Mama Mechanic

This afternoon I took a ride out to the Rockaways on Tosca, my Mercian fixie.

The weather was lovely, as it was yesterday:  warm, but not overly so, with high puffy clouds floating across expanses of blue sky.  And, as luck would have it, I rode into the wind on my way out to Rockaway Beach and Far Rockaway.  That meant, of course, that on my way home, I could pedal about 20 RPM faster without trying.

Anyway, I was coasting through an area of Gateway National Recreation area frequented by bird-watchers and wildlife photographers--in plain view of JFK International Airport!  My external reverie seemed to embody the one that was playing out within me at that moment:  I am still in the afterglow of my trip to Paris and of the wonderful late-day ride to Connecticut I enjoyed yesterday.  I have been doing some writing away from this blog (I don't want to give too much away!) and I'm feeling optimistic about the semester that's about to begin. Now all I need is to hit the Lotto jackpot and meet the love of my life.  Hmm...I'm not so sure about the latter.  Being single isn't so bad after you've been in an abusive relationship or two.


Wouldn't you know...a cute young guy approaches me from behind.  "Sir!"  "Sir!"  He sounded distressed, so I turned to look at him.  (His distress was the only reason I looked at him, I swear! ;-))  "Do you...Oh, I'm sorry, Ma'am."

"Don't worry."

"You don't see a lot of women riding here.  And, from behind, you were pedaling like a dude."

I said nothing. (I didn't want to give too much away!)

"Do you have an allen key?"

"Yes, I do."

Just then I saw the reason why he asked:  His handlebar slipped and rolled inside the stem.

"We can't let you ride like that," I said.

"I swapped this handlebar today.  I guess I didn't tighten it enough."

"Well, let's hope it's the right diameter."

"I thought they were all the same size."

I shook my head and, from the corner of my eye, saw the source of the problem.  He had a stem with a faceplate that bolt in the four corners. He'd tightened the top two bolts much more than the lower ones.  So, in addition to the usual hazards of a loose handlebar, he ran the risk of shearing off the faceplate and, possibly, taking an even nastier spill than he might have had he only leaned on loose bars. 

Before I tightened the stem bolts, I asked him to move the bar to a position he likes.  Good thing: I noticed that his grips slipped on the bars.

He said he'd used water to slide the rubber grips onto the bars.   I grabbed the edge of the right grip and rolled it up to the end of the bar.  Then I unrolled it, and the grip--an Oury--stayed as if it had been epoxied to the bar.  I did the same for his left grip.

Then I told him to grab the grip and try to roll it, and to try to move the bar in the stem.  Everything was as firmly in place as the pyramids.

"Lady, I don't know how to thank you enough."

"Just be careful," I said in my most maternal tone.  Really, he's a nice kid--he's been working as a lifeguard--and want him to live and ride long.
 

In Twilight And Afterglow With Arielle

It was a gorgeous late-summer day...and life intervened.  The new semester is starting, so I had various things to attend to, including course outlines and finding and restoring links to readings and films I'm assigning my students.

At least I got out to ride in the middle of the afternoon,.  I took Arielle, my Mercian Audax, off the peg and inflated the tires.  I knew she would feel great after spending a week on a rented hybrid, but Arielle exceeded my hopes and expectations. I felt as if I were in a race car suspended by hot-air balloons.  Or maybe a flying carpet with jet engines.

Whatever the metaphor, the bike overcame the deficiencies in the human engine.  Possibly the best part of all was riding a Brooks Professional--which is starting to feel really broken-in--after whatever was on the rental bike and the cheaper leather seat on my LeTour.

The bike felt so good I just wanted to keep on riding it.  And that's what I did, all the way to Connecticut.

I'd've gone even further than I did into the Nutmeg State, but I really didn't want to ride back in the dark.  I have lights, but riding back from ConnectIicut means passing through a couple of dodgy neighborhoods.  I've ridden them in the dark, with no problems, but I prefer to avoid nocturnal rambles in them.

I descended to the Queens side of the RFK-Triborough Bridge just as the sun was setting.  From there, it's only a kilometer to my apartment after 120 kilometers of delightful cycling. 

I arrived in a glow of twilight, and in an afterglow of an invigorating ride--and, of course, my adventures of the past few weeks!

 

This Bike Is Like A Tatoo Because...

I've never had a tatoo, and I probably never will have one. Every once in a while, I see one I like.  However, even seeing such a tatoo has never made me want one.  

It's not that I have any religious or philosophical objection to tatoos.  Nor am I afraid of the needles, at least not anymore:  After all, I have had surgery.  And, even though I grew up in a time when tatoos were associated with outlaw bikers, prisoners and the sorts of military folk who live, work and die by the motto Caedite eos.  Novit enim Dominus qui sunt eius, I have never had any fear of, or prejudice against those who have their bodies pricked and painted.  Perhaps my attitude is a result of having two uncles--one of whom is my godfather--with tatoos.

Even when I see a tatoo I like on someone else, I have no wish to get one for myself.  Perhaps it's hypocritical, but I find myself thinking, "Good for him (or her)."

I feel something similar about some of the wild bike finishes and color schemes I see.  I saw an example parked near Columbus Circle today:

I had to go inside a Starbuck's to take the photo because the bike was parked too close to the glass wall for me to take a photo from the outside. Believe it or not, I actually liked the look:  In some strange way, those colors and shapes actually work together.  

Still, I would never make any of my own bikes look anything like that.  And I definitely would not put wheels like those on any bike of mine.  But if that bike makes its owner happy, that's what matters.  Right?

After Paris....A Ride In The Bronx?

Two years ago, the former chief of the French National Police caused a stir when he said that certain parts of Paris were starting to resemble the Bronx.

He was making reference to the increasing crime in those Parisian arrondissements--namely, the 18th, 19th and 20th.  (It also just happens that those neighborhoods contain the city's greatest concentrations of African and Middle Eastern immigrants.)  He is not the first Frenchman, or European, to make such a comparison:  the worst parts of cities, or the banlieues are often likened to New York City's northernmost boroughs, usually based on impressions gleaned from such films as Fort Apache, The South Bronx.  While I certainly wouldn't compare Port Morris with the Place des Voges, not all of the Bronx is poor and crumbling and even its worst parts aren't quite as dangerous as some other urban neighborhoods.  But I guess "Camden" or "North Philadelphia" or "The South Side of Chicago" doesn't have quite the same ring.

Anyway, there is a certain irony in the former police chief's comparison.   It can be seen in certain areas, such as a stretch of the Grand Concourse near Yankee Stadium where I rode today:

 

 

 

 

 

While the buildings are in need of maintenance, some are quite nice:  People actually lived in them by choice.  More to the point (for the purposes of this post, anyway), they bear the influences of Art Deco and classical architectural styles found in many Paris buildings.

Also, you may have noticed that the Grand Concourse, like the Boulevard des Champs-Elysees, is wide, has a parklike median and is lined with residential as well as commercial buildings. 

The parallels I've described are not merely coincidental.  At the end of the 19th Century, most of the Bronx was still wooded or farmland; all of its industry as well as most of its population was concentrated in the southernmost part of the borough.  But new waves of immigration would fill Manhattan's tenements and trains almost to their bursting point, and many longtime Manhattan residents sought bigger apartments as well as more open space but wanted a manageable commute to work.  The city's subway and trolley lines were extended into the Bronx, and new street and apartment buildings were constructed. 

Around this time, a man who had been a surveyor, mapmaker and engineer for the New York Central Railroad (then the second-largest corporation in the US, after the Pennsylvania Railroad) was appointed the chief  topographical engineer for New York City.  His name was Louis Aloys Risse. At age seventeen, he emigrated to the US from France, where he was born in 1850.  Thus, it comes as little surprise that while on a hunting trip (!) in the hills of the North Bronx, he conceived of a boulevard, inspired by the Champs-Elysees, that would connect one end of the borough with the other, and with Manhattan.

So...Do you still think it's so odd that I'd take a ride in the Bronx while still in the afterglow of my trip to Paris?


 

In The Year Of '39

One of my favorite Queen songs is '39.  In it, a group of space explorers go on what they believe to be a  year-long voyage.  However, when they return, a hundred years have passed due to the time dialation effect in Einstein's Theory of Relativity.  So, the loved ones they left when they embarked on their journey are dead or aged beyond recognition.

Brian May, who composed and sang the lead vocals for the song, had studied astrophysics before embarking on his music career.  He has always insisted that '39 is "a science fiction folk song" (hmm...) and denied any political, social or historical references.  But it's difficult to hear the song without thinking of the year 1939, after which the world would not be the same because nobody who survived would be innocent (if they ever were) again.

They would never again be like these boys, who were discussing what would be the last Tour de France for another seven years:

Photo by Robert Capa