16 February 2014

Riding To End The World As They Knew It

In an earlier post, I wrote about a remark Susan B. Anthony made:

"Let me tell you what I think of bicycling. It has done more to emancipate women than anything else in the world.  It gives women a feeling of freedom and self-reliance."

Historians, professional and amateur, are taking notice of something that has been neglected, or simply overlooked, for a century:  the relationship between cycling and women's liberation.



It's more than interesting to note that the heydays first modern feminist movement and the first "bike boom" almost exactly coincided during the last decade of the 19th Century and the first decade of the 20th. As I and others have noted, the bicycle gave women, for the first time, an independent means of transportation and led to the design of clothing that was less restrictive than the hoopskirts and corsets "proper" ladies wore until that time.

Of course, those were the very reasons why some--almost all of them men--thought that in seeing their mothers, sisters, wives and daughters astride two wheels, they were witnessing the decline and fall of civilization.   To wit;

 Cycling tends to destroy the sweet simplicity of her girlish nature; besides how dreadful it would be if, by some accident, she were to fall into the arms of a strange man.” 

As "Sam B.", the author of the blog Fit, Feminist and (Almost) Fifty wryly notes, "I can't imagine falling off a bike into someone's arms (that would take rather a lot of coordination)".  As for me, no one ever said that anything destroyed the sweet simplicity of my girlish nature.  For that matter, no one has ever imputed sweet simplicity to me. At least, I'm not aware of anyone who's done such a thing.

But I digress.  The irrational fear expressed in the minister's quote about how cycling makes good girls go bad was, unfortunately,  shared by some doctorsWorse, those male medical professionals amplified such nonsense with "scientific studies" claiming that cycling also made women infertile. 

(Ironically, every fifteen years or so some doctor or another claims that cycling causes infertility in menHmm...I guess all of those Tour de France winners who had children are the exception.)

Anyway, those fears were not expressed during the second bike boom and modern feminist movement--which, like their earlier counterparts, coincided.  The difference is, of course, that Betty Freidan, Gloria Steinem and the other "Women's Libbers" of the 1970's did not see the bicycle as a vehicle for female independence.  In fact, they seemed not to think about bicycles at all:  I don't recall them mentioning pedaled two-wheeled vehicles in any way.  

Perhaps one could argue that the bicycle had already done its job in liberating women.  But there was another striking paralell between the two convergences of feminism and cycling:  At the beginning of each, racing and long-distance cycling were almost entirely male preserves. If anything, more than a few women, especially the young, were discouraged from becoming serious cyclists for that very reason.  Rather than predict the moral decay that would ensue from women mounting steel steeds, many male cyclists instead made--sometimes unwittingly--rides and clubs less than hospitable to women.

These days, I see a lot more women on bikes than I did in my youth or even just a few years ago. In yet another interesting reflection of an earlier time, many of the women I see on bikes are riding independently, or with other women.  In other words, they're not trying to become members of a "boy's club": Instead, we are making ourselves more independent, like the women of whom Ms. Anthony spoke more than a century ago.
 

  

15 February 2014

Faux Winter

An ex of mine grew up in the Miami area.  I made a few trips there,including couple during the winter, with her. 

In those days, the stores sold what seemed to be fake winter clothes.  They had the plaids, weaves, muted colors and other visual cues of garments worn to keep the cold off our bods and Jack Frost from nipping at our toes.  I even saw jackets with faux-fur collars and hoods and fuzzy mittens.

But that is where the resemblance between those clothes and the ones I could buy in New York--or from, say, LL Bean--ended.  The garments and accessories sold in Sunshine State stores had about as much insulating value as a candy wrapper.  I'm not even sure those faux cold weather vetements could have shielded their wearers against that meteorological feature found in Florida's nickname.

I found myself thinking about those clothes when I came across this image:

From:  Language Architects




Could it really be that Pee Wee Herman is riding his bike through a fake winter scene?  I'm shocked, I tell you...

14 February 2014

Product Review: Ruth Works SF Brevet Bag and Small Seat Wedge

 I am going to write a valentine to someone. It's OK if his wife sees it.

But I warn him, her and you:  It won't be the last one I'll write for him.

Actually, I love the person of whom I'm writing in the same way I love people who create my favorite works of art and literature, food and, of course, bicycles.

I will begin this "Valentine" with a photo I've posted previously:




As one commenter noted, in this bike, Tosca (my Mercian "fixie") is sporting two bags she hadn't before.  The person of whom I am writing in this post made them.

Some of you may be familiar with the work of Ely Ruth Rodriguez of San Francisco.  I have never met him in person but I have spoken to him on the phone and, of course, corresponded with him by e-mail. He is a friendly and engaging person who exudes the enthusiasm of someone who loves what he's doing.

That passion comes through in the bags he creates.  











The little hearts stamped into the back of this bag are only a symbol of it, charming as they are.  If you look closely, you will see his impeccable stitching and finishing.  You will also notice this detail:







Those initials are mine.  That bag is the one you see on the front of my bike.




In addition to its beautiful workmanship, it has some of the best design I've seen in a bike accessory.





Those inside flaps are absolutely brilliant:  They keep the contents in the bag if I ride with the top flap opened.  This is especially desirable when you're riding with your camera or smart phone.

This fine piece of cycle luggage is called the Ruth Works Brevet Bag.  It fills a need I've felt for a long time:  It's about half the size of a traditional handlebar bag but larger--and more solidly constructed--than typical "handlebar purses."

The canvas from which this bag is constructed seems heavier and stiffer than on Carradice, Berthoud and other bags I've used.  Like the sacs from those well-known makers, my Brevet Bag kept my camera, phone and wallet dry during a rainstorm into which I rode.

The color you see is called "Nantucket Red".  It's really more of a salmon-pink color, rather like some flowers I've given and received.  Believe it or not, it's one of Ruth Works' standard colors.  (The others are black and a Berthoud-like grey.)  Ely will make your bag in other colors for an additional charge.  He will also make your bags out of other materials:  For example, he has made vegan versions  for several of his customers. 

If you buy a Brevet bag, as I highly recommend that you do, remember to pull the leather straps as tight as you can when you install it.  That is best accomplished by threading the straps through the bag the way Peter White recommends threading them into Carradice saddlebags. Also, at the same time I bought the bag, I replaced my brake cables, as I do every year or so.  I actually cut the new cables a bit longer than the old ones so I could loop them to rest on top of the bag straps. Of course, if you use traditional non-aero levers, or are installing this bag on upright, "porteur" or "mustache" bars,you will not have to think about cable routing.

The other bag you see on the bike was also made by Ely:




  



  
It's the small seat wedge, which will hold a spare tube (or two), your multi-tool, patch kit, tire levers and mini-pump (if you use one) with room to spare.  As you can see, it has a "roll" top secured by a strap and buckle.  Actually, there is velcro at the mouth of the bag, so if you expand and fill it so that you can't buckle down the flap, the bag will remain closed.

(Note:  In the photo, I used a toe strap because I temporarily misplaced the strap made for the bag. Ely supplies a leather strap that matches the one used to lash the bag to the saddle rails.)

If you like, Ely will make this bag with a zipper instead of the roll top and velcro.  I prefer not to have zippers on my bike bags, although zippers are not a "deal breaker" for me in choosing a bag.

I have also purchased other bags--yes, in this color-- from Ely.  I'll write more about them later.  I chose to write about the Brevet Bag and tool roll first because I have used them the most, and have ridden with them on Arielle (my Mercian Audax) and Vera (my green Mercian mixte) as well as on Tosca-.   Based on my experience so far, I love these bags' functionality and workmanship--and, let's face it, the way they look on my bikes.

I have mentioned some of the ways in which Ely will modify bag designs to your preferences.  He will add--or omit--pockets and other features as you like, or even build a bag to your design.  Also, he makes bags for musical instruments, martial arts equipment and other purposes.  Just call or write to him and discuss what you have in mind.