No Tour Ahead Of The Marathon

 I participated—twice as a marshal—in 15 of the first 25 Five Boro Bike Tours. In the early years, it was a lot of fun because all participants, whether they came from near or far, were cyclists: We rode, not because it was fashionable, but rather because it was in our blood. Sometimes I feel as if I am carrying the momentary bonds that formed between me and cyclists I haven’t seen in the decades since:  We were a kind of fraternity without the hazing; we understood each other.

But as the Tour grew from dozens to hundreds to thousands to tens of thousands, it felt less like a ride with a lot of friends and more like an Event (yes, with a capital E). It seemed more important to be, or be seen as, hip, whatever that meant at the moment. Some of the “cyclists” I saw on later rides reminded me of the kinds of people who go to galleries or museums with family or friends because that’s what they’re doing before brunch.

I don’t mean to come off as elitist: I am happy whenever people choose to ride. But I am not interested in showing how sophisticated I am (though, I admit, that was a priority when I was younger); I just want to ride, take in the sights and sounds and, if I am not riding solo, enjoying the company of others.

Oh, and I simply refuse to pay $100 for a ride that lasts only part of the day—even if Amelie is catering the rest stops and Calvin Klein designs the jerseys.

For the past two decades, however, it seems that a group of cyclists is doing the Tour without the Tour, if you will.  In the wee hours of morning, they set out along the New York City Marathon while the streets along the route are closed but the runners haven’t started.

Of course, the Marathon course is shorter than the Tour. But the former includes some of the latter, which is one reason why I make that comparison. Also, the ride is not sanctioned by any group or club, so I imagine that it feels, in a way, like one of the early Five Boro rides. 

I have not participated in one of those rides, but it’s hard to see the harm in it . Most people who knew about it apparently felt the same way:  Even police officers charged with blocking off the route didn’t seem to mind.

But, apparently, some folks in the New York Road Runners’ Club weren’t to keen on it. And there was a report of a cyclist hitting a pedestrian. So, the pre-Marathon ride is now forbidden, and the NYPD says that anyone who rides ahead of the Marathon will be stopped.

Whither Campagnolo?

Photo by Will Jones

I can still remember the day I finally attained a full-Campagnolo Record-equipped bicycle.

My Trek 930 racing bike, made from Columbus SL tubing, had one last non-Campy part:  Galli brakes.  They were essentially lighter-weight Italian versions of late-1970s Dura-Ace.  I'd bought them for another bike because the price was reasonable and they were gold anodized--which, I thought, looked really bad-ass on the bike which, like the Trek, was black.

One of the mail-order companies--Nashbar, I believe--ran a dead-of-winter sale on Campy and other stuff.  I bought the brakes, for even less than I could have had them with my employees' discount (i.e., wholesale price) at Highland Park Cyclery, where I'd been working the previous season.  Frank, the owner and head mechanic, said he didn't blame me for buying them at that price--$59.00, if I remember correctly.  (They typically sold for around $80-100 in the early 1980s.)  

Did the Campagnolo Record Brakes stop or modulate any more efficiently than the Gallis?  No.  But in those days, having a bike that was tutti Campagnolo was like having a book by your favorite writer inscribed and signed by that writer.  Just as having such a volume wouldn't make you a better writer,  having a set of components designed by Tullio himself, and made by little elves in Vicenza (all right, I know that's not true)--and, more to the point, ridden by nearly everyone in the professional peloton--didn't make you ride faster or break the wind for you.  But it sure felt as if Campy's stuff--even his gold-plated corkscrew--held some sort of mystique.

Oh, and better yet, I had an all-Italian bike.  Well, sort of.  The Trek frame was made in the US--by Tim Isaacson--but, as I mentioned, from Columbus SL tubing (the lightest available at the time) in a more-or-less Italian style.  Oh, and the French Mavic rims and Ideale 2002 saddle (my favorite racing saddle at the time), were "honorary Italian:"  members of the peloton and rich Sunday riders alike rode them on their Campy-equipped machines.  Ditto for the DT spokes.

Now, to be fair, Campagnolo Record components had a mostly-deserved reputation for performance and durability.  To this day, I don't think a better traditional ball-bearing hub or bottom bracket has been made.  While the brakes weren't the best at braking, and the cranks sometimes cracked under heavy use, they held up well for most riders and were beautiful.

But even if you never won--or entered--a race, having a Campagnolo Record-equipped bike gave you cred, to yourself and possibly to others who shared your obsession or were simply status seekers.

It's that last group of riders --or, in some cases, non-riders-- who, according to Will Jones, Davide Campagnolo (the grandson of founder Tullio) is courting.  The Cycling News tech writer, in sighing, "meh!" to the Campagnolo's latest offerings, wondered about the company's direction, if any.  He got his answer in Signor Davide's declaration that Campagnolo is becoming a "sports luxury" brand.

He's thus said the quiet part out loud. Although Campagnolo had a near-monopoly on the peloton for about two decades, many weekend cyclists bought their stuff as much for prestige as for performance.  So, in that sense, for those who weren't racing or racking up thousands of miles every year, Campagnolo has been indeed a luxury brand.

Jones inferred that the emphasis will be on "luxury."  That, to me, begs this question:  How would whatever Davide is planning be different from, say,  Armani or Versace offering bicycle clothing? Or Ferragamo cycling shoes or Gucci bike bags or other accessories?

Here is another indication that the emphasis will be on status and fashion:  Last year, among World Tour teams (the ones that compete in the Tour de France, Giro d'Italia and other prestigious races)  only AG2R-Citroen's bikes sported the Italian maker's components. This year, no World Tour team is riding them.

The Colors of My Memories

 Once upon a time, I was a wannabe, unsuccessful, and then a manqué, racer. I wore jerseys—and sometimes shorts and helmets—that were veritable riots of color.

These  days, most of the Lycra bike outfits I see are in carbon-bike hues:  stealth black, carbon-neutral gray and the like.

Oh, I miss the good ol’ days!

Marching, Or Pedaling, To Our Own Drummers—Or Guitarists

 I have to admit that along with the mental and physical health benefits—and sheer pleasure—cycling has given me, something that keeps me in the saddle is that it still feels subversive sometimes.

During my junior and senior years in high school, I definitely was pedaling to my own drummer (or guitar player: they were my real musical heroes, along with Bob Dylan) when my peers were leaving their Schwinn Varsities and Continentals, Raleigh Records and Grand Prixes (Is that the proper plural?) and, in a few cases, Peugeot UO8s, the moment they got their drivers’ permits.

Since then, I’ve been in the minority for most of my life: In previous posts, I recalled how I often pedaled rural roads, suburban subdivisions and city streets without encountering another adult cyclist. Then, as now, some saw me as a nuisance or even a threat:  Even during the last years of the Cold War, a man or woman astride two wheels instead of behind one and on four was linked, in some minds to socialism or communism (which, although different, were and are conflated).

Even today, as adults—mainly young ones—riding to school or work, or for fun, are more common here in New York and in other places, I still feel that bicycles are vehicles, if you will, for changes.

I was reminded of that during a late-day ride, when I was greeted by this grand dame at MOMA/PS1.

Along the way, I pedaled along a familiar path on the Long Island City waterfront.  If I were just a little more self-centered (which would be saying something!), I’d say the Parks Department landscapers were paving the way for me.

I’m told that people whose favorite color is purple tend to march, or pedal, to their own drummer, or guitarist or lyricist.

Precisely

In a shop I frequented, a mechanic wore a lab coat and stethoscope while working on bikes.  

That was just one of his eccentricities. Turns out, he’s not the only mechanic I knew who viewed his work in medical terms: Another, who also owned a shop where I worked, told us that bearing surfaces should be “surgically” clean before lubing then.

Ironically, yet another mechanic of my acquaintance went to medical school and never talked about his work in that way. In fact, he didn’t talk about his work at all.

In case you’re wondering how the first mechanic in this story got a lab coat and stethoscope: His wife was a nurse in a nearby hospital.

A Journey Blossoms

 What would my younger self have thought?

My younger self was not only, well, younger, but also stronger, skinnier and perhaps sillier: Even after I’d given up on racing, I prided myself on riding like a racer.  Some of that may have had to do with living as male and riding, if not solo, then mostly in the company of male riders who were racers, ex-racers or wannabes.

Now I’m going to make a confession: While I sometimes rode just as hard and fast during my solo rides, on other solo rides—and only on solo rides, I’d stop to look at buildings, trees or flowers.

Which is what I’ve been doing lately.  In this part of the world, we are entering the peak of cherry blossom season and I’m becoming a blossom rider—or a cherry chaser?

If you’ve been reading this blog for a while, you know that few things make me happier, if for a moment, than those pink blooms.  (Lilacs, which should be showing up soon, are another.) 

It’s not just their prettiness that moves me.  I must say that I never understood haiku or Japanese art (or why it so inspired Monet and other Impressionist artists) until I paid attention to cherry blossoms.

You see, haiku isn’t just about the syllable count and Japanese painting isn’t only a style.  Both are about experiencing the beauty and intensity of something in a moment but appreciating that moment’s ephemerality. And that, I believe, is the reason why there’s so much respect for elders and ancestors in Japanese culture.

So…while my recent rides have been sensual and aesthetic experiences—which my younger self would have secretly embraced—they have also been lessons which, possibly, my younger self could not’ve understood.

Little Town, Little Criminals

Ask newspaper writers what annoys or frustrates them most, and the answers will include headlines.  My newspaper articles certainly weren't masterpieces of literature, but it drove me crazy when it was led off with something illiterate, clumsy or simply inaccurate.

So I felt for Nicole Rosenthal, a staff writer for Patch.  Her otherwise-good article began with a title that, while it caught my eye--for a reason I'll mention in a moment--it set a very different tone than, I believe, Ms. Rosenthal intended.

"Aberdeen, Matawan Kids Are Violating Bicycle Laws, Police Say." Matawan is a village in the northern Monmouth County, New Jersey township of Aberdeen.  Until 1977, the whole township was known as Matawan.  Just one township--which, like Matawan, includes a few villages--stands between Aberdeen and Middletown Township, where I spent my high-school years and first became a dedicated cyclist.  In fact, some of my early two-wheel treks outside Middletown took me through Matawan and Aberdeen.

(Snark alert) Li'l Lawbreakers!  (Photo by Rachel Sokol)

Then, as now, the township's and village's streets, aside from Routes 34, 35 and 79, are lined with neat homes of people who commute to New York (the railroad station is one of the busiest in New Jersey) and their kids who are like suburban kids in other places--which is to say that if you take away their electronic devices, they're probably not so different from the kids I knew in Middletown.

According to the article, police have received "numerous" complaints about children "disregarding" the state's bicycle safety laws.  Well, since most young people don't think very much about the laws are--if, indeed, they even have a vague idea of what they are--I don't think they "disregard" them.  Perhaps "violate" is a better word:  After all, people violate all sorts of laws and rules they don't realize they're violating.   

So what sorts of laws do the youngsters of Matawan-Aberdeen violate? Well, from what the article says, some weren't wearing helmets, which the Garden State requires for riders under 17 years of age. (No such law existed when I was that age; in fact, people would look at you askance if you wore a helmet.)  But the majority of complaints were about kids riding in the "middle" of roadways.

Indeed, the law in New Jersey, like its counterparts in most jurisdictions of the United States, says that cyclists have to right as far to the right as possible.  (If that's an attempt to influence our politics, it didn't work with me! ;-)) So, I guess some people would define any other part of the road as "the middle."  If that's the case, were the kids endangering themselves or holding up traffic--or popping wheelies, as kids have been doing for about as long as they've been riding bicycles?  

(If they were riding in the "middle" of the road on Routes 34, 35 or 79, people wouldn't have been filing complaints; they would have been filling out hospital forms or making funeral arrangements!)

Anyway, I saw the headline and wondered whether that town where I rode past other kids like the one I was in Middletown--white, suburban and, if they were anything like me, rather docile even if they were capable of being smart-asses--was suddenly turning out menaces to society.

Don't Look Now!

I took an Art History course that  included a final exam with this essay question: "Explain the Mona Lisa smile."

I don't remember what I wrote. I am sure, however, that it wasn't profound, brilliant or original in spite of my belief that it, like everything I wrote in those days, embodied all of those qualities.  So it wouldn't surprise you to know that the grade I got--a B, if I remember correctly-- aroused my indignation. (It didn't take much, did it?)

So, being older and wiser, I won't venture an opinion about why the young woman has her hands over her eyes:

I simply thought the image is light and funny--just right for a Sunday morning.

A Ride I Never Did

 I spent a year as a bike messenger in New York City.  During that time, I did all of the stupid and crazy things bike messengers of that time (ca. 1983) did--one of which, ahem, is now legal.

(One of the great things about getting older is that the statute of limitations runs out--for most offenses, anyway!)

In the "crazy" category is holding my handlebar with one hand, and the rear of a delivery truck or New York City bus with the other.  I did that, oh, maybe a handful (pun intended) of times, and only when I was trying to make an extra-fast delivery--and was, oh, partaking of that which is now legal.  

Still, as young and stupid (and angry) as I was, I was never part of anything like this--either as pedaler or passenger!:

Hey, Have You Got A Spare?

In my generation, some kids grew up wanting to be astronauts.  Others wanted to be actors, politicians or rock musicians.  I didn't share any of those dreams, except for the last one, and I achieved it, if peripherally:  I was part of a punk rock band that played in bars where patrons were too angry or drunk or stupid to know or care how awful we were.  As a "percussionist" (that's what I told people I was; in reality, it was a fancy way of saying "drummer") and backup singer (another euphemism), all I really had to do was bang and scream to songs--a few of which I wrote--with lyrics that are unprintable even in non-family publications and websites.

I say I achieved my dream "peripherally" not only because I was even worse than any of those booze-addled patrons may have thought I was. You see, I didn't want so much to be a musician as to bang and wail my way into a finale in which I smashed a guitar onstage and screamed, "Pete Townshend is bullshit!." It wasn't because  I hated The Who's string-plucker (although we all know he couldn't hold a Fender to Jimi Hendrix or even Eric Clapton); I just thought it would be a way of showing how much more angrily hip or fashionably angry I was than everybody else--which, in the internal and external worlds I inhabited, would have been saying something, if I didn't quite know to whom.

Anyway, I mention all of this to mention my real dreams:  to work on the Calypso with Jacques Cousteau (which I wanted to do even more than to be a marine biologist, which is what I told my parents, teachers and guidance counselors I wanted to do) and to win the Nobel Prize for Literature and the Tour de France.

About wearing the maillot jaune while flying down the Boulevard de Champs-Elysees:  Yes, I wanted that, but at that time it was about as realistic a dream for me, or any other American, as it was for a newly-freed female slave to become President.  I did, however, have a brief and inglorious racing career (no prize money, but a few prizes and a third-place trophy I still have somewhere) and, partly as a result of that part of my life, realized a related dream:  a Campagnolo-equipped bicycle.

As I rode, I realized that some parts--especially the hubs, bottom brackets and brakes--lived up to their reputations.  While none were substandard, a couple of pieces weren't quite what I expected. One was the Nuovo Record rear derailleur. Yes, it was well-made and nicely-finished.  It also shifted predictably, at least once you knew its, shall we say, quirks.  But when it was introduced, in 1967, it offered a better shift than almost anything else available.

Within a few years, other derailleurs that were developed at the same time offered easier, more accurate and more predictable shifts and cost less and others that were lighter, simpler or prettier, became widely available.  And all of them were less expensive than the Nuovo Record, let alone the Super Record. But Campagnolo equipment remained de rigueur in the peloton because of its head-start in establishing itself.  Teams gave their riders Campagnolo-equipped bikes--and folks like me saved our pennies or lived, ironically, on foods that wouldn't be allowed on any training table--because the spare wheels and parts in neutral-support vehicles were from Campagnolo, and the spare bikes had Campy equipment.  In other words, what we and they rode was dictated, in part, by interchangability.

I thought about that when reading about what Victor Campanaerts planned to ride in Omloop Het Nieuwsblad, the race that traditionally opens the season in his home country of Belgium.  His Ridley Noah fast was equipped with a Dura-Ace 12-speed system--with two twists: a single chainring in the front and a Classified Powershift two-speed rear hub.

The rear hub allows Campanaerts to ride a single chainring (62 teeth!), thus eliminating the need for a front derailleur.  That makes the bike somewhat more aerodynamic but, more important for the purposes of Omloops, reduces the chances of "dropping" a chain. Apparently, that has been a frequent occurrence during the race which includes cobblestones and is often seen as a kind of earlier, smaller version of Paris-Roubaix.

That setup means, of course, that if he were to have  a problem with the hub—or get a flat—he wouldn’t be able to ride one of the spare bikes and the neutral-support mechanics won't have a replacement wheel or parts for it.  (When racers get flats, the wheel is changed:  Fixing the flat would take too much time.) So...would he revert to a conventional system?

Turns out, he had another bike just like it.  Apparently, he didn’t need it.

Who Or What Is Nuts?

 When I became a dedicated cyclist, nearly all bicycle frames were made of steel.  The differences between frames lay, in part, to the kind of steel used.  The best bikes were made of steel that had other elements added to make it stronger, allowing the frame to be made with thinner-walled tubes and therefore lighter in weight.

A few frames were made of other materials commonly used today:  aluminum, carbon fiber and titanium.  But these materials were used mainly in “experimental” frames or bikes built for the “gee whiz” factor.  Since builders and manufacturers didn’t know how to use those materials, the frames either had unsatisfying ride qualities or didn’t last.

Before and since, a few bikes have been made of other materials, sometimes as experiments, other times as jokes.  None, however, can compare to the one I’m about to describe:  one made from nuts.

I’m not talking about the kind you add to your yogurt or cereal.  Rather, I mean the type that thread onto bolts.

So how many nuts did it take to make the frame?  147.

They are joined to make something shaped like a conventional diamond frame.  The head tube and bottom bracket shell, however, are formed from steel tubes, as they are conventional frames.  And the fork ends and dropouts are cut from sheet metal.

After being welded together, the frame was painted Gray and outfitted with mountain bike tires and other gear.  The bike looks tough but I’m not sure I’d want to run it over too many bumps or jumps:  I’d worry about one or more of the spot welds failing.

If nothing else, the bike is a unique conversation piece.  I wonder, though whether it or anyone—or its creator—who’d ride it is more “nuts!”

Back In The Day, We...

 I admit that I've made, oh, a joke or two about Millenials and avocado toast. 

Now that I've confessed as much, I'll say that I actually respect what folks like me in, ahem, midlife call "the younger generation."  They think differently because they know they need to, and I think they'll be fine as long as we don't cook the planet.

That said, I must also say that whenever I see them while I'm riding, there's a good chance they're looking at an iPhone, Android, Garmin or some other electronic device clipped to their handlebars.  I wonder if they can imagine riding without those gizmos.

I mean, how is she going to find her way to Starbucks?

Back in the day, we...

What, And How, We Have Delivered

Today is Labor Day in the U.S.A.  I am going to talk about some people who make their livings on their bikes.

No, this isn't about professional bicycle racers.  Rather, I am referring to messengers and delivery workers.

I was a New York City bicycle messenger for just over a year, in 1983-84.  FAX machines were becoming fixtures in offices and other work (and, in a few cases, residential) settings;  a decade would pass before the Internet would connect them.  Still another decade or so would go by before documents like contracts that required signatures could be sent digitally.

Nearly four decades ago, most restaurant and other delivery workers rode bicycles; so did just about all messengers.  The differences between and among us were in the kinds of bikes we rode.  Some restaurant and pizzeria delivery workers pedaled specially-made industrial bicycles with fitted baskets, most of which were made by Worksman Bicycles, still located just a few miles from my apartment.  Others--and some messengers--rode whatever they could get, from whomever they could. (It was common knowledge that if your bike was stolen, you should go to (pre-gentrified)  St. Mark's Place where, shall we say, one didn't ask questions.)  And then there were messengers who rode the then-newfangled mountain bikes or bikes that seemed newfangled to most people even thought they'd been around since the early days of bicycles. I am talking, of course, about fixed-gear machines.

Such was the case until well into the 2010s.  These days, however, you never see a delivery worker on a pedal-only bicycle:  They're riding e-bikes.  The reason for that is, of course, that most are working, not for the restaurants themselves, but for app companies like DoorDash, who classify their deliverers as "independent contractors."  That means those workers are paid--and their terms of employment depend on metrics the company keeps.  

I, and most other messengers, were paid in the same way.  The difference was that we weren't working for app companies that recorded our every move and turned the data into "metrics."  If we got that contract or sample--or, in one case I recall vividly, a paining from a Soho gallery (Yes, the neighborhood hadn't yet become an open-air mall.) to Judy Collins (Yes, that Judy Collins!) in a timely fashion, we were considered "good" messengers and got more work.  

As the wheels under delivery workers turned from pedal bicycles to eBikes, bicycle messengers disappeared.  I rarely them anymore, even in the Financial District and other dense neighborhoods of Manhattan.  Much of the reason for that is, of course, the digitization of documents.  Not only does that mean much less work overall; it also means that are few urgent or "rush" deliveries.  That, in turn, means customers are less willing to pay more than a couple of dollars to have, say, a sample of a neon hoodie brought to their door.

Photo by Cole Burston, for the Toronto Star

I hope I don't sound like an old fogie (after all this is Midlife Cycling!) pining for "the good old days."  But there is much I miss about the messengering milieu of four decades ago.  For one, I was able to make pretty decent money--which is precisely what enabled me to move back to New York.  For another, it was a job that people like me, a young misfit, could do.  Finally, being an "independent contractor" meant that I was, well, independent:  As long as the jobs I took on were done quickly, people didn't care about how I dressed (though I did try to be neat, as I occasionally entered professional offices) or, for that matter whether I was hung over or high.

OK, now I'll tell you about one of the dirty little secrets of the trade.  In addition to consuming lots of pizza, pasta, rice and beans, french fries and other high-carb foods, we partook of, uh, certain herbal substances.  I haven't smoked weed since, probably, a year or two after I stopped working as a messenger, but in those days, I smoked stuff I rolled myself.  So did just about every other messenger I knew.

(One great thing about getting older is that the statute of limitations runs out on most non-capital offenses!)

I think that for food delivery workers, nearly all of whom are immigrants, there is a more serious consequence. Ebikes are far more expensive than regular bicycles.  Few, if any, can pay for them up front.  So, they are in debt, whether to the dealers who sold them the machines or to whomever loaned them the money.  

Photo by Paul Frangipane, for Bloomberg News

Oh, and even though the New York City Council ruled  that delivery workers for app companies are, in fact, employees who are entitled to minimum wage, unemployment insurance, worker's compensation and other benefits, the companies are simply flouting the law because they know a worker who's in debt and doesn't speak English well or at all is in no position to fight them.

In short, the changes in delivery work--and the near-disappearance of messenger work--has, to whatever degree, contributed to the ever-widening gap between, not just the rich and poor, but also (and more importantly, I believe) between those who can gain a foothold in this economy and move up, and those who can't.  I have to wonder what the young person I was--depressed and angry, unable to deal with office politics or over-entitled clients--would do today.

A Rock Ring? It Sounds Heavy!

As I've mentioned, I worked on and off in bike shops from the mid-1970s until the mid-1990s.  In one of those shops, I came across a bottom bracket lock ring  tool from Hozan.  Like other tools the Japanese company manufactured at the time, it looked sturdy and functional, if not as refined as its Campagnolo or even Park Tool counterparts.  

But it wasn't the finish or design that I remember.  Rather, it was the package.

It's easy to dismiss "Rock" as a simple typo.  But there are still Americans who mock the Japanese for their difficulty in pronouncing the "L" sound which, as I understand, doesn't exist in Japanese.  So I wondered whether the importer or whoever packaged the wrench was upset that some "Rittre Reague" kids from the Land of the Rising Son beat his son's baseball team in a tournament. 

A Tell-Tale Sign

When I first became a dedicated cyclist, as a teenager in the mid-1970s, I knew some men who wouldn't ride because they didn't want to shave their legs.

I would explain that racers did it because, they believed, it gave them an aerodynamic advantage.  Whether or not there is such a benefit, there was another reason for racers to depilate their limbs:  It made cleaning and dressing wounds easier.  But even when I had pretensions to racing, I never believed that it was necessary to shave if one simply wanted to ride a bike.

My body hair has always been so light and fine, and grown so slowly, that almost nobody can tell whether or not I've shaved.  Today I can go for months without putting a blade to my calves and shins:  From what my doctor has told me and what I've heard and read in other places, my hormones and surgery have slowed the growth, which was always slow anyway.

But if you see someone with thickets of coarse hair on his limbs, there is at least one thing you can assume about him:

What's Your Energy Food?

Like many adolescents, I baby-sat.

Two of my regular sit-ees were two boys, Michael and Peter Reck.  (Yes, that was their last name.)  I would ride my Schwinn Continental to their house, where I parked it in the garage vacated by Mr. and Mrs. Reck's Volvo when they went out for the night.

The boys were funny and engaging.  I made some atttempts to be entertaining.  They especially liked my impression of a Sesame Street character:  the Cookie Monster.

I hadn't thought about them, the cookie monster or the fact that I parked my bike in place of the family car until I came across this: 

By Mike Joos, who also did this.

Here's What You Need To Climb The Next Hill

Racers and cycling's trendistas (who generally spend more than they ride) have long been obsessed with having the lightest bikes and equipment possible because they've bought into the notion that lighter=faster.  Now, it's true that a lighter bike is easier to accelerate, all other things being equal.  However, once a bike reaches a given speed, a heavier bike will maintain its speed with less input from the rider: This phenomenon is known as momentum.  But it will also decelerate at a faster rate because of headwinds or other factors.

Anyway, during the 1970s and early 1980s, the obsession with weight led to a fad called "drillium."  It's what it sounds like:  holes were drilled (or slots were cut) into parts to reduce weight.  In most cases, the mass saved--a couple of grams, usually--wouldn't make any difference for any rider save perhaps a time trialist.  

Interestingly, track riders--whom one would expect to be most obsessed with weight-- don't seem to have embraced the "holey" look as much as other riders.  did. If I'm not mistaken, NJS, the governing body for Japan's Keirin racing system, prohibits the practice. And when some companies offered pre-drilled or -slotted parts--like Campagnolo's brake levers--they were actually heavier, if ever so slightly, than their smooth-surfaced counterparts.  The reason, I was told by a company rep, is that the Campy used slightly thicker material to compensate for what they believed was a loss of strength that resulted from drilling or slotting.

That leads me to another point about "drillium:" the parts that were drilled or slotted were usually among the lightest to begin with.  As an example, I've seen Huret Jubilee derailleurs--to this day, the lightest made--with pinpoint apertures in it pulley cages. And the poked and gouged parts were almost always intended for racing.

So, I was surprised (even if I shouldn't have been) to come across this:

Now, the SunTour Vx-GT wasn't porky:  Even by today's standards, it's more than reasonably light for a rear derailleur that can handle a 34 tooth rear cog. (And, it shifted better than almost any other wide-range derailleur made before indexed shifting became the standard.) But that capacity is the main reason why racers and others who rode with narrow-range gearing didn't use it:  If they rode a derailleur from the Vx series, they used the shorter-caged version.

So...I guess someone thought he or she simply had to save weight on the rear derailleur to make up for something he or she carried in a pannier or handlebar bag.  It reminds me of someone I knew who made floats with Haagen-Dazs ice cream--and Diet Coke:  the lack of calories in the latter, she said, balanced out the abundance of same in the former.

As Kucharik Goes, So Has The World Of Bicycling Gone

Steel to aluminum to carbon.

Hand-built wheels to boutique wheelsets.

Hubs and freewheels to freehubs and cassettes.

Quill stems to threadless; threaded headsets to threadless.

The "baselines" for bikes and components have changed so much in the past couple of decades.  While some of those changes are beneficial to some cyclists, too many simply added cost and complication for others.

Those changes have also brought innovators and investors with deeper pockets than the mom-and-pop operations that dominated cycling until the 1980s.  One way you can see what I mean is to look at the sponsors of riders and teams:  Jerseys in the 1960s and 1970s bore the names of local or regional enterprises like Molteni and the bikes and components were made by companies (or sometimes individuals) that were involved mainly, or solely, in the bike industry.  Now bike and component makers tend to be parts of larger conglomerates, and sponsors include them as well as large companies (like Coca-Cola) that have little or nothing to do with the design or manufacture of bikes or parts.

Like all changes, the ones I've mentioned have brought casualties, if you will.  Some once-revered bike, component and accessory makers no longer fabricate their wares in Europe, Japan or the United States--or might build one or two of their most expensive models in their home country while outsourcing the manufacture of their mass-market goods to low-wage countries.  Still others are no longer in the bike business--or in business at all.  

And then there are smaller (what might be called "niche" in other industries) enterprises that ended when the main or sole proprietor--or even employee--retired, died or simply wouldn't or couldn't change with the rest of the industry.  I think in particular of small-scale frame builders like Ron Cooper and Brian Bayliss who had small but devoted followings.

Another change came with the ones I've mentioned. When I first became a dedicated cyclist, nearly half a century ago, high-mileage cyclists almost always wore wool--year round.  Those black shorts you see on cyclists from the 70s were made from it; so were there jerseys.   That, of course, is why bike kit of that time wasn't as flashy as today's:  Since colors and patterns have to be knit into wool, it's much more difficult (if not impossible) to include some of the intricate (or busy) graphics and loud colors you see on the "billboard" jerseys and matching shorts (or bibs) of today.      

During the North American Bike Boom of the 1970s, some companies got into the business of making bike clothing.  Most are gone now--offhand, I can think of Protogs and Weyless.  And there were the European, mostly Italian, makers. One reason the American apparel makers--aside from one I'll mention--didn't last more than a few years was that many cyclists had an attitude expressed by one shop employee I encountered:  "Buy right, buy Italian."  Also, Weyless (which made some nice components) claimed their wool clothes wouldn't shrink.  Well, shrink they did, and it's said that the warranty claims torpedoed a business that was already sinking as the tide of the Bike Boom receded. 

And, honestly, most of the Italian clothes fit (at least folks like me in those days) better. But one American company, almost entirely unknown save to dedicated cyclists, made wool shorts, jerseys, arm and leg warmers and other apparel that were better-constructed with higher-quality wool.

That company was based, seemingly incongruously, in Southern California.  Well, that location seems incongruous to anyone who doesn't understand wool:  Because it wicks moisture, it helps to keep you cooler.  And it keeps more of its insulating qualities than other materials when wet.  That is why it's been worn by people who live in areas that experience both extreme heat and cold, as well as other kinds of harsh weather.

John Kucharik Jr. has been extolling those virtues for the past 50 years.  He's about to turn 69 and, he says, he promised his wife they would "travel and do some stuff." So, although his company's sales grew during the pandemic, he is about to close the business his father, who died at age 93 in 2008, founded 88 years ago. 

That anyone can keep a business going for that long, with the family's surname, while making products that changed little, if at all, is an achievement.  And he's done it with the same workforce--seven people--for the past thirty years.  That, I think, may be a reason why he's closing up rather than selling out:  They're "my family," he says.  "I tell people:  They don't work for me; I work for them."

It will be sad to lose one of the last companies to make bike apparel from wool, or any other natural material (e.g., cotton and leather in the gloves).  But the cycling world will lose something else:  a place that repairs bike bibs, shorts and other items.  "I don't make money on repairs," Kucharik explains,  "I just do it because I do it.  My dad did it; I did it."  Their repairs include replacing or re-sewing pads and fixing zippers.  "[T]hese guys pay $200, $250, $300 for a bib short. They ride it once and they can't ride it again.  A bike shop doesn't want it back."  He said his shop was averaging about 40 such items--none made by his company--a week.

The closing of Kucharik Bicycle Clothing company also is another change in the bike industry.  Call me a cynic, but the more expensive bike clothes (and other items) become, the less durable they are.  And the bike industry has become more like the fashion industry and others in that it seems more oriented to affluent cyclists who won't ride a jersey, a pair of shorts or bibs--or a bike--for more than a season.

 

   

Barelli: Raising The Bar On The Hill

Throughout my life, I've read various books, poems and other works of literature that brought me into other worlds.  Among them are, of course, Shakespeare's plays and Charlotte Bronte's Villette (which I liked even better than Wuthering Heights). Currently, I'm reading Colson Whitehead's Nickel Boys, which brings me into yet another world I can scarcely imagine.

While it wasn't a work of great literature, in its own way the Palo Alto Bicycle catalogue did something similar for me.  Its pages were filled with images and descriptions of equipment even more exotic--and less affordable--than Campagnolo's.  At that time, I probably could've counted, on one hand, the number of Campy-equipped bikes ridden by people I actually knew.  So, in perusing the pages of PAB, I found myself imagining, not only the components themselves, but the folks who rode (or simply bought) them.

Among those parts were pedals that, to this day, I have not seen in "real life" but recently came across on eBay when I was looking for another part. In the mid-1970s, it seemed that every other cyclist with an engineering background, or simply a lathe, was trying to improve in one way or another in what they were spinning in races or club rides.  Among those folks were Bob Reedy, the folks at East Rochester Tool and Die--and Geoff Chapman.

A member of Cambridge (Town & County) Cycle Club in the UK, Chapman owned an engineering firm in nearby Bar Hill.   He would use a near-anagram of that name, with an Italian touch,  for the brand of his products:  Barelli.

At that time, the North American Bike Boom had crested.  Many of classic British builders were still producing their legendary frames, but the country's bike component industry was in steep decline, in part  because some manufacturers didn't update their designs or factory equipment.  As an example, Williams, which made some of those pencil-thin cottered cranksets found on classic British lightweights, finally produced a cotterless crankset--years after Campagnolo, Stronglight, Specialites TA and other companies introduced theirs.   And Sturmey-Archer, which was all but synonymous with internally-geared hubs, was losing not only because derailleurs had become more popular, but also because the quality of its products was slipping. (SA 3-speed hubs made from about the mid-80s until 2000, when the company went into receivership and was bought by SunRace, are all but unrideable.)  

So it was interesting, to say the least, that someone like Chapman would not only try to improve upon the design of what he was riding, but would also produce something worthy, quality-wise, of a Jack Taylor, Bob Jackson, Mercian, Hetchins or Ron Cooper frame.

Barelli Supreme

Barelli B-10

He seems to have produced two models: the Supreme and B10.  The former looks like an amalgam of platform pedals like the Lyotard Berthet and traditional quill pedals.  The latter took a shoe cleat that fit into the body and was secured with a traditional toe clip and strap.  (Shoe cleats of that time typically had a slot that fit onto the pedal cage.)  The B10, perhaps not surprisingly, seems to have had some following among track riders because it had such a secure hold which some described as "impossible to get out of."

That might be the reason why Barelli didn't share the same fate as Reedy and ERTD, whose designs were used by companies like SunTour. While Reedy and ERTD were really just lighter and more aerodynamic versions of traditional pedals (albeit with sealed bearings and a nicer finishes), Barellis--especially the B10--might have been just too radical.  Or the difficulty of dismounting B10s might have reminded them of the Cinelli M71, often nicknamed the "suicide" pedal.

So, while I'd like to see some Barellis in "real life," and might buy a pair if I were more of a collector (or simply had more money), it's probably a good thing I couldn't afford them when they appeared in the Palo Alto Bicycle catalogue.