

Perhaps it had to do with the stillness of everything around me.  They say this city never sleeps.  Well, sometimes I'm out before people--and machines--have awakened:

Or are they saluting the skyscrapers, veiled in mist on the other side of the river ?

Oh, it's such a treat to ride my bike to work!

Another Misty Morning Starts Off, And Turns, Sunny

Got out nice and early today.  How early?  Well, it was so early that…

I didn’t know what the weather was, or would be during the first hour of my ride.

Usually, weather reports on the radio tell you what the current temperature and conditions are at some central stations.  And they tell you what will be at that station, and in a generalized area around it, for the rest of the day, and possibly for the next three days. 

 

When I left my place, it was a bit cooler and breezier than I expected.  I didn’t mind that, but I had to remind myself that even in the four or five kilometers between the Central Park weather station and my apartment, conditions can change.  

What that means, of course, is that the weather could be even more different as you go further away—especially if the terrain is different, there is greater or lesser density of buildings, or some other factor affects the speed and direction of the wind.

Although it was about 15C (60F) when I left my apartment—vs 17C (65F) at Central Park—it was as sunny here as the weather report said. However, when I pedaled over the Veterans Memorial Bridge, 27km (about 15 miles) from my place, this is what Rockaway Beach looked like from the Jamaica Bay side:

 The weather report didn’t mention the low-lying fog.  I wasn’t upset to see it; instead, I was looking forward to riding through it as droplets of the cool sea mist clung to my skin.  Best of all, that fog had spread itself all through the Rockaways, as far as I could see in either direction—left to Atlantic Beach, Long Beach and Point Lookout, right to Fort Tilden, Breezy Point and Brooklyn.

I turned right only because I rode to Point Lookout yesterday.   The ride did not disappoint:

Light like that makes me wish I were a painter!  As a cyclist, I let and fill and lift me.  At least, that’s how I feel when I allow it to direct my ride.  Arielle was game:

Navigating A Pre-Dawn Fog

The past few mornings, I've been going to work early to get a few things done before students and others come around.  

That's meant riding in the dark.  Living in an urban area, I don't experience true darkness very often:   The city always flickers with ambient light from street lamps, skyscrapers, bridges and such.  Still, a lot of familiar sights are rendered invisible, especially in a foggy, misty pre-dawn like the one that surrounded me today:

Over the East River at Hell Gate, the world drifts or streams by, or suspends itself in points of reflection on those currents, all of them forms of light.

Sometimes I feel as if I navigate better by following those points and streams than by looking at signs and maps (or GPS devices)!

The Day Begins At Hell Gate

This morning I rode through the Gates of Hell.

At least, some people thought they were:  They were driving to do things they had to do. On the other hand, I was cycling to something I had to do.  I reckon, though, that the thing I had to do was less onerous than the things some of those drivers were going to spend their day doing.

It's probably a good thing they couldn't, or didn't, see what was below and beside them, in Hell Gate.

I could not see the water, either.  I could not see the cables of the RFK Bridge, except for the ones nearest to me.  All I could see were the lights of cars and trucks. They were only reflections of the moment, repeated again and again.

All I could do was to move through them, through time, across the bridge over Hell Gate.

In Autumnal Mists

If you read some of my earlier posts, you might recall that I actually enjoy riding in fog.

That's kind of ironic when you consider one of my rules about riding in the rain:  I won't do it if the precip is falling so densely that I can't see more than two bike lengths ahead of me.  Somehow, though, it's easier (for me, anyway) to navigate--and pedal--through even the densest fogs.  Hey, I've actually ridden through clouds, when ascending and descending mountains in Vermont and the French Alps.  Compared to that, navigating a mist is easy.

Perhaps my enjoyment of riding under such conditions has to do with the structure of my eyes:  After all, I love riding (or walking or just about anything else) in the diffuse light of places like Paris, Copenhagen and Prague, and of overcast days at nearly any seashore.

Perhaps the best thing about such light and mist is the way it brings out autumnal hues:

From Favim

 
What is it about bikes that they are (to my eyes, anyway) best photographed in the fall?